THEGAYUK

Tag: Movie Genre Gay

The latest reviews for gay movies. Read all of THEGAYUK’s reviews.

  • FILM REVIEW | Wasp, Sexual tension in Provence

    A gay couple and a jilted woman spend a weekend together in a house in Provence. It’s a triangle that becomes messy, in the new film ‘Wasp.’ ★★★★

    Olivier (Simon Haycock) and James (Hugo Bolton) have been together for a year. Caroline (Elly Condron), a college friend of James, has just been dumped by her French boyfriend of 3 years. So James invites Caroline to spend the week with him and Olivier in a house that belongs to Olivier’s family. It’s a beautiful house, typical French Chateau, with an outdoor pool, a trampoline in the backyard, and amazing views of the valley. Olivier is a privileged man; he’s 30, handsome, has a great job, and comes from a well-off family. And he’s got a younger good looking trophy boyfriend in James. He also used to sleep with woman.
    So the tension, not just sexual but all sorts, builds up as the week progresses. Caroline hears Olivier and James having sex upstairs, yet she’s vulnerable and feels a bit left out.
    Olivier starts noticing Caroline more and more. He steals glances at her from across the pool, and Caroline notices. She plays it up, teases Olivier, until James realises what is happening right in front of him. And the relationship between all three of them may never be the same again.
    Director/Writer Phillippe Audi-Dor makes an auspicious debut film. His style of long shots of various places and objects (wasps being one of them) brings out the beauty of the locale, as well as helps to build up and sustain tension between the three characters. Audi-Dor begin filming Wasp just four months after graduating from film school, and what an impressive debut it is. And while the films winds down with a very melodramatic ending, Wasp is an impressive filmmaking debut with a just as impressive cast.

  • FILM REVIEW | Tab Hunter Confidential

    ★★★★★ | Tab Hunter Confidential

    Tab Hunter was and still is at the age of 83-years old a stunningly handsome man.

    When he was a teen idol in the 1950s he was the ultimate clean-cut, all-American boy and seemingly butter would not melt in his mouth. He was Warner Brothers Studio’s biggest box office movie star for at least three years of his tenure there. Surprisingly, we learn from this documentary, that Tab’s sexuality didn’t play a part in the ending of his Hollywood career. It was the actor’s own desire to buy himself out of his studio contract. Even though he was a major star, Hunter was extremely unhappy with the lightweight fluffy movies that he was always having to make.

    Tab Hunter Confidential is based on the memoir that Hunter penned with film historian Eddie Muller in 2005. It is a lively account of how this handsome matinee idol, with a rigid set of principles, coped with his dramatic professional and personal life. His sexuality, although hidden from the public in the early days, was no deterrent for studio mogul Jack Warner who never raised the subject. He was simply happy that Hunter was such a moneymaker for him. When on one occasion Hunter’s privacy was sacrificed to save Rock Hudson from being exposed, Warner defended him with a blunt, “Today’s headlines are tomorrow’s toilet paper.”

    With his career fading, Hunter resorted to dinner theatre and whatever work he could get to scrape by until his career got a second wind in the 1980s when he co-starred in Polyester with Divine.

    The most interesting part of the story is Hunter’s romances ranging from ice skater Ronnie Robertson to actor Tony Perkins, the latter who managed to break his heart and steal a role that he had coveted. In an era when homosexuality was not only illegal but could also destroy lives, Hunter resisted taking the well-worn path of other closeted gay men in the public eye who had marriages of convenience. True, he very publicly ‘dated’ many starlets and took part in many photo spreads in fanzines with them, but he resisted the pressure to opt for the easy way out by getting wed.

    Hunter a very devout Catholic explains his dilemma at the time: “If you were with a man you would be sinning, and if you were with a woman you would be lying.”

    He did, as Debbie Reynolds confirmed, make the right choice and he eventually was able to come to terms with his sexuality by accepting the Church’s teaching on love and self-acceptance.

    Some 30 years ago, Hunter aged 53 met a 23-year-old man called Allan Glazer who became his partner, and now after three decades together Glazer is a producer of this documentary which may be a reason why there is little of him in this movie. Since Hunter’s second movie with Divine in 1985 Lust In The Dust, he has settled down to a life away from the spotlight on his ranch with Glazer raising horses.

