Tag: UK

  • THEATRE REVIEW | Private Lives, Gielgud Theatre

    ★★★★ | Private Lives

    If you’re not familiar with Noel Coward’s work then you’re in for a treat with ‘Private Lives’ and the lavish new production at The Gielgud is well worth catching.

    Elyot Chase (Toby Stephens: Jane Eyre, The Tenant of Wildfell Hall) is on his honeymoon in France when he finds that his ex-wife, Amanda (Anna Chancellor: The Hours, Spooks) is in the adjacent hotel room and is also on her honeymoon. Still reeling from their tempestuous failed marriage the pair revisit the havoc that ensued previously.

    Beautiful, stylish and utterly selfish, they are witty, snide socialites. Coward’s dialogue is acerbic, devastatingly vicious and alarmingly witty. The two leads capture the spirit of the play perfectly, with dialogue that feels like a deliciously deadly fencing match. They lunge, parry and attack with rapier sharp put downs and impeccable comic timing. Chancellor is monumental in a series of stylish costumes, looking like she’s stepped straight off the pages of a book of Erte illustrations whilst Stephens captures the louche selfishness, suave posturing and petulant impishness of Elyot perfectly. Chancellor in particular makes the play her own with a seemingly effortless performance that conveys the nuances of Amanda’s character with serious style.

    The set is stunning and Amanda’s apartment in Paris is a visual feast of Art Deco styling. I could have sat in my seat and quite happily stared at the set for an hour but luckily there was much more to see.

    An interesting aside is that Toby Stephen’s wife, actress Anna-Louise Plowman, plays his new wife, Sybil. Added to this, Stephen’s parents, Maggie Smith and Robert Stephens, played the parts of Elyot and Amanda in the same theatre in 1973.

    Highly recommended for those who like their comedy with lashings of clipped tones and sharp witticisms. The audience loved the show and so did I.

    Catch Private Lives at The Gielgud Theatre until 21st of September 2013
    Buy tickets here: http://privateliveswestend.com

  • THEATRE REVIEW | Evita, Sheffield and National Tour

    ★★★ | Evita

    The glamour, passion and politics 1940’s Argentina are brought to life in this revival of one of Andrew Lloyd Webber’s most successful musicals which is back on national tour.

    In 1934, a young and naive country girl, Eva Duarte, falls for a singer and pressures him into taking her to Argentina. Filled with her ambitions to be a singer and actress, she quickly realises the harsh reality of life in the city when he leaves her. Sleeping her way up the ladder, from secretary to model and from radio star to actress, she attends a charity function held by Juan Peron, an aspiring politician with his sights on clawing his way to the presidential seat. They come together, both in love and to further their careers, much to the disapproval of a number of Peron’s political allies. But whilst Evita charms the nation, the corrupt nature of their reign starts to show, her greed and power hungry desires come to the forefront and her body starts to become increasingly frail as she begins to succumb to illness.

    There are a number of reasons to recommend this production. Starting with the music, the show is performed as a sing through musical, and is absolutely crammed with classic songs, including “Another Suitcase, Another Hall”, “You Must Love Me”, “”Oh, What a Circus” and the show stopping, “Don’t Cry for Me Argentina”. The orchestra played beautifully together and the balance of the volume between the music and the vocals was perfect, allowing for both the music and the lyrics to be appreciated. It was also good to be reminded of how well written, enjoyable and powerful the music and songs are when performed live.

    The ensemble cast were incredibly talented and all performed strongly, sounding superb when singing both together and undertaking their solo parts. Mark Heenehan was well cast as Juan Peron, demonstrating his commanding voice and compelling stage presence.Sarah McNicholas gave a heart wrenching performance of “Another Suitcase, Another Hall” and Nic Gibey was ideal as the sleazy crooner Magaldi. However, the standout performance of the evening was by ensemble member Joel Elferink, who managed to consistently out-sing and out-act most of the cast in his numerous parts.

