THEGAYUK

Category: Entertainment

  • FILM REVIEW | Tab Hunter Confidential

    ★★★★★ | Tab Hunter Confidential

    Tab Hunter was and still is at the age of 83-years old a stunningly handsome man.

    When he was a teen idol in the 1950s he was the ultimate clean-cut, all-American boy and seemingly butter would not melt in his mouth. He was Warner Brothers Studio’s biggest box office movie star for at least three years of his tenure there. Surprisingly, we learn from this documentary, that Tab’s sexuality didn’t play a part in the ending of his Hollywood career. It was the actor’s own desire to buy himself out of his studio contract. Even though he was a major star, Hunter was extremely unhappy with the lightweight fluffy movies that he was always having to make.

    Tab Hunter Confidential is based on the memoir that Hunter penned with film historian Eddie Muller in 2005. It is a lively account of how this handsome matinee idol, with a rigid set of principles, coped with his dramatic professional and personal life. His sexuality, although hidden from the public in the early days, was no deterrent for studio mogul Jack Warner who never raised the subject. He was simply happy that Hunter was such a moneymaker for him. When on one occasion Hunter’s privacy was sacrificed to save Rock Hudson from being exposed, Warner defended him with a blunt, “Today’s headlines are tomorrow’s toilet paper.”

    With his career fading, Hunter resorted to dinner theatre and whatever work he could get to scrape by until his career got a second wind in the 1980s when he co-starred in Polyester with Divine.

    The most interesting part of the story is Hunter’s romances ranging from ice skater Ronnie Robertson to actor Tony Perkins, the latter who managed to break his heart and steal a role that he had coveted. In an era when homosexuality was not only illegal but could also destroy lives, Hunter resisted taking the well-worn path of other closeted gay men in the public eye who had marriages of convenience. True, he very publicly ‘dated’ many starlets and took part in many photo spreads in fanzines with them, but he resisted the pressure to opt for the easy way out by getting wed.

    Hunter a very devout Catholic explains his dilemma at the time: “If you were with a man you would be sinning, and if you were with a woman you would be lying.”

    He did, as Debbie Reynolds confirmed, make the right choice and he eventually was able to come to terms with his sexuality by accepting the Church’s teaching on love and self-acceptance.

    Some 30 years ago, Hunter aged 53 met a 23-year-old man called Allan Glazer who became his partner, and now after three decades together Glazer is a producer of this documentary which may be a reason why there is little of him in this movie. Since Hunter’s second movie with Divine in 1985 Lust In The Dust, he has settled down to a life away from the spotlight on his ranch with Glazer raising horses.

    Emmy Award winner Jeffrey Schwarz directs the movie, and this is his fourth documentary of a gay icon (Vito, Jack Wrangler and Divine). Schwarz shows a genuine affection for his subjects and the portraits he paints are very insightful and totally riveting. He reintroduces this disarmingly charming man to those of us who have memories of Hunter growing up, and present him to a new generation, who will see him as a role model that they can look up too.

     

    The Tab Hunter DVD is available to buy

  • Emmerich Stonewall Film Has Oscar Desires

    Film producer and director Roland Emmerich is eyeing up Oscar inclusion with a film dedicated to the Stonewall riots of 1969.

    The film documents the Stonewall riots. The protests, which happened around the Stonewall Inn in New York, were the results of a gay community relentlessly discriminated against and bullied by the police force in New York. The Stonewall riots are often cited as the start of the modern gay rights movement.

    The film, which stars Jeremy Irvine, Jonathan Rhys Meyers and Ron Perlman will be released in time to be included in 2016 Oscars considerations. According to The Hollywood Reporter, the film will have a late September release date in US cinemas.

    Speaking about the film Emmerich said:

    “I was always interested and passionate about telling this important story, but I feel it has never been more timely than right now. Less than 50 years ago, in 1969, being gay was considered a mental illness; gay people could not be employed by the government; it was illegal for gay people to congregate, and police brutality against gays went unchecked.”