    Emmy Award winner Jeffrey Schwarz directs the movie, and this is his fourth documentary of a gay icon (Vito, Jack Wrangler and Divine). Schwarz shows a genuine affection for his subjects and the portraits he paints are very insightful and totally riveting. He reintroduces this disarmingly charming man to those of us who have memories of Hunter growing up, and present him to a new generation, who will see him as a role model that they can look up too.

     

    The Tab Hunter DVD is available to buy

  • Top 17 Essential Gay Films

    Whether you love screamers or creamers, romances or “the call is coming from with in the house types” there are a lot of amazing gay films out there. THEGAYUK’s Aaron Holloway lists his top 17 essential gay and lesbian films

     

    Make the Yuletide Gay

    When Olaf Gunnunderson returns home for the holidays, his college boyfriend decides to come with him. While they`re both out and proud on campus, Olaf must bury himself in his childhood closet in order to survive the trip. This film is a great holiday film, filled with enough adult humour to keep you laughing throughout the holidays. One of the best gay films.

    AMAZON: BUY THIS MOVIE

    iTunes: BUY/RENT THIS MOVIE

  • FILM REVIEW | Elephant Song

    ★★★★ | Elephant Song

    At only 26 years old, French-Canadian Xavier Dolan already has five films under his directorial belt, all of which have been well received and critically acclaimed. In addition, he’s acted in 12 films, including the just released Elephant Song.

    In 2009, Dolan directed, produced, starred and wrote J’ai Tué Ma Mére (I Killed My Mother), a semi-autobiographical story about him as a young gay man at odds with his mother, and wrote the script when he was at the tender age of 17. It won 3 awards at the Cannes Film Festival. The next year he wrote, directed, produced and starred (again) in Les Amours Imaginaires (Heartbeats), a story about three close friends who are involved in a love triangle. In 2012 Dolan continued his string of emotional and heartfelt films by writing and directing Laurence Anyways. At 168 minutes, it was an ambitious project for the young director to do, it was about the struggle of a straight man who, over the course of ten years, transitions from male to female, and how it affects the relationship with his lover (with amazing performances by Melvil Poupajd and Suzanne Clément). Laurence Anyways won many awards, including two Cannes Film Festival Awards (the Queer Palm Award and Best Actress for Clément). Lawrence Anyways was also nominated for ten Canadian Screen Awards (winning two), and more importantly, at the Toronto International Film Festival, it won Best Canadian Feature film. Not bad for a local boy.

    2013 is when Dolan wore multiple hats in a film. In Tom á la Ferme (Tom at the Farm), Dolan, who wrote, produced, directed and starred, plays Tom, a young man who works in an advertising agency and travels to the Canadian countryside for the funeral of his 25-year-old boyfriend. The problem is that the grieving mother did not know that her son was gay, so she accepts Tom as his friend in the hopes that he can tell her all about her dead son’s life. Meanwhile, the deceased’s brother, 30-year-old Francis (an amazing Pierre-Yves Cardinal), knew that his brother gay but could never really accept it. Conflict, anguish, thought provoking moments, anger, love, and acceptance follow. More acclaim followed Dolan when Mommy was released in 2015. It stars French Canadian actress Anne Dorval who is a widowed mother overwhelmed by her teenage son (Antoine Olivier Pilon – a relevation) and his attention deficit disorder. Dolan wrote, produced and directed Mommy, and it won the Jury Prize at the Cannes Film Festival and won nine Canadian Screen Awards, including Best Motion Picture.

    In the newly released Elephant Song, Dolan, who co-stars along with Bruce Greenwood and Catherine Keneer, plays Michael, a psychologically unwell young man in a mental institution who may or may not have had something to do with the disappearance of his psychiatrist. So it’s up to Greenwood’s Dr. Greene to interview Michael to try to get to the bottom of his colleague’s disappearance. During the interrogation, Michael plays mind games with Dr. Greene, alluding to the fact that he knows where his psychiatrist is but is not quite yet ready to tell. Michael is clearly a very disturbed young man, his very famous opera singer mother all but ignored him, and the one time he spent with his father was when he took him elephant hunting, with the boy Michael crying over his father’s killing of an elephant. And Michael alludes to a sexual relationship that he is having with his psychiatrist, so it’s up to Dr. Greene to take what Michael is saying with a grain of salt. Even the head nurse, Susan Peterson (Keneer), warns Dr. Greene to keep his distance from Michael. It’s a film that at its centrepiece is Dolan, who is perfect as Michael, very good looking yet very mischevious, you don’t know whether you want to hug him or to run away from him. And the film revisits the themes of homosexuality and the lack of acceptance so common in Dolan’s films.

