THEGAYUK

Tag: Theatre News

All the latest breaking theatre in the UK. Browse The THEGAYUK’s complete collection of features and commentary on theatre in the UK.

  • Four gay plays to look out for this spring 2017

    Four gay plays to look out for this spring 2017

    As the spring theatre season starts to gather momentum, there are some great gay-themed plays in and around the UK. Here are four plays to keep an eye out for.

    Everyone’s Talking About Jamie – Crucible Theatre, Sheffield.

    Jamie New is sixteen. He’s from Sheffield. And he has a secret. He doesn’t quite fit in at school. His Dad’s left home. He’s about to sit his GCSEs. The future is terrifying. With his brilliant mum behind him, will Jamie be brave enough to stand up for who he really wants to be? A coming-of-age story with a twist, with catchy new songs by lead singer-songwriter of The Feeling Dan Gillespie Sells and writer Tom MacRae (Doctor Who), this brand new musical will have everybody talking about Jamie for years to come. Based on the BBC3 documentary, Jamie – Drag Queen at Sixteen, the world premiere of this new musical runs at Sheffield Theatres from the 9th – 25th February 2017. Visit www.sheffieldtheatres.co.uk for details and listen to the first song from the show below.

    https://soundcloud.com/user-872483887/dont-even-know-it-featuring-betty-boo

     

    Gypsy Queen – Doncaster CAST and National Tour

    Photo Credit: PR Supplied

    Written, in part, as a response to Tyson Fury’s comments that “there are only three things that need to be accomplished before the devil comes home and one of them is homosexuality being legal.”; this play tells the tale of The Gypsy King, a boxer who leaves his travelling community roots behind him to pursue his career. “Gorgeous” George O’Connell is taken on by a professional boxing coach, whose own son Dane ‘The Pain’ Samson is openly gay, and as they train together, George learn much more about himself that he ever thought he would. But Dane is fighting his own battles that lead to a tragedy that neither could predict. Set in the testosterone-fuelled world of boxing, this play looks at what happens in the traditionally masculine world of the sport when everything about someone’s culture and identity are confronted by their greatest fear. This play contains strong language, full frontal nudity and scenes of a sexual nature. Gypsy Queen plays at Doncaster CAST Theatre on the 12th April 2017 (www.castindoncaster.com ) and national tour.

    La Cage Aux Folles – Leeds Grand Theatre and National Tour.

    Photo Credit: PR Supplied by Leeds Grand Theatre

    Georges is the manager of a Saint Tropez nightclub, his partner Albin is a drag artiste and the club’s star attraction. They live an idyllic existence in the south of France until Georges’ son Jean-Michel announces his engagement to the daughter of a notorious right-wing politician; a politician who is determined to close down the local colourful night-life. This lavishly funny tale follows the gay couple desperately trying to “play it straight” as the families meet; and celebrates unconditional love, family values  and that life’s not worth a damn ‘till you can say I am what I am.’ Better known to many as “The Birdcage”, this 1983 classic musical is embarking on its first ever national tour, and stars John Partridge (Eastenders), and West End leading lady Marti Webb. La Cage Aux Folles is at Leeds Grand from the 20th to the 25th March 2017 (www.leedsgrandtheatre.com), as part of its current national tour (http://www.kenwright.com/microsite/la-cage-aux-folles/ )

    Miss Meena and the Masala Queens – West Yorkshire Playhouse and National Tour.

    Credit – PR Supplied

    Dazzling saris, grand Bollywood lip-sync dance numbers and queues of adoring fans – for Miss Meena this is all now a distant memory. The once famous and fabulous drag queen has lost his sparkle and like his nightclub is washed up and out of date. The punters have gone and whilst the other drag queens are strutting their high-heels elsewhere, property developers are circling like vultures waiting for Miss Meena to give up the lease to the club. With the club on its knees, a new arrival brings a glittery rainbow of hope. But just as things are starting to look up for Miss Meena, a visitor from the past makes him question everything he ever stood for. This new production promised to be fun, vivacious and heart-warming. Ms Meena and the Masala Queens is at West Yorkshire Playhouse from the 13th to the 17th June 2017 (www.wyp.org.uk ) as part of its national tour. Visit http://rifcoarts.com/shows/miss-meena-the-masala-queens for details.

