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Tag: Three Star Dance Theatre Review

The latest Three Star Dance Theatre Review from THEGAYUK.

  • THEATRE REVIEW | Wayne McGregor’s Random Dance: FAR – CAST Theatre, Doncaster

    ★★★ | FAR – CAST Theatre, Doncaster

    Based on an 18th-century text, Flesh in the Age of Reason, (hence the acronym, FAR), choreographer Wayne McGregor’s piece ventures into the relationship between the flesh and the mind. Utilising a backdrop of a pin board of thousands of LED’s, glistening and twinkling like the firing of neurological pathways, a troupe of ten incredibly agile and flexible dancers intertwined and knotted together their bodies as they conveyed how ideas are formed and spread into the physicality of creativity.

    Minimalist lighting enhanced the piece, showcasing the dancers and their incredible suppleness. The fluidity of their movement was visually intriguing as they contorted their bodies in a heady mix of extended limbs, ripples and head rolls, working throughout the performance with a professional determination and intensity. The piece left me in no doubt as to the talent of the cast, with their precision movements and the sheer power of their toned and muscular physicality contrasting with the flaccidity of some of their more exaggerated double-jointed dance steps.

    The accompanying soundtrack started promisingly, with subtlety and a classic feel to it, as a duet of barefooted dancers performed a tender routine flanked by four torch bearers, but soon descended into a more industrial auditory landscape, with its constant clatters, pulses, bangs and harsh rasps which assaulted the audience with little discernible melody. The brief respites of a more traditional score were occasional and welcome, but not frequent enough and one could only think about how different the piece could have been with the addition of a more forgiving acoustic accompaniment.

    The piece is challenging, with an absence of an easily identifiable narrative and a feeling of a number of short pieces knitted together, but it ultimately left me feeling somewhat confused, with the theme of the interplay between art and science being conveyed less precisely than the movements displayed on stage. However, where McGregor does succeed is the demonstration of what can be achieved by the body when pushed to its physical limits in tandem with allowing the mind to be creative; and whether you appreciate the abstract nature of the piece or not, there is much to be admired in the physicality of the performance created.

    More information on the company can be found at http://www.randomdance.org/home . FAR was viewed at Doncaster Cast Theatre; who has a varied selection of mainstream and niche productions in their current season.

  • THEATRE REVIEW | Moscow City Ballet presents The Nutcracker – Sheffield Lyceum & National Tour

    ★★★ | Moscow City Ballet presents The Nutcracker – Sheffield Lyceum & National Tour

    The Nutcracker tells the story of Clara, a young girl who is magically whisked away to a land of snow, flowers and fantasy, where she transforms into a princess and falls in love with the nutcracker prince. This classic ballet, with the score written by perhaps Russia’s most famous composer, Tchaikovsky, is lovingly performed by The Moscow City Ballet as part of their 25th Anniversary tour.

    The score to the piece by Tchaikovsky remains as bold and as enchanting as ever, and sounded beautiful performed by the note perfect live orchestra. A number of the pieces are instantly recognisable and will be familiar to most people, given how embedded they are in popular culture. The music remains powerful and emotive and enjoying and appreciating it was one of the highlights of the evening.

    As for the ballet itself, the first act focussed more on the narrative of the story, with Clara attending a Christmas Eve party where the guests are enthralled by her godfather’s magical, mechanical toys. During the first scene of Act 1, the full stage was awash with activity, which, whilst it looked impressive, sometimes led the audience to miss various things, as there was a lot happening simultaneously. Scene two, which finds Clara in a snow filled wonderland, was absolutely delightful with the female ensemble cast performing a stunning routine. Act 2 was more focussed on the dancing itself and it was during this act that the score and orchestra came into their own. The recognisable pieces of music came relentlessly and were accompanied by some charming routines – the highlight again being the female ensemble cast.

    Principal dancer Kanat Nadyrbeck performed well as the mysterious Drosselmeyer, but unfortunately, the ballet as a whole had far too many stumbles, heavy footfalls and overbalances than you would expect from such a prestigious company and the choreography seemed almost clunky at times. The gracefulness of the scenes with the female ensemble juxtaposed sharply with some of the other scenes and there were times when the synchronicity of the cast was not as well timed as it could have been. That said, the cast were enthusiastic and worked hard throughout the show, some of them displaying some spectacular leaps and bounds. There were also times when the principal dancers spent far too much time encouraging applause following a set piece, which interrupted the flow of the ballet and the story and seemed to give a stop/start feel to the second act.

    Proving itself to be a more traditional style of ballet, the show was still charming and engaging and as a whole was enjoyable, but, unfortunately, not without its flaws.

    As part of their 25th Anniversary tour, Moscow City Ballet is performing a quartet of traditional ballets in a variety of venues around the Country. The Nutcracker, Don Quixote, Romeo and Juliet and Swan Lake are all being performed.

    The Nutcracker continues at the Lyceum Theatre Sheffield until Saturday 11th January 2014 and tickets and details can be found at http://www.sheffieldtheatres.co.uk/event/the-nutcracker-14/ . The tour then continues around the country and details can be found at http://www.ents24.com/uk/tour-dates/moscow-city-ballet

  • THEATR REVIEW | Northern Ballet’s Cinderella – Leeds Grand Theatre

    ★★★ | Northern Ballet’s Cinderella

    In a magical retelling of Cinderella, the well-known story is transported to Imperial Russia, whereby following a shooting accident, Cinderella’s father dies and she falls victim to the wicked ways of her evil stepmother. But with Prince Charming looking for love, will Cinderella make it to the ball?

    Northern Ballet’s sumptuous production of this beautiful and original ballet is a festive treat and provides a fresh take on an established story. The story itself is familiar but there are a number of aspects which not only elevate this production but which also refreshes the classic fairy tale. The fairy godmother is replaced by a cunning magician, the coach is pulled by huskies and; with the transportation of the story to Russia, the ballet provided a number of scenes set outside the kitchen and the ballroom – including a graceful sequence set on a frozen lake, with the cast “ice skating” across the stage and a carnival scene allowing the stage to be awash with dancers performing a variety of magic and circus skills.

    The show was choreographed in beautiful fashion, with superb performances from the cast, all of whom were technically excellent in their dancing. Flashes of Russian dance inspired moves allowed the choreography to be relevant to the setting but never in a way which intruded on the traditional ballet. In terms of the cast, the highlight was Pippa Moore who gave a powerful and commanding performance as the wicked stepmother, portraying the character superbly, demanding the attention of the audience and coming across as icy and vindictive. The remaining cast had mastered a number of other skills, including stilt walking, juggling and acrobatic balancing for the carnival scene. The first act of the show was more narrative based, setting the scene for the second act, which was more focussed on the dancing, including a superb opening number in the ballroom and an elegant dance between Cinderella and the Prince.

    The original music was skilfully performed by the live orchestra, with the score ably portraying both the story and the emotions of the piece as it resonated around the opulent Leeds’ Grand Theatre. This production felt like not only a ballet, but also like a classical concert. As always the costumes were put together incredibly well and the whole production was filled with class. One of the strengths of Northern Ballet is their ability to convey the narrative of the story throughout the ballet which makes the whole thing accessible to all. Aside from the dancing, there are enough additional aspects to the show to hold the attention of those who are not necessarily the biggest fans of ballet.

    As a piece of theatre, this show was enchantingly staged and provided a delightful evening with a number of magical moments and an abundance of charm.

    Northern Ballet’s Cinderella is currently playing at Leeds Grand Theatre until the 4th January 2014. Tickets and more information can be found at http://northernballet.com/?q=cinderella