THEGAYUK

Author: Tim Baros

  • The 59th BFI London Film Festival begins on Wednesday

    The program for the 59th BFI London Film Festival is another stellar lineup of must-see movies starring the world’s hottest stars, and includes several films with Gay & Lesbian content:

    It’s a rich and diverse lineup that includes a total of 238 fiction and documentary features, including 16 World Premieres, 8 International Premieres, 40 European Premieres and 11 Archive films. Taking place from Wednesday 7 October 2015 to Sunday 18 October 2015 at various venues across London, also included are talks and seminars and special presentations.
    The festival opens with the premiere of the eagerly anticipated Suffragette. An all-star cast brings to life the early UK feminist movement as they fought for their right to vote. Carey Mulligan (who is a shoo-in for an Oscar nomination for this role) stars alongside Helen Bonham Carter, Anne-Marie Duff, with a cameo by Meryl Streep. Screenplay by Abi Morgan (The Iron Lady, Shame).

    Gay & Lesbian themed films to be shown at the festival that might be of interest to you include:

    Tangerine

    A tale of two transsexual sex workers on Santa Monica Boulevard and the friendship they have amidst their dangerous profession.

    Carol

    Carol tells the simple story of a 1950’s department store clerk who falls for another woman. This one stars the can’t miss Cate Blanchett, and is directed by Todd Haynes (Far From Heaven). With Rooney Mara.

    Chemsex

    A documentary that takes a look at London’s gay sex and drugs scene. It will do doubt cause lots of conversation and controversy.

    Grandma

    Lily Tomlin is back on the big screen playing a sharp-tongued, foul-mouthed Lesbian poet in her 70’s, who also happens to be grieving over the death of her long-term partner, and is interrupted by a visit from her granddaughter.

    Gayby Baby

    A documentary that follows the lives of four Australian children whose parents all happen to be gay.

    Aligarh

    This film follows the downfall of a male college professor after he was found in bed with his male-rickshaw driver lover. It’s one of the few films ever that has dealt with the Indian gay male experience.

    Closet Monster

    A troubled teenager falls for a new boy at his work which makes his life even more confusing. He has conversations with his pet hamster, voiced by Isabella Rossellini.

    Other movies being shown at the festival include:

    Trumbo

    Breaking Bad’s Bryan Cranston stars as Dalton Trumbo, a screenwriter in 1940’s Hollywood who gets blacklisted after he is confirmed to be a Communist. Diane Lane plays his wife while Helen Mirren plays gossip columnist Hedda Hopper.

    Bang Gang

    One of the most controversial films of the festival about a group of French high school students who start a private orgy society.

    High Rise

    Adapted from J.G. Ballard’s novel of the same name, High Rise stars Tom Hiddleston in a film set in a luxurious high rise tower block that begins to decay almost as soon as it is built.

    He Named Me Malala

    A documentary about the 18-year old Malala Yousafzai who was shot in the head by the Taliban for championing girls’ education in Pakistan.

    The Program

    Director Stephen Frears brings us the story of disgraced cyclist Lance Armstrong (played by Ben Foster) in a documentary-style telling of Armstrong’s triumphant Tour de France years to his mighty downfall after his confession of taking drugs to enhance his performance.

    Live from New York

    A funny documentary about the long-running American television institution Saturday Night Live, from its beginnings in 1975 through its many cast members (some of whom went on to have highly successful movie and television careers).

    Black Mass

    An unrecognizable Johnny Depp stars in this true story about one of the Boston’s most violent criminals (Jimmy Bulger) who became an FBI informant. Also starring Benedict Cumberbatch as Bulger’s brother Billy and Joel Edgerton as the FBI agent who persuades Jimmy to turn against the mafia.

    The Lobster

    This film could win the award for the most far-fetched plot: In the future, single people have to find a partner within 45 days or are then transformed into animals and released into the woods. This one stars Colin Farrell and Rachel Weisz. With their very good lucks there is no doubt they will find a match, within one day no doubt.

    The Lady in a Van

    Dame Maggie Smith stars as a homeless woman who lives in a van parked outside playwright Alan’s Bennett’s home in the 1960s. Believe it or not it’s based on a true story that actually took place in the 1960s, where she ended up staying for 12 years.

