Category: Entertainment

  • Want To Stop Drinking? This Book Might Help You

    Want To Stop Drinking? This Book Might Help You

    The Book That Changed My Life

    No More Hangovers review
    CREDIT: Allen Carr

    There aren’t many books that lay claim to changing a life, but Allen Carr’s No More Hangovers is one that can claim first prize.

    Now, I’m not an alcoholic, but I did like a drink at wine time, usually at around 6:00 pm, if not GMT then it was always six somewhere in the world – and in amongst the press conferences, the champagne receptions, the tastings and press trips I had been taking in 2014, it occurred to me that I was perhaps drinking just a little too much.

    I knew that I should cut down, my once trim 30-inch waistline was telling me that. But I just didn’t think that I could. It felt as though I lived for the Champs and nibbles at the various dos I’d attend… and also wouldn’t people think me odd, not drinking, especially when the wine and gins would flow so freely?

    I’ve never been a ‘just have one’ type of guy, it’s all or nothing with me – and while that in itself can create crazy stories, which my friends are always happy to remind me of ‘what went down’. It’s not classy, to say the least.

    However, one night, when I was alone and I started to drink by myself and after the first half a bottle of Malibu, or whatever it was I was drinking, a thought popped into my head. What am I doing and why am I doing this? I wasn’t happy and jolly, I wasn’t being the life and soul of any parties and I certainly wasn’t looking, feeling or acting the sexy beast that I know myself to be. Looking into the mirror, I saw how miserable I had actually become.

    It occurred to me, in my slightly tipsy stupor that I wasn’t drinking socially, to be funny, or to fit in. I was drinking as a crutch. A coping mechanism perhaps. I’m not sure, but I definitely wasn’t happy – and I definitely wasn’t enjoying the drinking that I was doing.

    That was nearly three years ago. And not a drop of the poison has touched my lips since reading the book, and I’m not sure it ever will again. Ask any of my friends and they are quite amazed. I’ve had fully inclusive holidays, years of of press events and family functions, where drinking used to be an absolute, and I can, hand on heart say, I’ve not missed the wine, not once.

    I don’t know what the book does, but it changed me and if you’re looking to make a positive change in your life with regards to drinking, No More Hangovers, for me, has achieved full marks.

     

    Buy Allen Carr’s No More Hangovers at Amazon

  • COMMENT | A Question For The Future Generations Of Gay People

    COMMENT | A Question For The Future Generations Of Gay People

    I was out in town drinking with my friends the other weekend (as you do when you’re semi-young and live in London) and several pints/wine glasses/shots in we got to talking about the gay scene.

    We discussed various different bars, club nights and clientele, and we laughed about our favourite nights and spat bile over our worst ones. We also conversed about the future of the gay scene in Soho. Now, this might strike you as an odd discussion for a group of half cut guys on a Friday night, but it was a strong topic of interest for us. Why is that?

    Well, the primary reason that I’ve been able to discern for this repeated discussion is a semi-unconscious, underlying concern between all of us that the Soho gay scene, as we know it, is dying. Ok, so this might be an extreme reaction, but the gay scene in London is forever changing, and it was back in the 1980s that Soho came into its own as a gay destination, so change is to be expected after nearly 40 years. However, this article is not about the future of Soho, but about a question that came to me as part of the aforementioned discussion.

    This question is fairly divisive, but I feel it’s something that should be discussed in our modern society. I know from previous experience that people don’t necessarily react well to this question, so it’s potentially a brave move to discuss it, but that’s what this website is all about, right? Good. Therefore, without further ado, the topic of today is as follows:

    ‘Do we still need gay bars, clubs and villages/scenes in modern society?’