    The play itself was more political in its storyline than the well-known film version and the play moved along at a swift pace, meaning the near two hour running time flew by. There were some well put together set pieces, in particular, “Buenos Aires”, “Peron’s Latest Flame” and “A New Argentina”, which were well choreographed and performed. The set was versatile and well utilised, although did seem cluttered at times, the use of the lighting was atmospheric and effective and the costumes were beautifully put together.

    With so much to recommend it, it is a shame that the two leads were the weak link in both the production and the cast. Marti Pellow was better than expected as Che, but his, performance appeared both forced and strained at times, in contrast to the much more natural performances of the other cast members. Madalena Alberto played the title role with some enthusiasm and she had a good voice, but she lacked the charisma and presence of the character that she was playing, making her performance slightly less believable. Her delivery of “Don’t Cry for Me Argentina” and “You Must Love Me” were the stand out moments of her performance. Their performances did steadily improve over the course of the show and eventually won me over, but it is a shame when the “stars” of a musical are eclipsed by the rest of the cast for the majority of the show.

    Overall, the show was an enjoyable evening and was a well put together production which turned out to be better than anticipated. The music continues to stand up today and despite the show being around 35 years old, this production still sounded fresh and contemporary and was generally well performed by a talented cast, despite what could be argued as a slightly miscast pair of leads.

    Evita is currently playing at the Sheffield Lyceum Theatre until the 13th July 2013 before continuing its national tour.

  • London | Pride 2013 Review

    Well, Pride in London finally arrived, and after last year’s damp squib (World Pride, too, if you remember), it can only be accounted a huge success for the new team in charge. The theme of the parade this year was, rightly, love and marriage, for it won’t be long now before gay men and women will be able to marry their partners, whatever delaying tactics our opponents use. The tide is surely in our favour.

    No doubt those opponents were praying for God’s vengeance on us, for, if not fire and brimstone, at least torrential rain to spoil our day, and, let’s face it, given the miserable June weather we have had so far, it wouldn’t have been that surprising. In the event, it seemed God smiled on us. London basked in the first true summer weather of the year. The sunshine brought out the smiles and, with it, one of the biggest and happiest Prides in recent memory. By report this was also the biggest and most heavily attended Pride in 10 years.

    My friends and I were marching, leather clad, in the first section of the parade, alongside members of MSC London and Bluff, London’s two most prominent leather and fetish wear organisations. We were followed by the most disarming group of LGBT Filipino dancers, whilst ahead of us were a group of fetish dogs and felines, so there was definitely something for everyone. It is absolutely a tremendous experience to march in the parade, but the only problem is that by marching, you don’t get to see the range of people in the parade, nor get a feeling of just how big the it actually is. Years ago, I remember we used to march down Piccadilly, and that was one of the few times one could actually get an idea of the huge size of the event, a truly exhilarating experience. However, there were plenty of photos around on facebook and the like, and some on the net (a wonderful series in The Guardian) that give a great impression of the sheer diversity of our community.

    One of the most enjoyable parts of marching, though, is just seeing the thousands of people, gay and straight, lining the parade route, enjoying the spectacle; waves of positivity and love. People with their families and friends, all there to cheer us on. For those who say that Pride is redundant, that we no longer need it, this is their answer, and this is why we need it.
    Before the parade started I was chatting to one of the guys selling whistles and rainbow flags, an affable born and bred Londoner.

    “You won’t be needing one of these, mate, will ya? Won’t go with your outfit,” he joked.

    “Hardly,” I replied.

    He then went on chat to me about how important he thought Pride was, telling me about his best friend, who had just come out.

    “I think it’s wonderful. He’s marching today for the first time,” he said. “I can’t tell you how important this is for him. I love him, you know. He’s my mate. Makes no difference to me who he fancies. I just hope he can marry some bloke he falls for one day. Have a great day and wave to me wife and kids if you see ‘em. Oh no, you won’t know’em will ya?” he laughed, and went back out into the crowd as I moved off to join my buddies in leather.

