Day: 17 June 2016

  • Russia forces withdrawal of Durex condoms

    Russia forces withdrawal of Durex condoms

    Durex condoms are to be removed from stores in Russia after the product was found to be incorrectly registered.

    Bigstock Photo

    Concerns are rising in Russia that sexually transmitted infection could spread across Russia after Durex maker Reckitt Benckiser has been forced to withdraw the popular Durex brand because the product’s paperwork was not “registered in the proper manner,” said Mikhail Murashko who heads up the federal healthcare watchdog.

    The condoms could be back in Russian stores soon, but only if Reckitt Benckiser follows the correct registration procedure.

    Murashko said that access to condoms should not be a problem for Russians, as Durex is just one of sixty brands available for purchase in Russia.

    However, according to The Guardian, Durex accounts for one-quarter of all condom sales in Russia – but Durex’s withdrawal could potentially affect the public’s access to safe and rigorously tested condoms.

    As of 2016, Russia has over one million registered HIV cases being reported.

    A spokeswoman for Durex said,

    “We have been made aware that Durex products sold in the Russian Federation may require updates to its local registration.

    “It is a purely administrative issue and neither is the quality nor the safe use of Durex condoms affected.

    “We are working closely with the regulators to resolve the situation as quickly as possible.

    “This matter affects only Durex products sold in Russia. No other market is affected.”

  • OP ED: Post Orlando, Is this the end of an era or a re-birth of the gay scene?

    The Gay Scene: End of an era or a re-birth?

    Embed from Getty Images

    I submitted this article before the tragic events occurred in Orlando but after the attack I’ve decided to edit it slightly and reissue as this is definitely relevant. In this entry I’m talking about the need for the gay scene when put alongside the ‘straight’ scene. One positive thing that could come out of recent atrocities is that people come to see and appreciate gay venues and ‘the scene’ more.

    Almost all the time now you see various people saying “well if gay people can go to ‘straight’ bars and not get kicked out then why do I need a dedicated gay bar?”. In 2014 the BBC even had an article labelled “Do gay people still need gay bars?” which looked at the history of gay venues and some of the purposes they serve.

    But to these people that don’t see the point and question others for going on “the scene” I say yes it is brilliant that we as a community can walk amongst our fellow communities and mingle without fear of attack or exclusion but I don’t think that’s quite true for everyone and gay bars aren’t just for ‘having a drink’.

    In the UK, gay bars were seen safe haven during a time when being LGBT was illegal or still something that would result in you suffering verbal or physical abuse. So yes they were bars and pubs but they were also places where people could socialise with others, have a drink and feel ‘secure’. When the Admiral Duncan was attacked in 1999 it shook the community and people lost their lives but ultimately that determination to have somewhere safe for the community lead the venue (and others) to continue to this day.

    In the UK today yes we have far less abuse than way back when and indeed being LGBT is no longer illegal (we can even get married) so our world is a bit more brighter. But does that mean that the LGBT community is dead and gay bars (“the scene”) along with it? I was at the vigil for the Orlando victims in Soho and I can safely say our community is very much alive and kicking.

    If you in your life can live and breathe your sexuality with no fear of bullying, abuse, or negativity of any kind then I envy you as that is indeed something to be treasured and proud of. And I can see that for you there probably isn’t much of a ‘need’ in that sense for a specific gay scene. But if you do face abuse of any kind, or bullying, or negativity then surely having somewhere where you can express yourself, meet friends and have a drink isn’t a bad thing?

    For some of you reading this your local bars will vary greatly from other areas. For example, whenever I visit Canal Street in Manchester I am always envious of the consistent and visual sense of community that the bars, their owners and their customers have. Generally, they stick together to support the street and the community in which they serve. But when you come down south, London doesn’t really have that sense of community amongst the bars. So while each venue is different and does engage with its punters they do seem to operate for themselves only coming together in a real crisis. If all gay scenes operated the same way as Manchester I think the question for what purpose do they serve wouldn’t come up as much, if at all.

    So the scene means different things to different people. Historically it has been a shelter and does continue to be for some people. But in today’s ‘more tolerant world’ while there is a need to be a shelter there is also a need for the scene to be a place for the LGBT community to come together, meet, greet and have fun. What is so bad with that?

    Personally for me I have only ever suffered directly very mild homophobia (my bullying at school was for my distinctly Harry Potter like looks) but I have worked with and supporting those who have seen some extreme homophobic bullying, even in this day and age in 2016. For them, places like gay charities, the gay scene and other places where being LGBT is not judged these places are a lifeline and a key part of their life.

    On a more practical note (as a single gay man) we are also forgetting one of the key things that bars and clubs provide – a chance to meet people! Even the straight community go out to bars and clubs ‘on the pull’ to either have some fun or meet a potential date for another day. If there is nothing but mixed venues not exclusive either way your chances of striking lucky with a gay man (or woman) and not hitting on a straight person in error aren’t great. So if you can’t meet people on a night out what’s left? Grindr? Tinder? I’ll stick with my 12 cats thanks!

    So for me, I prefer having a gay venue where I can actually meet and interact with people in real life and actually have a bat in hells chance of hitting on someone and it actually being someone I have a remote chance with. The fun and excitement of eyes meeting across a busy room, initial questions and discussions, and even a drunken (usually) first kiss.

