Tag: UK

  • Are you planning something BIG and LIFE AFFIRMING?

    So the BBC is looking for some people who are heading towards a life changing week and they want you to share your experience with them.

    Sponsored by

     

    So… are you?

    Going to tell your family you’re gay

     

    Perhaps you’re going to tell your boss that you’re going to start your DRAG career

     

    Maybe you need to tell your friends something

     

    Maybe you’re going to start living as your true identity

     

    Maybe your gonna start a family with your boyfriend!

     

    Maybe you’re going to go on your very first date

    CREDIT: Oneinchpunch-bigstock
    CREDIT: Oneinchpunch-bigstock

     

    Maybe you’re going to meet your Internet boyfriend in REAL LIFE!

     

    So if you fancy being part of this groundbreaking documentary why not give the MY BIG WEEK team a call or an email.

    The BBC is making a new BBC2 series which will consist of 6 hour-long episodes that will go out next year at the 9pm time slot. Each episode will follow members of the public of all ages in an observational documentary style as they go through a week of change. We are interested in lots of different ideas for what is making that week extraordinary with life’s milestones being the running theme. They will also have access to support and advice from people across the world during the week. As a BBC2 production it will have a warm, life affirming tone with the human interest story at the centre.

    We would love to hear from anyone who would be interested in talking to us about the series, by expressing interest there is no obligation to take part and all calls will be treated as confidential.

    To get in touch email mybigweek@bbc.co.uk or call 07834 624 111

    my-big-week_lgbt-general

    This article was sponsored by BBC Two, but created by THEGAYUK.

  • THEATRE REVIEW | Boys In The Band

    THEATRE REVIEW | Boys In The Band

    ★★★★ | Boys In The Band

    1the-boys-in-the-band-mark-gatiss-jack-derges-cdarren-bell

    “There’s one thing to be said about masturbation: you certainly don’t have to look your best”

    What was shocking to American theatre audiences in 1968 (and cinema goers in 1970 when the film was made) isn’t going to be daring or titillating anymore. The only thing that’s shocking is that viewers less than 50 years ago would be so outraged by a play about a group of gay men having a party with a lasagne and salad instead of Crystal Meth.  So what does ‘The Boys in the Band’ have to offer to the contemporary viewer? The answer is that the issues facing the men are scarily pertinent, still. The play came under fire from some for its negative portrayal of gay men but there’s something chillingly familiar about these boys.

    Uptight materialist Michael (Ian Hallard) has a drink and spending problem, although he’s currently on the wagon from the booze. He’s hosting a birthday party in his New York apartment for waspish self-proclaimed ‘pock-marked fairy Jew’ Harold (played by Hallard’s real life husband Mark Gattiss). Camp and flamboyant Emery has hired a muscular hooker as a gift. Soon to be divorced father of two, Hank is trying to make his relationship work within the constraints of monogamy whilst his partner Larry’s has a distinct inability to keep it in his pants in a world where sex is freely available. Bernard is struggling with the casual racist jibes of his friends and bookish Donald (Daniel Boys) is undergoing analysis to help him come to terms with being gay.

    I don’t know about you but these are a lot like the people in my social circle. Issues with drugs and alcohol, poor self-esteem, self-hatred, shame, looking down on effeminate gays, cruising the saunas too much, open-relationships versus monogamy versus the compromise of the odd threesome here and there? The boys of 1968 might have had different drugs and clothes and lived in a more oppressive society but the songs remain the same.

    It’s a funny play, starting with a sit-com-like first act where a random heterosexual re-surfaces from Michael’s past and lands at the party like a fly in the ointment. There are one-liners that pack a punch and Gattiss is the master of the arch eyebrow movement and gives a seemingly effortless performance as Harold.  Act Two is darker and becomes a sub ‘Who’s Afraid of Virginia Woolf’ as the men get steadily more drunk and play a caustic party game. The climax is poignant and dark in equal measures and there are some deeply affecting moments.

    Despite the odd patch where the script is heavy-handed, shows its age and the occasional clunky plot device flails, overall this is a great play and a worthwhile revival with a triumphant staging from director Adam Penfold. Well worth a visit.