    It must have been unbearably hot for those of them in full Bluff leather gear. I had shoehorned myself into my leather trousers, but had elected for just a waistcoat and armbands on top. The sun certainly came as a bit of a shock and I now have white rings round my arms where the armbands were and white patches on my body where the waistcoat went. Ah well, one has to suffer for one’s art.

    The only dissent I witnessed all day was a small bunch of god botherers, waving anti-gay marriage placards. The police had kept them well back and out of the way, and, to tell the truth, nobody, not the revellers, not the marchers, not the spectators, were taking a blind bit of notice of them. You have to wonder why they even bother.

    Once the march broke up in Whitehall, we made our way into Soho to see if we could bag a table outside at our favourite haunt, Balans Cafe, for some lunch. The management and staff had all dressed up for the occasion, and they all looked fabulous, particularly, Rohan, my favourite waiter in all of London, who looked hot as hell in a hard hat, plaid shirt, denim shorts and boots. Sitting was not exactly easy in my ultra-tight leather trousers, but we attracted a lot of attention in our leather gear, with loads of young men wanting to have their photo taken sitting on my lap. I wasn’t complaining.

    As we already had tickets for Summer Rites Pride in the Park, we missed the celebrations in Trafalgar Square, which were apparently superb. I really must get down there next year.
    So, having got changed into rather more comfortable shorts and trainers, we arrived at a busy Shoreditch Park at about 6pm for what was an extremely well planned and organised event. Shoreditch Park is just about the perfect size. Not too big and not too small, and, with an incredible selection of no less than 7 Music Arenas, showcasing an array of London’s finest DJs and Performers, who were representing some of the cities hottest club brands, there really was something for everyone! Aside from the Music Arenas there were also 5 licensed bars, a Fun Fair and a Community Market. Most importantly bar staff and toilets were plentiful, so there was no real queuing. So often at these events, one ends up spending hours in toilet queues or struggling to get a drink at the bar.

    We popped into most of the various tents to see what was going on. Most weren’t over busy to begin with. No doubt, it being such a beautiful day, the majority preferred to be outside soaking up the sun, and indeed that is where we found ourselves for the most part, catching up with friends we hadn’t seen for ages. Later on, the dance tents began to get much busier, as revellers soaked up the music, and danced the night away. I was also impressed with how clean the park was. Either, they had an army of cleaners running around, though I never saw any, or people were making sure they dropped their plastic glasses and bottles in the plentiful bins that were provided.By around 9pm, I had had enough. It had been a long day, my legs and feet were killing me and I decided it was time to go home. I had planned to go to the Hustlaball, but I was just too tired to manage it, and ended up having an early night. I’m sure I missed a great night, but it was nice to wake up at a reasonable hour on Sunday and actually get to enjoy what turned out to be the warmest day of the year so far.Over the next couple of days I scanned the internet for news of the event, but was rather saddened to see that the mainstream press had largely ignored us.

    When, a couple of months back, a few crazy Frenchmen turned up in Trafalgar Square to protest equal marriage, the press was full of it, but thousands marching through the streets, celebrating the diversity of our community, approvingly egged on by thousands of spectators, both straight and gay, they completely ignore us. One does has to ask if there is some sort of agenda going on here. As far as I could make out, only The Guardian on line printed a series of fabulous photographs of the event. I was surprised to see nothing from our usual ally, The Independent.

    It was also rather disappointing that the Mayor of London, Boris Johnson, chose, yet again, not to attend. He pledges his support for the LGBT community, but has, as far as I’m aware, only put in one, rather uncomfortable, appearance. Time to get over it, Boris.

    What was not dispiriting is that this year’s event has risen, Phoenix-like, from the ashes of last year’s near fiasco, and has been an incredible success. Roll on 2014.

  • NEWS: The Cattle Market – Bristol Bisons RFC Bachelor Auction

    Bristol Bisons RFC in support of the Terrence Higgins trust is proud to present The Cattle Market – Bachelor Auction and BBQ. (more…)

  • Brighton Gay Men’s Chorus win a Golden Handbag Award

    Brighton’s Gay Men’s Chorus have won the award for Favourite LGBT Community Social/Leisure Organisation at the 2013 Golden Handbag Awards.

