THEGAYUK

Tag: Film Review

All the latest film reviews for LGBT themed films and others.

  • FILM REVIEW | Glassland

    When John is not goofing off with his best friend Shane, he is driving his taxi around some of the seedier downtrodden neighbourhoods on the fringes of Dublin looking for fares. ★★★★

    Pickings are slim and he pleads with his boss to give him more shifts to make ends meet. He needs the money to support himself and Jean his alcoholic mother who seems determined to drink herself to an early grave.

    On the rare times she is sober she is vivacious and funny, but when she is wasted, Jean changes into a mean and nasty drunk. So much so that John videos one of her drink-fuelled tirades to play it back to show her what she turns into. Coming home to find her passed out is a regular occurrence, but on this occasion when he discovers her lying lifeless in a pool of her vomit he rushes her to the hospital ER. The doctor breaks the news that Jean desperate needs a new kidney, but if she doesn’t get her drinking in check immediately, she probably won’t last long enough to even have a transplant.

    If that is not enough for John to deal with, he also has to take sole responsibility for his younger sibling Kit who has Down’s syndrome, as Jean refuses to even acknowledge his very existence, let alone attend his 18th birthday. He does however finally manage to get Jean to an AA meeting but he discovers what she really needs is a proper detox programme that will cost £8000. No amount of driving hookers around looking for their ‘johns’ in his cab will raise an amount as large as this, so he is forced to borrow it from an unlikely source.

    He is actually handed the money by a person on a horse who passes him a tin full of money. We find later that the price he will have to pay for this is something to do with the activities of the criminal clique who lent it to him, but what this actually is as clear as mud and is open to wild guesswork. There is a clue in the naked dead woman he discovers in the bath in a deserted country house he has been sent too, but we are never sure why.

    Saying that this powerful Irish kitchen-sink drama is completely gripping from the word go. It has an impressive performance from Irish actor Jack Reynor as John that got him a Best Acting Award at Sundance earlier this year. Playing his mother quite superbly is Toni Collete who is pitch perfect as a deeply unhappy woman who seems almost happy to drink herself into oblivion. A nod to Harry Nagle a young actor for his bravado ad Kit.

    Confusing but quite compelling.

  • FILM REVIEW: Elsa And Fred

    FILM REVIEW: Elsa And Fred

    ★★★★ ELSA AND FRED | Newly widowed Fred has been coerced by his control freak of a daughter to sell his large house and move into an apartment in New Orleans.

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  • FILM REVIEW | The Last Five Years

    ★★★★| The Last Five Years

    The Last Five Years is a rare breed. It is an (off) Broadway Hit Musical that has been very successfully adapted as a movie and avoided the disastrous transition from stage to screen that usually ruins most of Broadway’s exports.

    The simple story explores a five-year relationship between Cathy, a struggling actress, and her boyfriend Jamie who is a new novelist destined for big things. The show bravely tells Cathy’s story starting at the end of their marriage and working backwards, whereas Jamie’s is told in chronological order.

    With very little dialogue this two-hander is a series of songs with the couple singing to each other about their romance as it takes off and then falls apart, and in fact there is only one number in the middle of the movie when they sing a duet. So Cathy starts with her sad lament Jamie it’s Over’whereas Jamie’s exuberant first song Shiksa Goddess is about when they first meet and he totally falls in love with her and declares she can be anything, but preferably not Jewish as his Orthodox family had pressured him for years.

    As the title gives away the young couple meet, fall in love, marry and then part all in five years. Cathy gets stuck midway doing Summer Stock Theater in Ohio (!) whilst Jamie’s literary success makes him the toast of Manhattan. Evidently so closer based on composer Tony Award Winner James Robert Brown’s own life that he had to change one of the original songs after his actress ex-wife threatened legal action.

    It is completely enchanting and although sometimes the songs are a tad more passionate than the actual relationship, the infectious score and the very witty lyrics make this movie such a sheer delight. Credit too for a rather wonderful performance from rising star Anna Kendrick who showed in Into The Woods recently that she can sing as well as she can act. She is teamed with handsome Jeremy Jordan (from TV’s Smash) who is obviously a seasoned musical performer.

    The original stage show was first produced in Chicago in 2002 before setting in off-Broadway and picking up a few Awards. It has aged well with time, and this movie adaption from director Richard LaGravanse (‘PS I Love You’) will appeal to people beyond the usual musical aficionados.