    After the run at The Park Theatre in London the play moves to Manchester from the 3rd to the 6th of November, Brighton from the 8th to the 12th and Leeds from the 14th to the 19th of November.

     

    Follow Chris Bridges on http://www.twitter.com/chrisb715Twitter

  • The 60th BFI London Film Festival begins today with loads of gay films

    The 60th BFI London Film Festival begins today with loads of gay films

    This year’s London Film Festival looks to be the gayest one yet. There are about a dozen films with an LGBT theme, and some of them are in your face gay.

    king_cobra_01
    Here’s a preview of what to look for, and which films you need to do absolutely anything to get a ticket:

    King Cobra is definitely one of the most scandalous films to be shown at the festival probably ever! A young man travels to Los Angeles at the urging of a sleazy gay porn producer (Christian Slater) to be his next star. A parallel story has James Franco as another gay porn producer who is in a relationship with his young male star. There is lots of skin shown in this film which is based on the real life story of former gay porn star Brent Corrigan. And as a bonus James Franco’s character gets fcked and scked.  Do anything to get a ticket to this!

    A film that is getting a lot of attention from the mainstream press is the excellent Moonlight. It takes place in 19980’s Miami and focuses on one man’s journey through three stages of his life. He’s black and gay, and we witness key moments in his life that made him the man he is. Compelling, with excellent performances all around. Naomie Harris plays his crack-addicted mother. A must see.

    What would happen if a famous and well-known footballer was gay? Well, in The Pass, two aspiring Premier League footballers (Russell Tovey and Arinzé Kene) share a passionate night while sharing a hotel room right before a big game. That night profoundly impacts Tovey’s characters’ life. Hard-hitting stuff with great performances. And It’s worth the ticket price alone just to see Tovey lying on a bed, with his wide legs open, wearing tight white underwear. PHWOAR! If you miss this at the festival you can buy the DVD or streamline it on VOD next year as it’s unlikely this film will get a cinema release.

    Winner of the Queer Palm Award at the Cannes Film Festival, The Lives of Thérése documents Thérése Clerc’s death at the age of 88. She was very memorable in the documentary Les Invisibles who at the age of 40 divorced her husband to embrace a life of activism, which included fighting for homosexual rights.

    Lovesong is about a young woman who lives alone with her two-year-old daughter while her husband works away. One day a female childhood friend comes to visit and a romantic spark ignites. With Jena Malone and Riley Keough.

    Taekwondo is all testosterone and men who are in a country house near Buenos Aires where one of them brings along a friend who does not tell the rest of the group that he is gay. A are they or aren’t they a couple plot develops, which could possibly tear the close friends apart.

    Another Argentinian film is La Noche. A young man moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having lots of sex. I’ve not seen this one yet but by the look of the poster it looks hot!

    One of the most popular films at the Flare Film festival earlier this year, Who’s Gonna Love Me Now excellently tells the story of Sar, an Israeli who has been driven away from his family’s traditional values and starts a new life in London where he joins the Gay Men’s Chorus. It’s beautifully told and directed and is a must see film.

    Gay director Tom Ford presents his second film (the first was the well-received A Single Man) with Nocturnal Animals. One of the festival’s must-see films, it focuses on Susan (Amy Adams), a glamorous and accomplished Los Angeles gallery director whose current marriage appears to be unravelling, and who fuels her insomnia by reading the manuscript of a disturbing novel – written and sent to her by her ex-husband (Jake Gyllenhaal). Expect lots of lush scenery and fabulous costumes.

    The latest from gay director Francois Ozon, Frantz tells the story of a young woman who mourns the tragic death of her fiancé in the aftermath of WW1. She eventually finds solace with a stranger, a man she sees putting flowers on her dead husband’s grave. But who is he really? Typical Ozon melodramatic plot, but will it be another Ozon classic?