    Ducks under table and hides from the angry shouting and flying projectiles

    Now I know that there are some very ardent supporters of the gay scene who will happily scream and shout about the importance of the gay scene, but there is also a growing collective of people who question whether our self-enforced isolation is sensible in this day and age. They are challenging the old stereotype and querying whether we are damaging our cause by hiding away from the people that we need to support us in our fight for rights. Therefore, this article has been devised as an opportunity to give a voice to both parties, and, for once, I’ll leave you to make up your own mind on the situation:

    1. Safe Spaces:
    The primary claim regarding the need for gay bars is the fact that they offer a safe space for anyone who wants to express themselves in an alternative way that might be frowned upon by wider society. This has been an essential requirement of gay bars since time began, and there is still, to an extent, a need for this safeguard in this day and age. Gay people still require the freedom to express themselves however they like, and this needs to be protected for future generations. Now primarily this is done by bouncers ensuring that people or groups of people, who would inhibit this right are kept out of gay venues. However, there appears to be an increasing danger that gay bars are taking this too far.

    A large number of people that I’ve spoken to believe that there is an increase in the number of gay bars and clubs introducing reverse discrimination against potential visitors in the name of ‘protecting’ their status as gay venues. Now I’m fully aware that this isn’t a London thing, as frequently shown by complaints coming out of Canal Street, and this issue could potentially serve to damage our reputation amongst the heterosexual community. I’ve witnessed first-hand gay friends being rejected from Heaven as they ‘weren’t a regular’ (which they were) or the bouncers didn’t like the fact that they were in a suit, and it’s been exactly the same with groups of girls, and single straight men. In addition, this behaviour isn’t just limited to clubs, and has been witnessed at gay bars and pubs throughout the UK.

    Yes, we need to protect the fact that gay bars are a safe space for anyone that falls under the all-encompassing rainbow banner, but it is being increasingly argued that we must accept that if we want to be accepted by wider society then we must be accepting of it as well. As one friend put it, “Supporting an admission policy which serves to perpetuate the divide between the LGBT community and their heterosexual friends is bad for the cause and bad for our image”. If we want to be seen as inclusive, is the need for safe spaces still important in this day and age?

    2. Meeting boys:
    A second claim regarding the need for gay bars is the fact that they offer people a chance to meet like-minded people in a safe environment. Back in the 80s and 90s, this was the case – there weren’t hundreds of different dating websites, location-based apps and networking services to choose from, and the gay scene was one of the only places to meet people. To a lesser extent, the same is true today. For those who don’t live in bustling metropolises, gay bars offer the chance to meet people that you might not find on Grindr or walking down the street. In these cases, there’s something to be said for the continued involvement of small town gay bars and their ability to introduce people to each other. However, some argue though that once you hit the big cities, this isn’t the case.

    You’ve no doubt heard it said a thousand times that everyone is always ‘busy’ in London, but it might not necessarily be how you think. In this day and age, gay men are seemingly tied to their smartphones thanks to the plethora of dating apps available to them. No matter where they are, they can find someone, somewhere, who is looking for the same thing as them.

    ‘Great, so what’s the problem’ I hear you cry. Well, that’s just it – what this means is that there is always an underlying sense of looking for the next Mr Right, meaning that people have become less open to meeting strangers in bars, primarily as it’s potentially far more awkward and embarrassing than saying ‘hey’ and being ignored on Grindr. Unfortunately, this has meant that it seems increasingly less likely that people will meet outside of the apps, creating thousands of missed opportunities and venues where people only talk to their friends. Surely this means that one of the main requirements of a gay bar is now defunct? After all, why do people need to go to a specifically gay bar to ignore other gay people?

    3. Representation:
    Following on from the argument in point one, another friend noted out that although we are at the strongest level of representation and acknowledgement within society that we have ever been asa group, this has not been without the support of heterosexuals. The majority have supported our fight for rights, recognition and equality for many years, so it seems strange that as a group, we are now looking to isolate ourselves from them now we have, in a sense, “got what we wanted from them”.

