Category: Entertainment

  • FILM REVIEW| I Want Your Love

    ★★★★ | I Want Your Love is collaborative film between gay porn studio NakedSword and independent filmmaker Travis Mathews.

    Jesse is an aspiring artist who feels creatively blocked because of the state his finances and his massive amount of debt. After spending the last decade in San Francisco, Jessie decides to move back home to his parents in Ohio, the Midwest to free himself of the financial pressure.

    I Want Your Love is the story of his last weekend in San Francisco with his friends, roommates and ex-lovers coming to his leaving party.

    Sex plays an important role in this film and there are uncensored sex scenes from the start. Sex is used to show character development, intimacy, move the storyline along and the development of friendships: those that start with clear defined boundaries but turn into something more – entering that grey area between friend and lover.

    Whatever type of man you’re into, you’ll find them in this film and I can guarantee that they’ll be in a graphic, all-exposed sex scene. Whether your taste be: bears, twinks, older, younger, white, black, Asian, muscly, ordinary or just an all-around lover of all.

    The film is extremely erotic and at times felt like watching a porn film. There’s even a threesome scene. The obligatory porn “I’m going to come!” scene followed by – well use your imagination, makes several appearances in this film. Arguably the storyline gets lost at times in the incredibly hot, but distracting sex.

    Jesse is completely likeable, relatable and discovers that he’s searching for his true self. Over the course of the weekend, he redefines what it means to him to be an artist, gay, and an adult. However, the ending was a bit of an anti-climax.

    It’s brilliantly directed and shot in a way that makes you feel like your sharing the characters most intimate moments. I Want Your Love is at times: funny, emotionally touching, romantic and sentimental as well as being abundantly horny throughout.

    There were slow scenes of sparse dialogue that were followed by peaks of rampant high-paced sex. There was an annoying character – one who really grated, but luckily he wasn’t in the film much.

    Mathews stated that he wanted to give an ‘honest and relevant’ representation of everyday gay life for men in San Francisco. I’m not from San Francisco so I can’t comment, but if that’s what it is really like – get me on a plane!

    I Want Your Love is the perfect film to watch with your partner or other very close friends – not only thoroughly entertaining, it will give you plenty of ideas in the bedroom department.

    I Want Your Love is available to pre-order/order on Amazon.

  • Queerly Out Opens A New Night In London’s Escape Bar

    QueerlyOut presents new club night QueerlyPOP every Tuesday from 9-3am at Escape Bar Soho. Hosted by KLUBKIDS star Jason Prince and DJ Matt Unique , they present London’s best pop music and Karaoke entertainment.

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  • Matt Fishel releases When Boy Meets Boy

    Matt Fishel releases 6th single, When Boy Meets Boy and celebrates with one of best music videos we’ve seen in a long time.

    Not many people can say they include Stephen Fry as a fan of their artistry, but openly gay singer-songwriter Matt Fishel, can. Speaking about Fishel’s music Stephen Fry said:

    “Gloriously gay, sweetly romantic, wonderful touching music”

    Now if that’s not a call to action, we’re not sure what is.

    And what can we say… We completely agree!

    When Boy Meets Boy is released worldwide on iTunes and Amazon as a 3-track single, including an exclusive remix from Dutch DJ/Producer Matt Pop (RuPaul, Almighty Records).

    The original music video for the song is a short animation film directed and animated by Joe Phillips, who also created the beautiful artwork for Matt’s album. This new video is a fun ‘boy meets boy’ love story between Matt and the mysterious, super-cute skateboarder Marcus… with a superhero twist!

    Matt has crafted his own unique style of songwriting and production, with themes of sexuality, education, love and lust running through his work. However, his songs and lyrics deal openly with the joys, pains and experiences of growing up as a gay teenager and young man, setting him apart from other artists.

  • NEWS: Naked Boys Reading Comes To London

    Naked Boys Reading is the perfect intimate live event: a nude literary salon featuring in-the-buff readings by local beefcakes, bears, twinks, otters, butch femmes, sissy sluts, boys next door with an exhibitionist streak and lovers of naturism with a well-endowed library.

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  • THEATRE REVIEW | Jack Steele & Family

    ★★★ | Jack Steele & Family

    A proud, Northern family man celebrates his 70th birthday surrounded by his family in the converted steel mill where he used to work, but as the night unfolds, so does the fabric of his family in this modern take on the kitchen sink dramas of the 1960’s.