  • FILM REVIEW | Hidden Away, A Spanish Teenage Gay Love Story

    Don’t be fooled into thinking that Hidden Away is just another boy meets boy love story with a less than great cover photo of its two male leads. It’s a very well told and acted Spanish teenage gay love story that’s very heartwarming and enduring as well. ★★★★

    Hidden Away is not told as a simple coming of age story, and it’s not told in chronological order, which makes understanding and piecing the film together a bit confusing. Director Mikel Rueda has decided to tell the story in a way in which is supposedly meant for the viewer to put themselves into the characters shoes. So it opens with Ibrahim, a 14-year-old young man, walking along the road hitchhiking, escaping from something which we won’t know until the very end. He’s from Morocco, but had gone to Spain a few years back looking for a better future. He’s been living in shelters, hoping to get his official papers so that he can stay in Spain. He lives in Bilbao, fully settled, attending school and living in a shelter for boys just like him. Then there is Rafa, also 14, Spanish, living with his parents. Rafa hangs out with boys just like himself, yet there’s one thing different about Rafa. He doesn’t like girls. There is one girl in particular who practically throws herself at him, but he just doesn’t reciprocate, much to the horror of his friends. Even though Ibrahim and Rafa’s paths initially cross (at one point in a club urinal), they don’t meet until a bit later in the film. And there’s a spark. A spark that at first betells an evolving and very close friendship between the young men, but then evolves into more than that. While there is no actual sex scenes in this film, Rafa and Ibrahim’s bond appears to be more than just physical, it’s emotional as well.

    Ibrahim gets mixed up with a local gang that gets him to sell drugs, while Rafa whiles away the time looking for any reason to be with him. They initially bond over a cigarette, but their friendship, and romance, blossoms after they spend a day together hanging out and going bowling. It’s a relationship that we know is too good to be true. And when Ibrahim receives a letter from the government wanting to extradite him back to Morocco, he sees no other way but to run away, with Rafa by his side.

    It’s the performances that make this film fantastic. German Alcaruz as Rafa brings an innocence to his part, a young man who knows what he wants and doesn’t care what his friends think. His facial expressions will melt your heart – Alcarazu gives a believable and touching performance. Adil Koukouh is also very good as Ibrahim. He’s bigger and more mature looking than Rafa, but he also has a special something that makes Rafa’s attraction to him seem very credible. Also very very good is Joseba Ugalde as Rafa’s best friend Guille. He knows he’s losing Rafa to Ibrahim and he’s OK with it, even when Rafa and Ibrahim have to go on the run, there’s a very touching scene when Rafa and Guille say goodbye to each and Guille tells Rafa that’s he doesn’t quite understand what is going on.

    Hidden Away is a bit difficult to comprehend in the beginning as the scenes do jump around, and the subtitles on this film are quite small and at times hard to read, but stick with it till the very end and you will be rewarded with a love story that’s unique in it’s telling and at it’s very core is a film that tells the story of young love, young love that we’ve all experienced.

    Hidden Away is now available to buy on DVD.

     

    by Tim Baros

  • FILM REVIEW | Hidden Away, A Spanish Teenage Gay Love Story

    Don’t be fooled into thinking that Hidden Away is just another boy meets boy love story with a less than great cover photo of its two male leads. It’s a very well told and acted Spanish teenage gay love story that’s very heartwarming and enduring as well. ★★★★

    Hidden Away is not told as a simple coming of age story, and it’s not told in chronological order, which makes understanding and piecing the film together a bit confusing. Director Mikel Rueda has decided to tell the story in a way in which is supposedly meant for the viewer to put themselves into the characters shoes. So it opens with Ibrahim, a 14-year-old young man, walking along the road hitchhiking, escaping from something which we won’t know until the very end. He’s from Morocco, but had gone to Spain a few years back looking for a better future. He’s been living in shelters, hoping to get his official papers so that he can stay in Spain. He lives in Bilbao, fully settled, attending school and living in a shelter for boys just like him. Then there is Rafa, also 14, Spanish, living with his parents. Rafa hangs out with boys just like himself, yet there’s one thing different about Rafa. He doesn’t like girls. There is one girl in particular who practically throws herself at him, but he just doesn’t reciprocate, much to the horror of his friends. Even though Ibrahim and Rafa’s paths initially cross (at one point in a club urinal), they don’t meet until a bit later in the film. And there’s a spark. A spark that at first betells an evolving and very close friendship between the young men, but then evolves into more than that. While there is no actual sex scenes in this film, Rafa and Ibrahim’s bond appears to be more than just physical, it’s emotional as well.

