THEGAYUK

Tag: London News

All the latest from London, the capital of the UK, home to the UK’s largest gay community.

  • THEATRE REVIEW | Peter Pan Goes Wrong

    ★★★★ | Peter Pan Goes Wrong

    If you’re a fan of farce, then this genius gem will slap you round the head, crack your ribs from laughter and leave you with a weaken bladder.

    The Mischief Theatre Company are changing the face of comedy in the West End. They already have The Play That Goes Wrong and The Comedy About A Bank Robbery and now they’ve brought back their Christmas pudding, Peter Pan Goes Wrong. They’ve tapped into something that the West End has been missing for a long time. They’re giving us what we need. A laugh and lots of them.

    In these politically trying times of neverending referendum headlines, a plummeting currency, a US Presidency election that makes even EastEnders look dull, and don’t even get us started with how Brexit is going to affect us in Eurovision, this theatre company is like a lit candle next to a flammable costume. On Fire.

    The Cornley Polytechnic Drama Society are about to put on their Panto (oh no it’s not) and they’re nearly ready, but the audience has arrived for the first night and the show must go on, regardless if all the necessary health and safety checks have been made. The set has been improved for 2016, thanks to a cast buy in of £40,000 and they’ve splashed out on a revolving stage. All is set to be an incredible, critically acclaimed am-dram performance of the evergreen favourite of Peter Pan… Or is it?

    The theatre’s electrics are on the blink, the sound recording cues are all wrong, the revolving stage has gone haywire, lines have not been learned, but that’s no barrier to this well-meaning band of merry actors. It’s hilarious.

    Christmas has never been so funny. Even that time Dad tried to play charades in a full body cast.

    This is exactly the pill the doctor ordered!

  • THEATRE REVIEW | F*cking Men

    THEATRE REVIEW | F*cking Men

    ★★★★ | F*cking Men

    If you’ve ever heard of the concept of ‘six degrees of separation’ then you’ll already know the theme of Arthur Schnitzel’s classic 1897 play Le Ronde. Couples copulate and the circle goes round with one-half of each couple appearing in the next scene with a new partner and the half of the first couple seen on stage appearing as one-half of the final shagging couple. Joe DiPietro’s updated version of his 2015 play features men f***ing. Lots of them. The three actors take on various roles including a rent boy, a soldier, a Hollywood actor, a married couple and a porn star. It’s a great concept and it actually works.

    The dialogue is sharp and witty and the play is by turns grimy, tender and darkly comedic as well as at times, erotic. Men fumble, fellate and f*** (you’d want your money back if they didn’t, wouldn’t you?). The situations are sometimes familiar, sometimes exotic and DiPietro manages to cover a lot of pertinent issues without being dull or preachy. From the young soldier pretending to himself that having his cock sucked doesn’t make him gay to the couple with intricate rules attached to their open relationship (which, of course, they aren’t abiding to); these are situations that are bound to resonate with a gay audience.

    A couple of the scenes jar slightly and there’s the odd discordant character but mostly these people feel spot on. The three actors are as talented as they’re hot. This is a feast for the intellect as well as the eyes and it’s a thought provoking and wise piece.

    I’d highly recommend getting down to The Vaults at Waterloo to catch this play. David Hare’s 1998 version of La Ronde (The Blue Room which starred a naked Nicole Kidman) was famously described as ‘pure theatrical Viagra’. This is a triple dose of Viagra in a tunnel at Waterloo. Now that’s not something you get offered every day.

    F***ing Men runs at The Vaults Theatre until 4th December

  • RESTAURANT REVIEW | Chicago Rib Shack – Aldgate East

    Chicago Rib Shack – Aldgate East – stomach busting food that will do damage to your waist – in a very delicious way!

    There have been so many times when I’ve dined in a restaurant only to be left feeling not fully satisfied and still a bit hungry. Well, a visit to Chicago Rib Shack is quite the opposite – I left very full and extremely satisfied, read more to see why.

    Chicago Rib Shack has just opened it’s fifth London location, right near Aldgate East tube station. Already with a presence in almost every direction in London (Stratford, Clapham, Camden and Twickenham, and they’re also in Leeds), Chicago Rib Shack is changing the way ribs are eaten in London. Their ribs are smoked over applewood chips for a minimum of six hours in a wood burning oven at 107 degrees celsius. So you have a taste of nicely smoked ribs with the option of adding as much BBQ sauce as you want.

    On a Thursday night visit to the newly-opened (two weeks) Aldgate East location, the restaurant was jam packed. Evidently, word had gotten out that on this otherwise unfriendly and bland street a few minutes walk to the tube station was a brand spanking new American-style rib joint. Even when you’re walking by the smell of ribs is so strong and powerful that if that doesn’t lure you in then you’re sense of smell needs to be checked by a doctor.