    I also often hear people saying that they don’t go anywhere near the scene as it’s “full of queens and bitchyness”. Well if that is your opinion then you’re focusing on the wrong things. Every bar, pub, local venue has its dramas and its cliques, the scene is no different, so to accuse gay bars of being unique to everywhere else says more about you than it does about the gay scene. If you don’t need the scene then fine and you should be proud of that but don’t attack something you don’t understand or don’t appreciate. Yes, there is that element but to many people it’s their home.

    The gay scene and its venues are part of our communities’ and this country’s legacy and to so many they represent a place of sanctuary so I say long may they continue!

    My heartfelt condolences go out to those we have lost in Orlando. I am proud of how our global community has come together. Never shall we be beaten.

    Love wins!

    Follow Scott Sammons on Twitter

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • THEATRE REVIEW | Karugula

    ★★★ | Karugula

    What is “Karugula” and what is this play about? I’m not sure that you’ll leave this play with a definitive answer and you may well not even care but it’s an epic journey in this dark imagining of a dystopian world. Prom kings and queens are ritually shot dead, strange cults rule and a twisted version of the Kennedy assassination is a legend that has influenced society as the grassy knoll is reverentially mentioned. This is a sprawling and pleasantly confusing play with non-linear storytelling and a cast of seventy characters played by nine actors in a constantly changing set.

    Philip Ridley has been knocking audiences sideways and winning multiple awards for his ‘in-yer-face’ plays since The Pitchfork Disney in 1991. He’s elicited wide ranging critical responses and there are fables of fainting audience members and people stalking out of theatres in disgust. However, to look at his plays as ‘shock’ pieces would be to misunderstand and cheapen his work. His worlds are violent and terrifying but his skill is in integrating horror with the everyday world that we know. His work draws you in politely and then grabs you with an icy hand and refuses to let go. He’s also witty and wise, with a wry sense of the state of the world. Karagula is no exception. Ridley fans have learnt to never know what to expect from each new play. Here he’s crafted a fable reflecting modern society and the world’s political tensions but has set it the framework of an apocalyptic science fiction story. Much like Alistair McDowell’s ‘X’ and Anne Washburn’s ‘Mr Burns’ that both recently divided critical opinion; this is an unusual theatrical foray into an infrequently explored genre.

    Cheerleaders chant about assassinations, 1950’s housewives brag of murders in pink kitchens and milkshake parlours aren’t places you’d really want to be. Figures in white clothing inhabit starkly lit interrogation boxes and talk of concentration camps whilst Mad Max style renegades pick over ruins. It’s tongue in cheek and thankfully self-mocking throughout. There are insane touches reminiscent of a 1970’s Doctor Who episode intercut with David Lynch style eeriness. The science fiction references are frequent. Extremism, jingoism and patriotism abound. It’s a mad, mad world but one not far removed from our own. The dialogue is perplexing, odd and hilarious. Ridley’s hallmark style of slowly imbuing the innocuous and banal with sinister overtones works well here.

    The play is overlong at over three hours and is by no means perfect with uneven tones and scenes that feel extraneous. Emotion is rarely poignant or moving (with the exception of a beautiful scene surrounding a mother who’s daughter was taken from her). It’s housed in a disused ambulance station in Tottenham Hale. The production is shaky at times and Shawn Soh’s constantly changing set and the script’s moving focuses of action although impressive, are too distracting. Regardless of any flaws, the acting is skilled and Jethro Cooke’s throbbing ambient soundtrack is a suitable accompaniment.

    Overall it’s an intriguing play but feels less accessible and immediately beguiling than some of Ridley’s prior work.

    Karugula plays at the Styx Theatre until the 9th of July 2016

    Follow Chris Bridges on Twitter

  • The Big Gay Musical Creator Dies, 41

    The Big Gay Musical Creator Dies, 41

    The director and writer of the film The Big Gay Musical has died after committing suicide.

    Film producer and director Fred M Caruso has died after committing suicide in Las Vegas. He was 41-years-old.

    He left a long, heartbreaking note on The Big Gay Musical‘s Facebook page – and timed it to publish soon after his death.

    Mr Caruso said that he had made peace with his decision to end his life but also spoke about how miserable he was in his life and his terrible loneliness.

    He asked that if people wished to make a donation that they contribute to the Trevor Project, a national 24-hour, free phone suicide hotline in the United States. He pleaded with his friends and fans not to feel guilty and thanked everyone who touched his life.

    The writer also revealed that he had attempted to take his life a week prior to successfully taking his life by taking 30 Ambien pills – but was not successful.

    Read his note here:

    “WELL… Hey everyone – I have some good news – I will no longer be sending out BERNIE s***. Its (sic) not because I support hiLIARy (sic) – its (sic) because I’m no longer alive.

    “(yes I’ve been making bad jokes for 41 yrs (sic) and I intend to end things the way it began.) I have been forced to send this out through the BGM page – cause (sic) Facebook doesn’t allow you to delay posts on your personal page.’

    “For … most of my life I have been absolutely miserable – exact (sic) for when I was creating,’ he explained.

    “I have nothing left in me to create. I truly don’t think I have any idea what love or happiness is.

    “I have been incredibly lonely and at the same time – I hate being around people. I hate meeting new people and I’m always waiting for someone to stab me in the back. – lets just say I already have a whole culinary collection.”

    The Big Gay Musical was released in 2009 and was directed by Mr. Caruso and Casper Andreas. Caruso also directed Go Go Crazy in 2011.

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    If you are affected by this subject of this article or need to talk to someone you can call Switchboard, the LGBT+ hotline on 0300 330 0630 or the Samaritans on 116123