THEGAYUK

Category: Review

  • THEATRE REVIEW | The Freedom Of Freewill, Doncaster Cast Theatre

    ★★★ | The Freedom Of Freewill, Doncaster Cast Theatre

    Doncaster has a rising star. Nestled amongst the urban redevelopment of the town centre, proudly placed at the side of a large open space is the Cast Theatre. There is little doubt that this impressive little theatre is going to be the centrepiece of Doncaster’s growing cultural scene. Providing a mixed programme of everything from comedy to jazz, modern dance to international acts, Cast also has one significant thing at heart – the community.

    TGUK was kindly invited along to a performance of “The Freedom of Freewill”, am abstract piece of contemporary dance, which was thought provoking and visually interesting; exploring the best and worst of human nature. Asking the question about what is freedom, and is one person’s freedom actually another person’s oppression, the show combined music, dance and visual imagery to confront the audience with images and themes which pushed at comfort zones and garnered a genuine reaction from the audience. The six young local dancers were talented and contorted into a number of shapes using their bodies, challenging the audience and forcing different viewpoints to be considered. The show is now embarking on a European tour, but it was a credit to the young performers and the production company, Urban Conceptz Theatre, who created and produced in association with Cast Theatre.

    That is where Cast Theatre is a little different. It nurtures local talent and offers an opportunity for all to be part of it – whether that is through one of their open auditions or simply as a welcome member of the audience. The venue itself is a modern and fresh looking building, all straight lines and right angles from the exterior, but inside, giving way to curved architecture and providing a visually interesting foyer, which extends the length of the building. One of the things that was immediately noticeable was the friendliness of the staff, who were more than helpful and polite. The foyer harbours a café, which provides three menus throughout the day and a selection of drinks, which is ideal for that pre-show tipple or some tapas to share with friends.

    Inside the theatre itself, it is a small and intimate venue, with very comfy seats and, for those tall ones amongst us, a generous amount of leg room. The modern interior was striking and the large tubular chandelier with its neon pink lighting looked perfectly in place. The sound in the auditorium, for this performance, was crystal clear, loud and full of bass, which suited the show perfectly. The air conditioning kept an ambient temperature, whilst never being invasive and the closeness to the stage drew you right into the performance.

    Cast was an absolutely delightful venue and one which genuinely deserves the support of the local community and those in its proximity. It is the equivalent of those little independent niche cinemas that have been springing up all over the country and its blend of independent productions of song, dance, theatre and music provide for one unique venue.

    Cast is a theatre which is a little different. It provides a performance venue for the community and specialises in its own productions, providing an opportunity for talent, both from the local area and beyond, to perform. They are one of the sponsors of Doncaster Pride 2014 and their venue will be the backdrop to this year’s re-launched Pride event. The team from Cast will be there on the day; alongside The Gay UK who will also be there; some come and find both of us and say hello.

    You can find out more about Cast’s upcoming productions by visiting their website (http://castindoncaster.com/ ); following them on Twitter (@castindoncaster) or on facebook (https://www.facebook.com/castindoncaster)

  • REVIEW | Cirque Du Cabaret, London Wonderground

    ★★★★ | Cirque Du Cabaret, London Wonderground

    The Wonderground features a packed programme of circus, cabaret and family entertainment, all taking place in the beautiful 1920s Paradiso Spiegeltent. There’s also oddities, curiosities and eccentricities from the Sideshow Wonderland run by Guinness World Record-Holder, The Space Cowboy, and the 60-metre high Star Flyer gives you an unrivalled view over London’s rooftops (if you can bear to keep your eyes open, I couldn’t!).

    There’s a huge range of top class entertainment from the saucy Briefs Boy-lesque, the breath-taking Limbo, the hilarious Tina C plus loads more burlesque, cabaret as well as more family-themed fun. It’s definitely worth getting down there just to soak up the atmosphere on a summer’s evening and hang out in style somewhere that’s a bit more exciting than being huddled together on the pavement of a sweltering London boozer getting jostled by pedestrians.

    I was lucky enough to catch the Cirque du Cabaret, hosted by the dazzling wit that is Champagne Charlie. Set in the glorious Spiegeltent with all its glittering glamour, this was an atmospheric night that sizzled with sex appeal and risqué humour. Featuring the cream of London cabaret, comedy and burlesque in an ever-changing line-up, this has got to be one of the finest nights out in the city.