    The beef ribs did not disappoint. The two on my plate were massive, extremely tender and wonderfully large. These particular ribs are smoked for 18 hours and arrive on the plate moist and meaty. BBQ sauce brought to the table is optional, and while the sauce is one of the best I’ve ever had – not too thick and overpowering – I just had to eat the meat on its own to get the full effect of the flavour. Delicious. If this is too much meat for you, then the baby back ribs might be your style. Lean and much smaller, they are light and lovely. The beef ribs are worth every pound of the £19 price, while a half portion is a snip at £10. I had initially wanted to order the £18 Thick Cut Belly Ribs, but they had run out and it was only 8pm! Hopefully, the restaurant will realise that they need to cook enough to last all night! If you don’t fancy ribs then perhaps a burger (classic cheese at £7.50 or shack stack with a double patty, potato cakes, onion rings, egg, avocado and cheese for a whopping £16). Or perhaps the rump steak (£18), cobb salad (£8/£13), griddled chicken (£13) or Catfish (£12).

    As sides, we ordered pulled pork spring rolls (£6) and crispy catfish (£6). Both were very good, very delicate, and not too overpowering (especially the catfish, which was nicely breaded and not too fishy tasting). They’re served with a cajun sauce but it’s very spicy – try the BBQ sauce instead – it’s a better accompaniment. The Onion Loaf was the most amazing ever! Baked Caramelised onion, it literally looked like a loaf of bread – crispy, very big and absolutely amazing (only £6). The coleslaw was perfect – not overwhelmingly creamy (£4) and the handmade BBQ beans were tasty and good (£3.5). Also on the side menu were fries, mash, and mac & cheese. When you order expect your food to come all at once. Our table was literally overflowing with dishes!

    I had absolutely no room for dessert but stuffed down a Lemon Pot – a lemon curd with lemon biscuit chunks, vanilla ice cream and chantilly cream served in a jam jar – a lovely and sweet dessert, and was an absolute perfect ending to a perfect dinner.

    I can’t stress how delicious the meal me and my dining companion had. While she felt that the spring rolls and catfish were a bit flavorless, (they’re probably meant to be because they’re served with a side of sauce) – we were both amazed at how delicious the ribs and onion loaf were, and how reasonably priced it all was, and how thirst-quenching the Nojito (a non-alcoholic mojito) was, at just £4.50. Their drinks menu is, as you would expect, full of many different types of drinks – classics such as cosmos, martini’s, peach teas, among others. Their signature drinks have intriguing names such as Four Roses Milk Punch, Rib Shack Fizz, Jungle Bird, Paper Planes and Cane ’N’ Oil – all that need to be tried during multiple visits! They also serve all sorts of shakes and the usual wines, bubbles, ciders, beers and soft drinks and juices. The root beer float (£4) is a signature American drink that must be tried, either with your meal or for dessert! A must!

    The Aldgate branch is smartly designed – open planned, with the bar straight ahead as you walk in and the open kitchen inside on the left. But with the open kitchen comes the issue of the whole place smelling of meat! Don’t be surprised that when you leave your clothes and hair will have the smell of meat. Make sure you don’t have any dogs following you home! The tables are nicely laid out in the restaurant, with free standing tables that I urge you to sit at. We sat in the mashed up back section, next to a table of four rowdy bankers – the tables were a bit too close to each other, enough so that when someone got we had to hold the table down to make sure their bum didn’t knock down our drinks and condiments.

    Chicago Rib Shack is stomach-busting food at affordable prices. It’s a trendy hip joint for meat lovers, food that is perfectly cooked and willingly devoured. And some of the branches (including the Aldgate branch) serve brunch. I’ll be back there either again for dinner or brunch once my waistline returns back to normal!

    Reviewed by: Tim Baros

    Telephone: 0207 426 0218

    Address: Wentworth Street London E1 7AL

    Opening hours:
    Mon – Fri: 12:00 pm – 23:00
    Sat: 10:00 to 23:00
    Sun: 10:00 to 22:30

    PRICE: ££ (explained)

    STAR: ★★★★ (explained)

  • THEATRE REVIEW | The Last Five Years

    ★★★ | The Last Five Years, St James Theatre

    CREDIT: Scott Rylander

    The St James Theatre near Victoria has had a poor recent track record with widely panned shows such as “Miss Atomic Bomb” and the deeply unfunny comedies “Pig Farm” and “Three Lions” denting their reputation.

    It’s soon to be re-launched as “The Other Palace” (what were they thinking of with that name?). Things may be looking up with the addition of the duo that brought smash hit “In the Heights” to London (artistic director Paul Taylor-Mills and choreographer Drew McOnie) for their first production. Now acquired by Andrew Lloyd-Webber’s Really Useful Company, the intention is that this will be a home for established productions as well new musicals.