    Truth

    Cate Blanchett (again) stars at CBS news producer Mary Mapes, with Robert Redford as anchorman Dan Rather, and their involvement in a story that questioned then-President George W. Bush’s receiving preferential treatment to help avoid the Vietnam draft.

    Sherpa

    Documentary about the deteriorating relationship between Sherpas (local people who help expeditions guide their clients up Mt. Everest) and western tourists, arriving just a few days before last year’s deadly avalanche that killed 16 sherpa. Timely as well in that sherpas were all but ignored in the recent film ‘Everest.’
    Room

    Brie Larson stars as a woman who has been trapped in a garden shed for seven years after being kidnapped and raped. She then attempts to escape with her five-year-old son.
    The film festival closes on one of the most eagerly-awaited films of the year – a film called Steve Jobs

    Michael Fassbender plays the late Steve Jobs, the man who made Apple a household name. Kate Winslet co-stars as his assistant Joanna Hoffman and Seth Rogen plays Apple co-founder Steve Wozniak.
    There are nine program strands each headlined with a gala, they are: the Love Gala, the Debate Gala, the Dare Gala, the Laugh Gala, the Thrill Gala, the Cult Gala, the Journey Gala, the Sonic Gala, and the Family Gala.
    There will also be talks with filmmaker Todd Haynes (Carol), casting director Laura Rosenthal, actress Saoirse Ronan (Brooklyn), and filmmakers Jia Zhangke and Walter Salles (A Guy from Fenyang).
    There will also be prizes handed out in the following categories:

    -The Official Competition: recognizing inspiring, inventive and distinctive filmmaking.

    -First Feature Competition: recognizing an original and imaginative directorial debut

    -Documentary Competition

    -Short Film Award
    Tickets have already gone on sale, so if you want to see any of the above-mentioned films or to peruse the other events taking place at the festival, please go here:
    http://www.bfi.org.uk/lff

  • THEATRE REVIEW | Roaring Trade – bankers misbehaving in a play with very little bark

    The strange world of bond trading and the lives of the traders who inhabit it is explored in the new play “Roaring Trade.” ★★

    There are four desks in an office in Canary Wharf where four unique personalities ply their trade day in and day out. Their goal, of course, is to make money. But not all of them do. Fortunes are made, and lost, in a single second. It’s a very stressful job, one that has direct effects on their families.
    ‘Roaring Trade’ is set on a bond trading floor of a fictional investment bank called ‘McSorleys.’ It introduces us to the four people who live and breathe their jobs. We’ve got beautiful blonde Jess (Lesley Harcourt), confident but not cocky. She’s got more balls than some of the men she works with, including Donny (Nick Moran), who’s putty in her hands, and is the cocky one. Then there’s PJ (Michael McKell), burnt out yet still slaves away at his job to appease his keeping up appearances wife Sandy (Melanie Gutteridge). Spoon (Timothy George) arrives as a new team member, very young, getting the job because his father is a fat cat in the City.
    For these four, it’s all about the money, and the bonus that validates their performances. It’s what drives them to succeed, at any cost, and whether that puts another team member at risk, so be it. When newbie Spoon makes £3.6 million on a trade, he suddenly becomes the golden boy. And when it comes to bonus time, Donny is oh so curious as to how much Spoon has received, enough so to attempt to take a peak at Spoon’s bonus letter. But when PJ receives less than what he’s expecting (a luxury trip to Barbados is cancelled for a trip to Brussels), this means his wife Sandy will not get her new kitchen, and their seven bedroom house will have to be put up for sale. Sandy says she’s worried that they will be the target of gossip if they sell their house, though PJ says that she likes to be the center of good gossip when the money is coming in and she is spending.
    Meanwhile, Donny instills his work ethic on to his son Sean (William Nye), teaching him how to make money using a sachet of ketchup as an example. He tells Sean that in the bond world, money can be made by selling something one doesn’t own, and making money off of it. It’s an example the son takes to heart.
    But things get very tense on the trading floor when Donny is down £8.6 million on a trade, and it gets even more tense when PJ is offered a head trading role at fictional investment bank Shads, and he wants to take the rest of the team with him. But when one trade goes in a different direction than expected because of internet chat room gossip, it’s anyone’s guess whose going to be in the money and whose going to be out of the money. And it’s not who you would expect.
    ‘Roaring Trade’ takes the ‘bankers are wankers’ phrase and runs with it. Donny, the veteran, seems to just care about making money. Jess appears heartless but always in control, while Spoon the newbie is so green that he will take risks just to get ahead. We get a different message from PJ – that not all bankers are bad. While the acting is not bad (George is superb as the new kid on the block) and Harcourt nails it as the tough-as-nails Jess, Mckell’s acting is a bit over the top, and the character behaviour not quite believable. Originally written for the stage in 2009 and quickly updated to reflect today’s news (a line in the show is “bonds are dropping like VW”), ‘Roaring Trade’ has more of a yelp than a roar. And while our real banks have taken risks in the past and are paying heavily for it now, as Donny says in the play – ‘There’s risk in everything that matters.’
    ‘Roaring Trade’ is playing until 24 October 2015 at The Park Theatre in Finsbury Park. To buy tickets, click here

