Category: Interview

  • LOOK AT ME | Jodie Marsh: “Gay Porn Gets Me Off”

    LOOK AT ME | Jodie Marsh: “Gay Porn Gets Me Off”

    Jodie Marsh is known for her reserved and placid personality, her ability to blend into any situation and to carefully consider her words. All this have made her a national treasure. Oh no wait. Sorry… Jodie Marsh is loud, unafraid to say what she feels and takes no prisoners. We catch up with her to chat gay BFFs, Kim Kardashian, shagging Jeremy Kyle and her obsession with gay porn.

    Jodie Marsh

    Which you do you prefer:
    Gay Paris?
    Brighton?

    The sounds of a hot, toned, naked man being whipped?

    Well, it would probably be the third one because I’m actually celibate. But I have found that lately, don’t ask me why, but all that seems to turn me on is gay porn. By that I mean two men together or two women together. I don’t know why. I don’t want sex for myself but if I want to get in the mood, you know, on my own, kind of thing, all I want to look at is two men together or two women together (laughing) I think women have found man on man action hot for years, I know I have. I knew it turned me on when I watched Brokeback Mountain. I don’t know if that means I’m gay or whether it means I’m bisexual… That’s all that excites me these days.

    11/10 Give this woman a gift certificate for Cockyboys. STAT! We like a woman who gets off on gay porn. We’ve known for years that women like a bit of bum fun.

    We hear you’ve been celibate for four years, what are you waiting for?

    I just got to a point where I didn’t trust anyone, so I’m waiting for The One, whoever that might be. I got burned a lot of times, by people who tricked me or lied to me. In fact one, who was a gay guy, for reasons unknown he pretended to be straight and tried to date me. It was only when I trawled through his Facebook (as far as I possibly could) I found pictures of him snogging his ex-boyfriend. I was like, “what the f***!”, because he wasn’t even bi, he was fully gay, when I confronted him, he had no answer. I just haven’t found anyone worthy of shagging The Marsh.

    15/10 For your self worth… And for dating a gay guy. We’re pesky things you know… Always turning up where we’re not expected! 5 for branding yourself as The Marsh. Got to be done.

    What are your thoughts on C**k rings?

    Oh… I don’t know. I’ve never actually seen one used properly. When I was having sex years ago, it was generally me taking control and it would be me giving them a good seeing too. We might have involved sex toys and stuff, but I only ever mildly dabbled really… Only because it’s kind of an outrageous shag anyways with me…

    9/10 Wham Bam thank you Mr…

    Which is your favourite Kardashian?

    What’s that… sorry? (Explain the Kardashians) I’ve never watched the show, but my best friend, who is a gay guy, is obsessed with them. Obsessed. This is so funny, it’s going to sound awful, please do not think I’m being a bitch, I’m not, but I’m telling you factually what happened. We were at my house, and I’ve got this f***ng 80-inch, it’s the biggest telly you’ve ever seen; it’s HD, 3D and all that. I was like, ok, let’s put this shit on, let me see what all the fuss is all about… My friend’s gone a bit quiet and I’m like, ‘I don’t get it, I don’t get what all the fuss is about!’ He said, ‘right, can I be honest with you, cause your telly’s so big, you can see that actually they’re not that hot, because this HD shit. They look amazing on my telly, but my telly’s really small…’

    So you’re ruining the Kardashians, one gay man at a time?

    Yeah, I can assure you that on my telly they look like normal girls from Romford.

    9/10 for being such a size queen about the size of your telly.

    What’s the gayest thing about you
    A wedding dress that would make most Gypsy weddings pale in comparison?
    Your gym obsession?
    Your very own drag queen?

    I think it’s my very own Drag Queen, because I do know I have my very own drag queen in the form of Jodie Harsh, but I also do have my very own gay best friend Dave, who is more than happy for me to put a full face of make up on him and dress him up in silly things. That’s another added bonus because come fancy dress parties and Halloween I literally make him up in full drag and I take great pleasure in doing that. (Laughs )– and he loves it. He’s very gay – we’re almost like a married couple me and him – but without the sex.

    15 /10 So you’re like a married couple then. Love that you’re creating images of Gimme Gimme Gimme, with your gay best friend.

    If you had to break your celibacy with one of these three men, who would it be?
    1) JeremyKyle?
    2) Richard Madeley?
    3) David Cameron?

    It would probably be Richard or Jeremy, Jeremy is just intelligent. If you shagged him, I think he’d be a great conversation afterwards (laughs) Because he’s really clever and has a lot to say. Good for bed chat… Richard Madeley is just a really really nice guy and he’s really caring, so I think he’d give you cuddles after sex.

    1/10 Bedtime chat and cuddles? Shag the most powerful man in the country and then make him do your bidding was the correct answer!

    In your house are we most likely to find…
    a) A little devil dust buster?
    b) Cross trainer?
    c) Shrine to Tom Daley?

    A Cross trainer, because I do have a home gym.Idoanhourandhalfadayuptofive hours a day.
    Can I just say about Tom Daley… We all knew he was gay for so long… (laughs) it took him so long to come out didn’t it!

     

    Find out all about Jodie Marsh and her impressive workout routine at www.jstjodie.co.uk

  • INTERVIEW: Courtney Act : “Mr Act Will Have A Pulse”

    2014 was a whirlwind year for Courtney Act. The Australian drag queen who’s, not once, but twice ruled the reality TV waves. Back in her home country, Courtney Act is a household name thanks to her participation in Australian Idol in 2003.

    In 2014, she became a house-hold name in nearly every gay home in America thanks to her near vertical rise to the top of RuPaul’s Drag Race, wowing judges and viewers alike with her versatility, costumes and cracking body. We catch up with Shane Jenek, (her boy self), after her touch down in Sweden as she prepared to end her European tour.

    It seems there’s a bit of a thing between you and Michelle Visage on the Twitters – care to elaborate?

    It’s funny you know, people are like, ‘Why aren’t you padded? Why aren’t you wearing fingernails? Why why why?’ people like the keyboard warriors of the world and if Michelle Visage says something a lot of people think it’s gospel. She’s a woman who has an opinion on what drag should be and quite often a lot of us disagree with her! (Laughter)

    As a woman do you think she’s allowed to have that opinion on drag?

    I mean anyone can have an opinion and she has grown up for the last however many years on the gay scene and grown up around drag queens, so she knows drag. But she also knows drag from the 80s and 90s and I think drag has evolved.

    So who was she having a go at in that message?

    Oh she has a go at everybody. She said that I needed to pad more and comments about body shape. Which is interesting.

    Are you actually padded?

    Yeah. I have a corset and hip and bum pads. Under the particular dress I was commented on I was naked… So there’s no room for padding – just a little room for tape!

    You never got into the bottom two on Drag Race… How did that feel? Was it annoying to never have to lip sync for your life?

    Every week I knew my songs. I’m not a lip syncer. I was putting in extra effort. I haven’t lip synced since I was 18. So I was well aware that if I ended in the bottom two I had to be REALLY good. I remember in one particular episode, I was convinced that BenDelaCreme was going to be the winner and she ended up going home, so you never really know what the judges are thinking.

    So you get to travel an awful lot. Any travel tips?

    When I was on Australian Idol I remember Marcia Hines one of the judges, taking us all aside and saying, “When you’re touring sleep when ever you get the chance.” That’s the best advice.

    Do you get to experience the places that you go or is it just planes, hotels, cars and stages?

    It’s a little bit like that. My assistant and I are both vegans. We have an app called Happy Cow, and every city we get to it tells you where the nearest vegan or vegetarian restaurant is. So that’s kind of our local adventure in every city. On the way to the vegan restaurant you get to see a lot of things. If it’s a 15 to 20 minutes walk we will just walk there from the hotel.

    When you go to all these new towns, how has the reaction been from the drag queens that already reside there? You personally, but also to the wider group of Ru’s girls?

    It’s always been very positive. I think that they get to see you and they respect what you do – they’re always really lovely. I know that drag race has changed the game as drag goes in America and even in the UK. Before, drag queens in the US would tour from city to city and different performers would become popular and they could command a higher fee and they would tour more. Now it’s made it challenging for those who haven’t been on drag race. It’s bringing drag into the mainstream. A very large female population watches drag race and people are becoming more aware of drag. As such, a bigger audience means more for everybody – hopefully.

    There were a lot of personalities, especially in your season. Were any of the girls making life too uncomfortable?