    The Golden Handbags show took place Sunday 23 June at the Hilton Brighton Metropole, with the winners voted for by readers of Gscene magazine. The annual awards show has been dubbed ‘Brighton’s Gay Oscars’, recognising people and organisations within Brighton’s LGBT scene whilst also raising money for good causes

    Chairman Paul Charlton said:

    “We are delighted to receive this award and I know it will mean a lot to all of the boys. There are lots of fantastic community groups in Brighton and Hove so it was a great honour to win! Our membership has increased to around 80 people in the last year, and each one of those members – with the musical expertise of our fabulous MD Marc Yarrow and Assistant MD Tim Nail – has worked so hard to make us the group we are today. I would also like to thank all of the people who voted us and hope to see many of you at our next show!”

    Musical Director Marc Yarrow said:

    “I’m delighted that the Chorus have been recognised with this award. I’ve worked with many different choirs before but what sets Brighton Gay Men’s Chorus apart is the fantastic feeling of inclusivity and support among the members. I also love that we are able to provide exciting musical opportunities for gay men in Brighton. It’s been lovely to help the boys flourish with fantastic achievements such as performing annually at Brighton Dome, recording a single and going to Manchester to win the 2013 Manchester Amateur Choral Competition. Thank you to all who voted for allowing us to add the Golden Handbag Award to that list, and well done to all of the other winners and nominees on the night.”

    The award is more good news for the Chorus who were also the winners of the 2013 Manchester Amateur Choral Competition earlier this year.

    The next chance to see the award-winning Chorus is in their forthcoming show ‘Brighton Gay Men’s Chorus: Taken From Behind (The Scenes)’, part of Brighton Pride Arts & Film Festival, Friday 19th and Saturday 20th June, St George’s Church, St George’s Road, Kemptown. The show is billed as an exclusive look at what really happens behind the scenes of a Brighton Gay Men’s Chorus show, with lots of backstage shocks promised. Tickets are £12/£10 and available at www.brightongmc.org, the Dome Box Office 01273 709709 and from the Prowler shop, St James St.

  • Manchester’s Pride Line Up Complete With Moto Blanco

    Singer and style icon, Sam Sparro (Black and Gold, Happiness) joined by DJ’s and electronic music duo Moto Blanco, Misha B, Queens of Pop, and Happy Mondays dance diva Rowetta, amongst others.

    Manchester Pride is excited to announce openly gay Sam Sparro as the final act for this year’s Big Weekend Saturday night line-up. Sam is joined by popular production duo Moto Blanco, best known for their remixes of number one artists Adele, Lady Gaga, and Rihanna, who will be playing a live DJ set on the Main Arena stage.

    Grammy-nominated musician Sam Sparro rose to fame with his 2008 smash hit single ‘Black and Gold’, which sold over 100,000 copies in the UK alone. Sam followed up his debut solo artist album working with dance producers Basement Jaxx and Mark Ronson. His second album, ‘Return To Paradise’, was released in 2012 to widespread acclaim.

    Bobby Blanco and Miki Moto are the production aliases of South London dance music duo Danny Harrison and Arthur Smith, who have been deejaying and remixing as Moto Blanco since 2003. T

    heir remixes of Adele’s ‘Set Fire To The Rain, and Lady Gaga’s ‘Paparazzi’ have filled dancefloors across the globe.

    Sam Sparro and Moto Blanco are joined on the Main Arena stage by X Factor star Misha B, Internet sensations Queens of Pop, electro-pop five-piece Swiss Lips, pop-ska group Scarlett’s Roses, Sam Gray, Scarlet Street, Manchester boyband The Mend, and much-loved Happy Mondays vocalist Rowetta.

    Manchester Pride Chief Executive, John Stewart said: “We are delighted to welcome Sam Sparro, who completes our fantastic Saturday night Big Weekend line-up, and underlines Manchester Pride’s commitment to showcasing LGBT artists. With a live DJ set from Moto Blanco, and performances by many more exciting acts, including Misha B, Queens of Pop, and Swiss Lips, the Saturday night bill looks set to be one of the many highlights of this summer’s Manchester Pride festival!