  • FILM REVIEW | Wasp, Sexual tension in Provence

    A gay couple and a jilted woman spend a weekend together in a house in Provence. It’s a triangle that becomes messy, in the new film ‘Wasp.’ ★★★★

    Olivier (Simon Haycock) and James (Hugo Bolton) have been together for a year. Caroline (Elly Condron), a college friend of James, has just been dumped by her French boyfriend of 3 years. So James invites Caroline to spend the week with him and Olivier in a house that belongs to Olivier’s family. It’s a beautiful house, typical French Chateau, with an outdoor pool, a trampoline in the backyard, and amazing views of the valley. Olivier is a privileged man; he’s 30, handsome, has a great job, and comes from a well-off family. And he’s got a younger good looking trophy boyfriend in James. He also used to sleep with woman.
    So the tension, not just sexual but all sorts, builds up as the week progresses. Caroline hears Olivier and James having sex upstairs, yet she’s vulnerable and feels a bit left out.
    Olivier starts noticing Caroline more and more. He steals glances at her from across the pool, and Caroline notices. She plays it up, teases Olivier, until James realises what is happening right in front of him. And the relationship between all three of them may never be the same again.
    Director/Writer Phillippe Audi-Dor makes an auspicious debut film. His style of long shots of various places and objects (wasps being one of them) brings out the beauty of the locale, as well as helps to build up and sustain tension between the three characters. Audi-Dor begin filming Wasp just four months after graduating from film school, and what an impressive debut it is. And while the films winds down with a very melodramatic ending, Wasp is an impressive filmmaking debut with a just as impressive cast.

  • FILM REVIEW | 45 Years

    Tom Courtenay is Geoff, while Charlotte Rampling is Kate, both giving superb performances. ★★★★★

    (more…)

  • FILM REVIEW | LIFE: There Is No Life in Life

    There’s a famous photograph of James Dean in Times Square taken by Dennis Stock. It is now a movie called ‘Life.’ ★★

    The photo, taken in 1955, shows James Dean, cigarette in his mouth, head tilted towards the ground, the billboards of Times Square in the background, dark clouds overhead, made the cover of Life Magazine. It also made Stock’s career.
    So ‘Life’ the movie is all about that photograph, and the events leading up to, and after, that photograph was taken. It’s also a buddy movie: one man on the cusp of celebrity, another man trying to capture him while struggling to make it as a photographer and to also spend time with his young son, with an un-cooperative ex-wife. Stock (Robert Pattison) is tasked with an assignment: to do a photo essay on an unknown actor. So he’s introduced to James Dean (Dane DeHaan) at a party, where he’s also introduced to a young Natalie Wood (Lauren Gallagher). Dean in on the cusp of fame – his first film – East of Eden – was yet to be released. So Dean agrees to have Stock follow him around to get some shots. The first are rejected by his editor – who wants to see hazy shots of an unknown actor boozing it up in a club with Eartha Kitt (Kelly McCreary)? Stock thinks about taking another job, this one in Japan, but he decides to stay in New York and gets back together again with Dean, and on the spur of the moment that famous Times Square photograph is taken. Not to end there, ‘Life’ takes us with Dean and Stock to Dean’s hometown in Indiana.
    There is where Dean feels most at home, and comfortable; with family, aunt and uncle and Grandma and nephew (his mother died when he was nine and his father sent him to Indiana to live with them). More famous photographs are taken there; Dean with his nephew, Dean on the farm, Dean in the kitchen; these photos would become part of the Life Magazine photo essay. And that’s the movie.
    As you can second guess, there’s not much of a story to build on. ‘Life’ is not only about the photographs, it’s also about the relationship between these two men and especially the trust Stock builds with Dean. But ‘Life’ is boring, with stale dialogue, and with acting that is quite lifeless. Pattison is fine as Stock, but DeHaan, even though he has hair that looks identical to Dean’s, just doesn’t bring the right energy and sparkle that we can presume Dean had. Ben Kingsley, however, is excellent as Jack Warner – the man who guided Dean’s career. And while the period details (clothes, cars, hairstyles) are fine, it’s the story that is not a very exciting one and is not enough to warrant a 110-minute film.
    Director Anton Corbijn just doesn’t bring any ‘Life’ to this movie.