    No. I think some of them made their own lives’ uncomfortable. I was fine, Lahanja Estranja, bless her, made her experience much harder than it needed to be I think. That’s what she went through.

    Did it get a bit messy?

    Oh yeah!

    There’s this rumour… I’d like to see if it’s true. RuPaul can kill a queen’s career… True?

    What does that mean?

    If she doesn’t like you, you might just drop off the face of the planet and never be heard from again...

    (Laughs) I’m sure that RuPaul can positively and negatively impact people’s careers.

    In a kind of Illuminati kinda way? Especially her power over the decision making process?

    (Laughs) Well she’s definitely got power over who goes and who stays. There’s also obviously power in the editing suite. But I think if somebody is talented and going to be a success, I don’t think RuPaul or anybody can stop them from that.

    Do you think any of the girls from your season were wrongly edited, or given a bad edit?

    I think Darienne (Lake) and I got a bit of a bum edit as the season plays out, but I look at the positive aspects, more people know me now than ever and I’ve had some wonderful opportunities because of the show, to tour all over the world and show people who I am, it’s a wonderful jumping off platform and you know, they are making a reality TV show, they’re not making a documentary.

    This issue is our coming out issue can you talk about your upbringing and coming out in Brisbane?

    I grew up in suburban Brisbane, I didn’t really realise I was gay until I was 18 and in Sydney. I guess I remember having posters of the Spice Girls and having a crush on Leonardo DiCaprio, but I didn’t really attribute it to being gay because school yard slagging, like puffta and faggot seemed like something negative with those things, and I didn’t feel negative about who I was. So I never really attributed being gay to who I was, until Sydney.

    My friends took me to Stonewall, which is a bar in Sydney, and I just remember like being, “hang on, all of these people are gay, this newspaper, this is a gay newspaper!” I just remember that very first night, it all just made sense, and I was like: Oh I get it! That night I had my first kiss and went home with my first boy all on one night – and they were two separate people!

    You dirty girl…

    Right!

    So the day you discovered you were gay, you actually had some GAY!

    That’s right, I had a bit of bum fun! (laughs)

    Did you end up going out with him or was it just one night?

    One night, but I do still know him now, he lives in London actually.

    Are you happy with that as a first experience, or would you have wanted it a different way? Maybe being a proper lady!

    No! Being a proper lady is boring, let’s face it. If you’re a proper lady then be a proper lady, but if you want to be a whore be a whore, I say…

    When did you come out to your parents?

    My Mum and Dad came to Sydney and we were having dinner and I was talking about friends who were drag queens and boys with strange names like ‘Girl Craig’ and I remember my Mum asking, whether if one of them was my “special friend…” there was that awkward moment at the table, and Dad was like, “I’m going to get a drink…” and we all sort of stood up and left the table.

    So she left a stink bomb of a question…

    Right! “Special Friend…” I was like No no, he’s able bodied…

    (Laughs)

    So your Mother had an inkling that perhaps you were gay?

    Well I guess so, she said that she didn’t, but asked that question. The next day we didn’t talk about it again. I remember calling my friend and like crying in the bathroom not knowing what to do and going to my friend’s house. I remember a time, struggling coming out to my parents and my own gender identity, I didn’t know whether I wanted to be the archetype ‘gay underwear model’ or be a woman because I was doing drag and I had a lot of people telling me that because I was so pretty I should take hormones and live as a woman and I know I felt very confused about everything. The next day, at the only job I’ve ever had in my life, like a ‘real’ job, I was working at an internet café and I went home for lunch, I guess I had a bottle of wine in the fridge, and I sat there eating lunch at home drinking a bottle of wine, watching Touched By An Angel on television, I just remember like crying, I guess it was inspired by Touched By An Angel, but the cry went much deeper than that. I remember it was just like howling. I sent Mum a text, this is the year 2000, so the advent of text was a new thing, and I texted I AM GAY. She wrote back, ‘That’s nice dear see you at dinner!’

    So that night at dinner my Dad said that he had lived with 6 drag queens back in the 70s, I asked him to stop there; I felt that one revelation was enough for the night.

    This is my moment!

    Yes! My Mum used to be a beauty therapist and she used to wax the legs of Australia’s most famous transsexual Carlotta, so it was funny, once I came out I was very fortunate, my parents were very supportive and understanding.

    I could tell that Mum had that dream of her boy marrying a girl and having babies and whatnot. I could see that she was still hanging on to that a little bit, but Dad was completely fine. He was very conversational about it. It’s a great learning experience, for the child and the parent, for their relationship. Often being gay, or other life questions, seem like they can be a hindrance, I have ultimately found that those things have been the greatest gifts. In some ways, I think having to question your sexuality and actually understand that you are gay and understanding what that means is a great gift in getting to know who you are. You’re more in touch with yourself.

    Young people now, which I love, are just, you know, refusing to be put into a heteronormative box, because even gay and straight have become somewhat heteronormative in a way, and I love the concept of queer. I like to identify as queer for my sexuality and as gender queer for my gender identity.

    There’s something I like about being queer. It’s like refusing to be put into a box. It’s political and personal.

    Can you explain what queer means to you?

    Well queer for me, with my sexuality – Not often do I actively go out to look for sex with women or anything, but I still think women are attractive, and I’ve had sex with women over the years… I like men and I like having sex with men, but queer for me says that I’m not going to conform to the concept that I should like men or I should like women or I need to conform to a stereotype of society. It says that I’m me and I’m going to express myself freely – have sex with who I want, when I want, and with as many as I want. Or none at all. It’s about the individual’s personal feelings rather than the identity of a group.

    And from a gender point of view?

    From a gender point of view, I think that, interestingly in gender we have male and female – it’s a binary thing and then we love to polarise – we love the binary. Even with CIS gender and transgender we still manage to polarise that as well. You’re either a trans or you’re not. The odd thing is that the definition of trans is in-between genders. So we tend to think of trans people as people who were assigned one sex at birth and then go about changing their gender expression to the opposite gender. For me, I love dressing up as Courtney. I love being Shane. I have no desire to take hormones to live as a woman, but the fact that I chose to do drag, especially such realistic female illusion. I used to say in my twenties, when I was more uncomfortable with my gender identity, I would say that drag was being like a policeman. Putting on a uniform and going to work, or someone who works at a theme park putting on a Mickey Mouse costume and there’s nothing strange about that. I used to try and justify my choice of occupation by saying that there was nothing strange about putting on a costume. I’ve realised in my thirties, who cares if it’s strange or if it’s not what other people think I should do.

    I think we’re seeing a gender revolution right now, different to the women’s lib movement, this is about trans people. We’re seeing Laverne Cox, Janet Mock, Chaz Bono, were seeing inspiring trans people, we haven’t seen that in the media before. Often trans people were portrayed as extreme… And people like Laverne, Janet and Chaz are everyday people who are inspiring and talented and I love that about them. I think there is a gender revolution going on and I love this queer movement as well.

    Do you think that a “queer” movement, will make it harder for people to find what they’re looking for? When you label someone or yourself as gay or bisexual, or this person is a man or this person is a woman, you know what you’re getting. Does queer blur those lines?

    I think when you label it, or you put it in a box you limit it to being just that. The reality of the situation is that most people aren’t just that. I think that it’s limiting people’s own expression and maybe limits people finding what they want, but I’ve found that places like Burning Man or even on the road when I’m travelling, I meet people I wouldn’t identify as gay, but someone that I’ve been seeing, who had never been with a guy before, was completely comfortable having sexual experiences with one.

    You can tell it’s a subject you like talking about. It’s very considered!

    (Laughs)… Now tell me your favourite colour…

    Do you remember the first time you dressed up as a woman?

    The very first? I went to a theatre school, after school, and we were always dressing up as things, like a mouse in Cinderella or a dwarf, and it was in 1996 or 1994, whatever year Pricilla came out… We were on tour around southeast Queensland doing a show, called the Spirit of Christmas and we were having a cast party where we did performances for ourselves. My friend Scott and I, we borrowed the girls’ bikinis and lip synced to I Love The Night Life, from Priscilla. That was the first primitive form of drag.

    When I moved to Sydney, New year’s Eve 2000, was where the first authentic experience happened.

    That was when Courtney Act was born.

    Was that a paid gig?

    No just for fun. A lesbian friend had a crush on me and I think she thought if I was dressed as a woman then somehow we’d be two women… and it would be okay! It didn’t quite work out that way. But that is how Courtney Act was born…

    How did you get the name?