    Wunderkind and gay director Xavier Dolan (Lawrence Anyways) presents his latest film, It’s Only the End of the World. A terminally ill writer returns home to break the news of his debilitating condition to his estranged family. It’s lots of sadness and sorrow – typical of a Dolan movie. With Marion Cottilard.

    Stars so far confirmed to walk on the red carpet include: Oyelowo, Pike, Sigourney Weaver and Liam Neeson (A Monster Calls), Casey Affleck, Nyong’o, Renner, Kidman, Patel, Ford and Taylor-Johnson, and Cotillard. Too bad Franco is not showing up.

    There is so so so much more going on at the festival. Grab a program if you see one around town, or go to the website mentioned way below.

    The 60th BFI London Film Festival will screen a total of 193 fiction and 52 documentary features, including 18 World Premieres, 8 International Premieres, 39 European Premieres. There will also be screenings of 144 short films, including documentary, live action and animated works.

    Taking place over 12 days, the Festival’s screenings are at venues across the capital, from the West End cinemas – Vue West End and the iconic Odeon Leicester Square; central London venues – BFI Southbank, BFI IMAX, Picturehouse Central, the ICA, Curzon Mayfair, Curzon Soho, Haymarket, Prince Charles Cinema and Ciné Lumière; and local cinemas – the Ritzy in Brixton, Hackney Picturehouse and Curzon Chelsea. Festival visitors will be able to enjoy a brand new cinema experience with Competition and Strand Galas presented at the new Embankment Garden Cinema, in the beautiful Victoria Embankment Gardens.

    Festival Information & Ticket Booking:

    Telephone Bookings: 020 7928 3232 between 10:00 – 20:30
    Online: www.bfi.org.uk/lff

    In person: BFI Southbank Office: 11:00 – 20:30

    THE 60TH BFI LONDON FILM FESTIVAL IS IN PARTNERSHIP WITH AMERICAN EXPRESS®

  • Gay couple threatened with a “gun” in Poole

    Gay couple threatened with a “gun” in Poole

    Two university students have said they were left fearing for their lives after being threatened with a gun and verbally attacked.

    CREDIT: Google Maps 2016

     

    A gay teenager and his partner in Poole has spoken about how they were verbally abused and had what looked like a gun pointed at them. According to the students, a driver and passenger in a silver Peugeot stopped to abuse them in the early morning of 26th September.

    Speaking to the Bournemouth Echo, 18-year-old Darren Mcswiggan said that a car sped up to him and his boyfriend, who were walking towards Poole Quay. Mr Mcswiggan then said that he and his boyfriend Michael King were subjected to a homophobic verbal assault.

    Mr Mcswiggan then said that he and his boyfriend Michael King were subjected to a homophobic verbal assault.

    During the verbal abuse. Mr Mcswiggan said that what looked like a gun was waved at them. He told the newspaper that he thought that he and his boyfriend were going to be killed.

    The driver is described as: in his 20s white and messy dark hair. He spoke with a Polish accent. The passenger is described as: in his 20s, slim and long messy hair.

    Dorset Police said that they are investigating the incident.

    A spokesperson said,

    “It was reported two 18-year-old men were walking along the pavement when a car drove up to them. The driver shouted homophobic abuse toward the pair and then threatened them with what was believed to be a pistol.

    “The victims were not physically injured in the incident.

    “The vehicle – described as a silver Peugeot 106 or similar – drove off at speed.

    “A search of the area was carried out, however the offenders were not identified.”

    Anyone with information about the incident is asked to call police on 101.

  • X Factor’s Anton Stephans finds the joy of dick in new show

    You may remember Anton Stephans from last year’s X FACTOR, well he’s about to join the cast of Moby Dick – the musical, in London.

    Anton Stephans is about to return to the theatre after a life changing year after appearing on last year’s X Factor. The singing star, who came fifth in the 2015 series of ITV’s flagship show is “delighted” to be returning to his first love – musical theatre.

    Speaking with THEGAYUK he jokes, “there are loads of dick jokes. I love it… ‘3 years at sea and still no sign of dick…’.”

    The musical, which hasn’t played in the UK since 1992, will return to the London stage at the Union Theatre in Southwark – to celebrate the show’s 25th anniversary.

