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  • THEATRE REVIEW | Four Minutes Twelve Seconds

    James Fritz brings you West Croydon’s version of an Eastenders Christmas Day special, but with more tiers than one of Pat Butcher’s earrings and acting skills far superior to the likes of Dirty Den. ★★★★

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  • THEATRE REVIEW | Dickens With a Difference, Trafalgar Studios, London

    ★★★ | Dickens With a Difference, Trafalgar Studios, London

    What can be more festive than Charles Dickens with his depiction of Victorian London in ‘A Christmas Carol”? Trafalgar Studios has chosen to present a spectacle of an all together different and darker aspect to Dickens’ work over this year’s Christmas period.

    Miss Havisham’s Expectations
    ★★★
    If you’ve not heard of the iconic Miss Havisham then it’s about time you treated yourself to this embittered, grief-stricken woman. Sitting in her rotting wedding dress amongst the remnants of the wedding breakfast that never was, in a dilapidated mansion overrun with mice? Training up a child to wreak havoc on men? That’s my kind of reaction to a messy break-up. Being jilted at the altar and conned out of money is bound to turn a girl’s head a little. ‘Miss Havisham’s Expectations’ adds a new dimension to the story we’re told in ‘Great Expectations’. Finally, in Di Sherlock’s play, she gets to tell her side of the story. Self-aware, funny, sweary and in the full knowledge that she is a fictional character; this Miss Havisham dances, practices conjuring tricks and speaks her mind very clearly. Her views on Dickens’ treatment of women are particularly illuminating.

    Critically acclaimed actress Linda Marlowe (currently Sylvie Carter in EastEnders) gives a superb performance. The sets are adequate; the wedding dress was maybe a little too modern and the play does have the odd moment but on the whole, this monologue packs a punch and is worth a look.

    Sikes and Nancy
    ★★★
    Dickens wowed Victorian audiences with his dramatic readings of his work. Here, James Swanton, takes on the scene from ‘Oliver Twist’ where Nancy is murdered by Bill Sikes. This is high melodrama, bought to life by one man with only a few chairs as props and a clever lighting set to accentuate his storytelling.

    Swanton takes on numerous characters through shifts in voice and facial expressions and takes us through the build-up and aftermath of the crime on what is a thrilling ride. It’s a show that’s received much acclaim and even Dickens aficionado Simon Callow classed it as remarkable.

    A word of caution: There’s a lot of facial contortion, character voices and melodrama. I enjoyed it but my companion was left cold by the show.
    Miss Havisham’s Expectations
    Tuesday 9th December 2014 – Saturday 3rd January 2015

    Watch the trailer and buy tickets here: http://www.atgtickets.com/shows/miss-havishams-expectations/trafalgar-studios/

    Sikes & Nancy
    Performance Dates Tuesday 9th December 2014 – Saturday 3rd January 2015

    Read more here: http://www.jamesswanton.com/sikes–nancy.html

    Buy tickets here: http://www.atgtickets.com/shows/sikes-and-nancy/trafalgar-studios/

  • THEATRE REVIEW | Julie Madly Deeply, Trafalgar Studios

    ★★★★ | Julie Madly Deeply, Trafalgar Studios

    Julie Madly Deeply is an affectionate look at the life of one of the most iconic stars of stage and screen, Dame Julie Andrews.

    Lifelong fan, Sarah-Louise Young, already a well-known name on the cabaret circuit, quips and quotes her way through the show she wrote with an eloquent ease, interspersing anecdotes with just some of the many songs Andrews is best known for from Thoroughly Modern Millie, Mary Poppins, The Sound of Music, My Fair Lady and The Boy Friend.

    Young infuses the show with her natural warmth and plenty of wit, and her devotion to Andrews is evident throughout. She speaks of her with passion and charm, using her perfect diction and clear singing voice to effectively mimic the star. Young’s versatility is evident as she effortlessly jumps between characters, including Audrey Hepburn and a deliciously slurring Liza Minnelli who pops up with familiar regularly.

    Musical Director Michael Roulston plays a perfect role, supporting and guiding Young throughout. His comedic flair and wonderfully expressive manner adds a great deal, and their chemistry is clearly visible.

    The staging is sparse, with just a chair, microphone and piano, but no more is needed. The focus is entirely held by Young and Roulston, and the characters they weave into this story (including a penguin that requires some help to leave the stage).Post-interval, one more prop arrives, in the form of a truly extraordinary Alpine landscape covered dirndl. Never before have I seen a movie so accurately embodied in costume.

    There is not a dull moment in either Act, and Young joyously wraps the evening up with what can only be described as a “Sing-along-a-Julie” finale, which has even the shyest audience member singing along to a medley that reminds us all just how many of Andrews’ songs are embedded deep within us.

    A thoroughly modern retrospective which is wholly deserving of a sell-out run, Julie Madly Deeply is a witty, charming and entirely fitting tribute to a true star. I have no doubt at all that, if Julie herself were to see the show, she would be deeply flattered.

    Julie Madly Deeply plays at Trafalgar Studios until 4 January, 2014. Tickets are £20-30 from http://www.atgtickets.com/shows/julie-madly-deeply/trafalgar-studios/ and well worth every penny.

  • THEATRE REVIEW | The Confessions Of Gordon Brown, Trafalgar Studios

    ★★★★ |The Confessions Of Gordon Brown, Trafalgar Studios

    Fresh from the Edinburgh fringe, this hit one man show has transferred to the prestigious Trafalgar Studios in London.

    This satirical look at the reign of Gordon Brown as leader of the Labour party is both laugh out loud and moving in equal parts. Written by Emmy award winning Kevin Toolis, the script swiftly moves between discussion of Brown the public figure and Brown the man.

    Ian Grieve (a remarkable likeness of the man himself) gives a strong, grounded performance, getting the audience onside and empathising with one of the most well known faces in British politics.The script reaches deep into the soul of the character, and one can only wonder what those close to Brown, and the man himself, would make of the writers interpretation of his character.

    Until 28th September,7.45pm daily

    http://www.atgtickets.com/shows/the-confessions-of-gordon-brown/trafalgar-studios/#overview_tab

    Twitter @GordonConfesses