    My friend Vanity Fair and I were sitting in a café in Crown Street in Darlinghurst and we were talking about names and I wanted to be called Ginger La Bon, because I wanted to be a smokey red head night club singer, and she thought that name was not appropriate for me, she thought that I should be something cute and girlie like Courtney.

    In Sydney all the drag queens have double entrendre names and I said, Courtney really slowly… Court… ney, Cour…t…ney Court…in…the Act…

    And a star was born!

    When did you start performing as Courtney?

    Shortly after… I had a business idea to start selling chewing gum and Chupa Chups from a neck tray and I approached some clubs about doing that, and they loved the idea, but they wanted a drag queen and I couldn’t afford one… So I started doing it myself. Some friends asked if I wanted to be in a show and within a month or so I was working four or five nights a week, up and down Oxford Street, and then I won the Drag Industry Variety Award, Diva Rising Star that year. When something feels good then it’s usually the right decision. In my body I loved it so much but intellectually I thought there was something wrong with it. But I’m glad I listened to my heart, and not my brain.

    Do you think you broke some TV screens 11 years ago when you decided to go on Australian Idol as Courtney Act? Did it confuse people?

    Yeah! I mean I hope so.

    I still get messages from kids, who said that they came out to their parents after watching me on Idol. Watching idol with their dads and dad being like, “Whoa she’s a hot Sheila”, and the kid explaining that in fact she was a boy… and then “by the way dad I’m gay…” (Laughs) Dicko, one of the judges on Australian Idol he really created a safe place because he would talk about the fact that Courtney was a beautiful woman saying stuff like “I’m going home to tell me wife that I’m leaving her for Courtney,” and he made it okay for the men of Australia to appreciate it as well.

    Did people think that you were transgender? Because you went to rehearsals dressed as Courtney?

    I went along the first day as a boy and I got knocked back and I went the next day in drag so if you missed that episode then you didn’t quite get what was going on. But because I got through as Courtney they insisted that I did the whole thing in drag.

    Oh really? So if they hadn’t insisted do you think you may have reverted back to Shane?

    Yeah! That would have been much easier. I’d have to get up two hours earlier than everybody else to get into drag!

    Is there a Mr. Courtney Act?

    There is NO MR. ACT….

    Are you looking?

    I’m not, not looking… But I’m not looking… I like the idea of meeting somebody and sharing my life with them. But I’m not in anyway needing that. The fact that I’m constantly on the road, there’s no time for that at the moment. I think Courtney and Shane are kinda in some strange relationship for the time being.

    What’s your type if he happens to be reading?

    He has a pulse.

  • INTERVIEW | Barbara Hulanicki

    In the 1960s, way before the world was flooded with designers of the Ralph Lauren, Giorgio Armani, Calvin Klein, Dolce & Gabbana ilk, London discovered Barbara Hulanicki, who very quickly became a fashion legend. Prior to the advent of the Swinging Sixties, fashion was dull and positively fuddy duddy and this remarkable Polish émigré changed all that with just one little gingham sundress. Her highly stylised clothing was inexpensive and accessible, something totally unheard of back then, but more than that it was exciting and glamorous and for the very first time ever, it put the fun into fashion.

    Her fascinating story fills volumes, from the assassination of her diplomat Father in Israel in the Forties to being at the forefront of the revival of Miami Beach in the Eighties, and has been very well documented over the years. Whilst we wanted to mark the celebration of the 50th Anniversary of her magnificent groundbreaking iconic store & label Biba, we were much more interested in getting the real low-down on this dynamic woman and find out why she is still a fashion powerhouse after all these years. Our Contributing Editor Roger Walker-Dack has been a close friend and neighbour of Barbara’s for a few years now, so we asked him to get her to share some of the more personal tales of her extraordinary life exclusively for us, as after all she is also one of our favourite Gay Fashion Icons. Here is what transpired.

    When I arrive at Barbara’s studio, which is a few blocks away from my apartment in Miami Beach, without even saying hello, she blurts out:

    “You know I’ll go to hell if you use the story I told you about Cher!” She is (as always) laughing, so I reply, “you know I HAVE to include it, and you cannot possibly go to hell.”

    She is after all, the only regular Catholic Mass-going friend that I have. It does however set the tone for a hilarious afternoon (and you will have to read on to hear what the Cher thing is all about).

    RWD: So your first big break came in 1963 courtesy of Felicity Green the Fashion Editor at the Daily Mirror…
    BH: I was in my 20’s and doing fashion illustrating at the time. Fitz (Stephen Fitz-Simon) and I had already married and although he was still working in advertising, we had started a small fashion mail order business together. Felicity called me and said she wanted me to design & draw a sundress that could sell for just 25 shillings, (around £23.00 in today’s terms). So I did this very simple number inspired by something that Brigitte Bardot (French film star and one of the biggest sex symbols of the 1950s & 1960s) wore that year in St. Tropez. After it appeared in the newspaper we went to collect our mail from the Post Office as usual and Fitz came back with an enormous sack of mail and a grin that was even bigger. He said there are about another six full sacks waiting for us. From this tiny picture we sold 17,000 of this one size dress, but when the initial elation faded we really started to panic as we had no fabric and no factory to make them. Somehow, more by luck than judgment, we made them all.

    RWD: Making a nice contribution to your bank balance?
    BH: NO! Fitz screamed at me as I had no idea then of how to do costings, and he told me that we had made just one halfpenny profit per dress. BUT at least it was 17,000 halfpennies!

    RWD: The following year you opened your first shop in Notting Hill, which was a very rough area at the time.
    BH: I badgered Fitz to rent an old pharmacy in Abingdon Road for just £25 per week purely as a stockroom just to get all the frocks out of our flat. Then one Saturday just after I opened the door all these people followed me in and asked to try the dresses on. Within an hour we were packed and it was mayhem, so I phoned Fitz at home in a panic saying, “get here quick and bring some more clothes”. We were not set up to be a shop but as the dresses were flying out, we suddenly became one.

    As it was a stockroom, we had very heavy plum curtains covering the front window so we thought we had better now change them, and so we took them down overnight and painted the window cream and put up some lace curtain. However the very next day nobody came in at all, so the following night we had to paint it back and put the old curtains back which was a great pity as I was about to make them into dresses. (Giggling)

     

    You mentioned your son Witold who is gay, and I know you are very close…
    BH: A couple of years ago he got married. Now I have two sons and I’m crazy about them both.

     

    RWD: Very Sound of Music! How did this first Biba store become an overnight sensation?
    BH: It was all down to Ready Steady Go the hottest TV music show at the time. Vicki Wickham the producer lived nearby the shop and asked us to dress the show’s presenter Cathy McGowan each week. She also encouraged all the kids that were seen dancing in the audience to wear our clothes too. We fortunately became an integral part of the burgeoning music scene that was starting to explode in London in the 60s.

    RWD: Soon it wasn’t just local celebrities that made the trek to your outpost in west London, so can you spill the beans about some of your more international big-name customers?
    BH: The woman who had inspired my gingham dress two years earlier turned up to the shop.

    RWD: Brigitte Bardot?
    BH: She had just got married to Gunther Sachs (filmmaker, international playboy and Bardot’s 3rd husband) and she came into the store one Saturday completely unannounced. I think he wanted some paparazzi coverage for her visit but we were being very proper and English and didn’t call the press and just treated her like any other customer. Almost. She just started stripping off in the middle of the shop but Mr. Sachs insisted that she should have some privacy so we had to take them into the tiny back stockroom, which was separated by some curtains from Fitz’s office. Normally he would just jump out of the shop’s back window the moment a famous customer would come in because he couldn’t stand any fuss, but this time he was on his chair peering over looking at a near naked Bardot happily prancing around.

    Fitz was never that impressed by celebrities so I really had to persuade him to accept a dinner invitation from a couple of American customers that we had never heard off. When they first came into the store they looked like an odd pair, as she was much taller than him, and they were both wearing these ridiculous baggy trousers and sleeveless furry waistcoats. We just muttered “what the f—k” when we saw them. Dinner was a disaster as the woman was utterly boring and so after we dropped them off back at Claridges Hotel where they were staying, Fitz turned to me and said, “we are NEVER going out to dinner with customers EVER AGAIN!” The couple were Sonny and Cher! (Roaring with laughter.)

