THEGAYUK

Tag: Five Star Film Review

The latest Five-star film review from THEGAYUK.

  • FILM REVIEW | Destination Unknown

     

    ★★★★★| Destination Unknown

    Twelve Holocaust survivors, tell, in vivid detail, the horrors they suffered in the concentration camps during WWII in the new documentary Destination Unknown.

    These men and women were lucky enough to have lived through, and survived, the suffering and the horrors in the Treblinka, Mauthausen and Auschwitz-Birkenau concentration camps. They tell about losing their mothers, fathers, brothers and sisters, and how, now 70 years after the liberation of the camps, they are still haunted by the memories.

    We get to meet Ed Mosberg, who was 13 years old when the war started, and who lost all of his family, and how, 70 years later, him and his wife, who is in a wheelchair, visit Mauthausen Camp for the first time since they were liberated, with Ed wearing a prisoner’s outfit. His wife bittersweetly tells him that he never really left the concentration camp. Then there is Polish Eli Zborowski, who survived the war by being hidden by a local family, and Stanley Goglover, who had to remove his Auschwitz tattoo to completely erase the memories of his time in the concentration camps.

    Roman Ferber speaks in perfect English as he remembers when he was three years old that all of a sudden his Polish nanny disappeared only because she was not allowed to work for a Jewish family. The memorable story of couple Victor and Regina Lewis, who knew each other before the war and who, after the war, being the only members of their families to survive, ended up reconnecting and eventually getting married. Plus some of the lucky survivors who ended up on Schindler’s list and who thus were not sent to the camps get to tell their harrowing tales.

    Destination Unknown just doesn’t concentrate on death, the documentary also highlights these people’s amazing lives after the war, how they got married, had kids and even grandchildren, and how they created their own families after the horrible crimes against humanity that took place under Adolph Hitler’s short but devastating regime.

    Destination Unkown, completed in 2016, uses rare unseen archive footage from the war, as well as the participant’s own home video footage, to tell their individual stories of fear, hope, survival and courage. After 14 years of tracking down and talking to survivors, Producer Llion Roberts, along with Director and Editor Claire Ferguson, have made a documentary that is both memorable and still necessary, with an incredible and moving soundtrack. Sure there have been dozens and dozens of books, films and documentaries on this subject, but it’s a subject matter that still needs to be told for each survivor has their own story to tell, unique, frightening, courageous, and just as important, perhaps even more so, than anything in the news today.

    “DESTINATION UNKNOWN” is now in cinemas

  • FILM REVIEW | Unhung Hero

    ★★★★★ | Unhung Hero

    When Patrick Moote proposed to his girlfriend on camera at a baseball game the video of her brusque rejection went viral on YouTube within days.

    It wasn’t the fact that he had been so unceremoniously dumped in public that upset him, it was the reason she gave for her refusal. It really hit poor humiliated Patrick below the belt when she told him it was just because his penis was too small. It’s the nightmare scenario that every man, straight or gay, lives in fear of. Our genitals are after all, how we measure our manhood.

    Patrick, despite earning his living as a stand up comic in New York, didn’t find his predicament funny in the least but it did empower him to embark on a quest to discover how small is small, and what could possibly be done to make his member more memorable. Full credit for him for going so public on an issue that most men would totally shirk away from, and he started his journey by going back and re-visiting old girlfriends to get their take on his love tool.

    They only confirmed the opinions of what medical professionals he later consulted, diagnosed as a ‘smaller than average’ penis. Patrick bared his soul (not body though) to total strangers to get a pop vox on their take on what stigma this ‘affliction’ would mean to them. And in an awkward conversation, his embarrassed father admitted that it was probably a hereditary condition anyway.

    Now Patrick decided to visit any corner of the world where there may be a solution to his dilemma. His trips to Korea, Taiwan, Thailand and Papua New Guinea were both funny and stressful as poor Patrick witnessed all the bizarre treatments that seemed to result in no more inches but a great deal of pain. Our hearts are in our mouths as he tried lifting weights by his testicles and also when he is on the verge of actually injecting some dodgy looking serum into his balls. Ouch!