    The show is about the anarchic and nubile girls of St. Godley’s Academy for Young Ladies. Money for the school has run out and it’s threatened with closure. Determined to save their school from bankruptcy, the resourceful girls, and their unflappable headmistress, played by Anton, come up with a plan to keep the school afloat.

    Using whatever they can find, the girls mount an original production as a fundraiser – a musical version of Herman Melville’s classic novel Moby Dick, featuring their own headmistress in the coveted role of Captain Ahab.

    Speaking about why now was the perfect time for the show to return, Anton said,

    We have something utterly hilarious. There are so many bad things going on in the world and it’s good to have a moment where you can laugh your arse off. It’s very sill and very traditionally British. I love all things British like that. That kind of humour, we do it best.

    It will be directed and choreographed by double Olivier Award nominee Andrew Wright, who said,

    “I am thrilled that Anton and Brenda will be leading our 10 strong company of Moby Dick. Each and every member of the cast is unique as well as supremely talented. I’m so excited to create the madcap world of Moby with them.”

    Tickets are available starting at £15 from the Union Theatre Box Office and www.uniontheatre.biz, 020 7261 9876

  • RESTAURANT REVIEW: VQ Restaurant

    If you’ve ever been to America you’ll know that diners are a staple of the culture and way of life. VQ Restaurant, now with three branches in London, is looking to fill a diner gap here in London, and it succeeds.

    With already established locations in Bloomsbury and Chelsea, and now Notting Hill, VQ (Vingt-Quartre, or 24) offers American style food in a restaurant with a very modern design which makes you feel that you are not in a greasy spoon cafe but in a very classy and posh diner.

    What is not posh are the prices. Like American diners, VQ offers an extreme range of food that you can have anytime, including breakfast. How many restaurants do that? If you fancy buttermilk pancakes, at say, midnight, they’re there to order. If you want a hamburger or pasta or salad at say, 11:00 a.m., feel free! As a matter of fact, VQ has just one menu, and not separate menus for breakfast, lunch and dinner – brilliant!

    A friend and I visited the new Notting Hill branch, just a few steps away from the tube, and were placed in a very cozy table in the back, next to a wall that reminded us of a lava-lamp. Since the menu is so big, and with sections such as Burgers Hot Dogs and Sandwiches, Classics (Fish & Chips, Chicken Milanese, Ribeye Steak and Ribs), Omelettes and 24 hour breakfast, not including the starters and sides, plus drinks, it took a bit of time for us to decide. I went with the Club Sandwich with sweet potato fries. What I received was a massive club sliced in four sections containing chicken, bacon, melted cheddar, lettuce, tomato and mustard mayonnaise. It was so big I could not finish it all, though it didn’t help that I had also ordered the chorizo sautéed new potatoes and red onions as a delicious starter which was a meal in itself. And at only £9.95, the club sandwich is a excellent deal and could be shared by two people alongside starters or desserts. My friend ordered the breaded butterfly king prawns with sweet chilli sauce as a starter – at £7.95 it was quite a steep price for just four, but they were good. His main course was the ribeye steak, which was cooked to perfection, accompanied by the delicately smooth peppercorn sauce, but at £21.95 it’s not quite a steal. As a side dish (what was I thinking?), I ordered the cole slaw which I thought would be a complement to the sandwich. It was a massive massive portion for just £3.95, but too mayonnaisey for my tastes. Deciding that we could not stuff our faces with banoffee pie, apple crumble, eton mess (you’ll have to go to VQ so they can explain it to you), brownie or drizzle cake, we both went for the fruit salad. It was extremely divine. Soaked in mango juice, with all sorts of fruit in a medium sized bowl, beautifully presented – one of the best fruit salads I’ve had in a very long time. Their drinks menu is just as diverse as their food menu. This includes selections of white rose and red wines, vodka, gin, whiskey blends, bourbons, tequila, rums, a great beer and cider selection, as well as hot iced and soft drinks, plus virgin cocktails. We had what was the best bargain on the menu – fruit smoothies – ranging from £2.95 to £4.50 – served in jam jars. I went for the Six-a-day, which included spinach, banana, melon, pineapple, grape and apple – delicious. My friend went for the Berry Boost, a selection of three berries. Great bargains for very delicious and refreshing drinks.