    What’s next for Dolan besides conquering the world? He just finished shooting ‘It’s Only the End of the World,’ about a young man who returns home after 12 years to announce his impending death to his family. It stars Marion Cotillard and Vincent Cassel. Dolan will also be shooting his first film in the United States, to be titled The Death and Life of John F. Donovan, in 2016. It’s a fictional story about an actor who is famous for playing a Marvel-style superhero whose life and career are turned upside-down when his private correspondence with an 11-year-old fan is exposed and made to look indecent by a villainous gossip columnist. This one stars Hollywood heavyweights Kit Harrington, Jessica Chastain, and Susan Sarandon. If his previous films are anything to go by, these new films (and his future films) will be eagerly anticipated and will be must sees.

  • FILM REVIEW | Tiger Orange

    Wade Gasque’s debut feature, which he co-wrote with lead actor Mark Strano, is an interesting drama about the conflict between two estranged gay brothers who are trying to reconcile after the death of their father. ★★★

    Their sexuality is one of the few things the siblings have in common as Chet is quiet and reserved and has never left their small hometown or ‘come out of the closet’. His younger brother Todd, on the other hand, escaped to LA when he just 18-years-old to try his hand out as an actor, and he is out, proud and very loud.

    Chet is a workaholic and when he is not running the family hardware store in town, he leads a solitary life just eating dinner in front of the TV every night. Todd never bothered to return to town for his father’s funeral but now breezes back when he ends up both jobless and homeless with no other options or prospects in sight. If his rebellious streak is not enough to upset Chet’s calm equilibrium, then at the same time Brandon one of his schoolboy crushes also turns up and between the two of them, force Chet to deal with his reality.

    This very simple indie melodrama that is presently playing the Film Festival circuit is attracting attention simply because of the curiosity value with it starring porn performer Johnny Hazzard going legit. Under his real name Frankie Valenti, he plays Todd and puts in a much more credible performance than one may have suspected, and he proves to be a strong focal point of the drama.  He is very charismatic and easily shows that he doesn’t have to be naked to grab our attention.

    It’s a well-produced and well-crafted movie that thanks to some good acting, and a pleasing visually look, really belies its low budget. Well worth a look when it is released on DVD/VOD later this year.

  • FILM REVIEW | The Invisible Men

    ★★★★★ | The Invisible Men

    Louie is a 32-year-old Palestinian who tries to live his life unobtrusively hidden away from society’s prying eyes. He has no legal right to live in Israel, and thus without papers he must continually avoid any confrontation with the police or officialdom, as if he returns back across the border he risks the very real death threats from his own family and all simply because he’s gay.

    This remarkable award-winning documentary from Israeli filmmaker Yariv Mozer tracks Louie as he goes about his daily life in Tel Aviv. A somewhat shy, introverted and extremely likeable young man, Louie survives by doing odd jobs of work and constantly moving apartments as he tries to keep one step ahead of the authorities all the time. On the several times he is caught, the police deport him back to Ramallah, but yet somehow this quiet resourceful man soon manages to very soon sneak back into Israel once again. It’s a harrowing existence and when he relates the lurid details to Mozer of how his family tied him up and tried to slaughter him like an animal, you know that he has no other choice if he wants to live.

    After what seems like just one to many deportations, Louie contacts a refugee law centre at the university and discovers that there is a possible way out from this predicament. Under international law he can apply for asylum in another country (that will be chosen for him) and resettle there. There are no guarantees he will be awarded this and he is warned that his chances of succeeding are slim. A skeptical Louie is put in touch with Abdu another gay Palestinian who has already been accepted and is about to leave for his yet unknown new country/home. Abdu, an outgoing extrovert, is totally opposite to Louie and he shows his new timid friend a whole underground gay movement that Louis finds hard to believe.

    Months later when Louie gets word that he has won a much coveted asylum place, he starts having very serious second thoughts. Israel has been his home for the past 10 years, and although it has been a scary and dangerous existence, he feels a great draw as this is where he believes he truly belongs, despite all the pain and heartache that he has been through, he really wants to stay.

    Mozer tells Louie’s emotional charged story without disguising his own attachment, but he does sensibly refrain from making any comment at all on the tense political situation that engulfs this whole region. It’s a humanitarian tale that will shock most of us living in the West to realise (or be reminded) that being gay in any Arab country puts your very life at risk, and being Palestinian in a country where you are illegal, which in Louie’s case was his birthplace, seems so very unjust.