    The documentary of Patrick’s search is nothing less than a sheer delight: mainly because he has this endearing quality of naiveté and unfiltered honesty publicly exposing himself on a topic most men would never ever dream of even mentioning to their closest friends. It ends up being so much more than the size of his phallus but the importance of Patrick being comfortable with who he really is. It was a brave undertaking and one that was so worth sharing, especially as it ended on such a high note.

  • Review – The Fate Of The Furious (FF8)

    Review – The Fate Of The Furious (FF8)

    FAST AND FURIOUS 8 – This record breaking, epic edition to the turbo boosted car based action franchise is the most entertaining movie of the last twelve months by a speeding mile.

    © Universal

    Nutshell – Dom (Vin Diesel) goes rogue, for unknown reasons, forcing the rest of our favourite car wrecking posse to chase across the world from Cuba to Iceland via Germany and New York to find out why he has dissed his extended ‘family’, save the world and defeat tech badass Charlize Theron. Jason Statham is now a good guy and there are two megastar surprise appearances that push this over the top to be one of the greatest popcorn movies of all time.

    Running Time – 136 minutes; Certificate – 12A; The ultimate guys movie but with something for everyone really.

    Tagline – ‘Family No More: The Ride Isn’t Over’ – It should be, ‘The best fun you can have with your clothes on’.

    TheGayUK Factor – So, so many hunks, bulging shirts and even bigger trouser bulges. Vin Diesel, The Rock and Jason Statham are three huge gay icons but you get so many other big studs including the hottest piece of new man flesh Scott Eastwood (Clint’s son) who is a pure 11 out of 10 in anyones book. So much testosterone and you just know that there is some ass action between all the motorised mayhem.

    Cast – Vin Diesel, Jason Statham, Dwayne ‘The Rock’ Johnson, Charlize Theron, Scott Eastwood, Michelle Rodriguez, Kurt Russell and loads more big names plus those two great megastar cameos in the third act that will make your chin drop to the floor and get you whooping with delight.

    Key Player – Vin Diesel took over this dying franchise after the appalling number 3 and turned it into a James Bond crossed Heist huge star juggernaut which is starting to look like the most successful franchise of all time. With two more already in the works it should now surpass Harry Potter and The Lord of the Rings in the all time earning stakes – taking it third behind Bond and Star Wars in a fraction of the time and without having to change its stars, style and look along the way.

    Budget – $250 Million. One of the biggest budgets in movie history and it went into profit in just 4 days flat – not so much a gamble as the surest bet for your cash the world has ever seen. Yes, it beat Titanic, Avatar, Jurassic World & every Star Wars in its opening week and we expect it will run and run for months.

    Best Bit – 1.02 mins. So many to choose from but one never before seen set of car stunts invoked by Theron’s bad girl Cypher who remotely takes control of hundreds of cars and makes them speed around corners in unison and then causes it to start raining automobiles from above – sensational stuff.

    Worst Bit – 0.00 mins. For the first time in TheGayUK annals we have great pleasure in saying their truly isn’t a bad bit here.

    Little Secret – Star & Exec Producer Vin Diesel had a massive bust up on set with Dwayne Johnson which resulted in an extremely pointed public tweet where Johnson said he was finished with the series for good. He called Diesel out for being a chicken shit, unprofessional and a candy ass – an urgent 6 hour meeting was called to patch things up… for now.

    Further Viewing – Fast 1’s through 7, all the Bournes, all the Bonds, Ocean’s 11 through 13, Cannonball Run, Monte Carlo Or Bust, Ronin and 25 series of Top Gear plus Clarkson’s new The Grand Tour.

    Any Good – This is a magnificently fun film. When you look up Friday night popcorn entertainment in the dictionary from now on you will see 4 words, Fast & Furious 8. Five was incredible, Seven was off the hook and this is way better, funny, exciting, jaw dropping and so much more. Yes, we are going over the top, but we cannot remember the last time we threw our hands up in the air in the movie theatre and here we did twice, there was even a round of applause at the end. This is the movie of the year period and it’s only April yet.