    Surely if we are looking for inclusion, we must be willing to include them in our own social activities? If not, how can we expect them to support us, as and when we need them again? Should we be looking to dismiss the idea of specifically ‘queer’ bars and look to create a range of ‘whatever’ bars, whereby the idea is to be yourself and have fun, no matter who or what you are? Perhaps this is something that future generations of gay people should be considering in the future…

    4. Is it because I’m gay:
    Another argument that was made was the fact that it’s usually very rare to discuss whether or not society “needs” a niche bar or venue, except for when it’s for a minority population like LGBT people. He, therefore, argues that this proves to an extent that gay bars are still necessary, as in any other situation, the bar wouldn’t be judged on whether it’s necessary, but on whether or not it makes money as a venue – a fairly valid argument in the financially focused society that we live in.

    These are only a few of the arguments that surround the future of gay bars and scenes in current society, but it gives you a taste of the views being expressed on an increasingly regular basis. As I said at the beginning of this article, I’m not making a conclusion for you about this. This is a topic that is extremely divisive, and there is no way to appease everyone. What I will say though is that as a group, we are now at the strongest level of representation and acceptance that we have been able to achieve to date. We are now in a position to be able to fight for people’s rights in other countries, and we should take this opportunity with both hands. What concerns me is that as a group, we run the risk of moving in one of two directions through our separation.

    The first is that we will steadily lose the support of people by staying isolated, whilst the other is that we will preserve a unique group and location for people to join when they’re ready. I am uncertain which direction this will go, and I am also uncertain that either option is the best for our group as a whole. I guess only time will tell…

    This article was originally posted in Novemeber 2014

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • 10 LGBT films you definitely need to stream on Amazon

    Looking for something to watch today? Amazon Prime has the biggest selection of LGBT films and TV programmes of all the streaming services.

    Here are our 10 favourites from Amazon Prime. To see all LGBT films available on Amazon click here.

    Read our top choices for Netflix.

    A Single Man

    Drama centres on the day in the life of a gay college professor who is coming to terms with the death of his long-term lover. Highly rated on IMDB and Netflix, this film stars Colin Firth and Julianne Moore.

     


    Carol

    In the film Carol, Rooney Mara and Cate Blanchett play two women who fall in love at a time when it was not accepted and actually frowned upon. Blanchett is magnificent as Carol, who risks losing her daughter yet has strong feelings for a much younger woman. Mara is even more superb as Therese, her innocence and naivete in full display. Both actresses are excellent, yet it’s Mara who ups Blanchette in the acting arena. The movie basically revolves around Therese and her coming of age not just with her career but with her sexuality as well. REVIEW: Tim Baros


    Dallas Buyers Club

    The very scary fact thing about watching Dallas Buyers Club is always knowing that this is sadly a very true story. These clubs like Woodroof’s (there were others in other cities) which provided drugs to those who contracted HIV, played an important role alongside the wonderful ACT-UP movement to continually put the FDA on notice, and without their unceasing pressure, demands and activism so many of the drugs that would eventually help with people with AIDS would never have been made available in time. REVIEW: Roger Walker-Dack


    Gays In Prison

    Gays in Prison is a documentary featuring Latrice Royale, the popular star of RuPaul’s Drag Race, as she reveals her own experiences in jail and explores the stories of other former and current LGBTQ prisoners, who face special challenges, violence and discrimination in the criminal justice system. The documentary is a joint production of Rogue Culture and Logo TV.


    The Imitation Game

    Based on the real life story of legendary cryptanalyst Alan Turing, The Imitation Game portrays the nail-biting race against time by Turing and his brilliant team of code-breakers at Britain’s top-secret Government Code and Cypher School at Bletchley Park, during the darkest days of World War II. The script is actually very funny as well as being poignant and thrilling. This is a must see film of this autumn/winter. REVIEW: Chris Bridges


    I’m A Porn Star

    Filmmaker Charlie David‘s light-hearted rambling review of the burgeoning gay pornography takes us through the history of porn from the 1930s. The documentary focuses on four of the most successful performers today. All of David’s subjects are very affable men and happy enough to candidly share their views on controversial topics such as barebacking, HIV, social stigma, fetishes and escorting. The whole question of gay-for-pay was also discussed by them and not always in a positive manner. REVIEW: Roger Walker-Dack 


