THEGAYUK

Category: Entertainment

  • THEATRE REVIEW | From Morning To Midnight

    ★★★ | From Morning To Midnight

    “For those who like that sort of thing, that is the sort of thing they like.” I felt rather like Miss Jean Brodie after seeing From Morning to Midnight at the Lyttleton Theatre last night. Evidently there were plenty around me who liked the play rather more than I did. Well, to be honest, I didn’t like it at all.

    Admittedly we were not seeing it under the best of circumstances. Adam Godley, who was playing the central character of the Clerk had been taken ill, and his role was taken by understudy Jack Tarlton. Under the circumstances, Tarlton did a sterling job, but nobody can deny the debilitating effect of having to go on with an understudy so early in the run, and before the production had had a chance to settle down. One applauds Tarlton’s achievement, whilst duly noting that the balance of the whole can’t help but have been upset.

    From Morning to Midnight is a German expressionist play, written in 1912 by Georg Kaiser, and initially banned for its portrayal of the Kaiser. The action unfolds over a single day, on which the clerk breaks with normality, absconds from the bank he works in with 60,000 marks and goes in search of something to make life worth living. The loosely linked scenes are given titles: Machine, Bourgeoisie, Epiphany, Family, Society, Sex and Salvation, but, unsurprisingly, his search is fruitless.

    This is the theatre of ideas. None of the characters have names and all, even the clerk himself, are no more than ciphers, representatives of types; an Italian lady, a bank manager a society gent, mother, wife, daughter etc. Even the clerk is not a fully developed character, more of a catalyst for the events that unfold.

    Production values, as so often at the National are consistently high, with ingenious sets by Soutra Gilmour. Director Melly Still has a firm grasp of her material, helped by some wonderful choreography from movement director Al Nedjari, but I remained uninterested and uninvolved. No doubt others will enjoy it more than I did.

    From Morning To Midnight plays at the Lyttleton Theatre until January 26th 2014

    http://www.nationaltheatre.org.uk

  • THEATRE REVIEW | Slava’s Snowshow

    Slava’s Snowshow is set in a winter landscape and combines beautiful comic performances from a host of clowns each with their own individual personalities, with a dazzling assault on the senses, immersing the audience in a winter wonderland of wide eyed wonder.

    Slava’s Snowshow is a visually tantalising and immersive experience that is a world away from the big top clowning that we are so used to. Thankfully there were no buckets of glitter or a small car with the doors falling off anywhere in sight. This was much more intelligent humour that appeals to both adults and children and pleasingly rejects the slapstick tomfoolery that is so often seen performed by circus clowns.

    The show itself has no dialogue and no narrative, but is more a collection of set pieces, which overlap each other like a flow of consciousness or a surreal dream. The humour is subtle and gentle, but very funny, with the cast evoking laughter from the audience with nothing more than a facial expression, a subtle gesture or either a tiny or exaggerated movement. The whole show has an almost childlike innocence to it, which seemed to successfully regress the majority of the audience back to their childhood.

    The style of the piece was very reminiscent of the silent comedies of the 30’s and 40’s, and the performances by the cast were remarkable. Just by the raising of an eyebrow or by the widening of their smile, they were able to convey a variety of emotions to the audience and garner genuine empathy and warmth towards the characters. This is simple, non-offensive and innocent humour that is family friendly and based on a purely physical performance, coupled with perfect and precise comic timing.

    The set itself was very basic, but the use of smoke, lighting and various other techniques, including bubbles, paper snow and a simply stunning soundtrack, brought the whole thing to life in a beautiful and sometimes dramatic fashion. The audience were literally drawn into the show as the on stage performances extended out into the theatre itself, with everything from covering the audience in a huge spider’s web, walking over the top of the seats throughout the stalls and having snow fall from the roof, it ensured that those watching were very much a part of the show. You can’t help but find yourself sitting and wondering what will happen next. The ending of the show is not one that will be spoilt in this review, but it builds to a spectacular close that quite literally takes your breath away.