    Rating – 100 out of 100.

  • FILM REVIEW | 71

    ★★★★★ | 71

    Getting left behind by your Army platoon when you go on a dangerous military mission is not exactly a novel idea in the movies, but this new version with rising star Jack O’Connell, this feature debut from TV director Yann Demange is certainly one of the best.

    Set in Belfast, Northern Ireland at the height of ‘the Troubles’ and just one year before the infamous ‘Bloody Sunday’ massacre in 1972, O’Connell plays orphan Gary Hook who had joined the Army as a route to being independent and self-sufficient. He had expected a cushy first assignment and so like the rest of his platoon is shocked to be suddenly deployed instead to be part of the peacekeeping forces in Ulster.

    The first house raid backing up the police in a hostile Catholic area of Belfast that Hook’s unit takes part in, goes dreadfully wrong and the lieutenant in charge orders a hasty retreat when the large crowd of onlookers start getting very violent. In the mayhem to hot-foot it out of there in one piece, Hook and fellow soldier Thommo are left behind. When the two men are cornered by members of the IRA, Thommo is shot dead at point blank but Hook manages to escape into the darkness.

    Totally lost in the warren of backstreets of a hostile alien city the young soldier tries to find a way back to the barracks but meanwhile he is being hunted not just by his Commanding Officer, but also by a covert British Intelligence Unit who are anxious that he doesn’t stumble into any of their operations, and also by two fractions of the IRA who are fighting amongst themselves in how to resolve the situation once they capture him.

    As Hook makes his way around avoiding flying Molotov cocktails seemingly hurled everywhere in the scary streets full of upturned vehicles set on fire, he is aware of being very much alone. He falls into the hands of a young kid who takes him to the HQ of the UDF the Protestant paramilitaries.

    It’s obvious that come to the final showdown when Hook is finally reached by one or all of the parties out to locate him that there will be more mayhem and shootings in this conflict that never shows the slightest indication that it would ever cease.

    Full marks to cinematographer Tat Redcliffe and production designer Chris Oddy for making the streets of Blackburn (in the North of the UK) standing in for Belfast, look so utterly menacing and full of fear. It’s a very impressive story and is directed with such remarkable style that it earned Demarge a British Independent Film Award for his work.

    It is, however, young Jack O’Connell’s dynamic performance as the scared young soldier immersed in a bloody struggle that he neither understood or could even relate to, that makes this movie so very compelling. His fight was for his own life and to simply ensure that he would survive and be there to support his kid brother still trapped in the Orphanage back home. O’Connell’s talents lie in convincing us with his steadfast bravado and his powerful physical presence, yet somehow at the same time never letting us forget he’s still a big kid at heart. This role follows his outstanding performance in the prison drama ‘Starred Up’ and with his starring role in Angelina Jolie’s ‘Unbroken’ about to be released, this young British actor is clearly destined to be one of THE next batch of Hollywood’s leading men.

    This review was first published in Dec 2014

  • FILM REVIEW | The Theory Of Everything

    ★★★★★ | The Theory Of Everything

    The remarkable life story of the world-renowned physicist and cosmologist Stephen Hawking who was diagnosed with motor-neurone disease at the age of 21 years and defying medical prognosis of an imminent death went on to publish world-changing theories of relativity and quantum mechanics turns out to be one of the most tender and romantic movies of the year.

    This new biopic from James Marsh (Oscar Winning Director of the documentary Man On The Wire) is based on the second biography written by Stephen Hawkins ex-wife Jane and focuses very much on how she enabled him to lead a full and rich life in spite of his crippling illness. Their story really starts when Hawkins, having won a First Honors Degree at Oxford University, chooses to transfer to Cambridge to do his post-graduate doctorate. Here he meets and immediately falls in love with Jane despite the fact that they seem like total opposites: she is studying poetry and is a devout churchgoer. When Hawkins discovers this last point he dryly remarks that he has a problem ‘with the whole celestial-dictator premise’. Somehow their marked differences seem to actually unify them, partly because one of the Hawkins’s strongest traits is his ability to be open to changing his opinions. None so more apparent when later on in life when he contradicted one of his most important theories and did a complete U-turn and actually proved that he got it wrong the first time around.