  • Top 17 Essential Gay Films

    Whether you love screamers or creamers, romances or “the call is coming from with in the house types” there are a lot of amazing gay films out there. THEGAYUK’s Aaron Holloway lists his top 17 essential gay and lesbian films

     

    Make the Yuletide Gay

    When Olaf Gunnunderson returns home for the holidays, his college boyfriend decides to come with him. While they`re both out and proud on campus, Olaf must bury himself in his childhood closet in order to survive the trip. This film is a great holiday film, filled with enough adult humour to keep you laughing throughout the holidays. One of the best gay films.

    AMAZON: BUY THIS MOVIE

    iTunes: BUY/RENT THIS MOVIE

  • EastEnders Defends Ben Mitchell Gay Sex Scene

    EastEnders producers have defended the gay sex scene between the characters Ben Mitchell and Paul Coker saying the sex was implied rather than explicit.

    The scene which attracted 48 complaints to OfCom has been defended by the BBC with a spokesperson saying,

    “The millions of regular ‘EastEnders’ fans who tune in each week know and expect dramatic storylines.”

    “We are always mindful of our time slot in which we are shown and the scenes in question were implied and not explicit.”

     

    This isn’t the first time the BBC has had to defend gay storylines on EastEnders, in 1987 the BBC received a record number of complaints when Colin kissed a then under age Barry.

    The fallout from the kiss raised questions in the House of Commons.

  • WATCH: What If Gay Men Could Get Pregnant

    A brand new film starring Charlie David and Jacob York explores the idea of a gay man getting pregnant.

    Matt Riddlehoover’s Paternity Leave is a romantic comedy about Greg (Jacob York), Ken (Charlie David), and a moment of passion on the eve of their four year anniversary that changes the course of their lives forever.

    Greg begins feeling nauseated, fatigued, moody and – most unfortunately – fat. At his wit’s end and Ken’s insistence, he sees a doctor who’s stumped and refers the couple to a specialist. To everyone’s amazement, Greg is pregnant. Shock, stress, and fear settle in, and Greg’s relationship gets put to the ultimate test.

     

    Now playing festivals, Paternity Leave is available for pre-order at PaternityLeaveFilm.com.

  • Ben Mitchell Gay Sex Scene On EastEnders Attracts 48 Complaints

    An implied gay sex scene could land the BBC in trouble with OfCom after 48 complaints were made to the regulatory body.

    A scene between the characters Ben Mitchell (Harry Reid) and Paul Coker saw the pair getting topless and kissing in front of an open coffin in a funeral parlour.

    Speaking to Digital Spy, a spokesperson for the BBC said,

    “The millions of regular ‘EastEnders’ fans who tune in each week know and expect dramatic storylines.

    “We are always mindful of our time slot in which we are shown and the scenes in question were implied and not explicit.”

    OfCom commented that it would access the complaints before deciding whether it needs to investigate or not.

  • REVIEW | Supreme Fabulettes At Leicester Square 2015

    Wigs at the ready, the Supreme Fabulettes are back…

    (more…)

  • THEATRE REVIEW | Camelot, The Shining City

    ★★★ | Camelot, The Shining City

    Sheffield Theatres join forces with the innovative Slung Low Theatre Company to present an intriguing and immersive theatrical experience. Whilst this is a show which takes inspiration from the legend of King Arthur and which borrows both characters and plot points, this is by no means a straight retelling, but instead sets the action in a dysfunctional, near-future Sheffield, where totalitarian rule by a military dictatorship sparks revolution, rebirth and riot.

    Utilising a cast of 150 people, made up of a mixture of professional actors and members of the Sheffield People’s Theatre, this is theatre on a big scale. Starting on the stage of the Crucible Theatre itself, the action, cast and audience subsequently spill out into the summer evening in Tudor Square outside the theatre itself; with the action then moving to the Peace Gardens in the town centre for the final act.

