Day: 13 June 2015

  • Tylenol hire out gay Oscar winner Dustin Lance Black to shoot TV Ad

    Many forward thinking major corporations are getting far more inclusive in their advertising these days, and US drug company Johnson & Johnson went one further by hiring out gay Academy Award winner Dustin Lance Black to shoot their latest campaign for Tylenol.

    It features a same-sex prom couple and two gay dads and has a voiceover that declares, “Family isn’t defined by who you love, but how.” Manoj Raghunandanan, Senior Director of Marketing for Johnson and Johnson’s McNeil Consumer Healthcare, told Advertising Age that the ad was representative of his company’s commitment to celebrating how “families look and feel different [now] than they did before.”

    Here’s a sneak preview of it before it is launched on American TV later this month.

  • FILM REVIEW | The Invisible Men

    ★★★★★ | The Invisible Men

    Louie is a 32-year-old Palestinian who tries to live his life unobtrusively hidden away from society’s prying eyes. He has no legal right to live in Israel, and thus without papers he must continually avoid any confrontation with the police or officialdom, as if he returns back across the border he risks the very real death threats from his own family and all simply because he’s gay.

    This remarkable award-winning documentary from Israeli filmmaker Yariv Mozer tracks Louie as he goes about his daily life in Tel Aviv. A somewhat shy, introverted and extremely likeable young man, Louie survives by doing odd jobs of work and constantly moving apartments as he tries to keep one step ahead of the authorities all the time. On the several times he is caught, the police deport him back to Ramallah, but yet somehow this quiet resourceful man soon manages to very soon sneak back into Israel once again. It’s a harrowing existence and when he relates the lurid details to Mozer of how his family tied him up and tried to slaughter him like an animal, you know that he has no other choice if he wants to live.

    After what seems like just one to many deportations, Louie contacts a refugee law centre at the university and discovers that there is a possible way out from this predicament. Under international law he can apply for asylum in another country (that will be chosen for him) and resettle there. There are no guarantees he will be awarded this and he is warned that his chances of succeeding are slim. A skeptical Louie is put in touch with Abdu another gay Palestinian who has already been accepted and is about to leave for his yet unknown new country/home. Abdu, an outgoing extrovert, is totally opposite to Louie and he shows his new timid friend a whole underground gay movement that Louis finds hard to believe.

    Months later when Louie gets word that he has won a much coveted asylum place, he starts having very serious second thoughts. Israel has been his home for the past 10 years, and although it has been a scary and dangerous existence, he feels a great draw as this is where he believes he truly belongs, despite all the pain and heartache that he has been through, he really wants to stay.

    Mozer tells Louie’s emotional charged story without disguising his own attachment, but he does sensibly refrain from making any comment at all on the tense political situation that engulfs this whole region. It’s a humanitarian tale that will shock most of us living in the West to realise (or be reminded) that being gay in any Arab country puts your very life at risk, and being Palestinian in a country where you are illegal, which in Louie’s case was his birthplace, seems so very unjust.

    An extremely moving heartbreaking story that is sensitively documented, and that will rightly jerk you out of your comfort zone… it’s very definitely unmissable.

    P.S. Louie is safely living somewhere in Europe coping with the snow, but as Yariv Mozer has told us he’s ‘the only gay in the village’. However he’s alive and well and even getting some assistance to help him heal his emotional scars. He is one of the lucky ones.

  • FILM REVIEW | Triple Crossed

    ★★ | Triple Crossed

    After he had finished his posting serving in the military in war-torn Afghanistan during which time he witnessed his best friend being killed, Chris Jensen is struggling to adapt back into civilian life. Unable to find a job, as no one seems prepared to want the services of a somewhat damaged ex-serviceman, he has resorted to living in his car.

    Out of the blue, he gets a call from Jackie who wants to offer a job that he would like to turn down. Her recently deceased half-brother has left his controlling share of the family’s multi-million business to his boyfriend Andrew, and she is having none of it. She wants to get his share but doesn’t want to pay a cent for it, but she is however prepared to pay Chris a handsome sum to kill Andrew so she can get her own way.

    He is desperate enough to take on the assignment but first he goes to check out his ‘target’ who naturally turns out to be as hot as hell. The two men are soon grappling with each but not quite in the way Jackie had wanted as they are naked and in bed. The question then is to kill or not? Not an easy one to answer as the title of this drama implies everyone has their own agenda, and so we are never sure how this will play out.

    What makes this small-budget indie stand out from others of this genre is that it marks the debut of Sean Paul Lockhart; aka ex-porn star Brent Corrigan behind the camera as well as in front for a change. Although it is full of the good intentions the movie does sadly fail to be a thriller in or out of the bedroom even though it does have a gun-toting finale.

    Sean doesn’t ever quite manage to convince us that he really did go to war, although he does put in a pretty good performance as a potential new boyfriend for Andrew who seems to have soon forgotten his ex dead one. If you are a fan of Sean aka Brent then you’ll want to see this,but if you are not, then you may just want to wait for a rainy afternoon when you have nothing better to do.