    Before the name change, we have the 2001 two-hander “The Last Five Years”. It concerns a New York couple and looks at their failing relationship. Failing actress Cathy tells the story backwards from the point where they split up whilst rising star novelist Jamie tells the story from the time they first meet. There’s a midpoint where their stories match up and they join each other on stage. Told in solo songs, it’s a quirky musical that hasn’t dated much in its style since it was written in 2001 and the form almost works. There is something odd, though, about numbers in which the couple sing to each other but are alone on stage with the other half of the relationship occasionally loping through.

    Star of Les Miserables, Samantha Barks is a gutsy Cathy and can certainly belt out a tune as well as convey emotion. Good-looking “Broadchurch” beau Jonathan Bailey is almost her vocal equal. There are some moving songs, comedic moments and the odd deft touch of lyricism mixed with some heavy-handed metaphors. The main problem lies in connecting with the couple. They appear. They meet. They split up (and do the same in reverse, if you’re watching Cathy’s numbers). We don’t learn an awful lot more. Cathy is a struggling actress who is late a lot. Jamie writes a book and finds success, ultimately neglecting Cathy. It doesn’t feel enough and there’s a limited amount of depth to the story and characterisation that makes the numbers hard to connect with fully. The set is clumsy, pushed and pulled by stagehands with creaky moving parts jerkily appearing and wobbling a la “Crossroads” motel.

    In spite of the flaws: there can’t be many of us who don’t identify with the elation of a fledging relationship or the hideous pain of parting when it all goes wrong. There are some great songs, wry humour and touching moments. There’s a lot to like here (especially the two stars) and hopefully, this is a sign of better things to come (except for the new theatre name).

     

    The Last Five Years plays at St James Theatre until the 3rd December

    Follow Chris Bridges on Twitter

  • RESTAURANT REVIEW | Tabun Kitchen

    ★★★★ | Tabun Kitchen – Soho, an excellent new and healthy choice in Soho!

    PR Supplied

    Berwick Street is known for its famous market, but soon it’s going to be known as the street where Tabun Kitchen is.

    Located midway between the market and Oxford Street, Tabun Kitchen is a beacon of light on an otherwise dreary block. It will be the food that will lure you in, and it will keep you going back for more.

    It’s hard to put into words just how delicious the food is at Tabun. There are so many spices, ingredients, elements, and surprises in the food that you’re not exactly sure what you’re eating but then you don’t care because you’ve never experienced these tastes before – Jerusalem Street Food. It’s owner, Hanan Kattan, grew up in a Palestinian household, and she incorporates the ‘Tabun’ oven into the architecture (and cooking) of her restaurant to bring to Soho a unique and flavorful eating experience.

    The menu is quite big and varied so it’s hard to recommend a dish or two as I’ve only been there once (I plan to go back a couple more times actually). Its menu recommends dishes to share; a good idea as it will give you twice as much of a taste of their extremely varied dishes. Our mezze plates were out of this world; the Maftool Cous Cous Salad was a mix of peppers, spring onions, a hint of chilli, coriander, pomegranate dressing and included lamb sausage. The Moutabal Smoked Aubergine Dip was a delicious pomegranate garnish and flatbread croutons sprinkled with thyme. Both are rewarded five stars each! Next time I will try the Jerusalem Falafel and the Jerusalem style dip with cumin spiced fava beans. And to top it off none of these mezze plates are more than £5! Bargain!

    CREDIT: PR Supplied

    For mains, again, it’s hard to pick from the traditional and grills menus. We had the mixed grill – chicken kofta, shish taouk marinated chicken kabob, lamb kofta with warm artichoke with an egg lookalike dollop of white creamy garlic with yellow coloured very spicy yolk. It’s a flavorful dish, sprinkled with parsley. While the meat is cooked just right, and at £14 not a bad deal, I could’ve eaten more meat! My companion ordered, from the pizza menu, the Manaeesh Palestinian pizza (dough topped with white cheese, sundried tomatoes and olives and a bit of ground meat). Palestinian pizza, as you might know, is thin, wet and soggy. My dining companion enjoyed it, however, I wish he would’ve ordered something more exotic like either the Lamb Three Ways, Musakhan Chicken (with caramelised onions and pine nuts), Grilled Prawns or even the Vegetable Makloubeh – with rice, spiced aubergine, cauliflower and broad beans, yoghurt, cucumber and mint sauce, pistachios, pine nut & raisin garnish – it sounds heavenly – and I’m having this next time! The mains and grills are all under £14 while the pizzas are a snip at £8.50. Also, If you want to try a wrap, there are five to choose from: Chicken, Falafel, Cheese and Lamb, all at a friendly price of £8.50.