    When Hawkins is forced to realise that all his clumsy physical missteps that culminate with him hitting his head during a sidewalk fall are because of the fact that he has this debilitating illness, it’s Jane who has the inner strength to push Hawkins into both marriages and also into not giving up. Despite the fact the Doctors have declared that he will be dead in two years, the couple starts a family whilst Hawkins finally starts his Dissertation.

    Hawkins rapid physical deterioration makes him completely dependent on Jane for even the most basic daily bodily functions. The only parts that seem untouched by this particularly pernicious illness are his brain and his wit, both of which sustain and enable him to be the brilliant and very funny quick-witted man that he is. However, with both her husband needing 24/7 help and two children to bring up too, Jane needs some support and relief. She finds this in her local Church after joining the choir led by a handsome newly widowed man. Jonathan, still bereft after his recent loss, is at a loose end so is happy to help Jane out with some of the tougher tasks keeping her family functioning which inevitably draws the two of them closer. So much so that when she later gives birth to another son, there is talk about who the real father is.

    By the time that Jane hires a nurse to help Stephen after he can no longer speak, their marriage which had finally been strained to near breaking point, now slowly moves to a separation and eventually divorce just as the movie reaches its end. There is one final scene of a graceful reconciliation when Hawkins is invited to Buckingham Palace to receive his Order of Merit from the Queen, which seems a fitting finish.

    Marsh doesn’t discount the vast body of Hawkins’s work in the story but he places it a context that makes it easier to understand for those of us that cannot comprehend the many complexities of ‘A Brief History of Time’ and all his subsequent intellectual theories. He clearly shows the vast importance of Hawkins findings on black holes and the boundaries of the universe with the reactions of the academic world and the acclaim and fame that accompanies all of this.

    By focusing on the highly personal story of this remarkable man who could never have any of his achievements without the unselfish love and devotion of the exceptional woman, he gives us one of the most unique and compelling behind-the-scenes biopics ever. What raises it to be such an awe-inspiring movie, however, is the electrifying impassioned performance of young Eddie Redmayne as Hawkins.The defining trait of how brilliant he is in this role is that he has captured the very essence and soul of this great man as his body stops functioning. Without even realising it, you quickly appreciate that he has gone way beyond just capturing Hawkins’s physical decline in this deeply thoughtful career-defining performance that is nothing short of breath-taking. He is so wonderfully brilliant that the images of him lighting up the screen remain with you for days after. He should start practising his acceptance speech for the many Awards that he will now be showered with.

    Felicity Jones gives a quiet and powerful performance as Jane Hawkins, and there is an impressive list of talented supporting actors like Charlie Cox, David Thewlis, Emily Watson and Simon McBurney.

    The script by writer (and novelist) Antony McCarten is peppered with some perfect moments of real humour and wit and it makes this such an uplifting tale even in the darker moments of the story. Evidently, Jane Hawkin’s first biography was written immediately after the divorce was not quite so full of sweetness and light, so it’s probably a good thing they passed on to the happier, and presumably the truer, version of this story.

    First published in Dec, 2014

  • FILM REVIEW | The Internet’s Own Boy: The Story Of Aaron Swartz

    ★★★★★ | The Internet’s Own Boy: The Story Of Aaron Swartz

    This is the story of a charming and selfless information prodigy that strived to use his talent to make this a freer and better world for which he ended up paying for with his life.

    Aaron Swartz was born in Chicago, the middle son, of successful middle-class Jewish parents. Inquisitive from birth, he taught himself to read by the age of three and by the time he reached High School he despaired of his teachers who he complained taught him less than he could read up in an hour. At 13 he won a competition for young people who created non-commercial websites for which the prize included a trip to M.I.T. From then on, there was no looking back for him.

