THEGAYUK

Author: Roger Walker-Dack

  • FILM REVIEW | CitizenFour

    ★★★★★ | CitizenFour

    After you have watched Laura Poitras’s powerful documentary on the NSA Whistleblower Edward Snowden you will never want to use your bank debit card, mobile phone or even turn your computer on ever again. Whilst it’s not always easy to totally understand the intricate technical details of what Snowden reveals, it is, however, impossible not to avoid his very serious warning that Big Brother is most certainly spying on every single one of us.

    What’s remarkable about this extraordinary movie is that is that Poitras was part of the whole process of Snowden going public with his astonishing information, so what we see is a blow by blow account as she films this unprecedented event from the very beginning. Oscar-nominated Poitras (‘My Country My Country’) was in the middle of making another film about surveillance when Snowden contacted her anonymously, using the pseudonym ‘Citizenfour’, and asked for her help in exposing the government’s practice of indiscriminately wholesale spying on all its citizens. Unlike others with conspiracy theories Snowden, a computer intelligence expert who worked for one of the NSA’s main contractors, had hard proof to back up all his claims but as this was classified information he knew that revealing the details would be both difficult and dangerous.

    In May 2013 he flew from Hawaii from Hong Kong where he had arranged to meet up with Poitras and Washington Post journalist Glenn Greenwald. They had deliberately chosen this Chinese territory as it has no extradition treaty with the US and both Poitras and Snowden knew that the moment they started to go public with the story the US Government (and maybe the British one too) would want to skin them alive.

    When the three meet Snowden makes it clear about his intentions to reveal how widespread these surveillance programs are, but he is unsure about exactly what information he should make public without compromising national security. Here the journalists take the lead, and they with British journalist Ewan MacAskill, make the decisions on what to release to the media and when. These few days in with the ‘team’ in Hong Kong holed up in Snowden’s undisclosed hotel room are tense and nerve racking to witness, and asides from worrying about future consequences, Snowden also wants to ensure that when the story breaks that it focuses on the revelations themselves and not about him personally.

    It turns out he was right to be concerned as when the world starts to reel with the news of the far-reaching relentless spying that government agencies have been doing aided and abetted by the likes of the major cellphone and broadband providers, the NSA and the US Government desperately try to move the focal point by accusing Snowden of traitorous acts rather than attempting to explain why all this surveillance is happening. His life is definitely in danger and the UN consulate in Hong Kong help spirit him away to a safer location whilst they can work out his next move.

    The one thing that one is sure of after seeing Snowden at close quarters and intently watching and listening to him as he shares the information he is about to reveal and explain exactly why he feels the need to take such actions, is that this very regular-type-joe simply thinks that the world has a right to now. He is devoid of any committed political convictions and he even takes great strides to ensure that his actions do not place even the smallest risk to national security. Whatever doubts one may have had about him previously thanks to the highly personal vitriolic backlash in the media that followed the disclosures, they are totally banished when one realises what a responsible and sincere individual Snowden is. He is, in fact, a true patriot and hero.

    Once he was publicly identified as being the Whistleblower, there is a very tense time when he is talking with his long-term girlfriend back home who had no inkling at all of his plans for her own good. Now he worries that the authorities will put pressure on her in retaliation, but one of the high points the movie finishes on is seeing the two of them reunited in their flat in Moscow after the Russians eventually gave him asylum.

    Credit is also due to the intrepid Greenwald who became both the moderator and the front-man who articulately dealt with the world’s media throughout the whole process. His ‘reward’ was British Immigration Authorities ‘detaining’ his partner at Heathrow airport for four hours to ‘question’ him. In fact less we should think that this is whole surveillance thing is a problem for just the American public, Snowden makes it very clear that the UK agency GCHQ have far less legal restraints placed upon them and their spying on all British citizens is probably even more intense and widespread.

    Although the movie ends with the concern of Snowden’s future (the Russians gave him a one year visa) there is naturally the much more vexing question of what will happen to all this wholesale spying once this current furore dies down. The sad thing is, we know the answer.

    P.S. This excellent movie has just won the IDA’s Best Documentary Award and has also been shortlisted for a Nomination for the Academy Award for Best Documentary.

