Author: Chris Bridges

  • THEATRE REVIEW | BalletBoyz: The Talent 2013

    ★★★★

    The BalletBoyz have been going from strength to strength since they were formed by Michael Nunn and Billy Trevitt in 2001 following their breakaway from the Royal Ballet. The original remit was to make ballet more accessible and to bring challenging new works to theatres where dance was rarely seen.

    The company have certainly more than achieved their original goal and the diversity of the audience and the overwhelming cheers and applause at the end of the evening certainly prove that their latest show is a popular hit.

    The company of ten young male dancers are from diverse backgrounds and have varying levels of experience and differing skill sets. There’s a boyish French dancer who looks like he’s stepped straight from a Euro twink porn film, a beefy French dancer who would fit in easily in a Triga DVD and an assorted company of hot British boys showing off their biceps, tattoos and toned physiques. One thing they all have in common is their hard abs and rippling musculature which is particularly evident in the first piece, ‘Serpent’, choreographed by Liam Scarlett. The company are all topless dressed in skin tight Lycra which reveals every taut curve and shows off their amazing buttocks to full effect.

    The dances? I almost forgot about those. I was too busy with lechery. The two contrasting pieces are both beautifully choreographed with the challenge of using only male dancers being met fully. ‘Serpent’ uses the dancers to full effect in a fluid display of masculinity, whilst ‘Fallen’ (choreographed by Russell Maliphant) is a more brutal and altogether harder piece which utilises their gymnastic skills, mixed in with ballet and contemporary dance moves. The lighting and music combine to showcase the two pieces and add to the atmosphere.

    The show is definitely very accessible and easy on the eye. The audience in Leicester seemed to be having a fantastic time, judging by the riotous applause at the end of the evening. Whether you love dance, are new to dance or just like to sit and watch a troupe of ten young showing off their buff torsos, the show is well worth checking out.

    The show continues from the 21st of March at The Cambridge Arts Theatre

    Check out the rest of the dates (and the dancers) here:http://www.balletboyz.com

  • THEATRE REVIEW | The Great Gatsby, Northern Ballet

    The Great Gatsby seems to be flavour of the month with recent stage adaptations, live book readings; the upcoming film and now the highly acclaimed Northern Ballet have presented a stunning dance interpretation of the famous novel.

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  • COLUMN | Community Chest

    This month our issue is dedicated to ‘Community’. I must admit that I don’t really like the word ‘community”. It conjures up lacklustre municipal buildings on rough estates where they engage youngsters in crafts (I hate that word too). So what about the gays: are we a community or just a disparate bunch of people with our own agendas and needs? (more…)

  • BalletBoyz Go On Tour

    BalletBoyz Go On Tour

    Does the word ‘ballet’ conjure up images of fey young women taking dainty steps or ‘Black Swan’ type divas having meltdowns? You obviously haven’t copped a glance at the testosterone fuelled force that is BalletBoyz yet.

    Balletboyz Balletboyz

    Following triumphant UK and international appearances on stage and screen, the phenomenally popular BalletBoyz return with a brand new show featuring the rippling torsos and raw talent of 10 exceptional young dancers, in an exhilarating evening of exciting and explosive dance. “the TALENT 2013” premières two stunning new dance pieces by internationally celebrated choreographers Russell Maliphant and Liam Scarlett.

    BalletBoyz is one of the most cheekily original and innovative forces in modern dance. Led by former Royal Ballet lead dancers Michael Nunn and William Trevitt, the company thrills audiences and critics the world over with its distinctive style, fusing spectacular dance both energetic and graceful, with stunning music and film.

    They’re currently wowing audiences at Sadler’s Wells before moving on to their national tour which kicks off at Curve in Leicester on the 15th and 16th of March.

    Tickets available here: http://www.balletboyz.com/tour-dates

  • THEATRE REVIEW | The Mousetrap, National Tour

    THEATRE REVIEW | The Mousetrap, National Tour

    ★★★★ | The Mousetrap 

    I have to confess something. I love a good Agatha Christie. There’s something about those comfortable characters, nostalgic settings and contorted plots which always thrills me.

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  • COLUMN | The Beauty Of British Men

    British teeth are portrayed as the worst in the World. The Simpsons poke fun at us with the Big Book of British Smiles, to scare Lisa Simpson into looking after her teeth. Yet, I brush daily and floss, so are British teeth really that bad and unhealthy?

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  • The Full Monty Comes To Sheffield

    The Full Monty Comes To Sheffield

    The acclaimed Sheffield Theatres are going from strength to strength, with the latest jewel in their crown being a re-working of the 1997 locally based film, The Full Monty.

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  • COLUMN | Let’s Not Get Phyiscal

    There are a few places I wouldn’t like to find myself in: a bar frequented by Neo-Nazis perhaps or an abattoir. In 2009 I found myself somewhere far worse and much more terrifying: a gym. It was horrific.

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  • COLUMN | The Turbulency Of Love

    It’s the month of love, or so the people peddling overpriced flowers, candle lit meals and mawkish cards for Valentine’s Day would have you believe. What’s all that love stuff all about though? I’ve studied it for many years as a first hand researcher.

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  • COLUMN | I Don’t I Don’t I Don’t

    Before I start, I’d like to say that I’m totally in support of gay marriage. I’m all for equal rights, freedom of choice and smacking bigotry in the face. Just don’t ask me to get hitched to prove a point though. I really hate weddings.

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  • FILM REVIEW | Keep The Lights On

    ★★★★★ | Keep The Lights On

    This award winning and Sundance Festival selected film is an intricate look at the lives of two men who enter into a relationship in 90s New York. Directed by Ira Sachs.

    Erik is a Danish documentary film maker who meets Paul via a telephone-sex chat-line. Erik is anxious about commitment and lawyer Paul has a steady girlfriend. What starts off as a casual sexual relationship develops into something more meaningful and romantic. The film charts the two lovers over the course of their turbulent ten year relationship.

    The two main characters lives take on unexpected turns and as Erik becomes more responsible and committed, Paul’s more orderly life spirals out of control as his recreational drug abuse becomes a destructive habit. The relationship enters a series of cycles of damage and renewal as the film charts their lives.

    The film is beautiful to watch but also painful viewing in places, but ultimately provides a meaningful glimpse into the areas of both lightness and shade which relationships can pass through. The balance of the film is such that the story never felt too bleak but is balanced with erotic tension, a compelling storyline and occasional bursts of humour. Strong performances from the cast add to the emotional intensity of the film.

    Highly recommended for a moving and fascinating insight into the life cycle of a relationship.

    Released on DVD and Blu-ray in the U.K. on 28/01/13 available from Amazon