Tag: Five Star Film Review
The latest Five-star film review from THEGAYUK.
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FILM REVIEW | How To Survive A Plague
★★★★★ | How To Survive A Plague
“Never has so much been owed by so many to so few.” These are the words of Sir Winston Churchill, referring to the efforts of the Royal Air Force pilots fighting the Battle of Britain in 1940, but they are also the words that sprang into my mind after watching David France’s brilliant documentary How To Survive A Plague.
It tells the story of a small group of men and women, most of them HIV positive, who battled against government indifference and departmental incompetence, to save their own lives. In so doing they helped save the lives of 6.000,000.
This is a great piece of film-making that documents the courage and determination of these people in the face of appalling obstacles from a government that couldn’t give a damn. The overriding message from the Reagan, and then the Bush administration, was that gay people didn’t matter, that AIDS was a result of bad lifestyle choices, and that we deserved it.
Using archive footage, we are given stark reminders of the shock tactics they used to bring their plight to the attention of the world, culminating in the display of the 8,288 panels of the AIDS quilt in 1988, and the march on the White House, when relatives and lovers of the dead scattered the ashes of their loved ones onto the White House lawn. These were the days when funeral parlours refused the bodies of people who had died of AIDS, when hospital security guards barred AIDS patients from entering emergency wards.
Dark times indeed, chillingly brought to life again in the newsreel footage we see in this movie. But anger alone was not going to be enough to win the battle. We learn how these activists became scientists, taking on an intense study of virology, immunology, pharmacology and cellular biology in an attempt to help direct the global research effort.
Sadly, not all of the activists lived long enough to see the fruits of their labour; to see AIDS (or HIV) become a manageable condition, as it is today. Of those that did, the charismatic Peter Staley emerges as the undoubted star. Given just 18 months to live at the age of 26, he is galvanised into fighting for his life, and there is no doubt that his eloquence (not to mention his youthful good looks) helped spearhead the campaign.
David France tells this story clearly and unflinchingly, putting us right at the heart of the battle, the occasional heartbreak at failure and the euphoria surrounding success; even the internal rifts and skirmishes. Gripping, moving, inspiring, at times emotionally draining, it is a story that demands to be told. Required viewing for every gay man, particularly those under the age of 30, I recommend it absolutely. We owe our lives to these people. Surely the rest of us can spare them 110 minutes of our time.
Available to buy / view on: Amazon | Amazon Prime |
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FILM REVIEW | Bridegroom
Inspired by Shane Bitney Crone’s viral YouTube video, It Could Happen To You; a young and in love gay couple’s story has been turned into a full-length documentary film, written and directed by Linda Bloodworth-Thomason.
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FILM REVIEW | Merrily We Roll Along
★★★★★ | Merrily We Roll Along
The concept of seeing a play on the big screen can seem a bit odd. Do you clap at the end? Will it be like watching a play or seeing a film? Will there be any atmosphere?
You can rest assured that seeing The Menier Chocolate Factory production of ‘Merrily We Roll Along’ will be worth every penny spent and there’ll definitely be applause, even if the cast won’t be there to hear it.
A specially recorded version of the multi award winning West End production at The Harold Pinter Theatre was recorded earlier this year and has been edited to perfection. The show is screening in over 300 UK cinemas starting from the 24th of October. It’s part of the amazing digital theatre range of shows and the first to be screened in cinemas, with the brilliant ‘Private Lives’ to follow next year and a range of shows that can be watched at home.
It couldn’t have a better pedigree: written by the fantastic Stephen Sondheim, the work of an acclaimed director, a fantastic cast and more 5 star reviews than any other musical in West End history. There’s not a weak link in the cast and the choreography, music and sets are truly amazing. Even Sondheim himself stated that this production is the best he’s seen.
The story follows a group of three friends (a composer, lyricist and novelist) as they start out seeking success, find success, fall out, make out, form and break relationships and generally break down. The twist of the story is that the whole of the plot is told backwards. Starting in the 1970s we two of the three friends and instantly learn what fates have befallen them. As the play progresses we gradually work back to the late 1950s and see how it all began and where the roots of their current situations began. The device works brilliantly and it’s both poignant and hilarious in equal measures.
Watch the trailer and find your nearest screening here: http://www.digitaltheatre.com/screenings
Find out more about Digital Theatre here and which productions are available to watch:
http://www.digitaltheatre.com -
FILM REVIEW | The Year Dolly Parton Was My Mum
★★★★★ | The Year Dolly Parton Was My Mum
I rarely gush, especially when sober, but fasten your seat belts – I’m about to.
I’ve just been fortunate enough to spend 1 and 1/2 hours in the company of some of the most wonderful talents around, including Dolly Parton.
The Year Dolly Parton Was My Mum is one of those rare things, a film that manages to be both funny and serious, mixing the genres of road movie and coming of age – with Dolly Parton added into the mix (did I mention that already?)
The story is simple:
Eleven year old Elizabeth has a solid, simple life. That is until a run-of-the-mill school assignment alters her life, and the lives of the people around her forever. She’s struggling to cope with the usual pre-teen issues – boobs and periods, mean girls and then suddenly added to this, the fact she was adopted.
She puts 2 and 2 together to get 3, and sets off to meet what she assumes to be her real mom, Dolly Parton, at a concert over the border in the US.
What follows is a cross country chase (although with Elizabeth on her Chopper bike, this isn’t Fast or Furious!) when her adoptive mother overcomes her issues about her perfect life to re-ignite her relationship with her daughter – genetic or not.
The film perfectly captures the feel and colour of 1976, the music of Dolly is used throughout and although she doesn’t actually appear in this indie flick, her presence is everywhere, including new versions of old classics by the likes of Nelly Fertado and Martha Wainwright.