    From there the young genius played a major part in the development of the basic Internet protocol RSS and also co-founded Reddit which became the most popular social news website in the world. His work brought fame in the online communities and also wealth (when Reddit was sold) but this affable young man couldn’t have been less interested in either. What did excite him was social justice and political organising that focused on working to free up inaccessible information online that he believed belonged in the public domain and should be available to all without charge. It was what would prove to be his undoing in time.

    Without Swartz’s involvement it is most unlikely that the Stop Online Piracy Act would have been defeated in Congress, but when he set about copying almost 5 million academic articles from JSTOR (Journal Storage) Database at M.I.T. events did not go his way. Swartz maintained that as these articles had been financed from public funds they should be freely available. When he was caught, JSTOR chose not press any charges but the Federal Government did and very aggressively pursued Swartz and indicted him with a total of 13 felonies. To its shame, M.I.T. just stood on sidelines and did nothing.

    The beauty of Brian Knappenberger’s rather wonderful documentary of this extraordinary young man is that he makes a concerted effort to show not only why the online community was in awe of his seemingly unlimited talent, but by including his very supportive and proud family and friends, he showed what an exceptionally nice person Swartz was too. This very unassuming man was magnanimous and both reserved and quiet but he seemed to blossom as more people called on him to help. He was a passionate thinker who used the same logical approach he employed when programming also in how tackled any social injustice he came across.

    Why he took his own life is never really explained in the movie, but what is very clear from listening to all the evidence is that was a wasted life cut short. However his memory just doesn’t live on with his loved ones, and with the online community who are in awe of all his inventions and achievements. In 2013, a Bill was introduced to finally reform the ambiguous and outdated Anti-Hacking Law that the Government used so mercilessly against him. The Bill is called Aaron’s Law, as well it should be.

    Unmissable.

    Available on Netflix

  • FILM REVIEW | I Am Divine

    ★★★★★ | I Am Divine

    As Jeffrey Schwartz’s excellent new documentary I Am Divine is released in the UK, The Gay UK’s film critic Roger Walker-Dack caught up with legendary filmmaker John Waters for a few personal words about his muse and great friend Divine.

    John told us ‘When it comes toI Am Divine I have let Jeffrey be the one to speak, as it’s his film in this instance he’s the one who deserves the attention. I’m STILL shocked that Divine is dead! Divine had a great life in the UK, and he’d be thrilled that the film is being so well received.’

    Glen Milstead aka Divine was unquestionably John Water’s finest actor and muse. Not simply because of his talent that was as outsize as his physique, but because like Waters he was both totally fearless and dared to push the boundaries of bad taste as far as he possibly could. And he did it all in such outrageous style and unfettered enthusiasm that made him such an iconic cult figure.

    In filmmaker Jeffrey Schwartz’s new very upbeat documentary into this unique entertainer and character, we learn that Divine had always dreamt of being a movie star since he was a kid who had been picked in and bullied at school as being both effeminate and fat. And he did deservedly become one and was just about to parlay his major underground success into the mainstream with a (non-drag) part in a nationally syndicated TV sitcom when he dropped down dead in Hollywood after a massive heart attack the very day before filming was due to start. He was just 42 years old. Manager, Bernard Jay poignantly claimed that as Divine was at the peak of his career, he had at least died happily.

    Divine and John Waters both grew up in Baltimore and met when they were teenagers. They made anarchic campy home movies together at the beginning with exaggerated characters in outrageous situations with hyperbolic dialogues. They were never meant to be shown outside of their wee band of local actors that included Mink Stole, Edith Massey, and David Lochary (the latter becoming a big love of Divine’s life before his own untimely death). But word got out and soon people were clamouring to see the films that got bigger and even bolder.

    Water’s ‘trashy trilogy’ ‘Pink Flamingos’, ‘Female Trouble’, and ‘Desperate Living’ cemented Divine’s reputation as a movie diva, in particular, Flamingos which earned him the title of ‘the filthiest person alive’ after the notorious scene where he actually ate dog faeces. And after these successes, he also started to diverse his career taking starring roles in Off-Broadway shows, and becoming a very successful disco recording star. He added a whole new meaning to the word ‘fierce’!