    Having previously visited the Bloomsbury branch, which is open all night, every night, I’ve had the burgers and they are much better than the burgers you get at Five Guys or Shake Shack (and starting at £6.95 a better value as well). They come in several types from chicken to pulled pork to falafel, to of course beef. VQ Restaurants also have great pasta choices (Mac ’n’ Cheese, Penne, Linguine with Smoked Salmon, and Spaghetti Bolognaise), an excellent salad selection (Caesar, Cobb, Salmon Lentil and Quinoa, or the VQ Salad which includes pomegranate, feta, baby beetroot, butternut squash, mixed leaves, honey roasted pine nuts, dijon vinaigrette.

    So a visit to VQ is a must, anytime – day or night. Their restaurants are relaxed, friendly and are really cool, all in central locations, and with very friendly and attentive staff. Hats off to Geoff at the Notting Hill branch. A very nice and smart young French man, he took very good care of us, who loves his job, and is perhaps one of the happiest guys in London. And that’s what a visit to VQ diner will make you feel, happy.

    Reviewed by: Tim Baros

    Address: Notting Hill – 24 Pembridge Road, W11 3HL –

    020 3745 7224 –

    7am every weekday morning (8am Saturday & Sunday) until 3am on Thursday-Saturday, 1am on Monday-Wednesday and midnight on Sunday
    Bloomsbury – 111A Great Russell Street London WC1B 3NQ – 020 7636 5888 – 24 hours
    Chelsea – 325 Fulham Road London SW10 9QL – 020 7376 7224 – 24 hours

    Website: http://www.vqrestaurants.com

    Star Rating: ★★★★★ (explained)

    VQ Restaurants serve all-day breakfast / brunch, lunch and dinner, with cocktail serve as well

  • THEATRE REVIEW | Dead Sheep, The Birmingham Rep

    THEATRE REVIEW | Dead Sheep, The Birmingham Rep

    A history lesson with outstanding features.

    Deep Sheep
    CREDIT: The Birmingham Rep

    Drama based on the rise and fall of Thatcher has been in production ever since the year she lost power. By the very nature, ‘Thatch- iopic,’ as coined by my theatre colleague, can be bitty and could potentially reduce long-standing working relationships and battles to single scenes or moments.

    Dead Sheep is a focused theatre piece in which the relationship between Margaret Thatcher (Steve Nallon), Geoffrey Howe (Paul Bradley, best known for playing Elliot Hope in Casualty), and his wife, Elspeth Howe (Carol Royle) take centre-stage. The triangle, where Howe finds himself in the middle of, is a tug-o-war that eviscerates Howe and forces him to choose one side. Torn between political loyalty and spouse angst, Bradley delivers a formidable and emotionally dynamic performance that was purposely understated to enhance the subtlety of the personality.
    The highlight and perhaps selling point was casting Margaret Thatcher as a man.

    Steven Nallon did an astounding job playing her, it was as if the Iron Lady herself was present before us with the line delivery as well as the movement, stunned and entertained the audience throughout. A couple of belly laughs were had.

    Three actors played narrators (Graham Seed, Christopher Villiers and John Wark) as well as politicians/minister in her cabinet. This entertained the spectators, but at times detracted from the action. Sometimes we just wanted to be shown the story as opposed to being told beforehand. It ruined the drama for us, in part.

    Overall, a successful and refreshing take on the ‘iron’ age of British politics, and as Jonathan Maitland (Writer) said: “But there is one corner the tractors seem to have missed.” What it was like for Geoffrey Howe at the right side of the force not to be reckoned with.

  • OPINION | Is NHS England’s decision to fight PrEP provision homophobic?

    Is latent homophobia behind NHS England’s decision to fight the recent High Court judgement on the provision of PrEP?