    Big Weekend tickets are still available with a limited number at the Early Bird price of £16 from manchesterpride.com and selected outlets.

  • GAY HEALTH: Pace Launches Low-Cost Couple Counselling

    GAY HEALTH: Pace Launches Low-Cost Couple Counselling

    PACE is delighted to offer a new low-cost couple counselling and relationship support service for people who identify as LGBT and their partners. PACE knows that experiencing healthy relationships can be key to achieving wellbeing in life.

    (more…)

  • THEATRE REVIEW | Power Couple

    ★★★★ | Power Couple

    Relationships are peculiar things: whether your status is single, in a relationship or ‘it’s complicated’. Power Couple is an innovative comedy show which looks at a relationship from the viewpoint of both participants proving just how funny relationships can be.

    Stephen Bailey has spent the past twenty-something years trying to find true love and romance. For years he prayed for a womb so he could trap a man but he’s done it the normal way – through a love spell (well he tried apparently). Gary John Senior is completely different; he has spent his life avoiding a relationship until almost by accident (or witchcraft) Stephen happened. As they embarked on a relationship, Gary’s brow got sweatier. Not only does he have to deal with his own neurosis, he has to deal with Stephen’s too. Gary takes us through his findings from his first year in his first relationship (ever) to explore the real fine line between love and madness.

    The show takes the form of two sets, each partner talking about the relationship. Gary mourns the loss of days watching porn and playing on his Playstation which has been replaced by inquisitions, insecurities and the minefield that is sending a text to your boyfriend and forgetting the little ‘x’ at the end. Stephen is re-appraising his ideas of romance as he gets treated to Groupon dates and unusual birthday gifts.

    The show is really amusing and anyone who has been in, observed or run a mile from a relationship can identify with the two men and their experiences. The observational comedy is warm and affectionate but no less biting in its wit for this.

    For a great comedy experience catch the boys at the Edinburgh Fringe or at the Edinburgh preview show:
    ‘PowerCouple: 1st-25th August 2013  London Previews: Monday 29th July 2013, Comedy Café Theatre, Shoreditch, London
    Follow them at: facebook.com/powercouplecomedy or on Twitter: @PowerCoupleUK, @StephenComedy, and @GaryJohnSenior

  • Best Universities For Being Gay Friendly

    Stonewall today launches the fourth edition of Gay By Degree, the only guide showing how gay-friendly the UK’s 157 universities are. Gay By Degree 2014, now online at www.gaybydegree.org.uk, gives lesbian, gay and bisexual prospective students a single place to find out what each university has to offer them before they apply for places for 2014.

    Gay By Degree judges each university against 10 criteria to show how well they support their gay students. These include whether the university has a policy to tackle homophobic bullying, whether there are societies and events for gay students, and what steps they take to support gay staff.

    The average score across the sector is just 4.5. Currently only 40 universities engage with the wider community on issues affecting lesbian, gay and bisexual students, and just 27 have an anti-homophobic bullying policy accompanied by mandatory staff training. Just two universities, Liverpool John Moores and Cardiff scored 10 out of 10. The top 21 universities are all working with Stonewall through the Diversity Champions programme which helps employers to support gay staff.

    Stonewall Head of Education Wes Streeting said,

    ‘With universities charging £9,000 fees, it’s right to expect them to provide a high quality experience for all students, including those who are lesbian, gay or bisexual. This year, we’ve unapologetically introduced stricter criteria to encourage universities to improve provision for students. Particular congratulations are due to Cardiff University and Liverpool John Moores University for being the only universities in Britain to score full marks.

    ‘It’s particularly concerning that only fourteen universities have diversity monitoring in place for lesbian, gay and bisexual students. If universities aren’t even counting the number of gay students, how can they assure themselves and prospective students that they are providing an inclusive experience? We hope that the findings from this year’s exercise prompts action by the higher education sector to properly monitor the experience of gay students from the point of application through to graduation.’