    Many of the interviewees that Schwartz included gave Divine great credit for expanding the concept of the drag queen from brash female impersonator into something much larger, more subversive and less gender specific. Yet without a single exception, none of the TV chat show hosts that interviewed him could deal with the fact that Divine was sitting opposite them in men’s clothing calmly stating that ‘she’ was a character that he played and not the person he actually was off the screen.

    Matinee idol Tab Hunter recounted the joy he had at working with Divine on two very successful movies ‘Polyester’ and ‘Lust in The Dust’. These were followed by ‘Hairspray’, which turned out to be Divine’s biggest hit and very last movie.

    Schwartz beautifully captures both the joyous nature of Divine’s flamboyant life and also the great sense of sheer enjoyment he had. He includes the completely tasteless clip from ‘Eat Your Makeup.’ in which Divine played Jacqueline Kennedy in a grotesquely amusing re-creation of the Kennedy assassination just two years after the event. But he also shows the scene from ‘Multiple Maniacs’ where Divine’s character is raped by a giant lobster! A perfect epitaph.

    Someone said towards the end of the movie … ‘after him, no-one can ever now be called Divine … he OWNS that title’. Too true.

    An unmissable flawless movie.

    The fabulous UK and Irish Cinema and VOD release of I Am Divine is one week away!

  • FILM REVIEW | Love Is Strange

    FILM REVIEW | Love Is Strange

    ★★★★★ | Love Is Strange

    Love Is Strange one of the most talked about gay movies of the year has been wowing both crowds and critics in the US since it opened in August. The New York Time’s Movie Critic recently said it would be his personal pick for the Best Picture Oscar. Now it is finally about to open in UK Cinemas, here is our take on this superb love story.

    In Ira Sach’s follow-up to his highly acclaimed 2013 hit Keep The Lights On, love is also extraordinarily wonderful too. It’s the tale of George & Ben a devoted couple who have enjoyed a somewhat glorious life together in Manhattan for the past 39 years. Now that same-sex marriage is legal in NY they decide to have a joyous wee ceremony surrounded by their close friends to tie the knot and make it all ‘official’. Everyone is happy for the two men now in their late 60s, except for George’s employers who had been blissfully aware of his relationship with Ben in the 12 years he had taught music at their school. Marriage, however, was too much for them, the Catholic Church that is, so in an act of Christian charity they unceremoniously fired him on the spot.

    With Ben already retired and George unable to find another job the men soon ran out of money and very reluctantly had to sell the Co-op Apartment that they had lived in for decades. Sadly none of their friends in the city had a spare room to put the couple up in, so for the very first time since they had met, they had to split up whilst the hunt for a new affordable Manhattan apartment continued.

    George moved in with a couple of handsome young gay cops next door and crashed on their couch. The trouble was that his new ‘landlords’ had a seemingly endless list of young friends who loved to hang out at the apartment and party all hours, usually whilst sitting on George’s ‘bed’. Ben, on the other hand, was given a bunk bed in his great nephew’s room, something the young rebellious teenage bitterly resented.

    As time passed, and with no sign of a new apartment for the newly weds, tensions got very strained. George could hardly bear living in party central and getting little sleep, and Ben seemed stuck in the middle of an escalating feud between his great nephew and his parents who saw eye to eye on nothing. It was when the latter eventually erupted and the boy was grounded after being caught out being led astray by a much older school chum, that there was a breakthrough between him and his old gay ‘nuisance’ Uncle. In a very touching scene when the boy broke down and didn’t just share but actually listened for once, he learnt from Ben about being true to himself and loving who he wanted too without shame.

    It’s impossible to say where things led to from this point without giving spoilers in what is such a beautiful and touching story. It’s a neat lesson in hate (the Church), and in tolerance (the family) and a perfect example of love that is quietly understated and without histrionics.

    George and Ben are portrayed so exquisitely by veteran actors Alfred Molina and John Lithgow and are the perfect epitome of a devoted couple completely in love and who totally idolise each other. The very obvious chemistry between the two on screen is completely convincing and they are a sheer joy to watch.

