Day: 26 August 2015

  • COLUMN | Sticks And Stones

    I got called a faggot on the bus home last week. I was quite amused actually. It felt so retro and dated. I’ve almost grown to love some of these quaint old words for what I am. Maybe I’d have liked it less had I been alone at night somewhere less crowded.

    I was with my partner on the bus and a group of six teenage boys were misbehaving, shouting out remarks and jumping across the aisle punching each other. To summarise, I got a bit uppity when they started talking about girls they’d like to bang (their words) and how they’d go for the ones who couldn’t fight back and would just lie there and take it against their will.

    I have these moments when I see red (usually in cinemas, on public transport or when I get bad service) and struggle to hold my tongue. I contain my anger and am usually quite assertive and reasoned. I attack the issue like I’m a middle class woman in M and S complaining to a young whippersnapper of a boy about a bad lettuce, cold and aloof.

    Naturally they called me a faggot amongst other things. They would do. It’s the easiest target and requires no wit or thought and although I’m not over the top camp, I’m easily identifiable as gay. Had I been fat or old then that would have been mentioned as an insult. We’re allowed to call people fat or old too as well as shout homophobic remarks. The word itself didn’t offend me although the venom it was spat out with took me back slightly. They surmised that I took it up the arse (good guess boys!) and had a backside like a wizard’s sleeve (bad guess and unoriginal cliché). I generally just felt that they were making idiots of themselves and felt faintly amused but maybe I should have been more angry and affronted?

    I spent much of my teenage years having names shouted at me at school by other children and occasionally by teachers. It was the 1980s. Homophobia came as standard. I came out aged 15 at a comprehensive school in the Midlands. It was going to happen. Were you to ask me my nickname at school I would reply Poof or Gaylord. I always laugh it off (and tried to at the time) but it was actually not much fun at all and at times left me feeling vulnerable, despised and tearful. My parents also had a cache of anti-gay names they’d hurl at the TV when Boy George was on Top of the Pops or bandy about at the dinner table. That was never very comfortable either.

    Working in a shop in my teens, there was a regular customer who’d come in to try to shoplift. If I spotted him and got in his way he’d shout “Yo! Battyman!” I didn’t know the term and thought it was an affectionate nickname so would always wave back and smile.

    I still get a knee jerk reaction when I hear homophobic terms. They take me back and raise a tiny hackle or two. I’ve tried owning them and that works to an extent. Calling myself queer or poofter does have a strong disempowering effect on the words. My friends affectionately call me names too which is fine by me. Who can blame them if I call them myself or my friends too? I recently posted a photo of myself on a social networking site wearing a cravat (it was vintage chic, before you start getting funny about it). The comments generally followed the theme of “You are so GAY!” I’m not sure that’s an insult. Is there anything wrong with being gay? I am gay. It’s a fact. Maybe there’s something wrong with wearing a cravat, but it did match my blazer well and bought out my eyes.

    My pet hate currently is the use of the word “gay” to denote “crap”. It sends out a terrible message and is regressive in every way. I hate how people in the media have got away with using it too. I wince when I hear people on the bus calling things gay. I once asked an acquaintance who used the word in that context what she meant and she said by saying gay she meant “crap”. Goodness that made me feel warm inside. I avoid her now.

    Words do have a lot of power and the old saying is wrong. Names can hurt you just like sticks and stones but maybe in different ways. Look at the statistics of mental illness, suicide and drug and alcohol abuse in gay people and consider what it is makes us prone to these problems. It doesn’t take much thinking to see that the undercurrent of both explicit and implicit homophobia is a major culprit.

    I’m not 15 anymore. I can cope with name calling better than before. The thing is though, I’d really rather not cope with it at all.

    Chris Bridges is a regular writer for TheGayUK and also writes more of his observations on his blog: http://www.gayboyinterrupted.blogspot.co.uk/

  • Donald Trump As A Drag Queen IS The Best Thing That Ever Happened

    Suddenly we’re interested in who is in the running to be the US’s next President. Especially if Dame Trump wins…

    Of course we’re not pledging for Trump (or any particular candidate, non-bias news reporting you know) but we can’t help but think that this drag look would certainly add a little jazz and panache to the White House, which has been sadly lacking in shoulder pads since Barbara Bush.