    Jack Steele arrives at his old place of employment which evokes memories of friends, his pride and dedication in his work and his deceased wife. His son, Nick is a university lecturer who has a difficult and tempestuous relationship with his brother, Chris, a successful property developer who has left Sheffield and shows no affection for the city that made him. Nick is the straight-laced son who has always acted as the rock for the family, whereas Chris is more self-serving and much less reliable. The relationship between Nick and Chris is soured further by Nick’s wife, Louise, who made an irreversible decision when she was misdiagnosed with a terminal illness.

    The grandchildren also have problems and pressures of their own and the cracks in the family start to show as the evening unfolds and the prodigal son returns. Torn between the loyalty to his family members, trying to deny the fact that he favours one son over the other and struggling to find where he belongs both in his family and his community, Jack’s northern pride and confused emotions come to the surface in this bitter sweet story.

    The stage was beautifully constructed, with corrugated iron sheets and huge forged crane hooks hanging from the ceiling. The set, coupled with a very well lit stage, flooded with oranges and reds, provided an authentic and engaging atmosphere. The costumes were simple and functional and the static layout of the stage was suited to the production. The show was not technically dazzling, but it was never meant to be and the draw here is the drama unfolding on stage as opposed to it being a visual spectacle.

    Fine Time Fontaye turned in the best performance of the evening as the titular Jack Steele, showing an old man who becomes overwhelmed by his feelings, which overflow his stiff upper lip and Yorkshire dignity. Good support was provided by Robert Angell as Nick Steele, Susan Cookson as Louise Steele and Ian Reddington as Chris Steele. The remainder of the cast was made up of drama students from Sheffield Hallam University who deserve credit for their involvement. Some of them showed particular promise, especially Sam Parkinson, who looked very comfortable and natural on stage.

    This original play, which I was fortunate enough to see at its premiere, was enjoyable and the characters were not only well written, especially the male leads, but were easily recognisable from the viewer’s own family, friends and colleagues. The play was a joint venture between Sheffield Theatres and Sheffield Hallam University and was littered with local references and a story, which went to the heart of the city. That said, whilst some of the local references may be missed by those who are not familiar with the area, the story has enough universal themes to negate the need for an in-depth knowledge of the city.

    This was, in many ways, local theatre as it should be; namely written, produced and performed by talent from the city where the story is set and the show itself is performed in. But aside from the fact that, like Jack Steele, this reviewer has a deep-rooted love for his hometown, it is not just a show for Sheffield people.

    Jack Steele and Family is currently showing at The Crucible Theatre, Sheffield until the 20th July 2013.

  • MANCHESTER: Spread The Sparkle

    As different cities up and down the country are gearing up and winding down from pride events, it’s an entirely different scene in Manchester’s village.

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  • THEATRE REVIEW | Miss Nightingale: The Burlesque Musical

    ★★★★ | Miss Nightingale: The Burlesque Musical

    It’s 1942 and Britain is in the grip of war. Northern nurse Maggie Brown has moved to London to try her hand at a singing career but along with her Jewish refugee song-writer, George, she faces rejection at every turn.

    Things change when the pair meet aristocratic nightclub owner Sir Frank Worthington-Blythe and the saucy burlesque singer, Miss Nightingale, is unleashed on a rapturous London crowd. Complications ensue when Maggie’s relationship proves to be less than perfect and Sir Frank falls in love with George.

    Near the start of the show George states that he wants to bring a touch of pre-war Berlin to war time London and the show certainly achieved that aim with witty numbers, corking dance routines and enough sauce and innuendo to outdo even the cast of a Carry On film. The show is very funny and incredibly infectious with a fantastic set of songs which run the gamut from bawdy through to mournful. Composer, Matthew Bugg has written some corking numbers which had the audience cheering and applauding like crazy and the standing ovation from the crowd at the Leicester Square Theatre proved that the show was a massive hit.

    Award winning burlesque star Amber Topaz is a tiny but powerful ball of cheekiness with a talent to amuse, titillate and dazzle and the two male leads are also well cast and show incredible talent. As well as acting, they sing beautifully and play instruments in the band. How’s that for multi tasking?

    The main theme of the musical is the difficulties faced by gay men in Britain in the 1940s, with fears of damaged reputations, prosecution and ruined lives. The love story between Frank and George is actually quite charming and beautifully rendered.

    For a cracking night out I’d recommend this wholeheartedly.

    The show is on 7th July at Leicester Square Theatre followed by
    • 9th to 13th July: Yvonne Arnaud Theatre, Guildford
    • 15th to 17th July: Victoria Theatre, Halifax
    • 18th to 19th July: Lyceum Theatre, Sheffield
    • 22nd to 27th July: Theatre Royal, Windsor

    Book tickets and read more here: http://missnightingale.co.uk

  • THEATRE REVIEW | Private Lives, Gielgud Theatre

    ★★★★ | Private Lives

    If you’re not familiar with Noel Coward’s work then you’re in for a treat with ‘Private Lives’ and the lavish new production at The Gielgud is well worth catching.