    I’ve been quiet about PrEP for a while now, but earlier this year, at the National HIV Nurses Association conference in Manchester, I spoke passionately in favour of its implementation for those most at risk of HIV, angry at the way the NHS was attempting to wriggle out of commissioning PrEP by claiming it was the responsibility of local councils, none of which were likely to be able to afford it.

    Furthermore the NHS refused to offer any support to those of us on the PROUD study who would no longer have access to PrEP. Well things have moved on a bit since then. In August, in a huge victory for the National Aids Trust, who brought the case, the High Court ruled that the NHS does have a responsibility for commissioning PrEP. In his summing up, Mr Justice Green stated that,

    “No one doubts that preventative medicine makes powerful sense. But one governmental body says it has no power to provide the service and local authorities say they have no money.

    “The claimant is caught between the two and the potential victims of this disagreement are those who will contract HIV/Aids but who would not were the preventative policy to be fully implemented.

    “In my judgment the answer to this conundrum is that NHS England has erred in deciding that it has no power to commission the preventative drugs in issue.”

    Unfortunately, NHS England responded that they would appeal the decision with a cynically worded statement to the effect that PrEP was, “to prevent HIV transmission particularly for men who have high risk condom-less sex with male partners”.

    The NHS also stated that they would not now be able to confirm funding for treatments and services in levels three and four, which  just happen to include treatments for children who are deaf and have cystic fibrosis. Not surprisingly the statement resulted in some of the most vituperatively questionable headlines in recent years from, predictably, the Daily Mail, but also in The Times.

    Not only was NHS England giving out inaccurate information, but it was failing in patient responsibility by pitting one patient group against another, and one has to ask what was the motive behind issuing such a sensationalist statement.

    I am beginning to think someone at NHS England has a personal axe to grind. In the event, Ian Green, Chief Executive of the Terrence Higgins Trust, wrote a strongly worded letter to NHS England’s Chief Executive, Simon Stevens, expressing extreme “concern” with the wording of the NHS press statement.

    He concluded that,

    “PrEP is not a moral issue. PrEP is a treatment which can stop a population with ongoing major health inequalities from contracting a life threatening disease with lifetime treatment costs of up to £380,000. That is all and it should be treated as such.”

    As it happens, NHS England have now issued a statement to the effect that they have launched a consultation into the future of HIV-preventing PrEP, though the statement document notes that the consultation is being run without prejudice to the outcome of their appeal following a judicial review, and that their contention is still that it is not responsible for commissioning PrEP.

    In the meantime, NHS England’s latest proposal that it will routinely commission PrEP for the treatment of adults at high risk of HIV acquisition is good news indeed.

    Those considered at high risk and covered by the policy are high risk men who have sex with men, or MSM (a phrase I dislike intensely, though it seems we are stuck with it for the moment), trans women and trans men who have had anal sex without a condom in the last three months and are likely to again in the next three months; also partners of people living with HIV where they are not known to be on successful HIV treatment, and heterosexuals assessed to be at similar high risk to MSM.

    Those of us already on the PROUD study also received some good news when Gilead, the company which produces Truvada, agreed to provide the drug free of charge for existing PROUD participants for the next six months.

    I know I’ve banged on about it before, but I am convinced that the reason we are still having to fight for the implementation of PrEP, why we are even having this discussion at all, comes down to latent homophobia and a distaste for what we do in bed, and that moral judgements are getting in the way of facts.

    We already know that getting people with HIV onto treatment as soon as possible means that they can’t pass on the virus. Coupled with making those most at risk immune, we have a real chance here of bringing down HIV infection rates considerably. In San Francisco, a two-pronged strategy, using TasP (treatment as prevention) and increasing access to PrEP resulted in a staggering 34% reduction in new infections between 2012 and 2014, a figure that is likely to increase as the new treatments take effect.

    Yes, PrEP is expensive, though the price will come down considerably once Truvada comes out of patent in 2017, but, it is far more expensive to treat someone with HIV for the rest of their lives.