     

    The YouTubes have become awash with people getting out their photoshop and showing some major skills.

    Donald, you must contour for your life.

  • This Church Had An Amazing Response To Homophobia Graffiti Sprayed On Its Doors

    A church has responded perfectly to homophobic graffiti sprayed on its doors, by painting a brightly coloured rainbow over it.

    (more…)

  • THEATRE REVIEW | Dirty Rotten Scoundrels, The Musical

    With just the right balance of charm, smarm and quintessential Englishness, Michael Praed plays Lawrence Jameson, a con man who spends his time in the French Riviera swindling money from the rich women using his good looks, his faithful partner in crime, Andre (Mark Benton) and a tired old story about him being the Prince of a revolution-torn country.

    His unchallenged reign as king of the swindlers comes to an end with the arrival of Freddy Benson (Noel Sullivan), an uncouth, inexperienced and rough around the edges con man hoping to make his fortune. Lawrence agrees to take Freddy under his wing, but their initial prosperous partnership falters when they enter into a bet to see who can swindle $50,000 from a young lady first, leading to an increasing rivalry between the two.

    Utilising a versatile, art deco influenced set which ably adapted to define a large number of specific locations, this production contained a set of decent, toe tapping and comfortingly familiar sounding songs, with snappy lyrics and lively presentation. The opening number, “Give Them What They Want” set the tone nicely, and the cowboy inspired ensemble piece “Oklahoma?” was a delightfully flamboyant, camp and fun number with its tongue planted firmly in its cheek, proving to be a highlight of the show.

    The show blended both a witty script packed with one liners and a lot of physical comedy; providing a number of genuine laugh out loud moments. The three leads were well cast, with Praed really impressing with his natural performance, Benton being as reliable as ever as the comedy sidekick, and Noel Sullivan putting in an unexpectedly impressive and confident turn.

    What I did like about this show was that the set, presentation, tone, structure and even the musical numbers were steeped in the traditional elements of the classic musicals, giving the whole thing a feel of familiarity, but the characterisations went over and above the usual musical fayre, the story was more in depth and the departure from the usual “will they/won’t they” love story made a pleasant change. My only real criticism was that the second act couldn’t quite match the pace of the first act, and was more uneven in the spacing of its musical numbers, leading to the latter act feeling a little stretched out, particularly as the show drew to a close. Cutting ten minutes out of the second act would have made all the difference.

    It was with some slight apprehension that I approached Dirty Rotten Scoundrels – a musical based on a fairly mediocre late 1980’s film which I never particularly liked; a lengthy running time and a handful of unfamiliar songs. But one of the things I love about theatre is its constant ability to surprise, and this production was no exception.

    Overall, Dirty Rotten Scoundrels proved to be remarkably fun, coming across as an odd hybrid of Hairspray, The Producers, Top Hat and High Society. Far better than the film on which it is based, it transpired to be a show which I enjoyed it far more than I ever thought I would.

    Dirty Rotten Scoundrels is currently at Sheffield Lyceum until the 29th August 2015 (www.sheffieldtheatres.co.uk) before continuing on its national tour until 28th November 2015. For details, see the official website at www.scoundrelsontour.com

  • Gay Rugby World Cup documentary SCRUM to open Iris 2015

    Organisers of the Iris Prize Festival have confirmed that the Cardiff based LGBT film festival has adopted a rugby theme for their opening night to coincide with the Rugby World Cup. Supported by the Welsh Rugby Union, who allowed the festival team to film their cinema advert at the Millennium Stadium, the 2015 festival will open with the rugby documentary Scrum.

    (more…)

  • Political Pride, An Alternative Pride In Manchester This Bank Holiday

    Since it began in 1995, Manchester Pride has grown into the UK’s largest pride event. The four days of the August Bank Holiday weekend sees teams of thousands descend on the city to party and watch performances from the likes of Texas and Danni Minogue.

    But with a tagline of Taking Pride Back To Its Roots, just a short walk from Manchester’s famous Gay Village, this year a team of volunteers are running a free two day event for the LGBT community called Political Pride. It’s designed to be an alternative to the commercial, mainstream weekend programme taking place around Canal Street.

    Catherine O’Donnell, one of the organisers of Political Pride explains where the idea came from.