     

     

  • X Factor’s Anton Stephans finds the joy of dick in new show

    You may remember Anton Stephans from last year’s X FACTOR, well he’s about to join the cast of Moby Dick – the musical, in London.

    Anton Stephans is about to return to the theatre after a life changing year after appearing on last year’s X Factor. The singing star, who came fifth in the 2015 series of ITV’s flagship show is “delighted” to be returning to his first love – musical theatre.

    Speaking with THEGAYUK he jokes, “there are loads of dick jokes. I love it… ‘3 years at sea and still no sign of dick…’.”

    The musical, which hasn’t played in the UK since 1992, will return to the London stage at the Union Theatre in Southwark – to celebrate the show’s 25th anniversary.

    The show is about the anarchic and nubile girls of St. Godley’s Academy for Young Ladies. Money for the school has run out and it’s threatened with closure. Determined to save their school from bankruptcy, the resourceful girls, and their unflappable headmistress, played by Anton, come up with a plan to keep the school afloat.

    Using whatever they can find, the girls mount an original production as a fundraiser – a musical version of Herman Melville’s classic novel Moby Dick, featuring their own headmistress in the coveted role of Captain Ahab.

    Speaking about why now was the perfect time for the show to return, Anton said,

    We have something utterly hilarious. There are so many bad things going on in the world and it’s good to have a moment where you can laugh your arse off. It’s very sill and very traditionally British. I love all things British like that. That kind of humour, we do it best.

    It will be directed and choreographed by double Olivier Award nominee Andrew Wright, who said,

    “I am thrilled that Anton and Brenda will be leading our 10 strong company of Moby Dick. Each and every member of the cast is unique as well as supremely talented. I’m so excited to create the madcap world of Moby with them.”

    Tickets are available starting at £15 from the Union Theatre Box Office and www.uniontheatre.biz, 020 7261 9876

  • Joe McElderry Gets His Coat

    Talent reality prince Joe McElderry is taking on the role of Joseph.

    The nation’s talent prince, Joe McElderry who wins pretty much anything he enters is about to tread the boards for a UK tour of Joseph and The Amazing Technicolour Dreamcoat. In fact he is the only celebrity to have won three reality shows, including The Jump and Popstar to Operastar.

    Joe was just 18 when won the sixth series of The X Factor having been mentored by Girls Aloud star Cheryl Fernandez-Versini and beating off fierce competition from Olly Murs and Stacey Solomon.

    Joe McElderry will play Joseph in theatres around the UK from Spring 2016

  • Lord Cashman Lends Support To Play Which Tackles Sexual Abuse And Cover Ups

    The cast of a new play called At Ease will be joined by Lord Michael Cashman, on Friday 5 June, during rehearsals to lend his support to the play which tackles the issues surrounding historic sexual abuse and cover-ups.

    Victims of historical physical and sexual army abuse are given a voice in a new play in rehearsal in Birmingham.

    Lord Cashman appears as a character in the play.

    At the centre of this highly unusual play is the correspondence between one-time Household Cavalryman, Alex Rees who was sentenced to life imprisonment for attempted murder, and Michael (Lord) Cashman, who was an intended target. Rees writes he was brutally tortured and raped while in the army in the 1970s. Rees, who died in 2002, identifies adults involved in the bullying and in the parties in which abuse took place. He also identifies army personnel involved in cover-ups. Rees is, at last, given an opportunity to put his story to the public via his extraordinary correspondence.

    The bond between Rees and Cashman, a life-long campaigner for LGBT rights, is both strange and poignant.

    In an attempt to right some wrongs, while contributing to the present debate around historical abuse by giving voice to Rees and others, theatre company DD Arts Birmingham is piloting its new play, AT EASE, from June 17, raising these issues, together with other contemporaneous accounts.

    Pilot performances 17-20 June: Old Joint Stock Theatre, Birmingham. 0121 200 0946.

  • THEATRE REVIEW | Oh What A Lovely War, Theatre Royal Stratford East

    ★★★★ | Oh What A Lovely War, Theatre Royal Stratford East

    Oh What A Lovely War, written by Joan Littlewood in 1963, depicts the essence of the First World War unbelievably well. Littlewood galvanised the idea of hunger, loss, bravery and even fear very convincingly. She said she wanted to write songs that were gritty and truthful to the events of the trenches. The most moving moment in the musical was when the soldiers sang I Don’t Want To Be A Soldier after having been shown real-time war images that showed trenches where men had been blown up or even the image of a few soldiers managing to brave a smile for the passing camera, as there was destruction in the foreground.