  • FILM REVIEW | Mr. Turner

    ★★★★★ | Mr. Turner

    Mike Leigh’s stunning biopic of J.M.W.Turner is the portrait of the leading English Romantic landscape artist who was evidently also quite a philanderer and misanthrope too. Set in the 1820’s (although Leigh never tells us that) the movie focuses on the last 20 years of the painter’s life when he was at the height of his success and his work was being exhibited at the Royal Academy and also commissioned by wealthy aristocrats.

    Leigh’s story starts when Turner returns from a painting trip in Belgium to his London home that he shares with his elderly father who dotes on him and acts as his studio assistant, and also the sad-looking maid who allows Turner to have his way with her whenever he gets the urge. The maid just seems to be the latest of several mistresses, as the previously estranged one who has two simpering grown up daughters by Turner often comes around to harangue him looking for support which he never ever gives them.

    When his precious father dies, Turner sinks into a deep depression and is even more bad-tempered with nearly everyone he comes into contact with. In one rather glorious scene when he is visiting the Summer Exhibition as it is being hung at the Royal Academy he is openly disparaging about the work of the other Academicians who constitute a veritable who’s who roll call of every major artist of the day (Constable, Stothard, Callcot etc).

    On a trip to the small seaside town of Margate, which would become the inspiration for many of his most famous paintings, Turner meets the twice-widowed Mrs. Booth who becomes his live-in mistress, and later the pair moves to a house in Chelsea where Turner lives out the rest of his days.

    Leigh and his cinematographer Dick Pope don’t just show Turner in action manically slathering paint over his canvasses but also capture evocative and powerful images of the landscapes often at dawn just as Turner would have viewed them. They are a real visual joy. As too are the sets of Victorian Britain that production designer Suzie Davies has lovingly recreated.

    Like all Leigh’s movies, Mr. Turner is created through an improvisational method from which the final script evolves. Enabling his actors to have more input than normal into creating their characters certainly plays off, as so brilliantly demonstrated by Timothy Spall who gives a career-best performance as Mr. Turner. With his expressive squashy face he so convincingly portrays the short-tempered genius that never lets anything distract him from his work. Even when he faces public ridicule after he experiments with his painting style, and also right to the very end when he is on his death bed he cannot but help himself seize one final perfect moment to sketch.

    The talented cast is mainly made up of many of Leigh’s regular actors that include Dorothy Atkinson pitch perfect as the put-upon maid, Marion Bailey as the loyal Mrs. Booth and veteran actor Paul Jesson as Mr. Turner Snr.

    Overly long with a running time of 150 minutes which makes the action seem too slow and stretched out at times, nevertheless this screen biography lovingly gives a wonderful portrait for the only artist to ever now have a whole permanent gallery dedicated to his work at The Tate Gallery in London. Mr Spall’s (potentially) award-winning performance also makes this an unmissable film.

    In Cinemas Now

  • FILM REVIEW | Me, Myself And Mum

    ★★★★ | Me, Myself And Mum

    Guillaume has to ‘come out’ to his entire family but that’s no easy task in this quirky French comedy which has a neat twist on this perennial situation. His problem is that they all pronounced that he was ‘gay’ from birth and have treated him as an effeminate camp boy ever since. The trouble is that he now has to risk their disappointment and wrath by revealing the truth. He is actually 100% heterosexual.

    Allegedly based on the true story of Guillaume Gallienne the director/writer/star of the movie who was a real mommy’s boy. Born into a wealthy aristocratic family, Guillaume dotes on his mother who seems to do little beyond reading and smoking cigarettes looking very bored. stretched out elegantly dressed on chaise lounges, and who insists on treating him as the daughter she never had. He has perfected all her mannerisms to a tee and sounds so much like her that he often gets mistaken for her when people hear his voice. His father is in total despair about him and so lavishes all his attention on his two older athletic sons who he globe-trots with as they follow their very masculine pursuits whilst leaving Guillaume at home. Or worse still, sending him off to a very rough looking town in Spain to learn flamenco dancing as befitting a girly boy.

    Guillaume thinks his mother does know best so he goes along with her firm belief that he is gay and even has a crush on a football jock at the British Boarding School he is banished too. That is until of course he actually realises that he doesn’t really lust after other boys like he should, and it’s quite a shock to even him when he does eventually fall in love.