    Slava’s Snowshow is not a piece of theatre that is easy to categorise. You could define it as a clown’s equivalent to Cirque Du Soleil. You could class it as a piece of performance art, or as the embodiment of a well-crafted and traditional theatrical art form with a modern spin. It is not for everyone, and would no doubt be a very divisive piece of theatre. You are likely to either, really buy into it and love it, or you will not really connect with it and it will not be your thing. But, if you are looking for something that’s more of an experience than a show, or you simply want a change from the usual musicals or plays, then this would be ideal. Just allow yourself to be carried away in the piece and enjoy it.

    To get the best out of this show, book seats in the front half of the stalls and ensure that you stay around for the interval, as just because the show stops for a break, the clowning around in the theatre doesn’t!

    Slava’s Snowshow is currently at the Sheffield Lyceum until Sunday 24th November 2013 here
    before continuing on its national tour and heading for London. Details can be found on the show’s official website here.

  • FILM REVIEW | How To Survive A Plague

    ★★★★★ | How To Survive A Plague

    “Never has so much been owed by so many to so few.” These are the words of Sir Winston Churchill, referring to the efforts of the Royal Air Force pilots fighting the Battle of Britain in 1940, but they are also the words that sprang into my mind after watching David France’s brilliant documentary How To Survive A Plague.

    It tells the story of a small group of men and women, most of them HIV positive, who battled against government indifference and departmental incompetence, to save their own lives. In so doing they helped save the lives of 6.000,000.

    This is a great piece of film-making that documents the courage and determination of these people in the face of appalling obstacles from a government that couldn’t give a damn. The overriding message from the Reagan, and then the Bush administration, was that gay people didn’t matter, that AIDS was a result of bad lifestyle choices, and that we deserved it.

    Using archive footage, we are given stark reminders of the shock tactics they used to bring their plight to the attention of the world, culminating in the display of the 8,288 panels of the AIDS quilt in 1988, and the march on the White House, when relatives and lovers of the dead scattered the ashes of their loved ones onto the White House lawn. These were the days when funeral parlours refused the bodies of people who had died of AIDS, when hospital security guards barred AIDS patients from entering emergency wards.

    Dark times indeed, chillingly brought to life again in the newsreel footage we see in this movie. But anger alone was not going to be enough to win the battle. We learn how these activists became scientists, taking on an intense study of virology, immunology, pharmacology and cellular biology in an attempt to help direct the global research effort.

    Sadly, not all of the activists lived long enough to see the fruits of their labour; to see AIDS (or HIV) become a manageable condition, as it is today. Of those that did, the charismatic Peter Staley emerges as the undoubted star. Given just 18 months to live at the age of 26, he is galvanised into fighting for his life, and there is no doubt that his eloquence (not to mention his youthful good looks) helped spearhead the campaign.

    David France tells this story clearly and unflinchingly, putting us right at the heart of the battle, the occasional heartbreak at failure and the euphoria surrounding success; even the internal rifts and skirmishes. Gripping, moving, inspiring, at times emotionally draining, it is a story that demands to be told. Required viewing for every gay man, particularly those under the age of 30, I recommend it absolutely. We owe our lives to these people. Surely the rest of us can spare them 110 minutes of our time.

     

    Available to buy / view on: Amazon | Amazon Prime |

  • ALBUM REVIEW | The X Factor Album

    ★★★★ | The X Factor Album

    Did you know X Factor is ten years old and that the programme, whether you’re a fan or a hater has generated millions of sales and brought about a new era in music.

    If you think that every X Factor winner or entrant sounds the same, then all you have to do is pop this 34 track album on to hear the full breadth of talent the juggernaut reality talent show has delivered to the UK music scene.

    The album has it all, from the omnipresent One Direction to the seraphic tones of Diana Vickers, the power belt of Leona to the genuine intonations of Matt Cardle and Rebecca Ferguson. This album delivers 18 Number Ones and the veritable soundtrack to Christmases since 2004.

    Despite the controversies that often surrounds X Factor contestants and winners, this album brings together the good and the better.

    An interesting and potentially political mix of tracks and some very obvious omissions including Steve Brookstein and Leon Jackson, but tracks from artists that didn’t do well or even complete the series such as Lucy Spraggan and Aiden Grimshaw also feature.

    The album is out on the 25th November and is bound to notch another Number 1 for the team at Syco.

     

     

  • BOOK REVIEW | Grand Slam

    Ok, being a Brit, I have to admit that the rules of baseball are an anathema to me – I have no idea who does what to whom or where, only a scant knowledge that its a little like rounders…. with a bigger bat and tighter trousers.