  • FILM REVIEW | Irrational Man

    Irrational Man | ★★★

    Woody Allen’s 47th film, ‘Irrational Man’, sticks to several themes he’s already explored in a few of his previous films, and is not one of his best.

    An older man being pursued by a younger woman is a plot device that Allen has presented to us many times before (Magic in the Moonlight and You Will Meet a Tall Dark Stranger). In Irrational Man, Joaquin Phoenix plays pot-bellied depressed middle age philosophy professor Abe Lucas (Joaquin Phoenix).

    He’s the newest teacher at a small town college in Rhode Island. He’s single and doesn’t seem to have much going for him. However, two women vie for his attention; unhappily married fellow teacher Rita (Parker Posey) who fantasises them running away together to Spain, and student Jill (Emma Stone). Jill is in Abe’s philosophy class, and she is mesmerized by his teachings and his stance on life. They start to spend lots of time together outside of the classroom, much to the dismay of Jill’s perfect boyfriend Roy (Jamie Blackley). Abe tries and tries to resist the urge to sleep with Jill, though he has no trouble having sex with Rita.

    However, Abe’s relationship with Jill is becoming stronger and stronger, until he can no longer resist her, and they eventually sleep together. Jill is so smitten with Abe that she breaks the news to her boyfriend Roy that she wants to break up. The plot then takes a turn: one day at a diner Abe and Jill overhear a woman talking about a local judge who has ruled against her in a divorce proceeding and has awarded custody of her kids to her husband. She also tells the people she is with how the judge has destroyed her life. At this point Abe decides he’s going to do something about this woman’s problem. His decision rejuvenates him, it transforms him from someone who is aimless and depressed to someone who is full of life and energetic. And he actually does go through with his plan. Of course his actions are irrational, but to him they are rational. But does he think he’s pulled off the perfect crime?

    There’s not much more to the film’s plot which is probably why it’s only 95 minutes. But Allen does get more from his actors than what the script provides. Phoenix is perfectly cast as the loner professor who struggles with his identity but is lucky enough to have two attractive women vying for his attention. Stone overdoes it a bit as Jill, the student who has a good thing going with Roy but sees something attractive in Abe that we don’t see. Stone played a similar role in Allen’s last film – Magic in the Moonlight – falling for Colin Firth’s much older character. Posey is a delight as Rita, fantasising about a life with Lucas in Europe.

    But Allen’s script doesn’t provide much magic, it’s humdrum at the very best in a film that can be categorized as not one of his best. It also won’t have much box office appeal here in the UK- in the U.S. the film has made a measly $3.7 million – a far cry fromMagic in the Moonlight’s total gross of $32 million. At age 79, we’re sure there’s lots more films in Woody Allen’s repertoire to redeem himself from this one.

  • THEATRE REVIEW | Casa Valentina – The best show in London about Transvestites

    There’s a house in the Catskill mountains in upstate New York where several men go to dress up in women’s clothing. It’s also a new play by Harvey Fierstein called ‘Casa Valentina’ now playing at the Southwark Playhouse. ★★★★

    (more…)

  • THEATRE REVIEW | Kinky Boots, Adelphi Theatre, London

    ★★★ | Kinky Boots, London

    It’s a huge hit on Broadway and it’s now finally opened in London. ‘Kinky Boots’ is in the house!