    Ibrahim gets mixed up with a local gang that gets him to sell drugs, while Rafa whiles away the time looking for any reason to be with him. They initially bond over a cigarette, but their friendship, and romance, blossoms after they spend a day together hanging out and going bowling. It’s a relationship that we know is too good to be true. And when Ibrahim receives a letter from the government wanting to extradite him back to Morocco, he sees no other way but to run away, with Rafa by his side.

    It’s the performances that make this film fantastic. German Alcaruz as Rafa brings an innocence to his part, a young man who knows what he wants and doesn’t care what his friends think. His facial expressions will melt your heart – Alcarazu gives a believable and touching performance. Adil Koukouh is also very good as Ibrahim. He’s bigger and more mature looking than Rafa, but he also has a special something that makes Rafa’s attraction to him seem very credible. Also very very good is Joseba Ugalde as Rafa’s best friend Guille. He knows he’s losing Rafa to Ibrahim and he’s OK with it, even when Rafa and Ibrahim have to go on the run, there’s a very touching scene when Rafa and Guille say goodbye to each and Guille tells Rafa that’s he doesn’t quite understand what is going on.

    Hidden Away is a bit difficult to comprehend in the beginning as the scenes do jump around, and the subtitles on this film are quite small and at times hard to read, but stick with it till the very end and you will be rewarded with a love story that’s unique in it’s telling and at it’s very core is a film that tells the story of young love, young love that we’ve all experienced.

    Available to by from Amazon

     

  • FILM REVIEW | Frequencies

    ★★★ | Frequencies

    This quirky and ingenious British film shows us a slightly dystopian future, where we are all born with a frequency that predetermines our future, our luck and affects our relationships.

    It follows Marie-Curie Fortune (aka Marie) and Issac-Newton Midgeley (aka Zak) as they grow, knowing their respective frequencies and how it will affect their lives, expect they seem to be continually thrown together as Marie tries to understand how they can only spend one minute together at a time, without some catastrophe happening.

    Think magnets, and how they repel and attract and you have an idea of how this film works – until it throws something else in the mix. The power of words and sound waves to alter this effect – certain words being able to raise or lower a persons frequency and enable two opposites to get close to each other.

    The film then goes on to look at how this power has existed since time immemorial and has been forgotten by the vast majority of the population…and there are darker ways in which to use this power.

    But music can provide a “reset” and counter-act the effects of the sound waves – whether used for good or evil!

    The film is lovely, it doesn’t go for the silver foil suits of other low budget sci-fi. Instead it places itself in the near future or possibly a parallel earth, leaving you a feeling of familiarity with the sets and clothes – and no doubt saving much needed cash.

    This gem is written, directed and produced by Darren Paul Fisher, who has had a hand in the In-betweeners and he does a mean turn here – playing with the ideas of words and sound waves leading to mind control but music being a reset on a button based in the soul.

    The grown up Marie and Zak are played well by Daniel Fraser and Eleanor Wyld, but the child and teen characters put in excellent turns.

    Overall, it can come off a little like a well-meaning episode of Doctor Who, but I for one don’t think that’s such a bad thing.

  • FILM REVIEW: From Beginning To End

    There is good taste, and then there is incest.

    It’s surprising that we can sit and watch a lot of suspect and even deviant behaviour amongst (consenting) adults on the silver screen, but this is one topic that we feel is just a tad too icky even for us. Especially when it comes in the form of a melodramatic Brazilian telenova that is short on both substance as well as clothing, and is to all intents and purpose nothing more than a pretty piece of soft porn.

    It starts with two young half brothers, one 6 years old and the other 12, who are a little too close to each other for our comfort zone, and for their mother too who suspects there may be more here than what meets the eye. Flash-forward to the boys as grown men, one of the fathers dies, then the mother passes away too, and the boys seek solace in each other. Well that’s their excuse as they have barely stopped lusting after each other since they were kids.

    We are convinced that it’s not just lust, but real love, which is put to the test when the younger brother who is a potential Olympic swimming champion is told by his coach that he must move abroad to train. To Russia no less. Oh come on coach, you mean to tell us there are no decent swimming pools closer to Brazil?

    Love conquers all though and even a very pretty girl cannot steal the old brother away from his one true love, and this all plays out to a rather deafening over-laden heavy strings soundtrack. And we guess they will happily ever after? Who knows? More importantly, who cares?