    Being given a gay romance novel to review that revolves around the game of baseball may seem strange, and it being written by a woman even stranger. This is her debut male/male romance novel and the initial idea came about over a family lunch involving her oldest son. An off the cuff remark by his girlfriend that ‘if he were ever to have a “gay” experience, then it would be with his best friend,’ led to the author picking this up and using it in her book.

    The story revolves around the budding romance of Spencer Hightower and Brock Kinkaid – great all American names, conjuring up images of muscle, sweat and Gap… and this book does a great job of supplying you with imagery.

    I’m not going to spoil the story for you, suffice to say, Spencer is the minor league baseball player with ambition and Brock the audience, after his nephew wins tickets to go see Spencer in action… on the pitch. They meet, fall heavily in love and then the story does something I really love, it shows them dating… not jumping straight into bed, a back seat or handy dark alley… no – actual dating. For me, this is what I love… normal life.

    Too many gay themed books are “one handed reads”, going straight for the crotch from word one, but Grand Slam, although it has no shortage of very well written and highly charged sex scenes, also shows that we, as gay men, actually eat food at times too, we do laundry, we shop as well as all the other stuff we’re fabulous at!

    Of course, being fiction, the normality doesn’t always last and their romance is soon under pressure from outside influences, bigotry and another man, but I’ll leave you to read it and get the juicy details. It is worth the purchase.

    The book is available as both paperback and download and I love that. Too many books of this genre are simple downloads which can almost cheapen the experience. Having said that, I am a convert to the whole e-reader experience, both via tablet and dedicated e-reader.

    Grand Slam is available to purchase here

  • BOOK REVIEW | Confessions Of A Gay Rugby Player – Books 1 and 2, By Patrick Darcy

    What is it recently with me and ball playing books? First, there was Grand Slam by J.T. Cheyanne and now along comes Confessions of a Gay Rugby Player by the talented Patrick Darcy.

    Patrick takes the world of rugby, gay rugby at that, and makes it real. So real, you can smell the sweat on those players, even if you have no idea why they scrum or whatever it is they do….

    The first title isn’t overly long, at just 44 pages in total and is a fully fledged, paid up member of the gay erotica club. This book has no pretensions to be literary or a full novel….it does what it says on the tin, its erotic, its truthful and honest, and above all else, its sexy as hell!

    The storyline is simple, it follows our hero, Conor Murphy as he takes part in a gay rugby tournament in New York. Rubbing up against teams from all over the world gives him plenty of chances to get up to mischief and he doesn’t disappoint, including a quickie with a cowboy!

    In the introduction, Charlie Harding sets the scene when he asks whats hotter than a manly, burly, masculine rugby player? And believe me, if this is your thing, this title wont disappoint you.

    The sex scenes are written with one thing in mind, so hold your e-reader securely… in the one hand…

    Book 2 follows a similar vein, if you will. Connor and his close team mate Sean take Copenhagen, one man at a time. Once again, there are realistic rugby scenes in here that sit convincingly alongside Connor and Sean’s conquests. This isn’t surprising as the writer identifies himself as gay, Irish and a rugby player himself. Also, similarities with Connor continue in that Patricks day job allows him to travel and experience “local colour” which surely must provide fodder for the books.

    I admire both titles for their honesty – Patrick has an innate talent for producing work that entertains the head whilst also appealing to somewhere further south.

    If rugby is your game, or rugby players are your type, treat yourself and download these now…there is a 3rd available but I’ll leave that up to you to discover.

     

    Buy from Amazon

  • The Overtones hit top 5

    The Overtones have landed their third consecutive Top 10 album after their new collection Saturday Night At The Movies entered the charts at #5, charting above new releases from Shane Filan, The Wanted and Avril Lavigne.

    Recent weeks have seen a rush of activity from the 5 fivesome hunks, with highlights including an interview and impromptu renditions of Pretty Woman and CeeLo Green’s Forget You on BBC Breakfast; a full performance of ‘Pretty Woman’ on ITV’s This Morning; an interview with Rick Astley for Magic FM; and a series of HMV in-stores performances and signing sessions. They will also perform ‘Runaway’ on The Alan Titchmarsh Show this afternoon.
    Already 2014 is shaping up to be another brilliant year for The Overtones as they recently announced that they’ll take their sweet vocal harmonies and easy-going charm around the UK for a nineteen-date tour which begins next February. Public demand for tickets saw a second London date added at the IndigO2 shortly after the dates were announced.