    “It was originally conceived by LGBT Youth North West. They have a lot of young people who take part on their float in the parade every year but after it’s finished there is nowhere for them to go as they’re under 18”

    “So this is an alternative space for them or people who don’t want to drink or those who want to think about what Pride was originally’’

    With a weekend of events including international film screenings by Queer Story Showcase, spoken word performances, workshops and discussions, activism is very much at the heart of Political Pride.

    ‘’One of our events is a panel discussion called Where Do We Go From Here? For example, after same sex marriage, there are still problems with that legislation especially for the trans community. So we are thinking about what are the next things to fight, not just in the UK but globally as well. There is still obviously a lot of homophobia”

    “We want to connect historical events to what’s happening today and inspire for the future.”

    Amongst all the serious discussion, the organisers are also keen to stress that there is much fun to be had at their weekend of events, especially bearing in mind that with Manchester Pride taking place around the bars and clubs of Canal Street, they’re programme is very much created with young families in mind.

    “There is a picnic in the park. And we have an indoor space too so if it rains it doesn’t matter!

    And there will be a lot of arts and crafts. We’re going to be doing some banner and badge making, thinking about the political side of art and how it can be used to make protest materials.

    Plus great news for fans of Great British Bake Off. Political Pride is presenting an opportunity to show off your skills. With a twist.

    Catherine O’Donnell explains,

    “On Sunday we have a cake competition. There will be prizes for the best tasting cake but also for the best political slogan. It will be very competitive. Make Cake Not War!!!”

    With support from Proud 2 B Parents, LGBT Youth North West and Manchester Metropolitan University, the overtly activism focused side of Political Pride will certainly not be to everybody’s taste. But on a weekend when the gay community are at its most visible in the city, an opportunity to hear different voices and perspectives can only be a positive step.

    Political Pride takes place in venues in Manchester City Centre on 29th and 30th August.

    More details can be found on their website http://politicalpride.weebly.com

  • THEATRE REVIEW | The Clinic, Kings Head Theatre

    What happens when you go to a clinic? Well, if you’ve been taking drugs and having lots of unsafe sex, then you might be more likely be HIV+. The new play “The Clinic” explores this scenario, and so much more.

    Not so much a play but more of a health education lesson, “The Clinic” is produced by David Stuart, the Lead Substance Use Advisor at 56 Dean Street (a London sexual health clinic based in the heart of Soho), and written by Patrick Cash (writer for QX Magazine).

    We are introduced to characters that we may recognize and identify with, portrayed by a cast of London scenesters. DJ Stewart Who plays a sexual health advisor at the clinic; he used to be a drug addicted party animal but now he dispenses HIV advice and results to men much younger than him.

    Then there’s the wealthy businessman (Matthew Hodson) who enjoys sex with young men and thinks that he can buy them his love and affection. He’s also in HIV denial.

    Zacharian Fletcher is the confused young man, an extreme party boy who likes to go clubbing and take drugs, not necessarily in that order. He’s also into chillouts (orgies). And he’s got HIV. He meets (via Grinder) Damien Killen’s character, a young respectable guy who seems to have a good head on his shoulders, is handsome with a good body, who came to London only to somehow become HIV+. He feels like he’s no longer desired but now damaged.

    Then there’s Shirley (Pretty Miss Cairo). She runs a Vauxhall beauty clinic which acts as a sanctuary for the drugged out boys when the clubs close.

    These characters may not be real people, but they are composites of characters that Cash met and interviewed after 56 Dean Street commissioned him to write this play. He interviewed not just the people who work at the clinic but some of the patients as well.

    It’s a bare bones production, played in the very warm King’s Head Theatre in Angel (take a bottle of water with you, and a hand fan). And the cast should be admired for taking part in this play. It’s difficult at times to hear some of the dialogue (Stewart Who seems to be muttering his words while Fletcher is so soft-spoken I could hardly hear him at all), but Hodson (who is perfect as the villian), Miss Cairo and Killeen more than make up for the play’s faults.

    And as you enter the theatre before the play starts, you are given a glossary of terms referred to in the play. There were several words in the glossary that I had never heard of before, so I did learn something new by going to see the play ‘The Clinic.’

    It’s a perfect setting for a gay play, a place where we’ve all been to.

    ‘The Clinic’ is now playing at the Kings Head Theatre in London until August 29th.

    To buy tickets, please click here: