THEGAYUK

Author: Monty McKinnen

  • THEATRE REVIEW | Everybody’s Talking About Jamie

    THEATRE REVIEW | Everybody’s Talking About Jamie

    Everybody's Talking About Jamie London review

    Rating: 5 out of 5.

    Jamie is advised, by his career’s teacher that the best option for him, is to pursue a career as a forklift driver. Foolishly, despite the possibility of being surrounded by a plethora of fit warehousemen, Jamie opts for the more humdrum life of a drag artist!

    He then decides, with some prompting from his best girl-friend Pritti, to attend the end of school prom in a dress. A slinky white number more akin to Wimbledon than a prom but hey, it’s a drag themed musical, so bitching’s my prerogative.

    While shopping for a prom dress, he’s persuaded by Hugo, the shop owner and a retired drag veteran, to perform at the Legs Eleven cabaret show, in Sheffield, yes I said Sheffield, not Berlin in the ’30s but Sheffield! Despite last-minute anxieties, his performance is a success and well met by all his classmates. Thus giving momentum to his dreams of a Martina Navratilova prom night.

    However, throughout all this, he had an erroneous belief that his dad had been holding a torch for him. A belief urinated upon from on high, when on a surprise visit to his dad, it becomes apparent that Jamie’s mum had been sending birthday and Xmas gifts addressed as his dads. With devastating effect, his dad tells Jamie, he never supported him or sent any gifts, quite the reverse, that Jamie had always been an embarrassment which is why he abandoned his mum to start a new family.

    -Exit stage left: A very distraught Jamie.
    -Que: More heart-wrenching tunes.
    -Exit handbags: Copious amounts of tissues.

    Through the course of the show, one grows proud of the protagonist’s ability to grow a tough skin in the face of adversity, particularly from the main antagonists, his homophobic dad and fellow schoolboy Dean, who adds racism to the smouldering pot of jealousy and hatred. All controversial topics which were deftly and eloquently handled by Jamie and his fellow classmates.

    The audience roared with approval when Jamie delivered a bitch slapping, Kung Fu kiss to his would-be assailant, Dean, during one such attack, which sent him packing with his tail between his legs.

    The show culminates with a feel-good finish. Our princess does go to the ball and it all ends with a sprinkling of fairy dust and happy thoughts.

    The talented kids in the show bring intense levels of energy and high octane dance routines whilst the senior members of the troop keep it grounded with solid acting performances, to a great storyline that bravely tackles all sorts of current and controversial issues in a positive manner. A clever use of set and stomping songs all contributed to the deserved awards this musical has won.

    Noah Thomas who plays Jamie, is a master of the eight-inch high stiletto strut and snuggles naturally into character, whilst other mentions must go to Mellisa Jacques (mum Margaret) who gives a memorable and lung-bursting rendition of “He’s my boy” and audience favourite, Hiba Elchikhe who plays Jamies best friend and her performance of “It means beautiful”.

    Already booked to see it again!

    Most of the original cast have taken the show on tour, so do make the effort to catch it when it visits your town!

    Five Stars from me!

    Book tickets to see Everybody’s Talking About Jamie here

  • THEATRE REVIEW | The Kite Runner, Wyndham’s Theatre

    ★★★★ | The Kite Runner, Wyndham’s Theatre

    The Kite Runner tells the story of Amir, a young boy played by Ben Turner,  growing up at the beginning of the troubles, in Afghanistan. When the Russians invade he is forced to flee with his ailing father or “Baba” (Emilio Doorgasingh) and begins a new life in the US where he finds a bride in what should be a happy ever ending. Unfortunately, Amir is also accompanied by a burdening baggage of guilt as a result of a set of lies and deceit, a secret known only by his father’s dear old friend Rahim (Nicholas Khan) who remained in Kabul.

    Amir’s mother had died during Amir’s birth, so he was brought up by Baba and father and son servants, the later Hassan (Andre Costin) of whom had developed a strong and loyal bond with Amir which is pivotal to the storyline. However, Amir betrayed that loyalty after witnessing an outrageous act on Hassan by a local gang of youths, who’s ring leader Assef (Nicholas Karimi) and Amir’s nemesis, reappears in an added twist later in the story when he is compelled by Rahim to return on a dangerous mercy mission to Kabul, now inhabited by the Taliban.

    The adaptation is brave as it’s a narration by Amir of his journey from boy to man and the tragedy that unfolds. This is a common style for Asian story telling but there is a danger that narration can be plodding and almost “sermon-esque” but Mathew Spangler seems to have struck a perfect balance between the story telling, flash-backs and cleverly choreographed crowd scenes that echoed the atmosphere and rhythms of Husseini’s novel, helped by a strong performance from Ben Turner and the supporting cast. The stage set is minimal with a kind of skateboard park half pipe that cleverly allows an illusion of height and depth for the performers to work off especially during the kite flying and action scenes, the backdrop a giant movable kite that had patterns projected on to it that complimented each scene.

    Tragedy upon tragedy lent to a relatively high tear jerk rating but this was pleasantly interspersed with humour from the characters who seemed to grow in confidence as the performance progressed and they connected with the audience.

    My only minus point about this stage version is that Husseini’s novel addressed other issues head on, shaking a fist at the revolving door of invaders that ruined what was once a beautiful country and a Mecca for travellers seeking enlightenment with a steady bustling economy and the subservient divide between Sunni and Shia, issues that were incidental and merely form a backdrop in this stage version, but were what made the novel a hot potato. However, to encapsulate the novel in its entirety on stage is too big an ask!

    I cannot sum up without mentioning the wonderful and often hypnotic percussion accompaniment from Hanif Khan that gelled the performance, beautifully done.

    I recommend this play, well written, and with strong performances throughout. I have already booked my return ticket!

     

    The Kite Runner runs at the Wyndham’s Theatre until 11th March.