    There is absolutely nothing ‘strange’ about George and Ben’s love especially as it is the focus and example to all the other couples in this charming story whether they are gay or straight.

    Mr Sachs has created a fine feature about mature love that shouldn’t just be niche marketed as a ‘gay film’ as it deserves and will delight a much wider audience.

    P.S. And I am thankful to him too that this is one ‘gay theme’ film that doesn’t have the obligatory nudity.

  • FILM REVIEW | Moonlight

    FILM REVIEW | Moonlight

    ★★★★★ | Moonlight

    Moonlight film review

    A tender, heartwarming story of a young black gay man growing up in 1980’s Miami is the story of the critically acclaimed film Moonlight.

    I had to see this film a second time to fully relive and understand and absorb the nuances and emotional impact it delivers. Moonlight is about Chiron, and the three chapters of his life. Played as a wide-eyed young boy by Alex Hibbert, as a teenager by Ashton Sanders, and then as an adult by Trevante Rhodes – we get to see him grow up while having to endure lots pain and heartbreak is his life.

    Chiron is not like the rest of the other boys in school. He is constantly picked on (he’s smaller than the rest), his father is not in the picture, and his mother Paula (an excellent Naomie Harris) is a drug addict who is slowly spiralling into desperate drug addiction.

    The Miami housing project where Paula and Chiron live is controlled by drug dealer Juan (Oscar-nominated Mahershala Ali), who lives there with his girlfriend Teresa (a very good Janelle Monåe). Juan just happens to be Paula’s drug dealer. But Juan also becomes a father figure to Chiron, and Chiron starts spending lots of time at his apartment. He’s looked after there, is fed and cared for by Tereaa, he gets meals there that he never would get at home. But as Chiron grows up, he becomes more aware of his sexuality, and as a teenager has a thing with fellow friend Kevin (Jharrel Jerome), whom he’s known since they were young boys, and it’s this act that changes Chiron’s life forever.

    We then see Chiron as a 24-year old ex-convict, muscled up, dealing drugs and still coming to grips with his sexuality. All of a sudden he gets a call from Kevin (now played by a very charismatic André Holland). Chiron still has feelings for Kevin, so he gets up the courage to meet up with him. It’s in these moments where we hold our breath, not really knowing what’s going to happen. All we want is for Chiron to be happy, to be in a relationship, to lead a happy life with someone he cares about and loves – and that’s all he really wants too.

    Moonlight is an exquisite depiction of self-discovery, of a disenfranchised young black man meandering through life who is on a personal journey of self-discovery. Moonlight is based on the play Moonlight Black Boys Look Blue by Tarell Alvin McCraney. It’s a beautifully shot movie (by James Laxton) and its colours are as beautiful as a Miami sunset. The acting is amazing – all three who play Chiron are fantastic, but it’s Sanders whose Chiron has to go through lots of pain and agony, and being beaten up by homophobic school bullies. The music, by Nicholas Britell, is very subtle and sets the right mood. Moonlight has won lots of film awards and is on track to give ‘La La Land’ a run for it’s money at the upcoming Academy Awards. Kudos to director and writer Barry Jenkins for bringing a rich, moving story of a young black gay man to the big screen – it’s a story that’s not been told before – and it works so fine.

     

    Available to pre-order from Amazon

     

  • FILM REVIEW | Lion

    FILM REVIEW | Lion

    ★★★★★ | Lion

    Lion review

    Photo: Mark Rogers

    A young man attempts to trace his roots in the moving and excellent film Lion.

    Dev Patel is Saroo Brierley. He’s adopted by Australian couple John and Sue Brierley (David Wenham and Nicole Kidman) and vaguely aware that he had a life in India when he was a very young boy – it’s all just a very distant memory. Now in his 20s, and in college, him and his friends (including girlfriend Lucy – Rooney Mara) have a discussion about their origins, and Saroo tells his classmates that he was adopted and born in India, and probably still has family there, but he hasn’t been there since when he was a little boy. This puts a spark in his head to try to find out where in India he comes from.