    I was touched by the homage that The Theatre Royal Stratford East production paid to the fallen 2.5 million men who fought bravely in WWI. Even as an audience member in 2015, I felt that the pain and sadness felt at the time were shared across the spectators during some scenes and the use of multimedia was the best I have seen in a long time. In occasional scenes, a screen would come down and facts of the number of deaths during the different stages of the war were displayed, as the action ensued, which added to the nostalgic effect.

    As an ensemble, The Theatre Royal Stratford East performed formidably, with natural singing, dancing and acting flair, in particular, Alice Bailey Johnson whose voice was sublime, and multi-part played roles in a dynamic fashion, especially with different accents. Ian Redding, who most might remember as Tricky Dicky in Eastenders, was a delight to watch. His comedic timing was outstanding, and the funniest part of the show for me was when he played the Sergeant. In this scene, Ian’s character was shouting at his platoon, but instead of words, he was just spitting spluttering and talking gibberish at them.

    Although the set was ornate and well designed, it appeared to look unstable, as when actors leaped onto certain staircase-like stages, it wobbled and did not look safe. However, this did not distract us from the action, as the cast leaped around beautifully.

    The ending was the most moving moment of all. After singing They Didn’t Believe Me, the audience were shown more images of the First World War and it paused on the last picture, where four soldiers smiled and it looked as though they were staring right at us. Here, the cast paused too and looked up to screen in respect to the spirited soldiers.

    Not only did this show break the fourth wall, it also summoned onto the stage the emotions that would have been felt during the era of 1914-1918, where the Great War took place. A must see, but with a word of warning: bring your own tissues, to contain your tears of joy, but also of grief.

  • THEATRE: Blackouts

    Following a series of acclaimed performances, ‘Drag Fabulist’ Dickie Beau takes his first major solo show Blackouts across the UK in 2015.

    Conjuring the spirits of celebrated Hollywood icons in an innovative theatre experience, Dickie leads audiences on a bewitching adventure as he channels the ghosts of his childhood idols.

    Dickie secured exclusive access to audio tapes of Marilyn Monroe’s final interview conducted by journalist Richard Meryman. Published in LIFE magazine just two days before her death, Blackouts includes material never before heard in the public domain. As well as this rare audio footage, segments creatively appropriated from Dickie’s own recordings with Richard Meryman also form part of the story. Blackouts sees Dickie shape-shift through a shadowy soundscape of lost souls in a sensational trip to the subconscious underworld of his future self; bringing to life these audio artefacts.

    The show marks a significant development for Dickie’s trademark process of dissecting, then remembering (literally, putting back together and embodying), found sound. The digital script has been written entirely using this and incorporates much original source material, including the spellbinding Judy Speaks tapes – Judy Garland alone with a Dictaphone, making notes for a memoir never to be written. The resulting piece is a study of icons in exile from society and themselves, and the haunting impressions they’ve left behind.

    Tour Dates:

    Mayfest, Bristol Old Vic: Friday 15 & Saturday 16 May 9.30pm mayfestbristol.co.uk

    Chichester Showroom: Thursday 24th September 7.30pm www.theshowroomchichester.co.uk

     

    Further 2015 dates to be announced

  • Nigel Farage Invited To HIV Play “Positive” After Debate Remarks

    The leader of UKIP, Nigel Farage has been invited to a comedy about HIV called “Positive” by the show’s producers after his remarks about HIV in last week’s Leaders’ Debate.

    Positive credit Bobbin
    Positive credit Bobbin

    In a brand new outing for the play, which previously ran at the Edinburgh Festival Fringe in 2013 and completed a critically acclaimed run at Waterloo East Theatre in May 2014, the show is inspired by true stories from those who are living with HIV.

    Playwright Shaun Kitchener said: “I’m so excited that Positive is part of the Park Theatre’s line-up this year. Whenever HIV is presented on-stage or on-screen it’s usually all doom, gloom and death-beds; but that’s simply not the case in 2015.

    “HIV sufferers in Britain today are reportedly more likely to die from depression resulting from the stigma attached to them than they are from the virus itself. It’s not that it’s a medical walk in the park, but it’s not a death sentence anymore – and it’s about time theatre reflected this. If Mr Farage wants to come along and see the play for himself to learn a thing or two, we’d be more than happy to have him.”