    Milk

    Powerful, heartfelt and a strong testament to a force with that was Harvey Milk, the first openly-gay political powerhouse that ran for major in San Francisco in the late 70s. It is easy for us of a certain age, to forget or not to acknowledge those who went before in the equal rights cause and I say films like this need to be produced more and more, so that we never forget, how and why we are able to live in the western world freer that we’ve ever been able to. REVIEW: Jake Hook


    Please Like Me (seasons 1-4)

    You need to discover this gem of an Australian comedy, created by out actor, writer and comedian Josh Thomas. Follow Josh as he comes out as gay finds his first (second and third) boyfriend and discovers the joy of cooking, dog handling and straight-roommate disciplining. One of the best shows to come out of Australia in years. Fresh and full of heart. REVIEW: Jake Hook


    Rock Hudson’s Home Movies

    From his days as an obscure contract player to the revelations about his “gay life style,” the film provides an innovative and exciting look at the life of a legend: Rock Hudson.


    Transparent (seasons 1-3)

    When the Pfefferman family patriarch makes a dramatic admission, the entire family’s secrets start to spill out, and each of them spin in a different direction as they begin to figure out who they are going to become. Brilliantly thoughtful and wonderfully acted from all quarters.

  • THEATRE | Fancy Chance is coming back to Soho Theatre

    This April, Soho Theatre audiences are set to embark on an extraordinary journey courtesy of one of London’s most celebrated and versatile cabaret performers: Fancy Chance.  Her debut autobiographical show Flights Of Fancy runs for 5 nights from April 25-29 following sell-out previews in 2016. 

    c. Bodhan Cap

    A globe-trotting, time-traveling mini-spectacle with turbulent polemics and unexpectedly poignant stop-offs, Flights Of Fancy tells the true story of the artist’s journey from Korean refugee to international cabaret performer. In-flight entertainment includes offbeat humour, songs, and scenarios, written and performed by the artist herself and developed and directed by Nathan Evans.

    Fancy Chance says,

     “For years I’ve wanted to put together something long-form that allows me to expand on themes I’ve explored in shorter work, such as feminism, racism and body politics, using my own experiences as a starting point. Which isn’t to say it’ll all be serious, but there may be tears amongst laughter”.

    Fancy’s own travels started prematurely when as an abandoned baby, her life took an unchartered turn: “To this day I know nothing of my birth parents or birth name. If I hadn’t been adopted into a white family from the USA in the 1970’s then found home in London’s cabaret scene, who might I have been?  This show is used to explore the politics of identity and migration, the ethics of interracial adoption and global gentrification and to leave the audience questioning their own privileges and perspectives”.

    Fancy Chance’s work incorporates comedy, burlesque, drag, circus, cabaret and live art. Having made London her home she is consistently working and travelling. From Las Vegas (Caesar’s Palace no less..) to Latitude, and from Gothenburg to Glastonbury, cities as far afield as New York, Helsinki and Dubai have played host to Fancy’s multiple skills and personas.  In 2009 she was crowned the Alternative Miss World by national treasure Andrew Logan after hanging by her hair from the rafters of the Roundhouse and in 2016 Fancy collaborated with Marisa Carnesky in Carnesky’s Incredible Bleeding Woman prompting positive reviews.  She regularly performs at London’s Wonderground, Royal Festival Hall, Royal Vauxhall Tavern, Leicester Square Theatre and The Box.