    Elyot Chase (Toby Stephens: Jane Eyre, The Tenant of Wildfell Hall) is on his honeymoon in France when he finds that his ex-wife, Amanda (Anna Chancellor: The Hours, Spooks) is in the adjacent hotel room and is also on her honeymoon. Still reeling from their tempestuous failed marriage the pair revisit the havoc that ensued previously.

    Beautiful, stylish and utterly selfish, they are witty, snide socialites. Coward’s dialogue is acerbic, devastatingly vicious and alarmingly witty. The two leads capture the spirit of the play perfectly, with dialogue that feels like a deliciously deadly fencing match. They lunge, parry and attack with rapier sharp put downs and impeccable comic timing. Chancellor is monumental in a series of stylish costumes, looking like she’s stepped straight off the pages of a book of Erte illustrations whilst Stephens captures the louche selfishness, suave posturing and petulant impishness of Elyot perfectly. Chancellor in particular makes the play her own with a seemingly effortless performance that conveys the nuances of Amanda’s character with serious style.

    The set is stunning and Amanda’s apartment in Paris is a visual feast of Art Deco styling. I could have sat in my seat and quite happily stared at the set for an hour but luckily there was much more to see.

    An interesting aside is that Toby Stephen’s wife, actress Anna-Louise Plowman, plays his new wife, Sybil. Added to this, Stephen’s parents, Maggie Smith and Robert Stephens, played the parts of Elyot and Amanda in the same theatre in 1973.

    Highly recommended for those who like their comedy with lashings of clipped tones and sharp witticisms. The audience loved the show and so did I.

    Catch Private Lives at The Gielgud Theatre until 21st of September 2013
    Buy tickets here: http://privateliveswestend.com

  • THEATRE REVIEW | Evita, Sheffield and National Tour

    ★★★ | Evita

    The glamour, passion and politics 1940’s Argentina are brought to life in this revival of one of Andrew Lloyd Webber’s most successful musicals which is back on national tour.

    In 1934, a young and naive country girl, Eva Duarte, falls for a singer and pressures him into taking her to Argentina. Filled with her ambitions to be a singer and actress, she quickly realises the harsh reality of life in the city when he leaves her. Sleeping her way up the ladder, from secretary to model and from radio star to actress, she attends a charity function held by Juan Peron, an aspiring politician with his sights on clawing his way to the presidential seat. They come together, both in love and to further their careers, much to the disapproval of a number of Peron’s political allies. But whilst Evita charms the nation, the corrupt nature of their reign starts to show, her greed and power hungry desires come to the forefront and her body starts to become increasingly frail as she begins to succumb to illness.

    There are a number of reasons to recommend this production. Starting with the music, the show is performed as a sing through musical, and is absolutely crammed with classic songs, including “Another Suitcase, Another Hall”, “You Must Love Me”, “”Oh, What a Circus” and the show stopping, “Don’t Cry for Me Argentina”. The orchestra played beautifully together and the balance of the volume between the music and the vocals was perfect, allowing for both the music and the lyrics to be appreciated. It was also good to be reminded of how well written, enjoyable and powerful the music and songs are when performed live.

    The ensemble cast were incredibly talented and all performed strongly, sounding superb when singing both together and undertaking their solo parts. Mark Heenehan was well cast as Juan Peron, demonstrating his commanding voice and compelling stage presence.Sarah McNicholas gave a heart wrenching performance of “Another Suitcase, Another Hall” and Nic Gibey was ideal as the sleazy crooner Magaldi. However, the standout performance of the evening was by ensemble member Joel Elferink, who managed to consistently out-sing and out-act most of the cast in his numerous parts.

    The play itself was more political in its storyline than the well-known film version and the play moved along at a swift pace, meaning the near two hour running time flew by. There were some well put together set pieces, in particular, “Buenos Aires”, “Peron’s Latest Flame” and “A New Argentina”, which were well choreographed and performed. The set was versatile and well utilised, although did seem cluttered at times, the use of the lighting was atmospheric and effective and the costumes were beautifully put together.

    With so much to recommend it, it is a shame that the two leads were the weak link in both the production and the cast. Marti Pellow was better than expected as Che, but his, performance appeared both forced and strained at times, in contrast to the much more natural performances of the other cast members. Madalena Alberto played the title role with some enthusiasm and she had a good voice, but she lacked the charisma and presence of the character that she was playing, making her performance slightly less believable. Her delivery of “Don’t Cry for Me Argentina” and “You Must Love Me” were the stand out moments of her performance. Their performances did steadily improve over the course of the show and eventually won me over, but it is a shame when the “stars” of a musical are eclipsed by the rest of the cast for the majority of the show.