  • OPINION | Has pride lost its way?

    Pride events have been happening in the UK since the 70s, with new ones currently popping up every year. But have they lost their original meaning? Are they now just about getting drunk and partying?

    I think so.

    For me Pride events are essential. They provide an opportunity for the LGBT community to be visible and show the world that they exist in many forms. However I do feel that over the years the original meaning of Pride has been lost. When the first Prides started taking place all those years ago it was a human rights and political movement aimed at showing we exist and want the same rights and freedoms as everyone else. Cut to 2013 and it seems to be a big party and the activism slant appears to now be a small part of the wider occasion, certainly from the Pride events that I have been to. They are now huge commercial events and people only seem interested in what performers there will be and which club to go to in the evening. It really saddens me because I believe there is so much more to Pride.

    This year I went to Birmingham Pride with the LGBTQ youth support charity that I run. We marched in the Pride parade with placards referencing comments made by MP’s in the marriage equality debate. It was slightly tongue in cheek but the meaning was clear. It was about politics and the rights of LGBT people. It was a protest. It was also probably the best Pride experience I have had. I felt like I was spreading an important message and doing my bit for our rights and freedoms. Admittedly I did then party a bit and watched the Cheeky Girls (to my slight embarrassment I am a huge fan), but the day wasn’t all about the party.

    With all of those things in mind, I began setting about organising my county’s first ever Pride event, Warwickshire Pride. There’s a growing buzz around it and many people are asking who will be performing (Chica Latina from Britain’s Got Talent if you must know), but the emphasis of this Pride is on celebrating diversity and highlighting what Pride events were originally about. The strap line for Warwickshire Pride is ‘celebrating diversity in the community’ and that’s what it’s all about; bringing people from different communities together and demonstrating the struggle that LGBT people have had whilst also showing the massive progress there has been. Yes, there will be performers and entertainment through the day. Yes there will be a huge after-party when the sun sets. But Warwickshire Pride will primarily be a peaceful protest with a message.

    Warwickshire lags behind many parts of the country, with much homophobia and opposition to the progression of our rights (I’ve personally been beaten, abused and barred from a pub for being gay), so perhaps that is a reason why I feel the need for this Pride to have a big element of activism as part of it, but I truly feel that it is an element that Prides up and down the country would benefit from introducing more of.

    Pride started off as a protest. It still should be.

     

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • THEATRE REVIEW | Address Unknown, Soho Theatre

    ★★★★ | Address Unknown

    Is it possible to explain the incomprehensible? How can anyone begin to understand what would make a man abandon a deep friendship in favour of joining a radical political movement? ‘Address Unknown’ is a stunning play from 1938 in which Kathrine Kressman looks at just these issues.

    Max and Martin are close friends with strong bonds but when Martin moves back to his native Germany a rift grows between them; a rift that will eventually lead to rejection, betrayal and revenge. The problem being that Max is Jewish and Martin is beguiled by the emerging National Socialist Movement and becomes an official in the Nazi party.

    Max and Martin are close friends with strong bonds but when Martin moves back to his native Germany a rift grows between them; a rift that will eventually lead to rejection, betrayal and revenge. The problem being that Max is Jewish and Martin is beguiled by the emerging National Socialist Movement and becomes an official in the Nazi party.

    It’s a powerful piece, well staged and well acted by the two men and is much more than a dry political commentary. The story is a very human one which subtly unfolds in a well paced and intriguing manner and makes the audience both squirm in horror and laugh with glee.

    It’s a powerful piece, well staged and well acted by the two men and is much more than a dry political commentary. The story is a very human one which subtly unfolds in a well paced and intriguing manner and makes the audience both squirm in horror and laugh with glee.

    He has a good point. Essential viewing for our modern times.

    ‘Address Unknown’ runs at The Soho Theatre until the 27th of July 2013

    Book tickets here: http://www.sohotheatre.com/whats-on/address-unknown