    Soldiers patrol the crowds, riot police with spotlights line the roofs of the neighbouring buildings, rioters mingle with the audience members, military jeeps sweep up the square, a taxi is smashed during a riot and pyrotechnics light up the twilight of the evening as the show culminates. This is not just your run of the mill street theatre; it is street theatre on an impressive and grand scale.

    Where this show is a real success is that it quite literally places you; as an audience member; right in the middle of the action, with the play taking place all around you. Each audience member is given a headset with a radio receiver, which allows you not only to hear every word spoken by the cast, but also allows for interior monologues of the characters to be heard, for atmospheric music and sound effects to consume you and to effectively isolate you from the “real world” making you feel even more a part of what is being portrayed in front of you.

    Whilst the actual story itself was not particularly strong and the performances were never more than functional, there was some clever writing involved. Key plot points were written into the story to signify the change of performance venue, and even the transporting of the audience was part of the play itself, not only flowing with the story, but including you being surrounded by the cast still in character. There were a number of local references which further assisted in blurring the lines of the real world and world on stage; and the presentation and grandiose nature of the whole thing was tremendously impressive.

    As someone who is fortunate enough to frequent the theatre regularly, this was not only very well and smartly staged, but was a wholly different and highly enjoyable theatrical experience unlike any other I have attended. For those looking for a very unique evening of theatre, look no further.

    Camelot – The Shining City is currently playing at Sheffield Theatres until 18th July 2015. For details and tickets, visit www.sheffieldtheatres.co.uk or call the box office on 0114 249 6000

  • FILM REVIEW | Elephant Song

    ★★★★ | Elephant Song

    At only 26 years old, French-Canadian Xavier Dolan already has five films under his directorial belt, all of which have been well received and critically acclaimed. In addition, he’s acted in 12 films, including the just released Elephant Song.

    In 2009, Dolan directed, produced, starred and wrote J’ai Tué Ma Mére (I Killed My Mother), a semi-autobiographical story about him as a young gay man at odds with his mother, and wrote the script when he was at the tender age of 17. It won 3 awards at the Cannes Film Festival. The next year he wrote, directed, produced and starred (again) in Les Amours Imaginaires (Heartbeats), a story about three close friends who are involved in a love triangle. In 2012 Dolan continued his string of emotional and heartfelt films by writing and directing Laurence Anyways. At 168 minutes, it was an ambitious project for the young director to do, it was about the struggle of a straight man who, over the course of ten years, transitions from male to female, and how it affects the relationship with his lover (with amazing performances by Melvil Poupajd and Suzanne Clément). Laurence Anyways won many awards, including two Cannes Film Festival Awards (the Queer Palm Award and Best Actress for Clément). Lawrence Anyways was also nominated for ten Canadian Screen Awards (winning two), and more importantly, at the Toronto International Film Festival, it won Best Canadian Feature film. Not bad for a local boy.

    2013 is when Dolan wore multiple hats in a film. In Tom á la Ferme (Tom at the Farm), Dolan, who wrote, produced, directed and starred, plays Tom, a young man who works in an advertising agency and travels to the Canadian countryside for the funeral of his 25-year-old boyfriend. The problem is that the grieving mother did not know that her son was gay, so she accepts Tom as his friend in the hopes that he can tell her all about her dead son’s life. Meanwhile, the deceased’s brother, 30-year-old Francis (an amazing Pierre-Yves Cardinal), knew that his brother gay but could never really accept it. Conflict, anguish, thought provoking moments, anger, love, and acceptance follow. More acclaim followed Dolan when Mommy was released in 2015. It stars French Canadian actress Anne Dorval who is a widowed mother overwhelmed by her teenage son (Antoine Olivier Pilon – a relevation) and his attention deficit disorder. Dolan wrote, produced and directed Mommy, and it won the Jury Prize at the Cannes Film Festival and won nine Canadian Screen Awards, including Best Motion Picture.

