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  • THEATRE REVIEW | Botallack O’Clock

    THEATRE REVIEW | Botallack O’Clock

    Dangling for 70 mins in a smoky room, adjacent to a stained mattress with Dessert Island Discs emanating from a Bush radio, alongside tick tock tick tock, Beethoven and the squiffed fantasies from an abstract artist who will drink to your health, insult if you were christened Darius or if you work for Blue Peter, might cause you to fornicate with a portrait and Monster Mash with a bear. ★★★

    Writer and Director Eddie Elks interprets a suspended hour at 3am for artisan Roger Hilton CBE in his Cornwall basement/bedroom/studio, aided with a bottle of Teachers malt, a talking wireless and a paint-water-thirsty feline.

    Attempted gherkin stabbing, a wife-eating crocodile composition, hide and seek with some teddy trouser pulling-down nonsense is enough to keep Hilton awake in the wee hours – will it keep your mince-pies open?

    Turbulent and bonkers with glimmers of merriment as you delve deeper into the whisky-hazed, gifted mind of a boob-admiring canvas-and-oil prize winner.

    Think self-indulgent luvvie in a student’s bedsit.

     

    Botallack O’Clock run until 6th February 2016 at the Old Red Lion Theatre, 0844 412 4307

     

  • REVIEW | A Naughty Night With Noël Coward at the Old Red Lion Theatre Islington

    Absurdly polite confrontations, beastly upper-class pompousness, all served up with preposterous hilarity.

    Director Jimmy Walters, co-founder of Proud Haddock, has brought to life two works of one of the most famous actor-director-producer-playwrights, Noël Coward. You’ll feel as though you’ve been pulled back to the 1920s for 70mins with two authentic performances of Noël’s short one act plays.

    In the first – We Were Dancing – Louise (Lianne Harvey), a married woman, supposedly falls pinned-curls-over-oxford-heels in love – without so much as a first name exchange – with Karl (James Sindall), a chap she’s just met on the dance floor of a South Pacific country club. Replace the waltz with bare-chested shape-throwing and that’s just another normal night at XXL.

    Once the euphoric bubble bursts and carnal frenzy fades, what’s left? In today’s world, would they even swap digits?

    Brilliantly awkward with a good old-fashioned, British stiff-upper-lip marriage break-up, all executed with high society etiquette.

    In the second – The Better Half – Alice (Tracey Pickup) is bored, and has fallen out of love with her drippy husband David (Stephen Fawkes). Blunt Alice attempts to rile David with confessions of adultery, and tries to push him into the arms of her friend Marion (Beth Eyre) – car-key swapping partiers weren’t around back then. Drippy David accepts the affairs – in his mind, that’s the honourable thing to do – which leads to Alice’s hysterical hysteria.

    In the speakeasy golden 20s it wasn’t so easy to speak of infidelity. Nowadays it’s a lot simpler, a few words on WhatsApp or a quick Snapchat, and out the door one totters.

    Pickup really picks up Alice’s nuances and breathes life into the character – the crowd sympathised with Alice, no contest.

    By the end of the night the 20s weren’t the only thing roaring in the Old Red Lion’s intimate theatre – the humour is as fresh as the performance, and the audience found the both acts jolly agreeable.

    A Naughty Night with Noël Coward: We Were Dancing and The Better Half

    Old Red Lion Theatre, 418 St John Street, London EC1V 4NJ

    www.oldredliontheatre.co.uk

    Tuesday 4th – Saturday 29th August 2015 Tuesday to Saturday, 7.30pm

    Saturday matinees, 2pm – Sunday matinees, 3pm

  • THEATRE REVIEW | The Picture Of John Gray, The Old Red Lion Theatre, London

    ★★★★ | The Picture Of John Gray, The Old Red Lion Theatre, London

    ‘We all hide – the only choice is where.’

    Based on a true story, C.J. Wilmann’s play is an unconventional love story about secrecy, denial and compromise.

    In the summer of 1889, Oscar Wilde began a love affair with a young working class poet whose beauty seemed to defy Time itself. Months later, he would use this man’s surname for his most infamous creation. Immortalised in The Picture of Dorian Gray but soon ditched by its author, John Gray is left to grow up and become his own man.

    Meanwhile Oscar is playing out his own downfall on the most public of stages. He is imprisoned for acts of ‘Gross Indecency’ with other men, and the community of poets and artists he had mixed with is fractured as a hunt for Sodomites sweeps London. As around him the most resilient of relationships are pushed near breaking point, John must choose sanctuary in the purity of his faith or the dangerous arms of a man who offers him love.

    I’ve always been ambivalent about Oscar Wilde, finding his works amusing and sparkling with genius but also annoyingly pompous and at times grating. I had a little trepidation about this play but I was quickly proved wrong. This is a very well written and staged play with a strong storyline and a moving and emotive theme. The five young actors portray the circle of Victorian gay men with convincing panache and although there are Wilde-like moments in the banter within the script, this is so much more than a story about the effect of Oscar Wilde but more a depiction of what must have been a terrifying time to be gay.

    The two leads, Patrick Walshe McBride and Christopher Tester, are outstanding in their performances and are ably supported by the rest of the cast on a stark stage set with a backdrop of an oversized fragment of a painting of a young man. Tester’s powerful performance (as Gray’s lover. Andre Raffalovich) moved me close to tears and Walshe McBride subtly takes the viewer through Gray’s evolution from foppish young poet through to a wiser, more measured man. These are definitely actors to watch out for.

    This is a play that is well worth seeing, with major themes that are still relevant today but equally as important, it’s an entertaining, moving and often comedic play. Whether you love, loath or are indifferent to Wilde is irrelevant. This is a great piece of theatre.

    The Picture of John Gray runs until the 30th of August 2014
    There are also various post show events:

    Post-show talk with Martin Bowley QC, legal barrister and prominent gay rights campaigner, Tuesday 12th August
    Post-show Q&A with the cast and crew, Wednesday 13th August

    Post-show open discussion on Oscar Wilde with CJ Wilmann and special guest Neil McKenna (author of The Secret Life of Oscar Wilde), Friday 15th August

    Buy tickets here: http://www.oldredliontheatre.co.uk/the-picture-of-john-gray.htm

  • THEATRE REVIEW | The Spring Tide at The Old Red Lion, Angel, London

    ★★★★★ | The Spring Tide at The Old Red Lion, Angel, London

    This new piece of writing by Carol Vine premieres with a stellar cast put together by Oliver Taheri Productions, and delivers a punchy and passionate play that explores coming out in middle age and the impact on a modern family.

    We see the two women as girls in the teens and throughout the years of their relationship up until present day, Suzy trapped in an unhappy middle class world with an angry teenager and a crumbling marriage, Lan still waiting on her love to return.

    There was a little too much ‘business’ on stage between scenes and that was slightly distracting however the performances of the actors bought us crashing back into the narrative with their passionate and brave performances. The characters are not stereotypical but very real and three dimensional and the story not sensationalist but entirely believable. The actors also deliver a very naturalistic performance so you truly empathise with the characters and the tragic twist of the story is all the more poignant for it.

    On until 21st September, Tuesday to Saturday 7.30pm and Saturday and Sunday Matinees at 3pm