    The next Cirque du cabaret is on the 8th of August at The London Wonderground. Read more here: http://www.cirqueducabaret.com

    Read more and book shows for The Wonderground here: http://www.londonwonderground.co.uk/your-visit

  • FILM REVIEW | The Last Match

    ★★★★ | The Last Match

    It’s still very tough and even quite dangerous being gay in some places, none more so than in the oppressive machismo society of Cuba. So when two male teenage best friends acknowledge their attraction to each other, life starts to get very complicated for them, and we have the sense from the outset that it cannot possibly end well at all.

    Yosvani and Rey both play football every day on a scrap of land in the midst of a poor slum neighbourhood in Havana. Yosvani lives with his fiance and her unscrupulous black-marketeer father in a comfortable middle-class apartment. Rey, on the other hand, lives in a cramped shanty-like two room dump with his wife, their baby, and Theresa his shrill and demanding mother-in-law. It is she who actively encourages the young man to prostitute himself with male tourists willing to pay for a quickie or a whole night of passion.

    With no hope of anything approaching a real job on the horizon, he is happy to oblige but draws the line at doing anything he considers is ‘gay’. Which actually seems to be very little when we see him in action enjoying himself giving his all to Juan a handsome visiting Spaniard

    Rey’s few encounters with Juan make him overly confident and he ends up spending more money than he can afford to buy black-market shirts and sneakers from Yosvani’s father-in-law. He perpetually lives more than precariously on the edge and when he is flat broke he pawns Theresa’s few possessions which results in more anger from her until he redeems them again after he has turned another ‘trick’.

    It’s obvious from the word go that Yosvani and Rey much prefer hanging out on the soccer pitch together than spending any time at all with their respective partners. One night after the two of them have been on a drinking binge they lose their inhibitions and hesitatingly kiss each other and somewhat surprise themselves how much they like it. They like having sex together even more, to such an extent that they cannot get enough of each other. However, because of their home situations, they have to keep this budding relationship very much on the down low and they manage to do just this until one-day Yosvani’s father-in-law gets the wind of what is going on.

    It’s at about the same time that Rey suddenly gets a lucky break when a Scout offers him a chance to train to become a professional soccer player. This is another reason not to go public with their love affair but it’s actually too late as they are already at the point of no return. And then just as we had supposed, the inevitable ending is both tragic and sad.

    Directed and co-written by Spanish filmmaker Antonio Hens (‘Clandestinos’) this heartbreaking well-crafted wee drama is completely engaging as if so accurately portrays the price that young men have to pay when they discover their sexuality in such an unaccepting and intolerant culture. The hypocrisy that it is acceptable as a means to an end as long as you don’t enjoy it, makes this sad tale even more poignant.

    Hen’s young inexperienced lead actors did a fine and convincing job, particularly Reinier Díaz who nailed the character of Rey so perfectly. And less this should put you off going to Cuba, I should tell you that it was all filmed in Puerto Rico!

  • FILM REVIEW | Five Dances

    ★★★★ | Five Dances

    Alan Brown’s latest movie has one of the most accurate titles that pulls no punches and is exactly what it promises i.e five dances.

    Held together by the strands of a wisp of a tenuous plot, it is however still a sweet and sensual coming-out-tale thanks to the presence of a charming young dancer who proves he is quite a mean actor too, despite his inexperience.

    Four dancers and a choreographer are in a Manhattan studio learning a new piece of contemporary dance to perform at the opening night of a Festival. Amongst their number is naive 18 year old Chip who is fresh off the bus from Kansas having won a scholarship to study with the Joffry Ballet. The others assume that his parents back in the Midwest must be proud of him, but the reality is that his divorced alcoholic mother is about to be evicted so makes daily menacing phone calls to her only son.

    Chip is homeless so when Cathy one of the other dancers discovers this, she takes pity on him and takes him home and lets him sleep on his couch. Theo another of the quartet takes another type of interest in the newbie and late one night makes a pass at him. A totally confused (and virginal) Chip runs off but not for long as next night he is back and this time encouraging Theo to go all the way.

    That’s essentially it in terms of plot, but this one after all is all about the dancing, and in particular young Chip learning how to really express himself through movement. The choreography by Jonah Bokaer is exhilarating and so beautifully photographed to accentuate every graceful move, and it’s capped by a sensuous soundtrack by singer/songwriter Scott Matthew.

    Brown is quite the master at bringing every sinew of sexuality into stories of young love into his movies as he did so wonderfully well in ‘Private Romeo’. Here when Chip and Theo are making love it mirrors the dancing in terms of its intimacy and is sensuous rather than explicit. The whole cast dance like angels and young Ryan Steele as Chip maintains that purity and innocence when in the very sparse script he so cutely conveys his turmoil coming to terms with both his threatening mother and the fact that he now has his first ever boyfriend.