    Overall, the show was an enjoyable evening and was a well put together production which turned out to be better than anticipated. The music continues to stand up today and despite the show being around 35 years old, this production still sounded fresh and contemporary and was generally well performed by a talented cast, despite what could be argued as a slightly miscast pair of leads.

    Evita is currently playing at the Sheffield Lyceum Theatre until the 13th July 2013 before continuing its national tour.

  • London | Pride 2013 Review

    Well, Pride in London finally arrived, and after last year’s damp squib (World Pride, too, if you remember), it can only be accounted a huge success for the new team in charge. The theme of the parade this year was, rightly, love and marriage, for it won’t be long now before gay men and women will be able to marry their partners, whatever delaying tactics our opponents use. The tide is surely in our favour.

    No doubt those opponents were praying for God’s vengeance on us, for, if not fire and brimstone, at least torrential rain to spoil our day, and, let’s face it, given the miserable June weather we have had so far, it wouldn’t have been that surprising. In the event, it seemed God smiled on us. London basked in the first true summer weather of the year. The sunshine brought out the smiles and, with it, one of the biggest and happiest Prides in recent memory. By report this was also the biggest and most heavily attended Pride in 10 years.

    My friends and I were marching, leather clad, in the first section of the parade, alongside members of MSC London and Bluff, London’s two most prominent leather and fetish wear organisations. We were followed by the most disarming group of LGBT Filipino dancers, whilst ahead of us were a group of fetish dogs and felines, so there was definitely something for everyone. It is absolutely a tremendous experience to march in the parade, but the only problem is that by marching, you don’t get to see the range of people in the parade, nor get a feeling of just how big the it actually is. Years ago, I remember we used to march down Piccadilly, and that was one of the few times one could actually get an idea of the huge size of the event, a truly exhilarating experience. However, there were plenty of photos around on facebook and the like, and some on the net (a wonderful series in The Guardian) that give a great impression of the sheer diversity of our community.

    One of the most enjoyable parts of marching, though, is just seeing the thousands of people, gay and straight, lining the parade route, enjoying the spectacle; waves of positivity and love. People with their families and friends, all there to cheer us on. For those who say that Pride is redundant, that we no longer need it, this is their answer, and this is why we need it.
    Before the parade started I was chatting to one of the guys selling whistles and rainbow flags, an affable born and bred Londoner.

    “You won’t be needing one of these, mate, will ya? Won’t go with your outfit,” he joked.

    “Hardly,” I replied.

    He then went on chat to me about how important he thought Pride was, telling me about his best friend, who had just come out.

    “I think it’s wonderful. He’s marching today for the first time,” he said. “I can’t tell you how important this is for him. I love him, you know. He’s my mate. Makes no difference to me who he fancies. I just hope he can marry some bloke he falls for one day. Have a great day and wave to me wife and kids if you see ‘em. Oh no, you won’t know’em will ya?” he laughed, and went back out into the crowd as I moved off to join my buddies in leather.

    It must have been unbearably hot for those of them in full Bluff leather gear. I had shoehorned myself into my leather trousers, but had elected for just a waistcoat and armbands on top. The sun certainly came as a bit of a shock and I now have white rings round my arms where the armbands were and white patches on my body where the waistcoat went. Ah well, one has to suffer for one’s art.

    The only dissent I witnessed all day was a small bunch of god botherers, waving anti-gay marriage placards. The police had kept them well back and out of the way, and, to tell the truth, nobody, not the revellers, not the marchers, not the spectators, were taking a blind bit of notice of them. You have to wonder why they even bother.

    Once the march broke up in Whitehall, we made our way into Soho to see if we could bag a table outside at our favourite haunt, Balans Cafe, for some lunch. The management and staff had all dressed up for the occasion, and they all looked fabulous, particularly, Rohan, my favourite waiter in all of London, who looked hot as hell in a hard hat, plaid shirt, denim shorts and boots. Sitting was not exactly easy in my ultra-tight leather trousers, but we attracted a lot of attention in our leather gear, with loads of young men wanting to have their photo taken sitting on my lap. I wasn’t complaining.