    RWD: You outgrew the first shop within two years?
    BH: Yes, in fact that would become a pattern for us as we up-sized every two years. Fitz had a great nose for finding the most amazing old fashioned properties, and one day he called me and said he found a fantastic old grocery shop in Kensington Church Street but rather than checking our references before giving us a lease, the owner had insisted on meeting me. The landlord was a craniologist and he had looked at Fitz’s head, which he approved of but he wanted to see mine before we could take the shop. Luckily I passed the test and he said we could rent it (laughs).

    We then hotfooted around to see our bank manager as we had a great cash flow in and out but nothing actually in the bank. He lent us £1000 on the condition that we pay it back immediately we open the store. So on the first day of trading all I could see towering over a sea of young girls fighting over the clothes was our bank manager standing in the doorway counting people! (laughs). He got his money back very quickly.

    RWD: So decades before social media how did everybody find out so quickly about the new shop?

    BH: Mainly word of mouth. Although Cathy McGowan’s agent did some PR and he took a great photo of her and Cilla Black on the back on the truck pretending to help us move, which I thought at the time, was very cheesy.

    RWD: Did you continue your novel idea of having just one large changing room in the shop?
    BH: Well it started off that we didn’t have either the time or money to do individual ones, but by the time we moved to Ken Church Street everyone loved stripping off together. Even celebrity customers, like a very pregnant Barbara Streisand who came shopping with her husband Elliot Gould.  In those days real stars didn’t travel with an entourage. She was lovely, and such a sweet person.

    RWD: (laughs) I think you must be one of the few people who have met La Streisand who would ever describe her like that!
    And did the future Grand Dame of Vogue Anna Wintour really start her career as your Saturday girl?

    BH: Yes.

    RWD:  So you taught her all she knows? (laughs) And do you think that Ms. Wintour has this first job down on her resume?

    BH: No comment.

    RWD: Well if you are going to be tactful about this, can you agree that she may have copied her signature habit of wearing oversized glasses from you?

    (Roars laughing.)

    Well, changing tack then. Your life has not just been filled with celebrities, as there have been more than a few rather dubious characters that have forced their way into it at times too?
    BH: We used to have a shop in Brighton in the 60s and it was far from the genteel town that it is now. It was just like Graham Greene’s novel Brighton Rock (an underworld thriller set in 1930s Brighton when it was the home of several gang mobs) and it had been the scene of an infamous Mods vs. Rockers fight/riot. We got a phone call that a very tough cookie called ‘Carol The Arrow’ was in the store pushing a pram that she wanted the staff to fill up for nothing. Then the following week a very large scary looking gentleman turned up and offered us protection if we paid him a fee every week. Fitz just swore and we immediately closed the shop instead.

    RWD: After two years in Ken Church Street you moved to an even bigger store in Ken High Street and then exactly 2 years later you leave that to move into the enormous old Derry & Toms, which you turned into a ‘Harrods for hippies’.  How did that happen?
    BH: Our shop was opposite three old large House of Fraser Department Stores, which were all really doing very badly. One of them, Derry and Toms was a really wonderful art deco building and Fitz had heard that they were not just going to close the business but actually demolish the building too. At the time, the English really didn’t care for that style of architecture. We sat up on the spectacular Roof Garden, and I just screamed to Fitz “they can’t do this, we simply must stop them.” Without really thinking it through I just badgered him and said we’ve got to save it. So he just picked up the phone and rang Sir Hugh Fraser direct and said, “we want to move into your store”. By this time we were very hot retail wise and the big clothing chain Dorothy Perkins had invested in Biba and so Sir Hugh said, “Well if you can give me ‘X’ amount of money by tomorrow it’s yours,” just like that. The next call Fitz made was to the Dorothy Perkins Board and they gave us the go-ahead, so by the following day, it was indeed ours.

    RWD: Was it all really just a whim?
    BH: Well, yes but we were bursting at the seams in our store.

    RWD: But how many floors did Derry’s have.
    BH: Seven with the lower ground floor. We had food, paper shop, flowers, a hippy dippy shop, bedding, logo, cosmetics, a huge t-shirt department and masses of clothing and accessories. The food section was mainly health food, which was relatively a new thing in the 60s and our chef made up healthy conscious dishes for the Rainbow Room Restaurant, which was packed all the time. I insisted that he also served in the staff canteen too, which caused a near rebellion with all the store staff people demanding baked beans and sausages instead. (laughing). So I just gave in and let them eat the comfort food they were brought up on then.

    RWD: So much of the merchandise in the store was black which was also odd as the 60’s were famous generally for such vivid colours and flower power. Even baby clothes and nappies. Did you sell them?
    BH: OH YES. Witold (my son) wore them (laughs). I LOVED black, still do, and when I was 18-years-old you could not buy a black dress anywhere because that was considered the colour for old women and widows. Black was forbidden as too was purple. After black our biggest colours were plum, purple, oxblood and (urgh) brown!

    RWD: Even in your cosmetic range?
    BH: Oh yes, and that attracted some very special customers too including Freddie Mercury who loved our make-up. He was also the boyfriend of Mary Austin (a store Manager at BIBA and the ‘girlfriend’ of Freddie Mercury who was left the majority of his estate when he died in 1991) who had worked for us for years. However one day I came across a very distraught Mary crying her eyes out and when I asked what the matter was, she told me that Freddie didn’t know if he was going to be gay or straight.

    RWD: When did he let her know his decision?
    BH: I don’t know but I was so upset for her (roaring). He was always there afterwards, as they remained very good friends.

    RWD: When we think of BIBA we always think of TWIGGY too as you are synonymous with each other.
    BH: We first met her in Abingdon Road when she was still in school and she’d come into the shop and spend all her pocket money. I would see this amazing creature with this stunning Garbo-like face. When she started to model for us we had to make our skinny clothes even smaller for her as she was tiny. We were always a good fit for each other and when she went on to act on the stage we designed her set and all her costumes and her make up too.

    RWD: Is it amazing that you are still so very close to her some 50 years later?
    BH: Well she visits me a lot in Miami and she actually has her own clothing line in the US which she sells on the Home Shopping Network. Last week we were just sitting on the beach together and the discussion turned to the fact that armholes are not high enough on frocks. We found ourselves roaring our heads off, as here we were half a century later, sitting on the glamorous Miami Beach and that is the topic of our conversation!

    RWD: We actually caught up with Twiggy recently and chatted to her about you.
    TWIGGY: I remember very clearly the first time I saw Barbara in the Abingdon Road shop. She was the most stylish and beautiful woman I had ever seen. Along with most of London, I was overwhelmed by the style and decor of the store, as there was just nothing like it in London. The other amazing thing about Biba was that you could buy affordable, wonderful clothes for young women. I was a little bit in awe of her at first, but that didn’t last for long, and we soon became dear friends.

    I think her gorgeous clothes, and my style at that time fitted so perfectly together and we did many photo shoots together You’ve also got to remember, there was really nothing else like it at the time, Barbara Hulanicki was a huge trendsetter, and a huge talent in the fashion industry.

    Apart from being so incredibly talented, she is the warmest, funniest and kindest of people. After we met, we soon became close friends. I’m happy to say our friendship has continued for the last 50 years. Barbara is still my inspiration and my style icon. I love her to bits.

    RWD: After the BIBA store you chose Brazil for the next phase of your life… Why?
    BH: Well we wanted to be far away as possible from London at that point in our lives. Brazil was not only glamorous but it was offering wonderful manufacturing facilities where we could make products and export to Europe. We went there clutching large orders for t-shirts that we got from Fiorucci (a hip 1960’s Italian fashion label that wanted to recreate London’s Swinging 60’s in Italy) & Cacherel (a young French fashion label) and we met this suave ex-Pat gent who couldn’t do enough for us, we ended up partnering with the young Lord Duoro. He also fixed up financing from a bank run by ex CIA officers, Well, we think they were ex…

    We exported a ridiculous amount of t-shirts and ended up with an office in Paris courtesy of M Cacherel. He then gave me a small amount of money to decorate the place, and he loved the results so much that he wanted me to do the whole building. Back then I had no interest in doing interiors, so he pleaded with us to stay and design clothes instead. During the negotiations he handed me a swatch of 4 ghastly colours and told me this is what I should work with. I was horrified as we were using 22 different colours then, so we said a polite “NON” and hotfooted back to Brazil.

    RWD: Then how did you end up in Miami Beach?
    BH: The Rolling Stones’ Ronnie Wood asked me to design a club for him there. He said it would only take six months. And then six months turned into two years, then in to five, and now over twenty years later I am still here.