    An extremely moving heartbreaking story that is sensitively documented, and that will rightly jerk you out of your comfort zone… it’s very definitely unmissable.

    P.S. Louie is safely living somewhere in Europe coping with the snow, but as Yariv Mozer has told us he’s ‘the only gay in the village’. However he’s alive and well and even getting some assistance to help him heal his emotional scars. He is one of the lucky ones.

  • FILM REVIEW | Triple Crossed

    ★★ | Triple Crossed

    After he had finished his posting serving in the military in war-torn Afghanistan during which time he witnessed his best friend being killed, Chris Jensen is struggling to adapt back into civilian life. Unable to find a job, as no one seems prepared to want the services of a somewhat damaged ex-serviceman, he has resorted to living in his car.

    Out of the blue, he gets a call from Jackie who wants to offer a job that he would like to turn down. Her recently deceased half-brother has left his controlling share of the family’s multi-million business to his boyfriend Andrew, and she is having none of it. She wants to get his share but doesn’t want to pay a cent for it, but she is however prepared to pay Chris a handsome sum to kill Andrew so she can get her own way.

    He is desperate enough to take on the assignment but first he goes to check out his ‘target’ who naturally turns out to be as hot as hell. The two men are soon grappling with each but not quite in the way Jackie had wanted as they are naked and in bed. The question then is to kill or not? Not an easy one to answer as the title of this drama implies everyone has their own agenda, and so we are never sure how this will play out.

    What makes this small-budget indie stand out from others of this genre is that it marks the debut of Sean Paul Lockhart; aka ex-porn star Brent Corrigan behind the camera as well as in front for a change. Although it is full of the good intentions the movie does sadly fail to be a thriller in or out of the bedroom even though it does have a gun-toting finale.

    Sean doesn’t ever quite manage to convince us that he really did go to war, although he does put in a pretty good performance as a potential new boyfriend for Andrew who seems to have soon forgotten his ex dead one. If you are a fan of Sean aka Brent then you’ll want to see this,but if you are not, then you may just want to wait for a rainy afternoon when you have nothing better to do.

  • FILM REVIEW | Seek

    Twenty-something-year-old Evan Brisby is ambitious. Currently working on a gay magazine that covers the local community in Toronto his hometown, he aspires to bigger things and so sends samples of his writing to The Gazette, one of the city’s daily newspapers.

    ★★★

    He doesn’t get offered a job but the editor is suitably impressed to give him the assignment to write a freelance piece on the city’s nightlife, something that shy Evan is not really an expert on. He does, however, accept the challenge, as he knows that this could be his big break, and he also knows that Aidan his colleague at the gay magazine will be able to connect him up with exactly the right sort of people.

    Aidan comes up trumps and hooks him up with Hunter who despite the fact he is Evan’s age is evidently THE king of the night who runs clubs and hosts parties that are the best in the city. It is also obvious that Jordan quickly takes a shine to his interviewer who is so single-minded and determined to get the best story he can, is totally oblivious to his new admirer. Evan is also distracted by the fact that he cannot shake of the memory of a recent ex who very inconveniently keeps popping up in his mind and his dreams quite regularly.

    This micro-budgeted homegrown movie from first time writer/director Eric Henry is evidently partly autobiographical and besides being a fond love letter to the city of Toronto, is very much about different kinds of acceptance. When Evan is not shadowing Hunter for his article he is still doing his regular writing job that includes interviewing people like the gay couple into fetish sex, or the straight couple who have embraced the husband’s cross-dressing. Even when he is off-duty having a drink he has an uncomfortable encounter with an old man looking for company. Very admirable reminders about everyone needing to find their own path to happiness, but still a tad too preachy and really unnecessary to the flow of the story.

    Kudos to the fact that the production values of the piece that are much higher than one has come to expect from movies of this type. Henry helped this by making good casting calls using Adrian Shepherd-Gawinski a very impressive newbie as Evan, Ryan Fisher as Hunter, and hunky male model/actor Matthew Ludwinski as Evan’s lost love, even though the script he gave them had more than the occasionally grimacing moment.

    The whole affair is an enjoyable boy-lite romance that may not stretch your mind too much, but if this is a genre you like, will nevertheless put a big smile on your face when you see that everyone does in fact live happily ever after in the end.

     

     

  • FILM REVIEW | More Than Friendship

    ★★★ | More Than Friendship

    Twenty-something-year-olds Lukas, Mia and Jonas have been best friends since their childhood, but then three years ago this all changed.