    Why see it at all? Well the boys/men are rather stunning beefcakes that even with this limited script prove that they can actually act, and also writhe around naked together looking very sexy but without doing the act (it’s soft porn after all). It was a big box office hit in Brazil when it was released in 2009, and it has now surfaced on Amazon where you can waste £4.49 and more importantly 90 minutes of your time.

     

  • FILM REVIEW: Girlhood

    Life is pretty bleak in this concrete jungle of soulless tower blocks of shabby apartments on this housing complex in a poor rundown suburb of Paris.

    Sixteen-year-old Marieme is hoping that one day she will break out of there so for a better life so she does her school work, plays American football, and then goes home to look after her younger siblings whilst her mother is out all hours doing cleaning jobs to keep the family together.

    However when Marieme learns that her grades are not enough to continue high school she gives up being a good girl and falls in with a gang of three girls who seem to wreak havoc wherever they go. At first, Marieme sits on the sidelines observing the girls led by a real toughie who calls herself Lady, but she soon gets drawn into their questionable activities when they slack off school every day. She swaps her braids for a more glam look and starts copying their more outrageous dress style. It’s not long until she is the one menacing other kids on their way to school to relieve them of every cent they have to fund the gang’s nefarious agenda.

    They use the money to check into a hotel to try on all the clothes they have stolen from the mall, get wasted on a diet of booze and pot noodles, and give a full rendition of Rihanna’s Diamonds. It’s their idea of a high life, sad as it is.

    Things change when Lady gets roundly beaten in a fight with a member of another gang, so an emboldened Marieme … known by the girls as Vic … steps up to the plate and takes on the victor and beats her up. It delights Djibril one of her brother’s friends who she has been hooking up with in secret, but it infuriates her bully of a brother, and when he threatens her, she knows it is time to leave home.

    In this situation the only way out is to start selling drugs, which she does for another gang in return for a share in a safe house in another neighbourhood. As tough she has become, this is very much a man’s world, and despite all her efforts, she is still a girl.

    It’s the third feature from French filmmaker Céline Sciamma and although it doesn’t quite have the same resonance of her award-winning Tomboy but it does nevertheless pack a powerful punch. It’s a bleak grim reality that these tough bad girls inhabit and come-of-age in but Sciamma does at least infuse it with a glimmer of hope…. and some compassion too. It’s zillion years away from the cosy life of Boyhood!

  • FILM REVIEW | Blackmail Boys

    When gay art student Sam ‘came out’ to his parents they disowned him and cut him off without a cent.

    Faced with high tuition fees, rent and living expenses to find in Chicago, he resorted to turning tricks as it pays so much better than any other manual labour. However when Aaron his long-term long-distance boyfriend moved to town and in with him, he resented the way that Sam earns his living.

    The first time one of Sam’s paying clients came for his weekly rough and tumble, the more worldly Aaron recognised him as an infamous gay-bashing bigot that had just written yet one more book denouncing the ‘evil ways of homosexuality. After his ‘appointment’ was over Aaron suggested that when the man came back for his next hook-up, that he should secretly film the whole naked encounter and use it to blackmail him. Not only would it possibly expose the hypocrite to the whole world, but if he wanted to buy the tape to keep them quiet, they could make enough money to insure that Sam could retire from his call boy career.

    It was a rather inconsequential plot for a lightweight movie made by the somewhat anonymous Shumanski filmmaking brothers from South Africa. Like their previous gay-themed movie Wrecked there is an abundant amount of full frontal nudity and explicit sex that at times just feels like porn with a plot. Its redeeming feature is its mumble core approach to filming (not often used in gay movies) that gave the whole piece an edgy feel to it.

    On the acting side indie actor/director Joe Swanberg who’s first ‘big’ feature Drinking Buddies was recently released to critical acclaim, plays the angry client Andrew Tucker. Looking at Swanberg’s resume to date you can see that he rarely keeps his clothes on through a whole movie, so it seemed no big deal for this straight actor to have explicit gay sex on screen. Interesting also to see young Nathan Adloff (playing Sam) in front of the camera after being so very impressed with his own writing/directing debut in a delightful sleeper from last year’s Nate & Margaret.

    It’s a harmless piece of boy-lite fare that by trying to push our buttons by what it thinks is daring, will only have us reaching for the remote control to skip over all those parts which fall flatter than some of the sexual encounters, to get to the end quicker.