I won’t spoil this any more for you, but treat yourself. Pour a Cinzano and lemonade, don your best flares and fly away collar shirt and treat yourself to some pure escapism.
Director Tara Johns makes a brilliant first feature, having penned the film also. The film succeeds because it feels personal, it feels real, and, most of all, it engages you and makes you feel good.
I’d give the film 6 out of 5 if it were possible.
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FILM REVIEW | She Male Snails
★★★★★ | She Male Snails
An exceptional art based film employing experimental film work to explore androgyny, living beyond a conformity of gender; visually fulfilling for any art film lover.
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FILM REVIEW | Les Invisibles
★★★★★ | Les Invisibles
A refreshingly honest and prevailing documentary film following the lives of eleven elderly gay men and women, something which has had little representation in gay culture.
A superb collection of intimate autobiographical stories on what it was like growing up being gay and the pain of suppression. Somehow it seems more sincere coming from elderly people with incredibly fascinating memories to share. It was so easy to become affectionate towards these unashamed individuals and their lives.
The film uses a collection of personal photographs and home footage to reveal the memories. At intervals the exceptional cinematography oozed of beauty.
Although these individuals grew up in a different society as what we live in today, it is still touching to hear similar experiences of growing up being gay, and in particular, other peoples reactions to being gay. Some came from a time where it was scandalous to even claim to be proud of being gay.
This film really made me think. It reminded me of the importance of acceptance in others, and acceptance in oneself. It made me proud to be part of a community of shared experience. But most of all it made me proud that a film has been lovingly and unpretentiously made which is honest and real. The highlight of the film festival so far.
Outstanding
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FILM REVIEW | Intersexion
★★★★★ Intersexiom | A gripping documentary investigating intersex individuals. A staggering 1 in 2000 are born with genitalia which is so ambiguous – it cannot be determined male or female.
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FILM REVIEW | Transylvania
★★★★★ Transylvania
What do you do when the person you want so badly doesn’t want you, even when you’re pregnant and have travelled across Europe to find him? That’s the basic premise of this film – what happens afterwards…
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FILM REVIEW | Keep The Lights On
★★★★★ | Keep The Lights On
This award winning and Sundance Festival selected film is an intricate look at the lives of two men who enter into a relationship in 90s New York. Directed by Ira Sachs.
Erik is a Danish documentary film maker who meets Paul via a telephone-sex chat-line. Erik is anxious about commitment and lawyer Paul has a steady girlfriend. What starts off as a casual sexual relationship develops into something more meaningful and romantic. The film charts the two lovers over the course of their turbulent ten year relationship.
The two main characters lives take on unexpected turns and as Erik becomes more responsible and committed, Paul’s more orderly life spirals out of control as his recreational drug abuse becomes a destructive habit. The relationship enters a series of cycles of damage and renewal as the film charts their lives.
The film is beautiful to watch but also painful viewing in places, but ultimately provides a meaningful glimpse into the areas of both lightness and shade which relationships can pass through. The balance of the film is such that the story never felt too bleak but is balanced with erotic tension, a compelling storyline and occasional bursts of humour. Strong performances from the cast add to the emotional intensity of the film.
Highly recommended for a moving and fascinating insight into the life cycle of a relationship.
Released on DVD and Blu-ray in the U.K. on 28/01/13 available from Amazon
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FILM REVIEW | Life Of Pi
★★★★★ | Life Of Pi
An Indian boy (Suraj Sharma), the son of a zoo keeper, with the improbable name of Pi, short for the even more improbable Piscine (I’ll let you find out for yourself how he came by that name) is shipwrecked and finds himself adrift in the Pacific Ocean, with a zebra, a hyena, an orang-utan and a Bengal tiger, called Richard Parker.
Sounds improbable? Well that’s kind of the point. This is David Magee’s adaptation of Yann Martel’s novel The Life of Pi, which, I should point out, I have never read, so I have no idea if it is a good adaptation or not. What I am quite sure of is that it is one of the best movies Ang Lee (director of Crouching Tiger, Hidden Dragon and Brokeback Mountain) has ever given us.
The first thing to say is that, visually, this is a very beautiful film, and often a stunning one. The 3D effects and CGI are amazing, but the movie is so much more. Often these days, one feels that a movie is all about effects, but in Life of Pi, the effects are used to enhance what is already a compelling narrative. Lee’s use of 3G is almost poetic, immeasurably helped here by Claudio Miranda’s wonderful (in its true sense of full of wonder) cinematography.
Suraj Sharma gives an incredible performance, growing in stature as the movie progresses and Pi learns more about life and survival, all the more remarkable when you consider that for the most part he had to react to a beast that wasn’t actually there (Richard Parker, the tiger, is mostly depicted through the magic of CGI). His performance is matched by that of Irrfan Khan, who plays the older Pi, telling his story to a Canadian writer (Rafe Spall). Like the writer, we are drawn in by Khan’s magical storytelling, the pain behind his eyes hiding a truth that is never fully explained. Like Pi, Ang Lee knows how to tell a story, how to draw his audience in. He did it in Brokeback Mountain, and, in a completely different way, he does it here. His direction is never less than masterful, more than that, poetic, inspiring.
At the end of the movie, Pi tells us that when he was finally rescued, the story of how he survived was not believed by the authorities investigating the shipwreck, so he came up with another one, more prosaic, but even more brutal. Is the first story an allegory of the second? We are left to make our own minds up, but I know which one I choose. Definitely one of my movies of the year.
Available to buy / view on: Amazon | Amazon Prime | iTunes