    Gallienne is a much-loved actor/writer and a member of the prestigious Comédie-Française, and this movie is adapted from his own play with which in fact, he uses to start this film with. With his really odd appearance, this 40-year-old actor not only convincingly plays teenage Guillaume BUT also, by channelling Catherine Deneuve, actually plays Maman too. Both are really joyous performances and simply the reason why this oddball comedy works so very well.

    There are some wonderfully funny passages thanks to Guillaume allowing us to observe him being humiliated so often. And taking all the abuse that is heaped on him in such good humour. This very unusual take on sexual identity does leave you grinning an awful lot.

    Winner of 2 Awards at Cannes Film Festival, this crowd-pleaser of a movie also picked up 3 Cesars (French Oscars) and is now set to hopefully wow Francophile British audiences too.

  • VIDEO: Slightly Amazing Gay Pick Up Lines

    Are your pick up lines so old that you cannot get laid?

     

    Well to help you through the Christmas Party period American You Tube vlogger Hat has put together a list of hilarious brand new lines to get you noticed. Here’s one example, ‘You remind me of a Sudoku puzzle, because even if you’re HARD I’m going to finish you in 30 seconds!’

    He guarantees if you use his gems you will get laid, or punched on the nose… (but hey, some guys like that too).

    In the video Hat shares his favourite lines and includes a very funny reaction shot from an unimpressed lad, who calls him inappropriate.

     

     

     

  • FILM REVIEW | Eastern Boys

    ★★★★★ | Eastern Boys

    Filmmaker Robin Campilio’s disturbing new thriller sharply contrasts two different sides of society in contemporary France with a very chilling effect.

    The first chapter of his four-part story is a near cinéma vérité scene of the Gard de Nord where a gang of Eastern European youths is trailing the platforms and aimlessly but obviously set on something illegal. One of them is a skinny baby-faced hustler who catches the attention of a 50 year-old businessman with whom he plays cat and mouse game throughout the station environs. When the youth allows himself to be cornered, they strike up an arrangement to meet at the man’s apartment the next day.

    What wealthy Daniel thought would be a hot date with this young Ukrainian turns out to be a frightening home invasion when the entire gang arrive and strip his luxury apartment completely bare. Taunted by the cocky Russian ringleader Boss with some overtly sexual advances, Daniel seems both terrorized and aroused at the same time.

    The third chapter opens with the surprising return of Marek the hustler … the time on his own … who offers to have sex as they originally had arranged. Despite the boy’s total indifference as he lays naked and motionless on bed Daniel still penetrates him, but the moment that it is over Marek quickly dresses and leaves without uttering a word. What is assumed would just be a one-off visit, is in fact repeated. At first its infrequently and then quite regularly but just as the youth starts to experience real feelings for Daniel, the older man decides that he wants to develop what they have into a non-sexual friendship.

    It is obvious that both of them are still threatened by the hold that ‘Boss’ and the gang have over Marek, who still lives with them in a hotel full of other illegal immigrants in the suburbs. The only way for them to ever be free of the menace is to move away, but Boss has Marek’s only papers … his passport …. stored away in his safe. Their concern that trying to retrieve this will be nigh on impossible and extremely dangerous proves to be well-founded.

    The relationship between Daniel and Marek is powerfully erotic especially as this sharp-suited savvy business man who has been viciously robbed by the boy and his thuggish pals, is yet somehow still attracted and is prepared to expose himself to potential danger again. And the different relationships that both of these men have with the charismatic but completely scary and unhinged Boss is both mesmerizing and unnerving.

    The movie, which picked up the prestigious Horizons Award at the Venice Film Festival, was beautifully filmed, and had stunningly convincing performances from all three protagonists. (Olivier Rabourdin who looks like he could be Kevin Spacey’s twin played Daniel).

    The morality of portraying all the immigrant boys in such a stereotypical manner is questionable, but that aside, this excellent drama will definitely rank as one of the best gay themed movies of this year.

    Available from Amazon | iTunes

  • FILM REVIEW | My Old Lady

    ★★★★ | My Old Lady

    Mathias Gold thinks his luck has finally changed when he inherits an imposing apartment in the centre of Paris from his late father who he was estranged from for decades. Approaching his 60’s, Mathias is a recovering alcoholic and after three failed marriages and three unpublished novels, he hasn’t a cent in the bank, and had to scrape around to find the airfare to fly in from New York to claim his property. What he finds in the Marais is a large two-floor apartment with a private garden that is worth several million euros, but it comes with an unexpected catch.