    There are still a few very vague images in his mind he can recall from his childhood, and especially from when he got separated from his brother (a water tower, a train station). Saroo sets about determined to discover where he’s from and starts to map out India until he can pinpoint an area where he believes he came from.

    But this is the not the entire movie. The first half of the film has Saroo as a little boy (played amazingly by Sunny Pawar), who along with his brother Guddu (Abshishek Bharate), are lost, so Guddu goes in search of help, and leaves Saroo on a train platform. Saroo falls asleep, then wakes up a bit disoriented, and calls out for Guddu, but he’s nowhere to be found. Saroo walks around the train station calling out for Guddu, but then ends up falling asleep on a train that accidentally takes him 1,000 miles away to Calcutta, taking him far away from home, far away from Guddu, and far away from his life.

    Lion, as mentioned above, is a film with two halves; Saroo as a child and Saroo as a young man. And the first half of the film is simply amazing. It’s all down to Pawar, who as the young Saroo, after losing his big brother Guddu, is lost and confused and scared and aimlessly wandering around looking for food and trying to survive. He knows no one, is totally lost and alone, and is very very frightened. Eventually he is taken in by an orphanage which is where the Brierley’s adopt him and take him to their home in Australia, which is when the second half of the film begins.

    Pawar deserves a Supporting Actor nomination or a special child Oscar for his sensitive and heartbreaking portrayal of Saroo (Jacob Tremblay in last year’s award-winning Room didn’t receive either but deserved one). Pawar is excellent. Patel is very good as the grown-up Saroo who is determined to find out where he comes from. Patel here proves that he was not just a one-hit wonder in the Oscar-winning Slumdog Millionaire. Kidman is fine as his adoptive mother, but it’s hard not to look at her on screen and think you’re seeing Nicole Kidman and not the character she is playing. The screenplay, adapted from the book A Long Way Home, written by Saroo Brierley, and adapted by Luke Davies, tells the story in a way that will tug at your hearts more than any other film this year. Director Garth Davis (who has done mostly television shows) directs with such a fine balance of drama and emotion that it’s a perfect film which tells a true story that truly deserved to be told. It’s the best film of the year.

  • FILM REVIEW | Manchester By The Sea

    FILM REVIEW | Manchester By The Sea

    ★★★★★ | Manchester by the Sea

    Manchester By the Sea
    Studiocanal

    Casey Affleck gives a devastating performance in Manchester by the Sea.

    In a role that will win him the Academy Award for Best Actor, Affleck is Lee Chandler, a man stricken with grief, so much grief that gets worse when he gets word that his older brother Joe (Kyle Chandler in flashbacks) has suddenly passed away in their hometown of Manchester, New Hampshire. Joe leaves behind teenage son Patrick (newcomer Lucas Hedges), and it’s Lee who is now Patrick’s guardian.

    But Lee just doesn’t have the energy, or the passion, to take in his nephew. Now a handyman, he moved to Boston after a tragic event that took the lives of his three children, a tragic event that could have been prevented, and a tragedy that caused the breakdown of his marriage to Randi (Michelle Williams).

    So he’s really quite unsure and struggles with what to do with Patrick. Lee can’t send Patrick to his mother, who he is not close to.

    There is so much darkness in Manchester by the Sea that it’s hard to leave the film without feeling depressed and sodden. Yet it’s Affleck’s acting that propels this film to must-see and award-worthy status.

    Affleck, who is Ben Affleck’s younger brother and who just won a golden globe gives the best performance of his career.

    His Lee is quite unlike any character you’ve seen all year – and Affleck plays him amazingly.

    Williams is also very good as Lee’s wife who eventually moves on and starts a new life, and BAFTA rising star nominee Hedges is a real find and perfect as the rebellious teenager.

    In a film produced by Matt Damon, who was originally going to star as Lee, and with excellent writing and directing by Kenneth Lonergan (2000’s You Can Count On Me) who with this film cements himself to A-list status of Hollywood filmmakers, Manchester by the Sea is one of this year’s few must-see films.