    RWD: That is when you started designing buildings and interiors and so much more.
    BH: Well after ‘Woodies’ opened Chris Blackwell (head of Island Records) asked me to redesign a whole heap of hotels that he had bought in Miami as a job lot. In fact I once sent him a postcard of the famous Tides Hotel that he had totally forgotten he owned too.

    RWD: Heady times as the whole stable of stars he handled then included the likes of Bob Marley and Prince were all there too.
    BH: Oh yes, after I designed the Marlin Hotel which had its own Recording Studio, EVERYONE hung out there: U2, Madonna, Beyoncé, that group of English girls that I always forget… THE SPICE GIRLS. I recognised most of them, except one night at dinner and I had to ask someone “who is this little boy sitting next to me.” They replied, “It’s Prince!”

    RWD: Wasn’t Miami also dangerous too in those days?
    BH: Very, but not for me as I somehow ended up doing work for some very heavy gangsters.

    RWD: How come?
    BH: There was nobody else here doing what I was doing and if I went to sit on the beach I would end up being offered jobs. These very colourful characters (!) would say, “I’m opening this and I’m opening that” and plead with me to do it. They were both the old and new money of Miami Beach. Plus I was a little naïve, BUT they thought I was stupid and would have no idea what they were up too.

    Once in the middle of the night I got a frantic phone call from one of them pleading for me to come down to his club bringing any fabric I could lay my hands on. It turned out that the contractor had installed the two-way mirror the wrong way around everyone could see into the office and watch them loading bundle after bundle of cash into the safe. I just gave them some new curtains and said nothing.

    (Whispers) But maybe I should be careful to what I say as some of those ‘gentlemen’ could still be around! (laughs)

    RWD: Then you moved into doing people’s houses. How did you get the gig to do Gloria Estefan’s house here?
    BH: Rock people just talk to each other and word gets around, and as there are lot of them here, I was always busy.

    RWD: All these decades later, Miami is still home for you. Why?
    BH: It’s such a vital and unique place that never stops still and is always evolving. Every two years it’s completely different, and there are always interesting things going on.
    I love seeing all the stores here and seeing what is going up and down, and discovering why. Everything changes suddenly, including values. Now it seems like it is after a depression just as it was in the 1970s when glam rock disappeared and everything got scruffy and we moved into t-shirts and jeans, which is what is happening here now. I find it totally fascinating as a new generation comes along, and I can’t wait to see what the next lot does.

    RWD: I can never ever keep track of all the different projects you work on at any time these days.
    BH: I’ve just finished doing collections for GEORGE at ASDA, and am now working with the HOUSE OF FRASER. I am also just designing a new Hotel in Hollywood (Florida). I have my own collection called ICONCLUB which consists of t-shirts and accessories made/sold in the UK that are based on my fashion illustrations and graphics, and we are about to launch a brand new product range called YO BROOKLYN. Oh yes, we are doing a new home wear range from India too.

    RWD: It strikes me that you never ever think of any of this as work?
    BH: Well it isn’t, I just move from one thing to another: nothing ever seems to finish.

    RWD: You mentioned your son Witold who is gay, and I know you are very close…
    BH: A couple of years ago he got married. Now I have two sons and I’m crazy about them both.

    RWD: Did he never want to follow you into fashion?
    BH: NO! (laughs) He lives with his husband in New York and teaches Alexander Technique and Yoga.

    RWD: What does he think of having a fashion legend and a gay icon for a mother?
    BH: (roars) You will have to ask him…

    (and we did…)
    WITOLD: I don’t remember the black nappies and the clothes at all, but what really made an impact was the stores as the colours and the open spaces and all the shop fixtures were like magic. This was even before Big Biba when Mum designed a whole floor specifically for kids, with a castle and moat, a giant record player, a Snoopy doghouse that you go inside. You can imagine how amazing that was for a six-year-old! Even before that, there was a theatricality to everything that was so exciting.

    I do think of my mum as a fashion legend and as an icon and there is no doubt that her work is unique and people will be rediscovering her over and over again for easily the next hundred years! I feel like I was raised by her creativity as much as I was by her and I feel the same connection to her work that I feel to her. She is however first and foremost my mum first.

    Whenever people who don’t know her ask me about who she is and what she does, I say something like “Oh, she’s a designer. She’s done a lot of work in fashion and interior design.” My husband, Kris, then steps in and says, “Yes, and she’s famous. She has a Wikipedia page and everything. Look her up!”

    RWD: You have this remarkable history that has filled several books and a movie too, and one that HM The Queen saw fit to award you an OBE for, but you strike me as a person that never dwells in the past and always lives in the present and looks forward to the future.  Will you ever stop working?
    BH: No, I plan to outlive you all

    To find out more about Barbara and Biba visit:
    Barbarahulanickidesign.com

  • SEXING THE TRANSMAN, The Buck Angel Interview

    SEXING THE TRANSMAN, The Buck Angel Interview

    Buck Angel is a 42-year old brawny muscular redheaded good-looking bearded hunk. With his heavily tattooed body, his twinkling eyes and his infectious smile, he is in fact one very hot man. But this wasn’t always the case, as in our label-fixated society Buck is actually a transsexual who is very much a man but one with a significant difference than most. He is, as he loves to describe himself so succinctly, ‘a man with a pussy’.  (more…)

  • INTERVIEW: From Kentucky With Love: Photgrapher Jon Eland

    Jon Eland is a Leeds based photographer who has steadily built a strong reputation for intelligent, inventive male portraiture.

    2014 was his most prolific year to date and seen his work receive wider recognition, including a solo exhibition in his home city this summer which won much attention as well as some excellent reviews.

    For his latest project, KY Guys, Jon has turned his sights across the Atlantic bringing a British sensibility to a series of portraits of men all hailing from the US State of Kentucky, the result of a recent trip to the city of Louisville.

    RG: How does a Yorkshireman wind up taking photographs in Kentucky?

    JE: Back in 2010 I was running a Leeds-based photography group and we held an exhibition. At that exhibition a representative of the local council asked if we’d consider hosting a photographer from Louisville, Kentucky. After we clarified the reason why, that Leeds is partnered with the city and he was looking to capture some of Leeds to share with the good folk of his own city – I said ‘sure… and how about one of us makes the return trip?’

    After the council agreed to the idea, discussions were had and I was nominated to make the trip. I visited twice representing the city and my group – in 2011 and 2012 and then took a break.

    2014 saw me return entirely under my own steam – essentially as a vacation and to see some of the many friends I’d made in Kentucky.

     

    RG: It’s clearly a place you have great affection for. What is it that draws you back? The people clearly but it also sounds like it’s fast become a second home.

    Absolutely! It’s one of those places that, on the surface, looks like a normal American city – and at the ‘big’ level a bit like my own. But once you peel away the top layer you get to an interesting liberal city with a strong blend of cultures and a great attitude to the arts.

     

    RG: One of the things I love about KY Guys is it does feel very natural and unaffected. And the location is great. Where was it shot?

    JE: The location is a unit situated close to the city centre that my friend, Michael, has owned for a number of years. It’s been offices for most of its life – initially for the tobacco industry. But he’s currently renovating it to be an AirBNB location.

    I loved it cos of the great natural light. It’s got 3 tall windows either side – both north and south facing.

     

    RG: It looks a great space. Did it influence the style of the series? You mentioned the natural light and there is something very relaxed and at ease about the photographs that makes it feel different to the usual set of male nudes?

    JE: That was intentional. In my previous visit I shot Alex (who also appears in KY Guys) in an alley and the light there was great. I’d seen some of Michael’s shots in the space and wanted to give it a go; having had limited experience with natural light nudes – especially inside.

    I intentionally stayed away from more traditional erotically charged imagery – I wanted the guys to be themselves, relaxed with (hopefully) a hint of seduction. I also chose the non-commercial route of a mixture of guys. I’m not someone who believes in adhering to types or tribe-chasing – so it was great to get a mix – I just wish I had been there longer and got an even greater diversity.

     

    RG: Yes, it is a pretty diverse series of guys that you’ve featured. How did you find them? I assume they’re all locals.

    Yeah – they’re all living within a 20 mile radius of the studio space. In preparation I contacted some through modelling sites, but the majority were guys I found through the mobile apps – so I guess I should thank Growlr and Scruff for the intros!

     

    RG: Hahaha… Those apps have so many uses!! But I guess that also means there are quite a few who had never modeled before?