    There amongst the once grand salons is a 92 year old Englishwoman Madame Girard who had sold the apartment to his father 40 years prior but under an archaic French property law as he paid less than the going rate, she not only gets to live there for the rest of her life, but also gets a monthly stipend too. Horrified and pleading poverty Mathias persuades Mde Girard agrees to let him stay in exchange for paying rent whilst he tries to think what to do next. A plan that doesn’t meet with the approval of Chloe her daughter who also lives in this rambling dilapidated house.

    As the story unfolds we learn that Mde Girard’s relationship with Mr Gold Snr was not confined to the property transaction as they were lovers too for some decades. As the plot thickens we get to appreciate that this frail looking ancient widow is a wily old bird who has a very full and happy past, something which seems to have completely eluded the icy unmarried Chloe or the bitter and self-loathing Mathias.

    As Mathias tries against the odds to scheme to take control of the apartment he falls off the waggon and starts rapidly working his way through Mde Girad’s impressive wine cellar, and at the same time Chloe is plotting to try and keep the status quo. They are both such unlikable characters that it’s impossible to have empathy for either of them even when they clumsily fall into a too convenient happy ending.

    The playwright Israel Horovitz adapted his own play for this his movie directing debut and has left some of the very speechy monologues in which actors so love. Kevin Kline giving a beautiful performance playing the unhappy Maurice makes the most of the rants he gets to give, whilst the sublime Kristin Scott Thomas as Chloe does well with the little that she is given to work with. The movie, of course, belongs to the old lady, as it should, as played so beautifully by Maggie Smith, the grand dame herself a mere 80 years in real life. It is one of her quietest and most understated performances for years but it is still so powerful and compelling. Her character is the only one who enjoys life and Dame Maggie subtlety ensures that we definitely know this.

    It’s this ‘A’ list acting and the location of Paris exquisitely shot in a dim dusky light that makes this otherwise ‘thin’ story jump on to a ‘must see’ list. Dame Maggie alone is worth the price of the movie ticket.

  • REVIEW | Transparent

    ★★★★★ | Transparent

    After Netflix’s phenomenal success creating original content for its streaming service with two Award winning television series, now Amazon has also stepped into the area which was once the sole territory of network and cable television with the launch of Transparent its very first own series. If you haven’t caught it yet (it’s free for AMAZON PRIME subscribers) then you’re missing out as it is one of the most innovative and enjoyable family dramas that has been seen on television for years.

    It’s the story of Mort Pfefferman who has indulged and spoilt his grown-up children for years and now that he has retired he wants to share with them something that is important to him. When he asks them to gather to hear his news, they all just assume that it’s going to be something very tragic, like having terminal cancer.

    What they are not prepared to learn is that Mort is going to become Maura. This is the female who has been trapped inside him since he was a kid, and now he wants to be true to him (or rather her) self.

    The news doesn’t go over too well as these three self-absorbed siblings are all wrapped in their own lives, none of which are going too well. Sarah the oldest one feels trapped in an unhappy marriage and when Tammy her old college roommate with who she had a serious fling with shows up again, she finds an escape route.

    Jay the middle one is a successful music producer and probably the most selfish of the three. He is used to dating girls young enough to be his daughters, although that goes a little sour when one of them double crosses him at the record company where he works. He finds salvation in religion. Well to be more precise, in dating the female Rabbi. His past will catch up with him in the end as is revealed in the final episode of this first series.

    Then there is Ali the directionless brainy one who is too bright to hold down a day job so still relies on her father for handouts that she euphemistically calls ‘loans’. Her love life is equally impossible to define and when she starts dating a trans man, her brother Josh jokes that there he is now no longer the only one in his family that still likes ‘pussy’. Except his mother, but the mere thought of even contemplating his aged mother’s sex life is rather stomach turning.

    She remarried soon after divorcing Mort years ago and her ancient new husband is now fading fast. A fact that Shelly is annoyed about as not only is looking after him as his sole career a great deal of hard work, but it interferes with her own life.