    And we’re not even taking into consideration the hidden costs of dealing with mental health issues that invariably follow a positive diagnosis. Now as it happens, my situation has changed over the last year or so. Whereas, when I started on PrEP, I was having lots of sex with multiple partners, I am now in a monogamous relationship and don’t need to be on it anymore.

    And here’s the point.

    HIV is something that will be with you for the rest of your life. PrEP is something you might need at certain points in your life. What’s more, the Ipergay study in France came up with a different model from the daily regimen. They found that if you took 2 pills prior to having sex, and then one more for two days afterwards, you would still be protected, which is something that would work for people who have organised sex lives.

    On the other hand PEP (post exposure prophylaxis), as I hope everyone knows, has been available for some time now. I was on it twice before going onto PrEP.  I know of people who are accessing PEP three or four times a year, which is already costing the NHS more than putting these people onto PrEP; and I’m now hearing about guys presenting themselves for PEP several times a year in an attempt to stock pile Truvada to use as PrEP. This too is far more costly than putting them on PrEP.

    It is my fervent hope that NHS England will lose their appeal and we can finally begin to bring down the escalating increase in new HIV infections in this country.

    Follow Greg Mitchell on Twitter

     

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • THEATRE REVIEW | No Man’s Land, London Wyndham’s Theatre

    THEATRE REVIEW | No Man’s Land, London Wyndham’s Theatre

    ★★★ | No Man’s Land takes place over an evening of drunkenness and a morning of sobriety, as Hirst, an upper class writer, and Spooner, a down on his luck poet, exchange stories, anecdotes and reminiscences over copious amounts of scotch; and subsequently, the following morning’s breakfast. Their stories of mutual experiences, acquaintances and relationships are tainted with the distinct flavour of one-upmanship as the pair debate what may or may not be a shared history in Harold Pinter’s absurdist play.

    Picture Credit Luke Fontana (PR Supplied)

    No Man’s Land reunites Sir Ian McKellen and Patrick Stewart on the London Stage and it is not difficult to see why Pinter’s play resonates with the two lead actors, containing its long passages of complex prose to articulate their way through; and a pair of strong lead characters truly dominating the stage throughout the duration.

    With an abundance of strangely compelling verbal sparring between the two, McKellen’s magnetism and stage presence remains completely undeniable with a seemingly effortless performance which demonstrates why he is such an esteemed theatrical figure; whilst Stewart’s (appropriately) muted performance during the first act flowed into a more confident and surefooted second act, with the opportunity for him to revel in the demonstration of his craft. In the two supporting roles, Damien Molony and Owen Teal held their own as Foster and Briggs (a pair with a somewhat homoerotic undertone to their characters), stepping up to the challenge of sharing the stage with the two heavyweights. Sean Mathias’ direction gave a steady steer around Stephen Brimson Lewis’ quasi-symmetrical and somewhat charming set.

    The difficulty with the play is that the narrative is inaccessible to the Pinter novice. Pinter’s absurdist play is just that, never really explaining the set-up, the characters, their identities, or their motivations. Their role in each other’s lives remains unclear and the play leaves the audience to draw their own conclusions and reach their own interpretations. Discussions with others have produced a number of differing explanations and theories, with the post show chatter as varied as the scripted anecdotes portrayed on stage. On a personal level, a play with a straighter narrative and less deliberate obscurity would have been far more preferable. I couldn’t honestly say that I enjoyed the actual play itself; but that did not detract from the sheer joy and superb opportunity of seeing two of this country’s finest actors doing what they do best.

    No Man’s Land is more of an experience rather than a gentile evening in the West End. An intensively poetic and wordy script provides for a sometimes difficult and challenging watch for those not familiar with Pinter’s work, but whilst the play is not for everyone, the opportunity to see two titans of British theatre is well worth it, and not one to be passed by lightly.

    No Man’s Land is currently playing at the London Wyndham’s Theatre until 17th December 2016. Visit http://www.delfontmackintosh.co.uk/Tickets/NoMansLand/NoMansLand.asp for further details. Many thanks to Sheffield Theatres (www.sheffieldtheatres.co.uk) for facilitating this review.