    JE: Yes – the majority in fact. And, while there were some nerves, all the guys were fairly up for it. I ensured they all knew they had as a minimum to get their shirts off, but many were quite happy to be completely naked. I’m guessing the unseasonably warm weather at the time helped (it was 30°+ in early Oct – and I needed a/c to keep the place cool enough to work in!)

    But feedback has been great – all of them are still in touch with me – many added to my extensive Louisville Facebook family.

    I do wonder if some were taken in by the English charm and Yorkshire brogue though.

     

    RG: You should ask them…! As someone who has also photographed many British chaps, and I know that this is a terribly general question, but did you find any difference between working with US and UK guys?

    JE: I think Americans in general are brought up to put themselves ‘out there’ a bit more than we are, and I think this helped with the attitude, along with the concept of being offered free photos a bit more unusual in that city. I found it easier to convince them – however I suspect my being from elsewhere made it easier for them too.

    But once in front of the camera there was little difference in terms of response, attitude and personality.

     

    RG: So a happy experience then?

    I think it was a great collaboration – I learnt loads and the experience of working (and getting people to buy into your activities) in a city far from home is always scary – but generally less of a challenge than you think. Of course the language barrier was a problem – but these things you can get over.

    Once someone’s naked it’s all about treating them with respect and keeping up the banter so you get the right expressions, poses and personality from them.

     

    RG: And it’s great that the feedback from the guys themselves has been so positive. Are there plans to exhibit it in Louisville? Or indeed elsewhere?

    JE: I’m still in the process of editing the photos, shooting 20 guys in a number of poses generates a lot of images – which take some time and, as with all the best creatives, I excel at being distracted by other things! But, I’m looking forward to getting a full set and seeing what I can achieve – at very least there will be a couple of publications made available in the future. I’d love to exhibit the images – and would love to hear from anyone interested in this.

    For now, I’m simply providing a teaser in the way of the 13 guys in the 2015 calendar.

    RG: And a fine teaser it is too! You mentioned working in a city far from home. Does this mean it’s something you want to repeat elsewhere?

    JE: I’m always open to ideas and opportunities. However I’ve also worked in both Sitges and a fishing village in East Lothian and consider all interesting opportunities as they make themselves known. A great example of this is that this time last year I had no interest in Latex and by March I was photo documenting the Manchester Rubberman weekend – in a rubber kilt!

     

    RG: Wow! That is quite a turnaround!! And totally different from KY Guys. Clearly you have quite a few diverse projects on the go. It seems to go without saying then that variety and new challenges are something you welcome as an artist.

    JE: I think it’s important as a photographer to try new things – whether it’s learning empathy with your models by sitting for other photographers yourself or by throwing yourself into strange environments – a week following the drag queen, Lady Diamond in Sitges is another thing I never imagined myself doing before I arrived on location!

     

    RG: What do you think you learnt from the Kentucky project and how might it shape your work in future?

    JE: I learned I love the city even more and would love to work there in the longer term, that naked men in great light take any of the chore from photography and that trying to source and shoot 20 guys in 10 days is a little tiring. But mostly that Kentucky men are soooooo hot!

     

    RG: I think we can all agree about Kentucky Men! I understand that KY Guys is only one of the projects that’s made 2014 a big year for you?

    JE: Yeah – 2014 has been phenomenal At the end of 2013 I did a review gallery of all the guys I shot and thought I’d never surpass that but this year has included (in no special order) the Rubberman weekend, photographing Stuart Hatton – Mr Gay UK (and now World) as a honey bee, documenting Carnaval for Gay Guide Sitges – as well as exhibiting for Brighton, Manchester and Leeds Prides – which included a solo exhibition in Leeds of work in progress for my long running ‘Veiled ‘ project.

    I’m ending the year, equally weirdly, making portraits of models from the northern English porn industry – never a dull day in my lens!

     

  • INTERVIEW | Adore Delano

    The popularity of drag in recent years can be attributed, at least in part, to Ru Paul and his resurgence as the face of Drag Race.

    I remember him as the face that launched Super Model, appearing as something of an anomaly amongst the big haired, slightly portly drag queens I’d seen down the local gay bar – a quick quip and a nasty put down amongst the flat lager and the hi-energy pop. He arrived, shook the drag world up and then he seemed to disappear…

    For me, Drag Race was a slow burner, a programme I didn’t “race” to watch but when it appeared on my Netflix timeline, I thought “Oh, why not?” and instantly got hooked. From Season 1 onwards, I watched it all, drama, crisis and laughter – but never felt that enthralled?

    And then it exploded, Season 6 of Drag Race seems to have been the one where we got the real characters, the divas, the comedy and the voices.

    And although Bianca Del Rio won, the top 3 all had different talents, and very different personalities. Bianca came across as the queen of quips and put downs, the one you want to read you, and god knows she was, and still is wonderful.
    Courtney Act came over all “big down under” and had a heart, somewhere – but with a voice that could knock your Birkenstocks off! And that body? I had a hard time explaining that this woman was a man!

    And then we come to Adore Delano, to paraphrase Pricilla….she’s a cock in a frock and she rocks!!!

    She doesn’t do the clichéd music, she doesn’t look pretty, pretty – she’s edgy and boy can she rock a tune as well as a dress.

    I got a chance to have a quick chat with the lady herself, and she kept me in stitches – she’s interesting and funny and totally talented.

    With catchphrases such as “party”, “Chola”, “Libra”. “Fk”, “st”, “c**t”…she was sure to win an audience over.

    Born Daniel Anthony Noriega back in 1989 in Azusa, California, her Wiki page lists her occupation as Drag queen, singer, YouTube personality, television personality – and she does all of these so well.

    I asked her how she came into drag?

    “I was heavily influenced by Pete Burns in high School, loved dressing up and altering my look.”

    With the Pete Burns reference, I asked if she’d ever consider surgery later in life:

    “F**k yeah! I want the lot!”

    Review her performance on Drag Race, and watch as she blossoms under the guidance and feedback from both co-stars and mentors.

    I asked her about that entrance, what it was like to be the first into that big pink room:

    “They made me do that twice – the first time, they told me there were others in there and there weren’t!”

    I also asked about the underwear – those of you who’ve watched it might remember her sitting on the chair and swinging her legs over the arm – only to comment that she wasn’t wearing any underwear!

    One comment Michelle Visage constantly made was about Adore cinching her waist, and this led to Adore dubbing her body a “hog body”. I asked her about this, and as she said: “I cinch when I’m doing girlie stuff but not all the time”.

    Another Drag Race comment was around her not being able to sew and make her own outfits like some of the other contestants, and her wardrobe wasn’t as vast or varied as others but what she had she rocked, and when she did create something, it blew them away (hint: that little punk number that reminded me of Hazel O’Connor in Breaking Glass).

    When asked about her sewing skills, she commented that her style of stage drag doesn’t always need sewing skills, and as her style is rock chic, you can understand this.

    I asked her how her style has changed over time, and with the notoriety that Drag Race has given her:

    “I used to dress like the other girls in town – and now I do that but wear more expensive t-shirts!”

    We then turned to her stage show, the bread and butter stuff that now makes the bucks. She’s about to bring this to the UK, and I asked what we could expect in terms of content:

    “I’m trying to showcase different songs, so there’ll be some form the current album (see below) and also I love doing covers so expect some of these too.”

    And with that voice, if you’re lucky enough to have tickets for the UK dates, you’re in for a treat.

    I asked her about that now infamous Starbucks ad with Bianca Del Rio, an ad that perfectly utilises their individual skills and styles.

    “It was filmed in Canada and I didn’t think it was real so I turned up with no make-up.” And yet it’s one of the best ads I’ve seen!

    In these days of mass social media, I asked if she had controlled her own media feed:

    “I have direct input, it’s a way of communicating that we haven’t had before.”

    It is refreshing to meet an entertainer who has some control over the social output we’ve come to expect from our stars.

    And finally, what’s next for Adore:

    “I’m working on a new album, writing new material and hoping to get it all finished for summer this year.”

    In the meantime, enjoy her latest offerings here:
    Adores site:

    http://www.adoredelano.com

    Amazon download:

    http://www.amazon.co.uk/Till-Death-Do-Party-Explicit/dp/B00KH1PDUO/ref=sr_1_1?ie=UTF8&qid=1420894582&sr=8-1&keywords=adore+delano

    Adore/Danny’s YouTube feed:

    https://www.youtube.com/user/DannyNoriega

    With her mini UK tour, feel free to pop to one of the venues and see her live, in the flesh and hear that powerhouse of a voice!