     

  • Glee Boys Get Semi Naked With Adam Lambert and Demi Lovato

    An all new episode of Glee goes jungle for Katy Perry’s Roar & Lady Gaga’s Applause as cast mates welcome Adam Lambert and Demi Lovato and get semi nude in loincloths.

    Producers of the show are pulling out all the stops as most of the male cast of Glee goes semi naked for a Lady Gaga and Katy Perry special.

    The episode also sees the cast welcome American Idol star Adam Lambert and Demi Lovato.

    Chord Overstreet looked pumped for his performance of Gaga’s Applause…

    Special guest Adam Lambert, lights up the screen with his smile, guesting on vocals for Roar along with Demi Lovato and the rest of the Glee cast.

  • THEATRE REVIEW | Passing By, Tristan Bates Theatre

    ★★★ | Passing By, Tristan Bates Theatre

    ‘Passing By’ is an early work from award winning playwright Martin Sherman (Bent, Mrs Henderson Presents) that was first produced in New York in 1974. In terms of theatrical history, this play was hugely significant.

    Rather than being a play about homosexuality itself, where gay people were portrayed only as being tortured and struggling with life, this play is a romantic comedy where the characters just happen to be gay men. This was ground breaking stuff for the era it was written in.

    Toby (Rik Makarem) is a hypochondriac artist about to leave New York for a sabbatical in France and Simon (James Cartwright) is a diver, visiting New York to apply for a job as a sports reporter. The pair meet up, sleep together and then experience a bout of acute hepatitis which brings them together in spite of their differences in temperament.

    It’s a sweet play and is touching in parts but for me, the humour felt a little dated at times with a sit-com feel to it and some of the comedic moments seemed to fall slightly flat with the audience. The staging was superb with a clever set which captured the early 1970’s period well and made good use of the intimate space of the Tristan Bates Theatre but at times the acting felt almost too exaggerated for such a small space with slap-stick humour which again failed to fully deliver.

    Overall, I’d say this is a play which is worth seeing as a diversionary period piece and as an example of an early work from a fantastic pioneering playwright who has contributed a huge amount to modern theatre.

    You can catch ‘Passing By’ at the Tristan Bates Theatre until the 30th of November 2013

    Buy tickets here: http://www.tristanbatestheatre.co.uk/passing_by.asp

  • THEATRE REVIEW | A Christmas Carol – Sheffield Lyceum and National Tour

    ★★★★ | A Christmas Carol – Sheffield Lyceum and National Tour

    Charles Dickens’ much loved Christmas tale is stunningly brought to life in this magical, colourful and beautifully performed ballet from the Northern Ballet Company.

    Ebenezer Scrooge is the meanest, grumpiest man in London, who is obsessed by money and greed, shows no love for his fellow man and has no Christmas spirit. One Christmas Eve, he is visited by the ghost of his late business partner, Jacob Marley, and subsequently by the ghosts of Christmas past, future and present. Scrooge is shown how his meanness lost him his true love in the past, how his miserly ways impact on those around him in the present and how he will not be missed in the future. But can the ghostly apparitions show Scrooge it’s never too late to mend his ways?

    This festive treat was a feast for the eyes and ears. A live orchestra played beautifully throughout the three act ballet and filled the theatre with the sounds of Christmas. The set lovingly recreated Victorian London and, despite its detail was well utilised and versatile throughout the show. The company added an unexpected twist to the proceedings with a few traditional carols sung by the company on stage, with their voices carrying an uplifting and almost angelic feel.

    The costumes were simply stunning with everything from Victorian dress coats and bonnets to beautiful dresses. The whole presentation oozed class and charm. But the costumes which particularly excelled were those of The Ghosts of Christmas. The Ghost of Christmas Future in particular was amazing, with the spirit gliding across the stage in a sinister mixture of floating fabrics and exposed skeletal bones.

