THEGAYUK

Tag: Gay Plays

The latest reviews and news about gay plays in London and around the UK.

  • THEATRE REVIEW | Passing By, Tristan Bates Theatre

    ★★★ | Passing By, Tristan Bates Theatre

    ‘Passing By’ is an early work from award winning playwright Martin Sherman (Bent, Mrs Henderson Presents) that was first produced in New York in 1974. In terms of theatrical history, this play was hugely significant.

    Rather than being a play about homosexuality itself, where gay people were portrayed only as being tortured and struggling with life, this play is a romantic comedy where the characters just happen to be gay men. This was ground breaking stuff for the era it was written in.

    Toby (Rik Makarem) is a hypochondriac artist about to leave New York for a sabbatical in France and Simon (James Cartwright) is a diver, visiting New York to apply for a job as a sports reporter. The pair meet up, sleep together and then experience a bout of acute hepatitis which brings them together in spite of their differences in temperament.

    It’s a sweet play and is touching in parts but for me, the humour felt a little dated at times with a sit-com feel to it and some of the comedic moments seemed to fall slightly flat with the audience. The staging was superb with a clever set which captured the early 1970’s period well and made good use of the intimate space of the Tristan Bates Theatre but at times the acting felt almost too exaggerated for such a small space with slap-stick humour which again failed to fully deliver.

    Overall, I’d say this is a play which is worth seeing as a diversionary period piece and as an example of an early work from a fantastic pioneering playwright who has contributed a huge amount to modern theatre.

    You can catch ‘Passing By’ at the Tristan Bates Theatre until the 30th of November 2013

    Buy tickets here: http://www.tristanbatestheatre.co.uk/passing_by.asp

  • THEATRE REVIEW | As Is, Finborough Theatre

    Twenty-five years ago, the gay population in the USA was facing an unprecedented medical crisis, one that threatened to kill off the entire community.

    A new disease had immerged, its origins were little known and any sort of cure or treatment for its symptoms was still a pipedream too far for all of its victims. By 1987, the year As Is first played in London, Act Up, (the Aids Coalition To Unleash Power) reported that over 41,000 people had died because of this new virus, HIV, which essentially killed the immune system, leaving the person unable to fight off disease and infections.
    From this tragedy some incredible human stories were unfurled, astonishing artwork and heartbreaking literature was created out of the despair that was the 1980’s Aids epidemic.

    As Is, written by William M. Hoffman, is reportedly the first of a long line of awarding winning plays which hopes to explain the suffering that this ravaging thief of a syndrome caused; not just to it’s eventual victims, but the people who were around to see their once vibrant friends, family and lovers die, one by one in unimaginable pain.

    The story centres on the rekindling relationship between two ex-lovers Rich (Tom Colley), a young writer, just about to enjoy the success of his writing and his long-time lover Saul (David Poynor), a professional photographer. After Rich discovers that the disease that has destroyed so many of his friend’s lives has struck him, he returns to Saul for sanctuary.

    Both Colley and Poynor offer up extraordinary performances, the frustrations and imprisonment of both Rich and Saul’s situation bubbles through their words and actions. Their combined anguish is palpable and fiery, but amidst the anger, there are moments of pure intimacy, beautifully played and honoured.
    The ensemble cast are outstanding particularly Anna Tierney, who plays a variety of roles. Her more understated performance was a humbling reminder that not every PWA (person with Aids) was a gay male living in New York, but sometimes, as the syndrome drove its way into traditional America, a mother-to-be, caught up in the nightmare.

    The spirited supporting cast includes: Tom Kay, Paul Standell, Clare Kissane and Jordan Bernarde, who offers a breakthrough performance of a brother coming to terms with his sibling’s demise. Stylistic ensemble set pieces, keeps As Is’s aging gay references contemporary, by giving them tongue-in-cheek nods to caricatures we know, love. The fluidity of the cast’s reaction to the drama is a thoughtful way to ensure that today’s audience easily assimilates the play’s sometimes-dated and American centric humour.