    ‘Twisted. Sick, even. But that’s the point.’ The Independent

    ‘Politically charged social critique with powerful feminist undertones.’ Exeunt

    ‘Consistently hilarious.’ The Stage

    Nathan Evans is a writer, director and performer whose work in theatre and film has been funded by the Arts Council, toured by the British Council, broadcast on Channel 4, archived by the British Film Institute and awarded a few statuettes. Previous shows for Soho Theatre include 7 Deadly Sins with The Tiger Lillies, Unplugged with David Hoyle and I Love You But We Only Have Fourteen Minutes To Save The Earth with Fancy Chance. www.nathanevans.co.uk 

    Listings:

    Date: 25-29 April 2017

    Time: 7.30pm 

    Title: Flights of Fancy

    Credits: performed by Fancy Chance, directed by Nathan Evans

    Venue: Soho Theatre, 21 Dean Street, London W1D 3NE

    Tickets: £10-15

    Booking: www.sohotheatre.com 

    URLS: facebook.com/fancychances

    TWITTER: @fancy_chance 

  • THEATRE REVIEW | How to Succeed in Business Without Really Trying, Wilton’s Music Hall, London

    THEATRE REVIEW | How to Succeed in Business Without Really Trying, Wilton’s Music Hall, London

    ★★★★ | How to Succeed in Business Without Really Trying

    Wilton’s Music Hall in the East End has another hit on its hands.

    How to Succeed in Business Without Really Trying is their fun and superb new show now playing at the historic venue. And it’s got the right cast to succeed without really trying to be a hit!

    Mark Pickering plays J. Pierrepont Finch – an ex-window washer who cleverly climbs the corporate ladder by taking tips from a book called ‘How to Succeed in Business Without Really Trying’ (obvs). His first step is to get a job, so he starts in the mail room at World Wide Wicket Company, working with Bud Frump (a very good Daniel Graham) – the nephew of CEO JB Biggley (Andrew C. Wadsworth). Company secretary Rosemary Pilkington (Hannah Grover) takes a liking to Finch, but Finch has more climbing the ladder to do, and soon enough he’s a junior executive. In the blink of an eye, he’s promoted to run the advertising department. And eventually, Finch will be after Biggley’s job, who has employed in the company his mistress Hedy La Rue (an excellent Lizzii Hills). She’s stacked but not too bright, and unfortunately, she gets enlisted in Finch’s new advertising campaign where she gives away the clues to a company competition, which could possibly lead to hers, Finch’s, and the company’s downfall. It’s a story told in laughs and colourful songs.

    The cast is perfect and the staging particularly brilliant. Especially good are Pilkington (great voice and timing) Hills (great comedic wit), Graham (perfect for the role as the spoiled nephew who doesn’t quite get what he thinks he deserves – with great facial expressions), and Matthew Whitby as the HR Director. Excellent direction by Benji Sperring brings this production, which is based on the 1952 book and the 1961 Broadway musical (and which has not been seen in London since 1963 when it played at the Shaftsbury Theatre). It’s pretty much as relevant today as it was when it was originally produced. And the very last song – “Company Way” – where Maisey Bawden finally comes into her own and belts her heart out, leaves the audience wanting more.

    How to Succeed in Business Without Really Trying plays at the Wilton’s Music Hall, London until April 22.

     

  • Drag Race just got renewed

    Drag Race just got renewed

    Hip hip!

    RuPaul’s Drag Race just got greenlit for 10th series, making it the most popular LGBT TV programme ever. The show will start from March 2018.

    The show’s popularity has not waned at all, in fact, the producers have said that series 9 of the show was “breaking rating records”. The show also won RuPaul an Emmy.

    Speaking about the renewal RuPaul said,

    “As we celebrate a Decade of Drag, we’ll continue to tell universal stories of the tenacity of the human spirit,

    “Now more than ever, we rely on the power of love, laughter and creativity to combat fear and darkness.”

    Chris McCarthy, President of VH1, MTV and Logo said,

    “It’s been amazing to see the show get its highest season ever on a whole new night on a whole new network,”  “We brought in a whole new set of audience that is loving the show.”

     

  • DVD REVIEW | The Pass

    DVD REVIEW | The Pass

    ✭✭✭✭ | The Pass

    Two footballer players end up scoring with each other in Ben A. Williams feature film debut The Pass which is now out on DVD.