    You don’t have to be a contemporary dance fan to love this one, but if you are, it does help.

  • THEATRE REVIEW | The Anorak, The Hope Theatre, Islington

    ★★★★ | The Anorak, The Hope Theatre, Islington

    The Anorak tells the story of the École Polytechnique Massacre, when Marc Lepine shot 28 people, killing 14 at a Canadian Polytechnic college in 1989.

    Told from the point of view of the killer, the play separates its audience into two groups: men and women and much of the 70 minute play is directed solely towards the male audience members. This one man play recounts Lepines’ early life, his relationship with his mother and sister, and his justifications for the killings. In light of recent events, particularly the shooting in Santa Barbara, which similarly targeted female students by a student who was unable to get a girlfriend, this play is immediately unnerving and poignant.

    Originally written by Adam Kelly, a Canadian writer, the play has won several awards in Canada. This adaptation sees Felix Brunger take the lead role with Matthew Gould at the helm as director. Brunger is believable if not quite likeable in the lead role, the audience is left short of being on his side during the play. He recounts his version of events and his early life, and there are occasional moments of relief from the heavy subject at hand with throw-away lines such as ‘like who gets rejected from the Canadian Army?’
    Overall this adaptation is well acted and handles the heavy subject matter with care; Brunger owns the role of the social outcast completely, keeping the (male) audience on edge as he directs his attention only to them. (I can’t say what it was like as a female audience member being practically ignored for most of the performance).

    The Anorak is on for only a short time at The Hope Theatre 207 Upper Street in Islington, inside the Hope and Anchor. Tickets available online through offwestend.com

  • THEATRE REVIEW | Daytona, Theatre Royal Haymarket

    ★★★ | Daytona, Theatre Royal Haymarket

    In a recent interview, Maureen Lipman said that this is ‘unquestionably the best role’ of her career and she’s not wrong. Lipman is jaw-droppingly stunning in the strictly limited season of Daytona at the Theatre Royal Haymarket.

    Daytona is an intimate 3-hander show which tells a story of missed opportunities and what-ifs. Without sharing too much, an Elderly Jewish migrant couple Elli (Maureen Lipman) and Joe (Harry Shearer) are living out their twilight years ballroom dancing and going through the motions of a long and seemingly happy marriage. One evening, whilst Elli is getting last-minute alterations to her dancing dress, Joe’s brother, wild-haired and Hawaii shirt wearing, Billy (Oliver Cotton, who also wrote the play), knocks at the door, after a 30-year estrangement. He tells Joe that he has taken drastic action on a man from their past, he believes was a particularly violent and murderous Nazi during the war, whilst on his holiday, in Daytona.

    His regaling of the story takes up the majority of the first half and is longwinded. The true horror of the back-story fails to register fully – as Billy launches into monologues, so long that they had me looking at my watch. It’s not to say that the emotions weren’t there, but the importance and the investment in the story that an audience needs in the characters and their story are lost with the length of time it takes to get there. It felt as though the audience was lost during the swathes of dialogue.

    It’s not until the second act that the story becomes interesting and Lipman’s competence in ruling the stage is truly felt, reminding us of her abilities as a superb and subtle actor. If only it hadn’t taken so long to get there. There is a captivating monologue where Lipman opens up her character to show an emotionally bereft woman who has only just managed to cope with a life that was forced upon her. A romantic attachment, albeit brief, is quite breathtaking.

    Until 23 August. Box office: 020 7930 8800. Venue details: Theatre Royal Haymarket, London http://www.trh.co.uk

  • REVIEW | Deborah Frances-White, Half a Can of Worms

    ★★★★★ | Deborah Frances-White, Half a Can of Worms

    Deborah Frances-White was adopted at ten days old and up until late October 2012 she had no idea who or where her birth family were.

    An extraordinary run of events meant that she was suddenly living as a round the clock internet Nancy Drew, finding out more information every hour about her birth mother, aunts, uncles, grandparents and even possibly half brothers and sisters. What she is learnt was that you can’t open half a can of worms.
    Armed with a cut price private detective, a lot of social media to trawl through and a template of her own distinctive eyebrows, Deborah navigated her way through a family search that would have flummoxed lesser mortals.

    This is a rare feat: narrative stand-up that is warm and moving and very human. The audience is instantly on Deborah’s side and her persona has the room eating out of her hand. She even helped an elderly lady turn off her ringing phone without the slightest hint of irritation. Stand up comedians can be terribly nice as well as being very funny.