    In the newly released Elephant Song, Dolan, who co-stars along with Bruce Greenwood and Catherine Keneer, plays Michael, a psychologically unwell young man in a mental institution who may or may not have had something to do with the disappearance of his psychiatrist. So it’s up to Greenwood’s Dr. Greene to interview Michael to try to get to the bottom of his colleague’s disappearance. During the interrogation, Michael plays mind games with Dr. Greene, alluding to the fact that he knows where his psychiatrist is but is not quite yet ready to tell. Michael is clearly a very disturbed young man, his very famous opera singer mother all but ignored him, and the one time he spent with his father was when he took him elephant hunting, with the boy Michael crying over his father’s killing of an elephant. And Michael alludes to a sexual relationship that he is having with his psychiatrist, so it’s up to Dr. Greene to take what Michael is saying with a grain of salt. Even the head nurse, Susan Peterson (Keneer), warns Dr. Greene to keep his distance from Michael. It’s a film that at its centrepiece is Dolan, who is perfect as Michael, very good looking yet very mischevious, you don’t know whether you want to hug him or to run away from him. And the film revisits the themes of homosexuality and the lack of acceptance so common in Dolan’s films.

    What’s next for Dolan besides conquering the world? He just finished shooting ‘It’s Only the End of the World,’ about a young man who returns home after 12 years to announce his impending death to his family. It stars Marion Cotillard and Vincent Cassel. Dolan will also be shooting his first film in the United States, to be titled The Death and Life of John F. Donovan, in 2016. It’s a fictional story about an actor who is famous for playing a Marvel-style superhero whose life and career are turned upside-down when his private correspondence with an 11-year-old fan is exposed and made to look indecent by a villainous gossip columnist. This one stars Hollywood heavyweights Kit Harrington, Jessica Chastain, and Susan Sarandon. If his previous films are anything to go by, these new films (and his future films) will be eagerly anticipated and will be must sees.

  • FILM REVIEW | Boys In Brazil

    ★ | Boys In Brazil

    This painfully unfunny dramedy starts and ends with a group of four closeted gay friends at São Paulo’s Gay Parade, one of the largest in the world. As the Parade ends one of them is gay-bashed and after they beat the thugs off, the four make a pact that by the time of next year’s Parade they will all finally come out of the closet.

    Outrageously camp teenager Mauro has aspirations to be a Drag queen, something his devout evangelical parents are quick to put a stop too once they catch him midstream trying out his lip-synching routine. Their reaction is to drag around their local priest to exorcise the devil out of their son. Mauro’s rather shy best friend Rodrigo just needs a push to hook up with another handsome classmate, and telling his parents that he now has a boyfriend is rather a non-event.

    Mauro’s gay uncle Vicente who was also part of the group is a high-flying businessman who panics when his boss is in town from Paris and insists on having dinner with Vicente and his wife. Vicente’s best girlfriend is dragged into be his beard, but he needn’t have bothered as the boss turns out to be gay too. Who Vicente would have preferred to be dining with is Roger the rather hunky man he helped rescue from the gay bashing incident. Roger, however, is married and about to be a father a second time, and just cannot find the time to reach his part of the pact and come out to his wife. It’s not helped by the fact that his mother-in-law (played by a real-life drag queen!) practically lives with them.

    Then there is the angry and rather annoying self-righteous lesbian blogger who sits in judgement of them all and wants to publicly ‘out’ both Roger and Mauro against their wishes.

    The cliché driven very lame plot is packed full of old-fashioned stereotypes that seem so out of place in contemporary gay cinema. Even the coming-out aspect of the stories are handled so clumsily, that they are difficult to empathise with.

    I saw this one so you wouldn’t have too!

  • Another Gay Bar Closes In London, Barcode Closes Without Warning

    London’s once-thriving gay scene is diminishing after another venue has announced its closure last month.

    Barcode in Vauxhall has announced without warning that it is to close on Saturday after 9 years in existence.

    Barcode is just one of a number of other gay spaces that have closed in London this year. Black Cap and The Joiner’s Arms were both shuttered in 2015.