    As we already had tickets for Summer Rites Pride in the Park, we missed the celebrations in Trafalgar Square, which were apparently superb. I really must get down there next year.
    So, having got changed into rather more comfortable shorts and trainers, we arrived at a busy Shoreditch Park at about 6pm for what was an extremely well planned and organised event. Shoreditch Park is just about the perfect size. Not too big and not too small, and, with an incredible selection of no less than 7 Music Arenas, showcasing an array of London’s finest DJs and Performers, who were representing some of the cities hottest club brands, there really was something for everyone! Aside from the Music Arenas there were also 5 licensed bars, a Fun Fair and a Community Market. Most importantly bar staff and toilets were plentiful, so there was no real queuing. So often at these events, one ends up spending hours in toilet queues or struggling to get a drink at the bar.

    We popped into most of the various tents to see what was going on. Most weren’t over busy to begin with. No doubt, it being such a beautiful day, the majority preferred to be outside soaking up the sun, and indeed that is where we found ourselves for the most part, catching up with friends we hadn’t seen for ages. Later on, the dance tents began to get much busier, as revellers soaked up the music, and danced the night away. I was also impressed with how clean the park was. Either, they had an army of cleaners running around, though I never saw any, or people were making sure they dropped their plastic glasses and bottles in the plentiful bins that were provided.By around 9pm, I had had enough. It had been a long day, my legs and feet were killing me and I decided it was time to go home. I had planned to go to the Hustlaball, but I was just too tired to manage it, and ended up having an early night. I’m sure I missed a great night, but it was nice to wake up at a reasonable hour on Sunday and actually get to enjoy what turned out to be the warmest day of the year so far.Over the next couple of days I scanned the internet for news of the event, but was rather saddened to see that the mainstream press had largely ignored us.

    When, a couple of months back, a few crazy Frenchmen turned up in Trafalgar Square to protest equal marriage, the press was full of it, but thousands marching through the streets, celebrating the diversity of our community, approvingly egged on by thousands of spectators, both straight and gay, they completely ignore us. One does has to ask if there is some sort of agenda going on here. As far as I could make out, only The Guardian on line printed a series of fabulous photographs of the event. I was surprised to see nothing from our usual ally, The Independent.

    It was also rather disappointing that the Mayor of London, Boris Johnson, chose, yet again, not to attend. He pledges his support for the LGBT community, but has, as far as I’m aware, only put in one, rather uncomfortable, appearance. Time to get over it, Boris.

    What was not dispiriting is that this year’s event has risen, Phoenix-like, from the ashes of last year’s near fiasco, and has been an incredible success. Roll on 2014.

  • Brighton Gay Men’s Chorus win a Golden Handbag Award

    Brighton’s Gay Men’s Chorus have won the award for Favourite LGBT Community Social/Leisure Organisation at the 2013 Golden Handbag Awards.

    The Golden Handbags show took place Sunday 23 June at the Hilton Brighton Metropole, with the winners voted for by readers of Gscene magazine. The annual awards show has been dubbed ‘Brighton’s Gay Oscars’, recognising people and organisations within Brighton’s LGBT scene whilst also raising money for good causes

    Chairman Paul Charlton said:

    “We are delighted to receive this award and I know it will mean a lot to all of the boys. There are lots of fantastic community groups in Brighton and Hove so it was a great honour to win! Our membership has increased to around 80 people in the last year, and each one of those members – with the musical expertise of our fabulous MD Marc Yarrow and Assistant MD Tim Nail – has worked so hard to make us the group we are today. I would also like to thank all of the people who voted us and hope to see many of you at our next show!”

    Musical Director Marc Yarrow said:

    “I’m delighted that the Chorus have been recognised with this award. I’ve worked with many different choirs before but what sets Brighton Gay Men’s Chorus apart is the fantastic feeling of inclusivity and support among the members. I also love that we are able to provide exciting musical opportunities for gay men in Brighton. It’s been lovely to help the boys flourish with fantastic achievements such as performing annually at Brighton Dome, recording a single and going to Manchester to win the 2013 Manchester Amateur Choral Competition. Thank you to all who voted for allowing us to add the Golden Handbag Award to that list, and well done to all of the other winners and nominees on the night.”

    The award is more good news for the Chorus who were also the winners of the 2013 Manchester Amateur Choral Competition earlier this year.

    The next chance to see the award-winning Chorus is in their forthcoming show ‘Brighton Gay Men’s Chorus: Taken From Behind (The Scenes)’, part of Brighton Pride Arts & Film Festival, Friday 19th and Saturday 20th June, St George’s Church, St George’s Road, Kemptown. The show is billed as an exclusive look at what really happens behind the scenes of a Brighton Gay Men’s Chorus show, with lots of backstage shocks promised. Tickets are £12/£10 and available at www.brightongmc.org, the Dome Box Office 01273 709709 and from the Prowler shop, St James St.