Tag: DVD Genre Documentary

  • FILM REVIEW | Nureyev

    FILM REVIEW | Nureyev

    ★★★★☆ | Nureyev

    The most famous ballet dancer of all time is spotlighted in the new film Nureyev.

    Rudolf Nureyev was born during the cold, dark days of communist Russia. His talent for dancing was spotted at a young age, and lucky for him, his country wanted to show him off to the rest of the world. While never really hiding his homosexuality, Rudolf was able to travel the world with his ballet troupe, and Nureyez just seemed to lap up the stardom, fame, and money that came along with this success.

    But as we all know, Nureyev didn’t want to be a part of the Russian state, he felt that he, after travelling all over with the ballet company, that he wanted to be free, freedom to him was essential, so while in Paris on a tour, he defected. Yes, he thought about this long and hard, and he knows that when he defects, he would never be able to go back to Russia to see his family, but his decision was final. And thus, he was free, a free man to enjoy a new life in the West, and did he enjoy it.

    Nureyev goes on to show what a life he led; the acclaim, the wealth, and his too close for comfort relationship with Margot Fonteyn, a married British ballet superstar. As the documentary goes to show us, Nureyev and Fonteyn were inseparable. They spent lots of time together, not just on stage but off stage as well. But life had other plans for Nureyev. He was in his early 20s when gay and bisexual men around the world started developing AIDS, and Nureyev, who would die from AIDS-related complications in 1992 (at the age of 54), more than likely picked up the HIV virus in the 80s.

    The documentary filmmakers show us the last days of this superstar, dying and frail, and looking much much older than what he was.

    Nureyev the documentary elegantly, and beautifully incorporates modern dance scenes to play out some of Rudolf’s life events. Ballet dancers, atop a stage in the middle of a forest, play out scenes and events that are being told in the documentary. This storytelling adds to the beauty and dignity of Nureyev’s life. However, Nureyev, the documentary doesn’t even go into detail about any of his gay relationships. Him and arts student Robert Tracy had a two-and-a-half-year love affair, which is not mentioned in the film. Tracy later became Nureyev’s secretary and live-in companion for over 14-years in a long-term open relationship until his death. And there’s no mention of any other lovers nor the hedonistic times he spent dancing at Studio 54.

    Perhaps this is for another documentary. Nureyev, while not completely telling the whole story, is nonetheless a beautiful film about a very talented man who died before his time was up.

    NUREYEV HITS CINEMAS NATIONWIDE | FROM 25 SEPTEMBER 2018 | TICKETS ON SALE NOW: WWW.NUREYEVTHEFILM.COM

  • DVD REVIEW | Interior Leather Bar

    ★★★ | Interior Leather Bar

    Director William Friedkin claims that he had to take his notorious movie Cruising about the gay S&M subculture to the US Ratings Board on 50 occasions before they would give him a ‘R’ certificate that permitted it to be shown in cinemas. Whether that is totally true or not is part of the myth around the over-rated but little seen psychological thriller released in 1980 to great controversy. The gay community was its fiercest detractors, but the critics slammed it too.

    To appease the censors Friedkin was forced to cut 44 minutes of what one assumes from his inference were graphic sexual acts. We will never be sure how accurate that is and gay filmmaker Travis Mathews and actor James Franco never bothered to check with Friedkin when they set about trying to reimagine what the footage may or may not have contained to make this curious new documentary.

    Heterosexual Franco has a growing reputation for his limitless fixation with gay culture and he used his celebrity to pull this very spurious event together. On a day and a half, he and Travis gathered together a bunch of actors – some gay and some straight – stuck them in a warehouse with a script treatment and told them very vaguely to simply get on with it. Franco himself copped out of recreating the main role played by Al Pacino in the original movie and instead persuaded Val Lauren (who has just starred in Franco’s directorial debut ‘Sal’, about yet another gay figure Sal Mineo). Lauren was either alarmingly nervous about playing gay, even for pay, or just following a script, we never really know. But he was uncomfortable to watch, and like others annoyingly kept repeating that he had only agreed to the project because of James!

    The gay members of the cast had joked that they had only agreed to take part in the hope of seeing Franco naked, but that wasn’t going to happen. He pontificated excessively before the shoot intellectualising about sex, but on the day itself, he part filmed a scene where a couple of guys are going full at it, before totally disappearing. Incidentally, most of the hour long running time is taken up with all the behind the scenes angst than the actual ‘missing footage’.

    This is not the first vanity project by Franco, He made an experimental film from scraps that Gus Van Sant cut from My Private Idaho, and the main question I can only raise about his intentions with all of this, and the making of this film is, WHY?

    Available to buy / view on: Amazon