    “Following UKIP leader Nigel Farage’s outrageous claims made about HIV and immigrants at last week’s Leaders’ Debate, an open invitation stands to have him along to watch the play – and find that the stigma he fiercely promoted is total BS,” say the producers of the show.

    View image | gettyimages.com

     

    Nigel Farage was lambasted by the other leaders on the televised debate, with Plaid Cymru’s leader Leanne Wood winning the first applause from the audience after saying that he should be “ashamed” for his remarks.

    Dr Rosemary Gillespie, CEO Terrence Higgins Trust said: “It was great to see so many people express outrage after Farage’s comments about the numbers of people in the UK with HIV who were not born here. HIV is a public health issue in the UK and globally. If we do not take an inclusive approach and provide treatment for people who need it, we will never prevent onward transmission. 24% of people living with HIV in the UK do not know they are living with it, and 4 in every 10 are diagnosed at a late stage, after they needed to start treatment. HIV doesn’t discriminate and politicians shouldn’t either. Such ill-informed and discriminatory comments generate stigma, and make it harder to encourage people to take a test and stay safe”.

    Positive runs July 9 to August 1 at the Park Theatre near Finsbury Park, London N4.

    Tickets available: https://www.parktheatre.co.uk/whats-on/positive

  • REVIEW | Simon Amstell Takes The P

    If you’ve a penchant for vulnerable, neurotic funny men – Simon Amstell’s current standup tour ‘to be free’ should be on your to-do list. You hardcore Beliebers out there might take offence by Simon implying he wants to make Justin cry by penetrating his bottom. Mr Amstell did harp on about his new-ish boyf so of course, he’s only kidding

    Simon’s tour pitched up in Bath last Friday (13th March). The City of Bath perfectly characterises Englishness, much like Simon Amstell’s awkward and clumsy persona. Bath’s Komedia is caked in the traditional theatre covings and mouldings. It’s intimate and foolproof venue for a standup with a nervous disposition.

    A dorky Norwegian chap called Daniel Simonsen kick started the diaphragm contractions and respiratory howls. Daniel belittles himself and frets his way through observational comedy poker-faced with a Norwegian accent. It works.

    The same sharp wit as Never Mind the Buzzcocks and self-deprecated style as Grandma’s House is rife throughout Mr Amstell’s performance. He’s like watching a humorous, nervy overgrown-chihuahua with a tight perm.

    The timid pooch eased into the act nervously laughing at his own jokes. Closely followed by roars from the audience. The art of timing is apparent unlike Elton brandishing a Dolce and Gabbana shopping bag in LA. The crowd’s laughter-pipes were put through a gruelling workout.

    Amstell twitched through an array of subjects – love, sex, anguish. One of the best lines of the night, “If I was autistic I could lick the world”. Controversy and Amstell go together like Romans and hot-tubs.

    The quips trickled from him seamlessly apart from when a member of the audience needed a tinkle. They then became his prey. Funny at first, but painful after the fifth attack.

    On stage Amstell looks uncomfortable in his own flesh, he relentlessly fiddled with his granddad-shirt and elasticated trousers. His anxious high-pitched guffaws are adorable tho. Perhaps all these are the traits of a teetotal comedian.

    You can’t help but love this eccentric word-wizard. You’ll no doubt be posting your application for the Simon Amstell fan club special delivery after seeing the show.

    Four stars for Simon.

    You can still catch ‘to be free’ 28th June Regents Park Open Air Theatre – tickets on sale now.

  • THEATRE REVIEW | Solomon and Marion, The Rep, Birmingham

    ★★★★ – Witty, Endearing, Unforgettable

    “Solomon and Marion” hits the studio theatre of The Rep with an edgy bang. Lara Foot’s play is set in the post-apartheid period, and the essence of her story transports us back twenty years. It does not seem too long ago, when racial differences were a hot topic in the Western World, but more so in South Africa.

    “Solomon and Marion” delivers a perspective from both sides: Solomon represents a poor black boy, whose family have died, and who is, on a daily basis, fighting for survival. Marion is a white and middle-class lady who, throughout the play, is writing to her daughter Annie who is living in Australia with “a very good accountant.” – She reminds us… constantly.