  • FILM REVIEW | Wild Tales

    ★★★★★ | Wild Tales

    Pretty model Isabel is on a business trip and strikes up a conversation with a gentleman the other side of the aisle of the plane.

    They quickly discover that they have a mutual acquaintance in Gabriel Pasternak who Isabel used to date and whom the man had once turned down for a College Grant. The woman seated in the row in front hears their conversation and proffers up that she once taught this same Gabriel Pasternak. Very quickly they establish that everyone on board had some sort of dealings with Gabriel, most of which had not ended happily, and they also discover that he had not only gifted them all their plane tickets but was one of the crew on board.

    This is first of six extraordinary and wonderfully wicked hilarious short stories that all end badly and have one thing in common. I.e. vengeance. Created by Argentinian filmmaker Damián Szifrón each one is magically bizarre and all, nothing less than brilliant, show his delightfully warped imagination

    In the second tale called ‘The Rats’ which is set in a remote roadside diner, the waitress discovers that her sole customer that night is a loan shark who had driven her father to kill himself. The cook, a tough female ex-con, declares that merely rebuking the man is not enough and she is determined that this will be his last meal ever. It’s followed ‘Road to Hell’ which is the bloodiest episode of the set, with its tale of road rage that so gets out of control when an arrogant hot-shot yuppie in an expensive Audi tries to belittle a country redneck in his beat up wreck. The fourth of Szifrón’s yarns ‘Bombita’ is about an unfortunate demolition engineer who is having a really bad day. His car is impounded when he stops for one brief moment to pick up a birthday cake for his young daughter. He is forced to pay a hefty fine to the rude staff at the compound to retrieve it, and then gets screamed at by his wife for completely missing the child’s party. It’s the last straw for her and she demands a divorce and so his car is towed away again and he literally explodes.

    The penultimate tale is the only really serious one that is totally devoid of any humour. It’s the story of a very wealthy family whose son has killed a pregnant woman in a hit-and-run accident and they try and bribe their gardener to take the rap instead. Their ploy almost falls apart when everybody, including the Police, seems to want to ensure that they get the heftiest share of the hush money.

    The rather spectacular finale has the very apt title ‘Till Death Do Us Part. It’s set at a Jewish wedding reception where the bride loses her big smile when she suddenly discovers that her groom has been having carnal knowledge with a very pretty younger girl in his office. The bride loses it big time and is determined that not only will her new husband suffer, so too will his family and inevitably all the guests too in an outrageous seemingly endless slapstick performance.

    The pace never lets up in the entire 2 hours that for once just flies by as you sit on the edge on your seat unable to even guess what could possibly happen next. What is really quite delicious though is Szifrón’s subversive humour which sets this unique piece really apart and must be a major contributing factor in the movie getting a Best Foreign Picture Oscar Nomination. It also benefitted from an excellent cast, a stunning soundtrack from Gustavo Santaolalla, and the fact that it had the Almodovar Brothers as its Producers.

    Wild Tales is really one wild ride that you will not want to miss. In UK cinemas now.

  • FILM REVIEW: Drink Me

    ★★★ | Drink Me

    Young gay couple James and Andy seem to have everything, especially an extremely busy sex life.

    Life in the rather comfortable house they share couldn’t be more perfect and James wants to make it all even more permanent by getting down on his knees and proposing marriage. However timing is everything and Andy fesses up that he has just been laid off from his job, which puts a dampener on any ideas of paying for an expensive wedding right now.

    After he has trouble finding new work, money gets tight for the couple so James suggests taking in a lodger. Sebastian a handsome stranger moves in and all seems well until housebound Andy realises that the new member of the household is hiding a secret. He suspects that Sebastian could be the killer who has been stalking the streets of their neighbourhood and responsible for so many people seemingly disappearing into thin air. He will not have to wait long to find out the truth.

    This brand new thriller made on a micro-budget on by husband & husband team Daniel & Richard Mansfield is a rare genre i.e. gay vampire drama. Strangely enough it is not nearly as frightening as the overly dramatic soundtrack intonates it should be, and the slight plot unfurls at such a slow pace that there are neither any real scares nor surprises. It does however possess more male full frontal nudity than I have ever seen outside of a porn movie, and full credit to both director and cast, as they ensure that most of it is highly erotic.

    The movie following on from The Secret Path that the Mansfields made last year proves again that this young couple of talented British gay filmmakers are definitely a pair well worth watching.