    WEST 5 in WEST LONDON

    THURSDAY, JANUARY 15th
    AXM in GLASGOW

    FRIDAY, JANUARY 16th
    NIGHTINGALE in BIRMINGHAM

    SATURDAY, JANUARY 17th
    AXM in MANCHESTER

    SUNDAY, JANUARY 18th
    SHADE presents SR44 in NEWCASTLE

    MONDAY, JANUARY 19th
    Photo credit: Image with Roses by Crystal Allen

  • INTERVIEW | will.i.am

    will.i.am is a multi-faceted entertainer and creative innovator. He found global success as one of the founding members of The Black Eyed Peas, who have sold 31 million albums and 58 million singles worldwide.

    He is the recipient of seven Grammy Awards, eight American Music Awards, a Billboard Music Award, a Teen Choice Award, two MTV Video Music Awards and three World Music Awards. He is also the first recording artist to have sent a song to Mars as part of NASA’s Curiosity Mars Space Lab project in August 2012.

    How does it feel to be back working on The Voice UK?
    I feel up for it. My foresight tells me that it’s going to be an amazing show. For instance, we have Rita Ora joining the show.

    Have you missed The Voice?
    I missed The Voice UK. It’s one of the best places to be on earth. While there is an amusement park that claims to be the happiest place on earth, I think that The Voice UK is really the happiest place.

    What’s so special about The Voice?
    The Voice format is really about nothing but the voice. That’s what’s so special about the blind auditions. I know that sounds redundant and kind of cliché, but it’s the honest truth.

    What’s it like sitting in that chair?
    It is heart-wrenching, especially when you don’t want to have to say goodbye to someone. Often you say, hey you seem a bit nervous. Doh! You don’t know how long they have been stressing. Maybe they didn’t sleep, tossing and turning as they were kind of anxious. Now I think, what if I was in that situation? What if that was my last chance? What if I was down on my luck and this is the last chance to get my career going? We don’t know the backstories to their lives when they perform for us so we have to be careful.

    How do you know when to hit your button?
    I know when to hit the button when someone is singing with emotion. You can do three things: sing perfectly, sing with emotion or sing with personality. Anything else is flat, sharp or boring.

    What is it like to have Rita Ora join The Voice?
    I’m very proud of Rita. I’ve known Rita since 2008 when we recorded together. She was concerned about coming on The Voice. She asked me before she joined: ‘What do I have to tell these singers?’ I was like, are you kidding Rita? There’s people that haven’t had a record out. There are people who look to you and want what you have achieved.

    What kind of coach do you think Rita will be?
    Rita has that special pizzazz that is infectious, you want to be around it. My gut tells me there’s going to be some fights around the girls. Because girls are going to want to automatically go with Rita.

    With all the success you’ve had, are you still in awe of Sir Tom?
    I’m in awe with Tom as an accomplisher because he’s achieved longevity, Sir Tom Jones is longevity. Not many people in the music industry have that type of career length. It’s incredible. Tom Jones is beyond legend, he’s a monument.

    What has it been like to work with Ricky Wilson?
    Ricky is awesome! He blew me over, he is so full of life. It’s good, he adds a lot. I’m honoured to be on the panel with him.

    How important is a good Voice pitch?
    It’s important, all four of us have different tactics and I have faith Rita is going to be even more outgoing than the three of us, but right now it’s about the anti-pitch. That’s my new mode, I turn around and when they ask me what I would offer them I will say, I don’t know, what would you want me to do for you? It’s more of a, you tell me what you want and I’ll make it.

    What are you looking for this year?
    This year I am looking for a demolisher. I’m looking for a disrupter, a wrecking ball. Not a girl with a g-string on a wrecking ball (even though I love Miley) I’m just looking for somebody really different to come knock down the walls.

  • INTERVIEW: Cami Li, Not Open For Penetration

    INTERVIEW: Cami Li, Not Open For Penetration

    Who is Cami Li and why is she doing Celebrity Big Brother.

    (more…)

  • INTERVIEW: Rylan Clark Wanted Joan Rivers For Celeb Big Brother

    INTERVIEW: Rylan Clark Wanted Joan Rivers For Celeb Big Brother

    Back presenting Big Brother’s Bit On The Side, Rylan Clark has cemented his place as a favourite in the nation’s hearts. We talk to him about the latest series of Celeb Big Brother.

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  • INTERVIEW | Russell T Davies

    When the writer Frank Cottrell Boyce was asked to name Russell T Davies’ greatest contribution to British television drama, he replied simply “Saving it from extinction.” Certainly, Davies has been behind some of the most influential and transformative dramas of the last two decades, from Queer as Folk to the rebirth of Doctor Who. Now, 16 years after Queer as Folk shook the foundations of televised drama, he’s back again with two new Channel 4 dramas about 21st century sex and relationships – from gay to straight and everything in between. Here, he gives us a tantalising glimpse into what is destined to be his next classic contribution to the genre.

    Explain, in a handy, bite-sized vignette, what Cucumber and Banana are all about…
    Cucumber is sort of the TV equivalent of a novel, and Banana is a series of short stories relating to some of the more peripheral characters in Cucumber. Cucumber is the story of Henry who’s got a marvellous, wilful, wild streak in him. He wants to live life and get out there and not settle down. And then Banana tells some one-off stories about the people around Henry’s life. People he meets, people he bumps into, even people his sister bumps into in one episode. They’re one-off stories exploring all sorts of different sexualities. Cucumber is very much about the gay middle-aged male experience, in Banana we’ve got younger men, we’ve got women, we’ve got lesbians, we’ve got transsexual stories, we cover the whole gamut, really.

    It seems to be partly a rumination on the staidness of middle age. Is that something that you worry about as you approach that stage?
    You’re very kind – as I approach it – I’m 51, I’m well into it! To be honest, no. I think it’s much more interesting than that, actually. There’s been a lot of fuss, over the generations, about gay equality, and you can argue, to some extent, that we’re there now. That’s not true for everyone, but nonetheless you could say that, in terms of the law and in terms of certain sections of society, we’re in a rather good state of equality. But my point is that’s just the beginning. Being gay is not just about being equal. Once you begin to achieve equality, then you can start to ask “Who are we?” Every other drama about straight people has been doing this for 2000 years. Who are we? Why do we do what we do? How do we react? What does it mean to be who we are? To be man? To be a woman? So gay drama can just start catching up with that now. We’ve got 2000 years to go. It’s not about being midde aged, as such, it’s about who we are, about what we think, how we react, how we blunder through life, how we succeed, the aspirations we have, stuff that actually hasn’t been explored in drama at all.

    Henry, the central character, is brilliant. But do you see him as a heroic figure?
    Absolutely! I love him! Henry can be contentious, certainly, and puts his foot in it, but I love him for saying and doing the things that we all wish we said and did and are all slightly too boring to actually do. We all spend a lot of the time behaving. Henry’s got partly a wilful streak and partly a marvellous self-destruct button. I love that about him. In any given situation he won’t shut up. Even in a happy situation, he has to provoke people until the situation becomes more interesting. He’s a firestarter. He can’t stop himself from starting little fires and challenging things, and challenging himself, in fairness.

    How hands-on are you, once the writing is finished? I get the impression you stay pretty heavily involved throughout.
    Yes, I’ve always done that. When I did Doctor Who, I was the show-runner on that, which means kind of running everything. But even before that, going back to Queer as Folk in 1999, working with Nicola Shindler, she’s always encouraged her writers to become part of the production. I do stay, I get involved in choosing the directors and talking to the directors, and the whole team. And I get involved in casting. I don’t have a dictatorial say in it at all, it’s all between me and the director, and Nicola Shindler, and the producer, there’s four of us pitching in on every decision. But that works, there’s room for four opinions. And then every day I watch the rushes, and there are read-throughs and stuff like that. You are across all the casting, even the people with three lines, working in a coffee shop. Because that’s where dramas go wrong, when those little parts are out of sync with the rest of it. But at the same time I like to think I give them an enormous amount of freedom because really, I’ve done my work on the script. You hand over the script and you say “That’s it! That’s the text! That’s what you work from. Good luck.” But you do need to be there to co-ordinate things. If a script says that a room is red, what sort of red is it? Is it like a brothel red, or a sunset red, or a primary red? What does red mean? And everyone reads the script and has a different opinion on it, so you have to be there to explain that you meant sunset red. Otherwise you can get a very different message. When you see a bad drama on telly, it kind of feels like everything hasn’t been co-ordinated. I think I’m there to help, in the end. You appoint brilliant directors –I’m very lucky to be at the high end of drama, where it’s nicely budgeted, it’s being supported by Channel 4 infinitely, you’ve got great directors, great costume people, great designers, so actually a lot of the time you’re just sitting back and enjoying their work.