    For some time, Marion has felt a presence lurking in around her house. One day, Marion is rudely disturbed by a black boy, whom she claims has never met, but walks into her living room, uninvited. It turns out that she used to let him play in her pond as a young child, as she was good friends with his grandmother. A delightful and an endearing connection between them ensues with terms as: ‘My boy’ and ‘Ms Marion’ that make the audience smile with delight.

    Lara Foot created a masterpiece, where she assembles humour with anger; a melancholy and monumental revelation. When Marion sees Solomon wearing her deceased son’s yellow shirt, her reaction is heart-wrenching. She cries and says to Solomon: “You’ve ruined it.” Which may cause some controversy with subtext analysis: was Marion showing a racist streak? She very quickly recovers and begs Solomon to keep it.

    Dame Janet Suzman, who you might recall from watching The Singing Detective, delivers an astonishing and memorable performance. The way Janet embodies Marion with extremely well-thought of physicality and with an emotion that was as if Suzman had gone through the grief and isolation portrayed herself. Janet shines particularly at the end when she breaks down after finding out the truth of her son’s death.

    Khayalethu Anthony breaths a true embodiment of what it would have felt like to live in those harsh times. Anthony is an unexperienced actor by background, but on stage his talent matches the Dame’s, especially when enacting live the murder scene of Marion’s son. His method of talking in mother-tongue gave the play an element of outstanding sincerity.

    The lighting was an effective drama tool, as it aided with the transition between happy daytime, to lonely darkness where Marion would spend all night staring at nothing. The excellent way in which the light shone through the window and when it climbed the walls as the sun was rising. The set was a masterpiece, in naturalistic terms but also it managed to create a nostalgic place for Marion to reminisce the whole life she had spent, and the one she wants to die in.

    “Solomon and Marion” is at The Rep until 1st of November.

  • Beautiful Thing Comes To Birmingham

    Nikolai Foster’s celebrated anniversary production of Jonathan Harvey’s Beautiful Thing comes to Birmingham Hippodrome’s Patrick Centre from 30 March – 11 April 2015.

    Multi-award winning actress Charlie Brooks, best known for her role as Janine Butcher in EastEnders, will lead the cast as Sandra in the forthcoming performance of Beautiful Thing. Other notable credits include Jenny in Bleak Houseplus being crowned the Queen of the Jungle in I’m A Celebrity, Get Me Out Of Here! and winner of the mirror ball trophy in the Strictly Come Dancing Christmas Special in 2011. She also recently enjoyed a critically acclaimed stage performance in Our Country’s Good at Liverpool Playhouse.
    Thomas Law, whose roles include Peter Beale in EastEnders, Matt Haddon in Casualty and most recently as a young Simon Pegg in blockbuster film The World’s End will star as Ste.
    Sam Jackson, whose roles include Alex Henley in Skins (E4), Jack in Drifters (E4) and a critically acclaimed performance as Billy Casper in Kes (Derby Theatre) will star as Jamie.
    Director Nikolai Foster was recently appointed Artistic Director of Curve Leicester. His work has been seen in most of the UK’s leading regional theatres, touring houses and internationally, and recent productions include The Hired Man (St James), Calamity Jane (UK tour), Brecht’s The Good Person Of Sichuan (Mercury, Colchester), Flashdance (West End), Hayfever (CFT), Merrily We Roll Along (Clwyd Theatr Cymru), The Diary of Anne Frank (York Theatre Royal & The Touring Consortium), and Annie (WYP, Leeds).
    Beautiful Thing is a glorious urban love story between two young men set on an inner city housing estate. It tells the story of teenager Jamie’s relationship with classmate and neighbour, Ste. Together the two boys find comedy, warmth and the music of Mama Cass through their loud-mouthed next door neighbour Leah. Jonathan Harvey combines comedy with drama in his critically acclaimed award winning play. Beautiful Thing truly captures what it is to be a teenager and to fall in love.
    Executive producer Tom O’Connell said, “Having produced the original anniversary production, I am honoured to now partner with Nottingham Playhouse and Curve theatre, Leicester, two fantastic producing theatres, to bring Jonathan’s hit comedy to the stage one more time. Nikolai and I made a promise to each other that if we ever re-visited his production it would play cities and theatres that it hadn’t been to before. We feel with this new cast and with some new elements added to the show, this new production will have audiences smiling all the way home.”
    Stuart Griffiths, Chief Executive, Birmingham Hippodrome said “The arrival of Beautiful Thing in the theatre’s Patrick Centre continues an expanding programme for the venue and Birmingham Hippodrome’s commitment to presenting an expansive and varied list of performances for a diverse range of audiences.”