    If the name rings a bell, it’s because Kinky Boots was a 2005 film about a struggling shoe factory about to go out of business until they change their product line and start making boots that are sexy, and, literally, not worn by the everyday woman. The musical version of Kinky Boots follows the same story, but it’s got a book by Harvey Fierstein (Torch Song Trilogy and La Cage Aux Folles – books he also wrote), music and lyrics by Cyndi Lauper (“Girls Just Want to Have Fun”), and choreography by Jerry Mitchell (The Full Monty and Hairspray). That’s a lot of power and muscle behind a show, and it works, to a degree. (The show won six Tony Awards).

    Killian Donnelly (the breakout star of The Commitments and co-star of Memphis) easily and comfortably plays Charlie Price, whose late father leaves him his shoe factory in Northhampton. It’s losing money, and Price might be forced to close it down, something that would make his London-bound fiancee Nicola (Amy Ross) happy. By chance, he comes to the aid of a drag queen who is being beaten up in a park. The Drag queen, Lola, played very ably and loudly by Matt Henry, is grateful to Price for saving him. But their meeting turns into a business relationship where Lola plants the idea into Price’s head to have his factory make Kinky Boots – boots for him and his fellow drag queens – boots that are big, flashy and preferably red! And eventually, Lola gives up her life (and leaves her fellow drag queens) in London to go up north to help in the factory to lead in the design of some Kinky Boots. But he’s not too accepted in a town and factory where no drag queen has walked in heels before. Even though he’s dressed as a man, some of the other workers make fun of him, especially Don (Jamie Braughan), who challenges Lola to a boxing match. Of course, conflict and arguments take place between Price and Lola, and Lola decides that she’s had enough of the northerners and heads back down to London. Meanwhile, Price is being wooed by one his employees – Lauren (Amy Lennox – wonderful) But it’s bad timing as Price is about to show his latest models of shoes at a Milan fashion show – he’s got no Lola, no models, and tons of shoes that need to be worn.

    And you can only guess what will happen next. To say this show is predictable is an understatement.

    While there are no surprises in the plot, it’s the music that raises the show up a notch or two. Lauper has injected her personality into songs that only she can write – when all the actors sing “Everybody Say Yeah” – it’s a song that will stick in your head for the rest of the night – in a good way. And of course each actor has their own song moment – Donnelly sings his heart out in “Soul of a Man” while Lola is given “Hold Me In Your Heart”- a song that highlights his very deep baritone voice in a soulful way (it sounds a bit like the song in Dreamgirls – “And I am Telling you I’m not Going”. If there’s one person who steals the show it’s Lennox – she’s hysterical in the role of Price’s colleague who pines for him while he’s focused on keeping the business afloat.

    Production values are fine – the set morphs from factory to the fashion show. For me it’s the drag queens that make this show good – their sparkling clothing and sass and attitude and sequins are just right – for without them Kinky Boots wouldn’t be so Kinky at all.

    At the Adelphi Theatre 020 3725 7068 | http://www.kinkybootsthemusical.co.uk/tickets.php

  • FILM REVIEW: Everest: Breathtaking Epic Adventure

    In 1996, dozens of people tried to get to the top of Mount Everest. Some succeeded, and some died trying. The gripping and realistic ‘Everest’ recounts, in dramatic fashion, this event. ★★★★

    There were quite a few expeditions on Mount Everest in May 1996, and they all had one goal, to get themselves, and their clients (who each paid $65,000), to the top of Mount Everest, and it was up to the expedition leaders to make this happen. Rob Hall was the leader for Adventure Consultants, and he happened to have Jon Krakauer on his team (journalist Krakauer, who was on an assignment for Outside magazine, would go on to write ‘Into Thin Air’ – a book about the disastrous events that took place on the mountain during this climb ). Hall was also responsible for 7 other clients. The Mountain Madness expedition was led by Scott Fischer, who also had 8 clients, including Sandy Hill Pittman, a very wealthy New York Socialite who was, at the time, the wife of Robert Pittman, the founder of MTV. In addition to the clients, several sherpas (local people who are hired by the expedition companies to carry up the mountain supplies and food, to fix the ropes and ladders to make it easier and quicker for the clients to get up – getting everything in place) were part of the teams as well. Of course most of Hall’s and Fischer’s clients were not professional mountain climbers, they climbed mountains as more of a hobby, and expected to reach the top of Mount Everest because of the huge amount of money they paid. One of Hall’s clients was a postman (Doug Hansen). Another was a doctor from Texas (Beck Weathers). Also on Hall’s team was Yasuko Namba, a Japanese woman who had climbed six of the Seven Summits. And Hall and Fischer knew that it’s good for their businesses to have their clients actually make it to the top. So along with these two expeditions groups, other groups of people trying to climb the mountain at the same time were from South Africa, France, Tibet, and 13 members of a Taiwanese team.