    The show is well composed, backed up by well put together film clips and manages to entertain with a ripping yarn as a backdrop. Deborah certainly deserves to have a hit show with this piece.

    Catch the show at the Edinburgh Fringe from the 1st to the 25th of August
    Buy tickets here: https://www.edfringe.com/whats-on/comedy/deborah-frances-white-half-a-can-of-worms

  • FILM REVIEW | After The Dark (The Philosophers)

    ★★★★★ | | After The Dark (The Philosophers)

    In After The Dark it’s the last day of term and Mr. Zimit, a Philosophy Teacher challenges his international high school students to take part in one final thought experiment: It’s the apocalypse and there’s a bunker that will save some of them. There’s twenty-one of them and only ten places in the bunker. Having more than ten people in the bunker will mean that all in the bunker perish. The class must decide who will get a place in the bunker and who won’t.

    To help the students decide, Mr. Zimit hands them cards with skills on (e.g. Organic Farmer, Structural Engineer, Poet, etc.) for their character in this thought experiment. He encourages them to make logical decisions.

    Later Mr. Zimit ups the ante by telling students that they are required to get at least one pregnancy going during the year in the bunker and asks the students to open their cards to reveal another aspect to their character (e.g. one is gay, one is sterile, one is a midwife, one will get cancer in 3 years time, etc.). Then they have to decide again with this new information who will get a place in the bunker.

    After The Dark is a superb film that uses the dialogue and snippets of action to keep the watcher hooked throughout. Set in the Indonesian city of Jakarta, there are some beautiful settings in this film including Prambanan temple. The cast are mostly unknowns, but fitted their individual roles and worked together well.

    There is good representation of gay people in this film. One of the students is a gay man who is out, accepted and valued by his fellow students (and there is another one that isn’t out at the beginning of the film).

    The lead male character who is identified as straight, opens up his Organic Farmer card to reveal that his character is gay. He gets a place in the bunker, but when it comes to pairing up to get a pregnancy going he says he feels he wouldn’t be comfortable sleeping with a woman as a gay man. This is followed by a short scene of him and the openly gay student getting it on and then shows them becoming close as a couple.

    After The Dark is a film that challenges what you believe about philosophy, logic, the survival of the human race and whether it’s important to exist or live. You’ll find yourself watching it again and again and thinking about it for days afterwards. It will be a great source of enjoyment and generate a good debate among the people you watch it with.

    After The Dark is a fantastic five star film, one that has been under-rated and missed by most. It is available to pre-order/order on Amazon.

  • FILM REVIEW | The Golden Hour

    ★★★★★ | The Golden Hour

    This story about Guatemalan teenagers trying to escape their life of poverty and illegally cross the Mexican Border after a long and arduous journey en route to the USA, is one of the saddest and most dispiriting I have seen in a very long time. It starts with three friends Samuel, Juan and his girlfriend Sara who disguises herself as a boy, but a native Indian called Chaulk also latches on to them soon after they set out.

    The first of their many frightening ordeals occurs in small Mexican town where the Police round them up and immediately deport them back to Guatemala, but not before they rob them of their few possessions and their boots. They quickly find their way back to the Border but Samuel has already had enough and wants to go home. Juan has taken an instant dislike to Chaulk who he thinks is after Sara, but she insists he travels with them, so they all set off again.

    It’s not too long before the train they have jumped on along with hundreds of would-be migrants is stopped by the Mexican Army, but this time the three of them manage to escape and seek refuge in a sugar plantation. Back on the train, and this time it is halted by a band of Drug Traffickers who relieve everyone of anything remotely saleable and capture all the women including Sara who is spotted despite her disguise. When the two boys try to save her they are viscously beaten up by the gang and left unconscious in the middle of nowhere.

    Chaulk revives first as Juan’s injuries are more severe and the young Indian carries him to safety and nurses him back to health. Soon they are back on another train yet again and are easily lulled into false sense of security by another Guatemalan kid who promises them a job with his Uncle as they will need money to pay smugglers for the final stretch of their journey. It is a trap and they are about to be held hostage for ransom but as this gang is led by a fellow Guatemalan, Juan is let free. However as he won’t leave without Chaulk as he had saved his life, he offers the Captors the few dollars he has to buy the Indian’s freedom.

    It is sadly not the end of all the dangerous obstacles they will have to overcome on this seemingly endless harrowing journey.