    Jonathan Harvey wrote Beautiful Thing when he was just 24. It premiered at the Bush Theatre in 1993 and sold out its five-week run before transferring to the Donmar Warehouse, and then the Duke of York’s, eventually winning its author an Olivier Award nomination and the John Whiting Award. A screen adaptation of the play was released in 1996 by Channel 4 films, which went on to be a cult hit. Jonathan is a regular writer for Coronation Street and wrote the TV hit series Gimme, Gimme, Gimme, as well as the best-selling 2012 novel All She Wants. His plays include Canary and Corrie!
    Over its 20 year history, the play has featured in the careers of many famous actors including Jonny Lee Miller, Suranne Jones, Hugh Bonneville, Philip Glennister, Andrew Garfield, and Rhys Ifans, and has been produced over 25 times worldwide, with international dates in China, France, Canada, Australia and Holland.

    Lighting design is by David Plater and sound design by George Dennis, Beautiful Thing will be a co-production between the Nottingham Playhouse, the Curve Leicester and Tom O’Connell for QNQ Ltd.

    Beautiful Thing runs at Birmingham Hippodrome’s Patrick Centre from Monday 30 March – Saturday 11 April 2015. The first 100 tickets at every performance are priced at an early bird rate of £25 – call 0844 338 5000 or book online at birminghamhippodrome.com. 5% transaction charge applies (excl. cash sales in person) postage from £1. Phone calls from 5p per minute. Prices and discounting subject to change.

    Perf times: Mon-Sat eves 7.45pm, Fri & Sat mats 2.30pm.

  • Dan Osborne Show Off His Beanstalk In Liverpool For Panto Season

    The festive season made an early appearance in Liverpool today as an all-star cast officially launched the biggest panto in town, Jack and the Beanstalk at the Epstein Theatre.

    LHK Productions return to the Epstein Theatre this Christmas with one of the world’s favourite fairy tales from Thu 11 Dec 2014 – Sun 4 Jan 2015 for an incredible 49 shows. As always the show promises to deliver the incredible fun of traditional pantomime with a fresh twist that made the acclaimed Cinderella, Snow White and the Seven Dwarfs and Aladdin such huge, runaway successes.

    LHK are renowned for bringing top stars to the stage in all of their productions and 2014 is no exception, in what promises to be the greatest celebrity cast yet.

    Certain to get hearts fluttering right across Liverpool, ITV’s Towie and Splash star Dan Osborne is set to tread the boards for the very first time as he makes his panto debut as leading man Jack. Also coming to panto for the very first time is the Fairy Godmother of Big Fat Gypsy Weddings Thelma Madine – swapping the needle and thread for a magic wand and donning a fabulous frock of her own when she stars as the Fairy.

    After entertaining audiences at last year’s panto as the Magic Mirror, Celebrity hairdresser and beauty guru Herbert of Liverpool makes a welcome return as the voice of the Giant. Brookside’s Suzanne Collins returns to the Liverpool stage as Mrs Fleshcreep and Grease is the Word’s Alison Crawford returns to the Epstein as Jill completing this year’s glamorous, star-studded cast.

    This gigantic production promises a whole host of Christmas fun in another magical show at the Epstein Theatre. With magic beans in abundance, a beanstalk reaching the heavens, golden geese and hungry giants, this show really is too big to miss. Jack and the Beanstalk is the perfect family treat and runs from Thu 11 Dec 2014 – Sun 4 Jan 2015.

    Performance details:
    Jack and The Beanstalk
    Epstein Theatre, Hanover House, Hanover St, Liverpool L1 3DZ
    Thursday 11th December 2014 – Sunday 4th January 2015
    Tickets from £12.50
    Performance times vary, please check with Theatre Box Office.

    To book call 0844 888 4411, visit www.epsteinliverpool.co.uk or book in person at the theatre box office (open 2pm-6pm Mon-Thu & 12pm-6pm Fri-Sat)

    Or via TicketQuarter: To book call 0844 8000 410 or visit www.ticketquarter.co.uk