    But the weather gods were not smiling on Hall and Fischer and their clients during this climb. And this is the story that ‘Everest’ the film successfully and gloomily brings to life. We are introduced to the teams six weeks prior to the start of their expedition. Hall (played by Jason Clarke) is from New Zealand who leaves his pregnant wife (Keira Knightley) behind to go to work. Beck Weathers (Josh Brolin) says goodbye to his wife (Robin Wright) in Texas to try to accomplish the almost impossible task of getting to the top of Mount Everest. Doug Hansen (John Hawkes) meets up with the gang in Nepal, as does Sandy Hill Pittman (Vanessa Kirby), which is the starting point for all expeditions. It is in Nepal where the teams get to know each other and bond, but it’s when they get to base camp that the adventure, and danger, begins. Base Camp is already at such a high altitude (17,600 feet), that climbers need to be acclimatized so their bodies can get used to the high altitude. It’s also where the operations for the expeditions take place, led by Helen Wilton (Emily Watson). ‘Everest’ takes us on the journey of these team climbing the mountain. But first they need to navigate the Khumbu ice fall, soaring ice towers and crevasses so deep that there really is no bottom. Camp I and Camp II are where the teams stop and rest and basically take their time. But it’s Lhotse Face that is one of the most challenging bits on the mountain. It’s a 3,600 foot wall of ice that they have to climb to reach Camp III, where most climbers need to use bottled oxygen to breath. But it’s above 26,000, right below Camp IV, which is where the climbers use as the final stop before their ascent, called the ‘Death Zone’ because it’s where humans cannot survive for long. If climbers have survived as high up as Camp IV, then it’s full throttle ahead to reach the summit, usually at midnight so that the teams can reach it before noon, that if they survive the heavy gusts of wind and the Hillary Step, a 40-foot tower of ice and rock on an exposed part of the mountain that becomes a human traffic jam for people getting to the top, as well as coming back down. But it’s the climb back down that is hardest. The climbers are exhausted, some suffering from high altitude conditions, but it’s the lucky ones who are in ok shape, and it’s these people who have to decide whether to save the almost dead or to leave them behind to save their own lives. As recounted in ‘Everest’, Hall and Fischer’s teams encountered a major storm on their way down, but it was not the only mistake that took place on that climb. Besides too many people on the mountain, Hall took Hansen up to top, way past the agreed time. And the search for them cost another climber his life. Fischer was not in the best of shape as he was climbing to the top, and had a much harder time going down. And a storm overtook the climbers, which turned out to be unexpected and deathly. And it’s reenacted in ‘Everest’ to extreme detail; high winds, blowing snow, climbers struggling just to survive, dead bodies littered here and there, and almost blacked-outconditions. ‘Everest’ also recounts Weather’s struggle for survival, Hall’s loyalty to his client, and the operations team realizing that there is nothing they can do for the people trapped on the mountain.