    The Pass take place in a ten-year time span which tracks the relationship between two Premiership football players. There’s always been some kind of chemistry and attraction between James (an electric and very good Russell Tovey) and Ade (Arinzé Kene – Hollyoaks – also very good). We meet both of them while they’re sharing a hotel room in 2006 in Bulgaria right before one of their first big matches. They’re both very young, and they’re also both very fit, masculine and extremely sexy, and they spend the first third of the movie in their tight white underwear. James and Ade are talking lads stuff, having a laugh about other players, and watching a video that was taken of another player having sex. The sex talk continues, and the banter goes something like ‘getting as hard as your sister sitting on my face.’ They’re playing around with each other; it’s hot, it’s erotic, it gets brutal and homophobic, plus, we find out later, it leads to more than just talk.

    The Pass takes us beyond the hotel room to tell us the story of the relationship between these two men, but especially about the relationship James has with himself. He’s all man, a star footballer, with all the trappings of stardom; money, women, celebrity, and eventually a wife with two kids. But he’s also battling with his sexuality, and even though he buys whatever, and whomever, he wants when he wants it, the thing he wants most is out of his reach. And when he’s questioned about his sexuality by a woman who has been paid to videotape having sex with him, he wants to go through with it, just to prove to the world (and obviously to himself) that he’s not gay. He’s a man who is not able to accept who he is and who he really wants to be with.

    The Pass is 88 minutes of purely charged up adrenaline. It’s a movie that’s full of dialogue, dialogue that goes from playful banter to sexually-charged hi-jinks, up to and including the final third scene of the movie, which involves a hotel bellboy that’s a bit over the top. But it’s not to take away from a movie that brings up a real issue – that there is not one out gay football player in the game now. Let’s hope this film opens up the dialogue that it’s fine for a player to come out of the closet. Originally produced for the Royal Court Theatre in 2014, The Pass makes an excellent transition to the big screen. Kene brings a real toughness kindled with a bit of softness to his role, but it’s Tovey who owns the movie. He’s never been better; his James is battling with his sexuality while at the same time trying to uphold his image. Tovey is electrifying and is at the top of his game (he will soon be seen at The National next month in the play Angels in America). This is one pass that you will want to catch.

    The Pass is available to stream and buy from Amazon and iTunes

  • THEATRE REVIEW | Gypsy Queen – National Tour

    THEATRE REVIEW | Gypsy Queen – National Tour

    ★★★| Gypsy Queen – National Tour

    In a story set in the testosterone-fuelled world of boxing, “Gorgeous” George O’Connell, a street brawler from the travelling community is approached to be coached professionally for the sport by a local gym owner. But George’s deepest secret cannot be contained when openly gay boxer Dane “The Pain” Sampson makes a move on him in the changing rooms. The two men fall in love as George tries to come to terms with his sexuality, but they face their biggest fight when George’s internalised homophobia rises to the fore and his actions lead to a tragedy that neither of them could ever have envisaged.

    Photo Credit – PR Supplied

    In 2015, boxer Tyson Fury caused controversy by stating in an interview that homosexuality was one of three components that would see “the devil come home”. The comments caused a media storm, a backlash against the boxer and demands for him to be removed from the BBC Sports Personality of the Year shortlist. This play by award-winning playwright Rob Wright throws, and squarely lands, a counter punch at those comments by not only telling the story of gay men in the middle of the ultra-masculine environment of the sport, but by also putting forward a gay central character whose background is not that dissimilar to the background of Fury himself.

    Using two actors to portray all of the characters in the story, the play has a script with charm, warmth and some genuinely funny moments, as the pair struggle with their relationships with their parents, their fledgeling relationship with each other and the pressures and prejudices of both their professional and personal communities. The set, comprising of a changing room bench, is repositioned to transport the scenes to the various locations, and the characters demarcations come from the use of simple costume changes and some nifty versatility from the two-hander cast.

    Rob Ward centrally plays Gorgeous George with a cocksure swagger and confidence; whereas Ryan Clayton balances this out with a measured performance as Dane, played with a sensitive vulnerability. But it is Clayton’s performance of Mrs O’Connell, the foul-mouthed but well-meaning matriarch of George’s family that turned out to be a scene stealer.