    Amazon has billed this as a ‘downbeat comedy’ but what it is, in fact, is a wonderfully warm and funny series about the extraordinary journey that Maura is taking with such spirit and determination and how her choices are playing out with her family. It’s an astonishing career-defining performance from veteran actor Jeffrey Tambor who imbues the character with empathy, dignity and resilience even through the transitioning process is not always easy or comfortable. Maura may not be the most natural or charming of women, but somehow Tambor compels us to be so completely drawn to her and so wanting her to succeed.

    Great supporting cast that includes Jay Duplass, Melora Hardin, Gaby Hoffman, Kathryn Hain and Amy Landecker. However, the only other scene-stealer in the piece (besides Tambor) is veteran actor Judith Light playing the classic Jewish mother/widow to the hilt.

    The series is created and directed by Jill Soloway (Producer ‘Six Feet Under’) whose father revealed his own transitioning to her just three years ago. Although she claims that this is not at all autobiographical, she does nevertheless handle this potentially controversial subject superbly showing both remarkable insight and understanding. They were a few mumblings when the idea was initially announced that they not going to cast a transgender actor in the lead but no-one could possibly have portrayed Maura as superbly as Tambor. (Soloway did, however, make this a trans-friendly production hiring 20 in the cast and crew, and more than 60 trans men and women were employed as extras.)

    Transparent is both bold and groundbreaking and is sophisticated quality programming that is usually the Hallmark of BBC or HBO, and I cannot wait for Series 2 to arrive.

  • Coco Has Advice For You – Lose Weight And Wear Lippy

    Have you got the Sunday blues and feel like you have made poor choices in your life?

    (more…)

  • FILM REVIEW | Southern Baptist Sissies

    ★★★★ | Southern Baptist Sissies

    Fourteen years ago writer Del Shores followed his gay cult classic play ‘Sordid Lives’ with another dramedy that takes a hefty swipe at the conservative Baptists stance on homosexuality.

    Since its premiere, it has been very successfully performed extensively in regional theatres throughout the USA, but unlike its predecessor it has never found its way on to the silver screen, either big or small. Until now that is. Last year rectified Shores this omission when he directed a theatrical production in LA which he filmed in front of a live audience to make Southern Baptist Sissies the movie.

    The action is set in Shores’s beloved Texas and it follows four ‘good Baptist’ boys from childhood to their early twenties as they all struggle with their sexuality in varying ways. Mark is the most outspoken (and acts as the narrator) and questions how their Church can preach love and forgiveness whilst passionately decrying homosexuality; Andrew was the first to embrace Jesus as his saviour and men as his potential partners and is the one who wrestles most with the conflicting pressures that they bring. Benny is the most open of the group and has not only fully embraced his gayness but has welcomed it with open arms as he develops his career as a drag queen entertainer. On the other hand T.J. a real jock is in complete denial of his deep attraction to Mark and would rather marry a woman than accept who he really is.

    There is a great deal of melodrama with each of the young men all getting more than a couple of moments in the spotlight to say their heartfelt pieces, some of which come off as preachy as one of their Pastor’s sermons. Shores certainly knows how to get his cast to use the Bible like Google where there is an answer for everything.

    Then asides from this there are a couple of hardened and embittered bar flies, an older gay man and his new best lady friend, both hardened drinkers and chain smokers, who humorously dissect their lives with a constant flow of funny stories and comments on the proceedings as they sit in a gay bar.

    It’s an odd mix of highly emotional soul-bearing and chest beating on the one hand which is blended in with some really gloriously funny passages. It’s not always 100% successful but its very talented young cast that play alongside several veteran actors who are regulars in Shores productions deserve credit for their impressive performances which make the piece gel as well as it does. They include actor/producer Emerson Collins (‘Sordid Lives: The Prequel’), William Belli (‘Rupaul’s Drag Race’) doing all his own singing as Benny, Luke Stratte-McClure (‘All Together Now’) as T.J. and Matthew Scott Montgomery (‘So Random’) as Andrew. However, even the combination of cute appeal and talent still couldn’t stop them all being upstaged by Leslie Jordan and Dale Dickey with their scene-stealing outrageous bar gossip routines.

    It was definitely a bold decision to film it as a staged play, and for the most part, it works very well indeed. With simple interlocking sets the action flows quite naturally but whereas a running time of 140 minutes works well in a theatre, it drags on the screen and could have comfortably lost at least 30 minutes with ease.