    They fell in love with each other and became a very happy ménage-a-trois. They decried society’s contempt for their unusual relationship and became totally committed to each other even though it meant making a break from their parents who vehemently disapproved of their arrangement.

    Since then once a year every summer the trio went on a camping trip together touring the countryside where they were able to be completely free from everyone’s prying eyes and pointed fingers. This year, however, is different as Lukas has just been diagnosed with terminal pancreatic cancer and although the tight-knit lovers agree to take an oath that the holiday should be focused just purely on joy, they soon realise that it is difficult to completely forget that this will be their very last summer together.

    The trip starts off all light and love and it is surprising that they actually get to their first destination as they cannot keep their hands off each other and are always making out in the back of the van. However, it is inevitable that they cannot avoid the elephant in the room especially when Lukas shares with them the Living Will that he has written that gives them both control over his final days rather than his estranged parents.

    When Jonas gets taken sick and is rushed into hospital the trio’s joy and hope deserts them and is replaced with fear and grief and they have also to deal with the anger of Jonas’s parents who turn up and insist that the Doctors keep him alive even though that is against his express wishes.

    This sophomore film from German writer/director Timmy Ehegötz is overly melodramatic even given its themes. The three good-looking young leads play their parts passionately but despite this, it still seems that there is not enough actual chemistry between them to convince us that their relationship is as deep and real as the script would have us believe.

    This well-meaning movie is full of energy and brimming with enthusiastic performances and has a lot to commend it for particularly, in its attempt to de-mystify the whole thruple relationship concept.

  • FILM REVIEW | Folsom Forever

    ★★★★ | Folsom Forever

    Mike Skiff’s illuminating new documentary on the Folsom Street Fair, one of San Francisco’s iconic gay events, starts off by dispelling a few of the myths that surround its 30-year history.

    Initially, the Fair was created in 1984 as part of a growing protest movement that objected to the enforced gentrification of what previously had been one of the most blighted areas of the city. The inhabitants of the skid row houses and the working men bars were being forced out as the authorities bulldozed their way through the area to put up shiny new expensive buildings.

    This was also the height of the AIDS crisis, which would go on to decimate the city’s gay population so the advent of the Fair created an opportunity for much-needed fund raising. Audrey Joseph a local activist stressed the point that the presence then of so many women supporters, who were the most accepting of AIDS victims, helped create a crucial space without judgments at the Fair.

    The whole area known as South of Market was already home to a plethora of leather bars which local historian Jack Fritscher Ph.D. explained had sprung up as bolt holes for gay hyper-masculine men who were not interested in the stereotypical roles that were most prevalent in the community at the time. Dr Fritscher who also worked for Drummer the now defunct leather magazine talked about the oft-misunderstood leather and BDSM community who came into its own then by promoting their safe sex practices. He explained said the whole concept of successful BDSM is sexual acts within agreed lines of limits to make sure each part is safe and pleasurable. It wasn’t an argument that sat well with the Authorities who at the time were panicking like everyone else and wanting someone to blame for this uncontrollable epidemic.

    Skiff added: “In the 1970s, Folsom Street was the West Coast’s mecca for anyone on their leather journey in life and his movie goes on to explore why the Folsom Street Fair couldn’t have got started anywhere else but San Francisco.”

    When someone talks about Folsom Street Fair now, the leather and fetish elements of the historic outdoor celebration of sexual diversity are likely what come to mind, and it follows the tradition of where members of the LGBT community are given the space to explore the full spectrum of their sexuality and queerness.

    It’s the one time of the year when those into kink and fetish can literally dress anyhow and do anything they want and the Fair security staff who police the streets will only stop them if they engaging in full on sex. Evidently that you can do in any of the bars on the strip.

    Nowadays the Fair is not only a major social event it is also one that has an enormous economic impact on the city. Demetri Moshoyannnis the Executive Director estimates that San Francisco benefits to the tune of some $35.4 million in revenue, and the Fair itself raises some hundreds of thousands in profits that it distributes to fund important local non-profit organisations.

  • FILM REVIEW | Italy

    ★★★★★ | Love It or Leave It. In 2009 I remembered being totally enamored with an irrepressible young Italian gay couple that documented the struggle of acceptance of gay rights in their country and being totally horrified about the vitriol and power of the far right political parties that seem to make the American Evangelistic Conservatives seem like real sweethearts by comparison.

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