    ‘Everest’ successfully, and grippingly, tells the story of the people who survived the mountain that fateful year. And while there have been a few books and one television movie made about this event, ‘Everest’ is based on the book by Weathers ( Left for Dead: My Journey Home from Everest (2000)), recollections from some of the survivors, as well as satellite phone conversations between the climbers, their families, and base camp. And the actors who portray the real life characters are superb. Josh Brolin has his best role in years as Weathers, a man who amazingly was left for dead on the mountain but somehow survived. Jason Clarke as Rob Hall is excellent – he’s determined to get his clients to the top and at the same time determined to get back home to see the birth of his first baby. Emily Watson as Wilton, the base camp operations coordinator, is concerned, and then doomed, after she realizes that a few lives have been lost on the mountain. And John Hawkes as postman Hansen gives us a portrait of a man who wants to be there but is not experienced in any way to climb the mountain. Luckily Knightley is relegated to a role not on the mountain, she plays Hall’s wife back at home, and there’s nothing she can do to help him. Gyllenhaal’s role as Fischer is relegated to a few scenes, mostly up on the mountain – he’s far from being the star of the movie. Director Baltasar Kormakur (2 Guns, Contraband), working from a script by William Nicholson and Simon Beaufoy, takes us with the teams on their journey, and it looks all too realistic. While there are lots of characters to keep track of (the all important Sherpas are virtually ignored), especially when they are all wrapped up, ‘Everest’ brings to the big screen the real life 1996 Mount Everest disaster. Eight people eventually died during this expedition. ‘Everest’ was shot at high elevation on the trek to Everest in Nepal, in the Italian Alps and at Cinecitta Studios in Rome, and Pinewood Studios in the UK. It can be experienced in IMAX 3D as well as standard 3D and 2D. ‘Everest’ is an epic adventure that will take your breathe away.

     

     

  • FILM REVIEW: Faults

    A down on his luck cult expert is hired by a couple to deprogram their daughter in the new online film Faults.

    (more…)

  • THEATRE REVIEW | The Sum Of Us

    A father who loves and accepts his gay son is the theme of the new play ‘The Sum of Us.’ ★★★★

    In 1994, a young Russell Crowe played the gay son in the movie version of The Sum of Us which was originally staged as a play in New York City in 1990. Now a new version of the play ‘The Sum of Us,’ which has never played in the UK, has just opened at the Above the Stag Theatre in Vauxhall.

    Harry (Sephen Connery-Brown) is a forty-something widower raising his twenty-something young son Jeff (Tim McFarland), who happens be gay. Harry is not bothered about his son being gay, he actually encourages Jeff to go out and meet other guys, to enjoy life while you can while you are young. And Harry doesn’t mind when Jeff brings other guys over to their home. Jeff is good-looking and athletic with a very positive look on life, but he says there’s a space in his heart that is empty, a space that could be filled by another man. When he meets someone he likes (Greg – played by Rory Hawkins), he’s immediately smitten. But it’s Harry who interrupts the two young men who are on the couch getting to know each other. Harry says a bit too much about Jeff, and their close father and son relationship makes Greg feel insecure about his own relationship with his father. Meanwhile Harry, after being a widower for a number of years, also starts dating – he feels like it’s time to get out there and meet another woman. And he does. Her name is Joyce (Annabel Pemberton), and her and Harry are getting on like wildfire. But when she learns that he has a gay son, she just can’t accept this. Firstly she’s angry that Harry didn’t tell her when they started dating, secondly she just can’t accept gay people at all. Even after Harry proposes to her, she just doesn’t want to see him anymore. So thus we have a father and a son who both yearn to be with someone yet obstacles get in their way. And as Harry tells Jeff, he is the sum of us, the sum of him and his late wife, and the sum of his grandparents and great-grandparents. Actually, we are all the sum of us, and this is the message of the play.

    Above the Stag Theatre really sets the bar high on this one. Their previous shows had names such as ‘Rent Boy: The Musical’ and ‘Bathhouse: The Musical.’ However, they have now produced a play that is serious, heartwarming and very well-acted. The Sum of Us is a story that most gay men may not relate to; who can say that their fathers have whole heartedly accepted their homosexuality. But the play, written by David Stevens, who also wrote the film version and the original play version, successfully combines the son’s and father’s search for love and the close relationship they have with each other. And in the end, the message is that we all want someone to love and someone to love us, no matter whether you are gay or straight.

    Connery-Brown is great as Harry, as is McFarland as Jeff. They have a real rapport as father and son, and even resemble each other a bit. Hawkins and Pemberton are fine as the other halves, who may or may not wind up in the men’s lives. The set, down to the details of the1990’s script, cleverly goes from a living room to a park, in this cute theatre that is nice and cozy with a bar to match.

    The Sum of Us is playing at Above the Stag Theatre until October 4th. Tickets can be bought here:

    http://www.abovethestag.com/shows/

    Buy tickets now – it’s selling out fast!