    The staging of the production was of a very high quality, with not only the stage being well decorated and presented, but also being lit incredibly well, with a myriad of theatrical techniques which combined to present and atmospheric and versatile stage. Ghosts floated effortlessly in the darkness and a host of spectres filled the foggy stage. Visually, the piece was impressively put together.

    The choreography of the piece was very well done and told the (albeit well known) story incredibly well making it accessible to even a ballet novice. During the course of the show, the dancing went from set pieces awash with dancers to solo and duet pieces. When dancing together, the company were well timed and graceful and at times there was so much going off on stage that it was sometimes difficult to know where to look as you simply didn’t want to miss anything of interest. The dancers ably conveyed the emotions of the characters amongst their agile performances. The very large cast were all of a very high standard and singling any of them out would be a very difficult task, but Sebastian Loe who played Scrooge put in a flawless performance, pouring emotion into his role and effortlessly conveying the progression of the character.

    Having seen this production, there is little wonder why, when it comes to quality, Northern Ballet maintain the reputation that they have. The production was one which was very accessible and was a light and breezy ballet littered with subtle humour. If you have never seen a ballet before, this is an excellent starting point. The festive feel of the piece, especially at the end of the show was overwhelming and you could not help but get swept up in the festive spirit and the joyful feeling of the characters on stage. The show is a perfect way to start getting into the Christmas spirit or a great post gift shopping treat which leaves you feeling warm inside.

    A Christmas Carol is currently showing at the Sheffield Lyceum Theatre before continuing on its national Tour.
    Bookings and information can be found at http://www.sheffieldtheatres.co.uk/event/a-christmas-carol-13/?tab=1#unit-production-dates and at http://northernballet.com/index.php?q=a-christmas-carol

  • THEATRE REVIEW | Love Your Soldiers, Crucible Theatre Studio, Sheffield

    ★★★★ | Love Your Soldiers

    In Helmand Province, two young soldiers have bonded like brothers in the midst of war, but when one of them is seriously injured, their relationship is tested even further when he is returned home and continues his affair with his best friend’s girlfriend.

    Ken is a soldier and is a fun loving guy who takes his girlfriend for granted. When his best friend, Roly, covers Ken’s patrol, he steps on a landmine, and loses both of his legs. Roly is returned to a rehabilitation centre in England. But unbeknown to Ken, his girlfriend, Gemma, and Roly have been having an affair and she is torn between the two of them. When Gemma announces that she is pregnant, she remains ambiguous about the father of the child and matters come to a head when Ken returns home on leave to both spend time with the woman he loves and to confront his guilt for allowing Roly to take his place on the patrol which led to his injuries.

    Love, betrayal, friendship, honesty and revenge are the themes of this touching, poignant and well produced and directed play. The first thing that strikes you as you enter the theatre is the set which envelopes the seating area and places the audience in the middle of the set itself. The production uses a number of interesting and well utilised video and audio effects, using giant screens and projectors to replicate the webcam exchanges of the central characters (which are acted out live on stage) and as background settings to the various scenes and locations. The use of smoke, lighting and loud exchanges of gunfire and explosions proved an assault on the senses, particularly in the battle scenes, invoking a genuine tension in the audience. There is very little to fault this play on in terms of its staging and direction and the director, Richard Wilson, has to be commended for such an excellent job.

    The story is one which is well written and is tender and touching, exploring the relationships between the soldiers, those left “at home” and those around them on the front line. There is some discussion around homosexuality and homophobia, although this is not the central theme of the play, instead, it focusses more on the impact of the situation of the three central characters on each other and on those around them.

    In a small cast, Chris Leask gave the standout performance as Ken and Jordan Bright as Roly performed well in his first professional role; with the rest of the cast giving competent support. But where the play comes into its on is in the story and the drawing in of the audience. The feeling you get when watching the play falls into two distinct categories. The scenes set in Afghanistan makes you feel, at times, like you are in the middle of an action film. The scenes set in England make you feel like you are in the middle of a high quality BBC drama. This was a thought provoking play and one which, with Remembrance Day approaching, is a timely reminder of the sacrifices made by those in the armed forces and their family and friends and is certainly one where the circumstances, themes and issues in the story stay with you long after the performance.

    Love Your Soldiers is currently showing at the Crucible Theatre and runs until the 23rd November 2013. For further information and to book tickets, visit