     

  • THEATRE REVIEW | Kenny Morgan at the Arcola Theatre

    THEATRE REVIEW | Kenny Morgan at the Arcola Theatre

    ★★★★ | Kenny Morgan

    If you missed “Kenny Morgan” this summer then you have a second chance. The play is back for four weeks at The Arcola Theatre in Dalston and remains an evocative and beautiful treat of a play with a host of polished performances.

    Theatre review for kenny thomas
    CREDIT: Idil Sukan

     

    Kenny Morgan was a young actor who had had a promising career in 1940’s British films. He had also had an on/off relationship for ten years with Terrence Rattigan, a high profile British playwright. In 1949 Kenny gassed himself to death in a down at heel Camden Town flat that he was sharing with a young actor who he’d left Rattigan for. Terrence Rattigan’s play “The Deep Blue Sea” echoes Kenny’s story to a degree but with gender switching to suit the times (and the Lord Chamberlain’s office).

    Set in a mould encrusted flat with gas pipes defining the space, this play depicts Kenny’s despair. Sounds grim but it’s not. It’s witty and warm as well as devastating. Paul Keating is superb as Morgan, delicately easing us into his despair and leaving the audience frustrated and helpless but never less than sympathetic. Mike Poulton’s script is tight and detailed and achieves a difficult task: retaining dramatic tension even when we know the inevitable ending. The dialogue and set feel wholly authentic, transporting the viewer to 1940s London along with its restrictions. There’s something claustrophobic and terrifying about Kenny’s world where being gay is illegal and can land you in prison, as can attempting suicide.

    Although Kenny is a different beast from most of us in contemporary Britain, there are plenty of parallels and as well as the beauty of the piece; this makes it well worth a visit. Who hasn’t felt heartbroken and despairing and been laid low by loving the wrong man? Kenny has fallen for a man who doesn’t even claim to love him, has stopped sleeping with him and is still sleeping with women and men behind his back. Not an unusual story. Neither is the story of his relationship with Rattigan. Unable to be out in public Rattigan maintained elaborate ruses to keep his homosexuality both from the public and from his family. I’m sure I’m not the only one who’s met men like that? Who hasn’t struggled to understand someone else’s depression or even their own? Although his misery is tangible, it’s difficult not to want to try to solve Kenny’s issues.

    The play isn’t as bleak as it sounds on paper. There are fine comedic moments and the pace is brisk. There are also touching moments of human kindness as the people around Kenny try their best to help. My recommendation is to just see this. You’re unlikely to see a finer play with a gay theme any time soon.

    Kenny Morgan plays at the Arcola Theatre until 15th October

     

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  • Teenager raped and robbed in Manchester’s Gay Village

    Teenager raped and robbed in Manchester’s Gay Village

    Police are calling for witnesses after a teenage girl was robbed and held down and raped in Manchester’s gay village.

    Canal Street in Manchester
    © kevers Depositphotos

     

    An 18-year-old woman was held down and raped by a man and two men in Manchester’s gay village on Wednesday (21st September) morning. The attack happened at 2:50AM in Major Street.

    The victim was thrown to the ground and held down as one of the women robbed her – the victim was then raped by the man before the three assailants fled the scene.

    CREDIT: Google Maps 2016Manche

    Detective Inspector Dave Moores said,

    “This was a horrendous attack on a young woman which has, understandably, left her extremely distressed.

    “I would urge anybody who recognises the description of these three and thinks they may have seen them in the city centre area between 2am and 3am to please contact police immediately.”

    The first woman, who helped held the victim down, is described as:
    Approximately 18 years old
    mixed race
    scrawny build
    had her hair tied in a ponytail
    spoke with a local scent
    The second woman, who committed the robbery, is described as:
    In her early 20’s
    mixed race
    had her hair in a messy ponytail
    spoke with a local accent
    The man is described as:
    In his early 20s
    white
    slim build
    clean shaven face
    wearing sports clothing
    Anyone with information should contact police on 0161 856 1911 Crimestoppers anonymously on 0800 555 111.