    Whilst the presentation and performance of the show could do with a little polishing, there is a lot to recommend it. With its 70 minute runtime, the play is well written, well-paced and laced with humour, allowing the central message to come through without ever sounding preachy. The uncertainty portrayed by George in coming out is something that many gay men will relate to, and the exploration of the underlying homoeroticism in such a masculine sport is a welcome and timely one.

    Gypsy Queen is a funny, poignant, thought-provoking and relevant piece of theatre and one which is well worth catching.

    The show contains full frontal nudity, scenes of a sexual nature and strong language. Gypsy Queen is currently on national tour and details can be found at http://www.gypsyqueentour.com/ . The show was reviewed at Doncaster CAST Theatre, who has The Faaaabulous Ceri Dupree Show coming soon. Visit https://castindoncaster.com/ for details.

    Photo Credit – PR supplied

     

  • This theatre has the best all-gender toilet sign

    Sometimes you just gotta love a company’s sensibility.

    The management at this theatre in New Zealand doesn’t care what gender you identify as, or it seems, even if you identify as human – just as long as you wash your hands.

    The sign was the idea of the theatre director Sarah Anderson. Speaking to the Otago Daily Times the theatre manager said,

    “We like people to be relaxed and that’s the point of having the sign,

    “It takes any anxiety away for people who might feel pressured into going into toilets specified for one gender, or another, when they don’t necessarily relate to that gender.

    “The sign was installed to help people ‘to feel more comfortable and safe”.

    Quite right.

  • REVIEW: Audra McDonald at the Leicester Square Theatre

    ★★★★★ | Audra McDonald

    Megastar of Broadway, film and television Audra McDonald can barely pop out for a carton of milk in New York without winning another Tony Award. It’s not hard to see why she’s a record breaking award winner and it’s a privilege to see and hear her up close in the Leicester Square Theatre.

    Due to break her West End virginity in June with her acclaimed performance as Billie Holiday with ‘Lady Day at Emerson’s Bar and Grill’, Audra’s in town for a flying visit with her husband and kids and decided to pop into the theatre, have a chat and sing a few songs. On one level it feels like just that, a lovely friend has popped in for coffee and a gossip but on the other it’s slick and showy, crank the drama up to maximum and let the hairs on the back of the neck rise.

    Audra is interviewed and accompanied on the piano by the hilarious and camp musical theatre legend Seth Rudetsky as well as being joined by her Broadway hunk husband Will Swenson. There’s a genuine warmth between Audra and Seth as they chat on the sofa about the kind of diverse subjects we all gossip about such as childrearing, travel and working with P-Diddy.

    Oh, she’s met a few legends too and gives good Barbra and Liza anecdotes. She seems to be that rare entity: genuinely nice but interesting with it. In between chats she sings. Boy does she sing. Last night she ran through Sondheim, Lerner and Loewe and Gershwin, amongst others but who knows what you’ll get if you’re lucky enough to get a seat.

    She really does have a beautiful voice and it’s not hard to see what all the fuss is about. If you love musical theatre then this is an absolute must. Even if you don’t love musical theatre then go. If this doesn’t convert you then nothing will.

    Audra McDonald plays at The Leicester Square Theatre until 15th April 2017

  • Will Channel 5 fix this gay couple’s engagement?

    Tonight Channel 5’s One Night With My Ex will feature a one-time couple, Paul and Phil.

    Tonight Phil will confront Paul about why he left abruptly before during their engagement. Without a word.

    Will tonight’s episode bring them back to together or will it destroy them forever?

    After 24 hours alone together, will those nagging doubts be put to bed, or will they realise that despite it all, they still have feelings for each other?

    This compelling series delves deep into the heart of broken romances, giving former couples the opportunity to clear up any unfinished business by allowing them to ask the questions they wish they had asked and to find out things that they wish they had known.

    On Channel 5 at 10 PM