    Beneath the surface of Andrew Keates’ direction lies a pacey, raw anger. Each line and utterance demonstrates one of the most honest emotions to emerge from the Aids epidemic in the 80s. The show’s design, by Philip Lindley, is a perfect metaphor, mirroring the end stages for the victims of Aids and the government’s inactivity in responding to the crisis – a crumbling building, dying from the inside and largely ignored.

    It’s almost impossible now for this generation of gay men to imagine losing their lovers and closest friends to an unstoppable virus – the frustrations of the 80’s gay community seems so distance, yet in the mere 25-year time lapse from this play’s first outing in London, it still feels fresh, raw and vitally important.
    As If runs at the Finborough Theatre until 31st August 2013
    http://www.finboroughtheatre.co.uk

  • THEATRE REVIEW | Up4AMeet?

    Up4aMeet? – An Evening of Naked, Gay, Laugh-Out-Loud Comedy

    The Up4aMeet? Cast: Chris Wills, Penny Tasker, Lloyd Daniels, Nikki Grahame, Michael Blore & Benedict Garrett)

    It’s #NakedAugust month here at The Gay UK, so I decided to go along and see Up4aMeet? the hilarious naked gay play.

    Grant (played by the brilliant and sexy Chris Wills) finds it difficult to talk to gay men in reality. But on his favourite app ‘The Cock Shop’ he can be himself and even find out how many metres away his nearest gay man is. ‘The Cock Shop’ is described as a gay man’s sweet shop; with a few clicks a man can be delivered to your door.

    Carlos (played by the well-endowed Benedict Garrett) is Grant’s Spanish & naturist flatmate who also is a big fan of ‘The Cockshop.’ For Carlos life is all about the sex. Carlos has a strict aversion to clothes and stripped every time he walked onto the stage. He was practically naked throughout the entire show.

    Caroline (played by the fantastic Penny Tasker) is a broke Celebrity Agent who is Grant’s best friend and lives in the apartment downstairs. She represents a number of reality-TV celebrities including Stacey Granger (Big Brother’s Nikki Grahame) but is failing to find work for any of them.

    In the apartment next door is old queen Julian (played by the suitable Michael Blore). Julian is obsessed with Dame Shirley Bassey. His obsession extends to playing Gold Finger constantly, having a cardboard cut-out of her and a toilet seat that he’s made for her as a gift. Julian decides he’s getting a flatmate and ends up with Scott (X-Factor’s Lloyd Daniels).

    Up4aMeet? has nudity from the start with Grant being caught by Caroline taking a rude picture of himself for his ‘Cock Shop’ profile. Grant and Carlos accidentally switch phones and the hilarity begins. The characters attempt to deal with their own problems throughout the more than two hour show, amusing the audience along the way.

    The comedy that causes the audience’s incessant and side-splitting laughter is derived through gay stereotyping. Yet despite this stereotyping, the characters are believable and had a reasonable amount of depth – which is a tremendous credit to the writer.

    All of the characters are a bit zany including Carlos who had a bit of a dodgy accent at times. But he made fun of it himself and managed to get a few chuckles from the audience. Caroline had some great, sharp one-liners and is a constant source of entertainment throughout. One particularly funny scene of Caroline’s that springs to mind involves an eye patch and a glory-hole.

    Scott (Lloyd Daniels) was mostly eye candy and played a far too small role in the play. We don’t see Scott on stage until mid-way through and he barely has any dialogue. Scott (Lloyd Daniels) is the only male member of the cast who doesn’t get fully naked – sorry boys.
    The cast’s acting was splendid and they all made good eye contact with the audience – despite the difficult layout of the venue.

    The ending was dramatic, full of twists and turns with plenty of humour and a reminder that: you never really know whom you’re talking to online.

  • THEATRE REVIEW | Torch Song Trilogy

    As I sat to eat at the Menier Theatre’s restaurant, I was told by my companions for the evening, that I had indeed seen this show before. Had I? Gosh, I really need to stop drinking wine it’s giving me entire artistic black-outs.

    (more…)