    It is essentially a wonderful play about coming-of-age that shows little sign of becoming dated with time as the situations these young men face are universal and just as relevant today as when they were first written. This especially includes Andrew’s final resolution which sadly is the same decision many troubled souls still reach today.

  • FILM REVIEW | The Third One

    ★★ | The Third One

    Argentinian director’s Rodrigo Guerrero’s second feature is a very slight and charming tale about a one night stand that may change a young man’s outlook on life and love.

    We first see 22-year-old near-naked Fede at his laptop on a chatline talking to Franco. The conversation soon gets very intimate and graphic and in case we don’t get where this is leading too, Guerrero has inserted some very short clips of gay porn films. Franco is in his early 40s and partnered and when all three men agree they like the look of how this hook-up is progressing they invite the young man over for dinner and more.

    There is no ambiguity to the invitation and over the course of the meal, the three men chat at length about their backgrounds, their families and their lives so far. It is all very innocent and so completely friendly in such a way that it actually seems like the couple are looking to adopt the younger man rather take him to their bed and sexually ravish him. But this is what happens once desert has been served but as the action is photographed mainly from the waist up it is sweeter and somewhat wholesome than salacious.

    There is a lot of grunting and groaning and smiling and then some penetration.

    Next morning with still no genitalia on view the men leave for work and the boy leaves for college after they all say their fond farewells and promise to repeat the night very soon. The closing credits roll as we see young grinning Fede day-dreaming in Class his mind still on the events on last night as if he had just lost his virginity. (Not true).

    Sweet film, very good acting, but it really only had the makings of a short, and certainly not a full-length feature to promote this overly optimistic idea that sometimes (!) online hook-ups can be like a fairy tale after all.

    Released by TLA on 8th December

  • FILM REVIEW | St. Vincent: Grinning From Ear To Ear

    ★★★ | | St. Vincent: Grinning From Ear To Ear

    Vincent with no visible regular means of support and with a not a single friend in the world other than Felix his rather mangy Persian cat, is a cantankerous old drunk. When Maggie a newly single mother and Oliver her 12-year-old son move into the house next door, things get off to bad start between them and him, and it looks like they will be added to the long list of people who Vincent loathes. Then one day when Oliver gets inadvertently locked out of his house when his mother is trapped at work, and Vincent becomes a reluctant babysitter.

    Always desperately short of cash, mainly due to his very unsuccessful gambling habit, when Vincent realises that looking after Oliver every night after school will actually earn him some money, he signs up for the job albeit begrudgingly. However unbeknown to Maggie, Vincent sees no reason to change his normal routines and drags the boy around all his regular seedy and totally inappropriate haunts. When he discovers that the boy is being picked on at school he teaches Oliver how to break the bully’s nose, which to everyone’s surprise he successfully puts into practice the very next day.

    There are two people in Vincent’s life that he actually likes. One is a pregnant Russian stripper called Daka, and the second is Sandy an elderly woman suffering from Alzheimer’s who lives in a seniors centre. As the story unfolds it slowly becomes obvious why these women warrants special attention. Eventually, Vincent also starts to bond with his geeky charge and their relationship is really cemented when Oliver manages to change Vincent’s losing streak at the race track.

    Center strand to the story is that at the Catholic School Oliver attends each of the pupils is encouraged to nominate a person from their everyday lives to be a Saint. Despite his drinking, gambling and hanging out with hookers, Vincent is Oliver’s choice for canonization which seems an unrealistic fit with the Catholic Church, but this is the movies after all.

    This debut feature written and directed by newbie filmmaker Ted Melfi is purely a vehicle for the great comic actor Bill Murray who now specialises in playing old curmudgeons. He is unquestionably funnier than the movie itself, which although has some good comic moments, is just a little too sweet and syrupy which is not a good fit with Vincent’s grumpy personna.

    Melissa McCarthy has very little to do as Maggie, Naomi Watts as Daka seems as uncomfortable as we are listening to her silly Russian accent, and Chris O’Dowd is painfully unfunny as the school priest.

    However young Jaeden Lieberher playing Oliver puts in a fine performance and there was excellent chemistry between him and Mr Murray.

    It’s not the laugh-out loud comedy it sets out to be, but it will have you grinning from ear to ear some of the time.