    The first episode involves arguably the worst date in history. Have you ever had any really bad dates?
    Do you know what, I’ve been on very few dates, to be honest. Three dates in my whole life. And they were all quite nice!

    No-one wants to hear about your happy dates, Russell!
    I know, I know! I’m not saying they worked, we probably just went clubbing instead. A lot of this stuff comes from a lifetime of listening to friends, and people in general. Particularly gay men. The truth of it is, ever since Queer as Folk came out, gay men literally make a beeline for me and automatically start telling me about their entire lives. They can’t stop doing it. It can be 9 o’clock in the morning, over a cup of coffee, and suddenly they’re telling me something filthy. To be honest, I’ve always been that sort of person. That’s why I ended up writing Queer as Folk. I don’t know why people do it, but they end up telling me things. I’ve got that sort of face or something.

    Do you like the fact that people do that?
    I LOVE it. I’ve made a career out of it. If I have a skill, it’s not stopping them. My skill isn’t attracting them in the first place, because I don’t know how that happens, but I’m very, very careful not to say anything that stops them talking. Both Queer as Folk and Cucumber were very much the result of a decade of listening to stories and experiences, and then exaggerating them a little. These shows aren’t a transcript at all. But I’ve met some remarkable people. I do think Henry’s an extraordinary character, but I’ve met a great number of Henrys. It kind of reaches critical mass. Once you’ve met a character about 15 times you think “This is an archetype. This type of person keeps cropping up in my life, and therefore that’s saying something.” And that’s when I get really interested in exploring why they’re like that.

    Is this a follow-up to Queer as Folk?
    It’s kind of inevitable, and I’m really happy about that. It’s me, writing about gay men in Manchester, so it’s unashamedly connected. It’s a really different show, but then I’m a completely different person now, and a completely different writer. But of course there are similarities, and I’m happy about that. If you’re going to have a legacy, Queer as Folk is a lovely one. I still love that show, I’m still immensely proud of it and still pleased if anyone’s ever seen it and comments on it. I’m happy to embrace that, I just don’t want people to think that they need to remember what happened in a show 16 years ago in order to watch this. In that respect, the two are totally different shows. This is completely freestanding and starts from scratch in episode one. That’s the only thing I want to make clear. But if you remember it, hooray, I hope you remember it with a big smile on your face.

    You alluded to the fact that attitudes have changed a lot in the last 16 years. With the change in attitudes, and also the advent of apps/dating sites etc, do you think it’s a lot easier to be gay nowadays? If so, is there a part of you that resents having missed out on that?
    Well, that’s partly what Cucumber is about, actually – middle aged men looking at the life other people are having that you never could have had, and weighing yourself against that. Also, it’s important not to be too simple about that, in that yes, life has changed, and in many, many ways it’s easier to be gay now. But that doesn’t mean people don’t have problems. There’s this terrific assumption now that if you’re 16 and gay, then you have no problems. Every 16-year-old has problems. 16-year-olds invent problems. 16-year-olds exist in order to carry problems around and moan about them. So it’s ridiculous to assume that young, gay people are fine. No young people are fine, in any setting. Nor is anybody fine – we’re all worrying about stuff. I think the differences are very much superficial. Yes, there are apps now, but apps are just a shorthand for clubbing. You can do in two minutes now what used to take a whole night to do in a club. Nonetheless, it’s the same thing, it’s hooking up with a stranger. Human emotions haven’t changed, love hasn’t changed, men haven’t changed, lust hasn’t changed, sex hasn’t changed.

    But some things have definitely changed. When I wrote Queer as Folk, there was the 15-year-old Nathan Maloney, and back then, to write about a 15-year-old gay boy, he was remarkable. There weren’t any openly gay 15-year-olds in Britain. Now there are hundreds, if not thousands. That is beautiful and wonderful and remarkable. It doesn’t make life easy for them, they’ve still got to go through an awful lot. And it’s also true that there are a million closeted 15-year-old boys still out there. And people who are in their 30s and 40s still in the closet. But life is undoubtedly better in that respect.

    Queer as Folk was utterly ground-breaking. Did you intend it to be a show that tore down barriers and changed the face of TV drama, or were you just trying to write an entertaining show?
    I kind of didn’t assume it would bring down any barriers, because it was a slightly more timid Channel 4 – they showed it at 10:30pm. That was late. Because of that slot, we all assumed it would be invisible. But we made it with a very good heart, and with every intention to be honest and true and to say what I thought were interesting things about gay life. But at 10:30 at night? In the week? We all took a deep breath and thought three people would be watching it. So when it was a success, that was an extraordinary thing. The appetite for that programme, and the joy with which it was welcomed in, which therefore signalled how much we’d been lacking that sort of a programme, that’s what made it a success. We simply worked very hard, and made something I was very proud of, and I’d be very proud of it if no-one had watched it. But it became this big cultural artefact. I’ve got a gold disc. A gold disc! The soundtrack to the show was number one. Of all the awards and things I’ve ever won, that’s the maddest thing of all.

    Is that the piece of work you’re most proud of?
    Well, I’m proud of everything, to be honest. Well, I’m sure there’s one or two things I’m not proud of, but I couldn’t pick out one I’m most proud of. It’s like choosing your favourite child.

    Is it really true that you once presented an episode of Play School?
    I did, I once got a job as a Play School presenter. It was supposed to be a full-time job. I did one, which is on the internet somewhere, I think, and walked out of the studio saying “I’m in the wrong job.” I was on the dole at the time. I actually turned down a full-time job. I knew I was on the wrong side of the camera. I did one, loved it, very nice people, very friendly, great fun, and then I walked out and wrote them a letter saying “Thank you for that, I won’t be coming back.”

    You’ve written a lot of children’s dramas…
    I have! One of my children’s dramas won a BAFTA last night for best pre-school drama. Here I am, talking about a gay sex drama for Channel 4 – I won the pre-school BAFTA last night, for Old Jack’s Boat: The Christmas Quest, which I wrote as a favour for Bernard Cribbins.

    Is there a different approach writing a drama for children to one for adults?
    No. You work as hard, there’s no different approach. It’s as simple as using a different voice. If a three-year-old walked into this room, I’d talk to them in a different voice from the one I’m using to talk to you. And I’d use a different one again if my grandmother walked in. I’d be surprised, I suppose, because she’s dead. I’d also wonder what a three-year-old was doing here, come to that. But you modulate your voice, depending on whoever you’re talking to, and writing is exactly the same as that.

    Which TV writers do you particularly admire?
    I love Sally Wainwright, I loved Happy Valley! I love my old friend Chris Chibnall, and I’m absolutely loving this second series of Broadchurch. My lovely friend Paul Abbott I love. Steven Moffat, my old mate from Doctor Who. And Kay Mellor, of course! That’s enough!

    Lots of people take a very snobbish attitude to TV. Why do you think TV is seen as bad whereas radio/theatre etc is good?
    Why is that? I think it’s because it’s omnipresent, it’s just there, in the corner of the room, on all the time. So it’s kind of taken for granted, really. It annoys me – I get annoyed when people just dismiss television – but it’s probably a better position to be in than being revered, because then you’re just a false god. It is an extra voice in the room. I love TV, I can sit there watching the next Michael Palin drama, or be equally happy watching Bradley Walsh doing The Chase. If you’re going to start a crusade about TV being taken seriously, there are better crusades to be on. We’re still doing alright. It’s always inventive, and it’s always different, and it’s always changing. I love that about television. You can never quite tell where it’s going to go next.

    Cucumber airs on Channel 4 at 9pm on Thursday 22nd January with Banana following at 10pm on E4

  • INTERVIEW | Tim Healy On Playing Lesley In Benidorm

    INTERVIEW | Tim Healy On Playing Lesley In Benidorm

    Les/Lesley first came across the Solana Resort and its holidaymakers when he/she went on a blind date with The Oracle. Soon afterwards a job beckoned working behind the Solana hotel pool bar and Les/Lesley was soon joined by his son Liam (played by Adam Gillen).

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