    The movie’s original title is ‘Juala de Oro’ which translates into ‘Golden Cage’ and this is exactly what the kids get for all their dreams. The US willingly accepts illegals cheap labour but will not allow them the proper papers to rise beyond this lowly position. Despite this, and the continual fear of being caught and deported every single day, there will be hundreds of thousands other kids like these, that will still risk their lives for the hope of a better existence.

    Directed and co-written by Spanish filmmaker Diego Quemada-Díez (who was a cameraman on many of Ken Loach’s movies) it has a beautiful backdrop of stunning Mexican and Guatemalan landscapes that sometimes makes you forget the sheer poverty and the hardships of its inhabitants. The movie relies on amateur actors, but it is the sheer power of the story that makes it so watchable and also the reason it has won several awards including Un Certain Regard at Cannes Film Festival.

    In Cinemas in the UK

  • THEATRE REVIEW | West Side Story, Sheffield Lyceum And UK Tour

    ★★★★ | West Side Story, Sheffield Lyceum And UK Tour

    Set in the mid 1950s, two rival gangs battle it out for control of their little piece of the Upper West Side of New York. The Jets, local boys whose families have lived there for generations, are at loggerheads with The Sharks, the Puerto Ricans, who are trying to settle into their new lives. Tony, the former leader of the Jets meets with Maria, the sister of Bernardo who is the leader of The Sharks, and the two fall madly in love. But as their love grows, so does the rivalry between the gangs, leading to tragedy.

    This revival of the classic musical, based on Romeo and Juliet, is a thoroughly entertaining piece of theatre. The show has a gritty edge to it and a dark, dramatic and emotional story at its heart. The score, with music by Leonard Bernstein and lyrics by Stephen Sondheim, includes Tonight, Maria and Somewhere, all of which still pack an emotional punch. The mood is lightened by the mischievous Gee Officer Krupkee, the flamboyant America and the whimsical I Feel Pretty, with the whole of the classic score being played beautifully by the live orchestra and expertly sung by the cast.

    Both Louis Maskell, who plays Tony, and Katie Hall as Maria, were in stunning voice, with Hall’s almost operatic qualities complimenting Maskell’s emotion filled vocals. Matthew Hawksley, making his professional debut, stood out from the crowd with his convincing performance as “Action”, comfortably conveying the characters frustration and pent up aggression and Djalenga Scott entertained as the feisty Anita.

    But the ensemble pieces were where this show really excelled, with the set, which reflected the back alleys and fire escapes of the inner city, being deceptively versatile, opening up to create a generous dance space for the large and very talented cast to undertake the breath-taking dance routines. By going back to the original choreography by Jerome Robbins, the dance in this production is simply superb to watch – with the sequences assisting in conveying and moving forward the narrative; the standout scenes being the Mambo at the gym, and the Ballet Sequence.

    The lighting was also well designed, utilising colour washes and silhouettes alongside low level highlighting, providing a visually interesting interplay of light and shadow. The balance between vocals and music was fine – but the only quibble in terms of the production was the volume of the speaking in between the musical numbers was a little low, meaning it was sometimes difficult to hear what was being said.

    The show has everything to please both established fans and to introduce a new generation of theatre goers to this beautifully crafted piece of theatre. Some may find it heavy going, but for those who would like a little more narrative, character and drama from their musical theatre then this show is the one to see.

    West Side Story is currently at the Sheffield Lyceum Theatre until Saturday 12th July 2014 (http://www.sheffieldtheatres.co.uk/event/west-side-story-14/ ) before continuing on its national tour (http://westsidestorytheshow.co.uk/home ).

  • HOTEL REVIEW | Western Peacock Hotel, Kenilworth

    ★★★ | Western Peacock Hotel, Kenilworth

    Despite the hotel’s aging decor and desperate need of modernising, the service is second to none and the Peacock Hotel does provide good value for money.

    If you’re looking for corporate homogeneity in Kenilworth, near Leamington Spa, you won’t find it at the Best Western Peacock Hotel, but you will find a warm reception and a ‘can do’ attitude that some hotels just fail to provide.

    The room was pretty old fashioned and the shower was merely a dribble in the room we stayed, but it had everything you could need including a trouser press and it was clean. The only thing missing from the room was a hairdryer, which when asked at reception, the manageress, who was incredibly attentive and friendly said she would get her own for us – now that’s service.

    It has to be said that the bed wasn’t the most comfortable, however the pillows were supportive and electric outlets, for those of you who need to charge devices were plentiful.

    Breakfast was included and all in all the hotel was good value for money, especially if you’re just staying for the night. Parking is charged as an extra in the hotel’s carpark.

    The night we stayed the room cost around £38