    Tabun has a huge sides menu to choose from; dishes that will complement your mains. We tried two and they were, while complete opposites, both extremely wonderful. The Avocado Salad – chopped avocado with tomato, coriander with lemon and garlic sauce – was just what you would expect – amazing (£5). And the Za’atar french fries, dusted with thyme spice mix, came with Toum (garlic) sauce (£3.50) – amazing! Also on the menu are pickles, olives, aubergines, hummus, kale salad and the always reliable tabbouleh Salad. But the Avocado Salad and the French Fries were perfection!

    And finally, puddings are a must. The Harisa Cake – semolina cake with coconut and orange blossom syrup – was divine. The Baklava selection, as you would expect, was also delicious and enough to put you over the top. But if you want to try something new – try the Jerusalem Knafe – cheese pastry soaked in sweet, sugar-based syrup. It’s extremely heavy yet very good, and I would recommend you sharing this with your dining companions because it is very filling. All cheaply priced at £5 each.

    Tabun Kitchen has a good white and red wine, rosé and beers and spirits and soft drinks choices, but go for one of the cocktails. The Tabun Mojito – beefeater gin, tonic water, fresh mint leaves, lemon and rosewater – was very thirst quenching and absolutely tasteful, while the Orange Sunset – Vodka, aperol, agave syrup, with freshly squeezed orange juice – was sweet and yet had the right amount of vodka in it. The Spice Trip – rum, orange juice, chilli and watermelon juice – and the pomegranate bellini – are both on my must have list.

    Tabun Kitchen seats 45 people comfortably, both on the ground floor and in the basement. The front room of the ground floor is hot – it’s where the oven is – and on the night of my visit the front door had to be kept open, but then it got too cold, so it was closed again, then it was too hot. I hope Tabun is able to sort this problem out. And one of our dishes didn’t arrive so we had to remind the wait staff, all of whom are very pleasant and nice, what we had ordered. I recommend sitting in the lower ground floor; it’s quant, Mediterranean-style, and very cosy that’s perfect if you’re looking for a place to enjoy the food without being in the hustle and bustle and heat of the main room. Faisel, the charming manager, will take you through the menu if you have any questions. And while the pizza was not sexy and the service a bit disjointed, Tabun Kitchen will not disappoint. It’s warm food and cooking style and abundant fresh and delicious flavours will blow you away.

    Reviewed by: Tim Baros

    Telephone: 020 7324 7767

    Address: 77 Berwick St Soho, London W1F 8TH

    Opening hours:
    Mon – Sat: 12:00 pm – 12:00 am
    Sun: Closed

    PRICE: ££ (explained)

    STAR: ★★★★ (explained)

  • THEATRE REVIEW | Hotel For Criminals, New Wimbledon Studio

    ★★★ | Hotel for Criminals

    PR Supplied

     

    Hotel for Criminals is a reworking of Louis Feuillade’s silent film Phantasmagoria – Director Patrick Kennedy’s adaptation of Richard Foreman’s musical went the other way and implements a form of Chinese torture, attempting to impair the audience’s eardrums sixteen times in the form of a deafening hand pump emergency horn buzzer. Nodding off isn’t an option.

    You’ll be transported to a perverted French realm where sense has no bearing – a concoction of Mary Poppins’ Chim-Chim-Cheree with more of an Elvira approach, thrown together with a clown-style Night of the Living Dead meets Dracula – guided through by creepy narrator.

    Betwixt the chess-piece mobile, camp whirling walks of terror, a journo’s nuptials, vampire blood-supping, dead-pan humour, a hit-and-jaunt and a foreboding big black bird are some ghoulishly good musical numbers and spanking face-painted blood suckers: masters of their craft. Warning: Kate Baxter’s (Irma Vep) chilling vocals and the live band could possess – don’t forget your crucifix.

    Not everyone should check into Hotel For Criminals: you’ve got to have the right constitution for this sort of chaos, riddledom and buzzer torment – get clearance from your parole officer first.

     

    Hotel For Criminals plays at New Wimbledon Studio from 18-29 October

     

  • THEATRE REVIEW | Moby Dick! The Musical

    ★★★★ | You don’t have to be a fan of aquatic placental spout-squirting marine mammals to appreciate Andrew Wright’s take on Moby Dick – but a penchant for choreography that could power a fleet of trawlers, an affection for Glee-style musical numbers and an esteem for the male form, in two beautiful varieties, will help you stay afloat.

    St. Godley’s Academy for Young Ladies are in a bit of financial bother. Headmistress (X Factor’s Anton Stephans) decides to stage a musical version of Herman Melville’s classic novel Moby Dick to keep the shark from the porthole. Think St. Trinian’s meets Peter Pan with a wave of Carry on Cruising – Ofsted would have an algae-ridden-seabed day.

    In amongst the spot-light rivalry, over-the-blouse gropes, double entendres, an inappropriate use of a ruler, African jigs, amateur projector marine displays, dark angel trolly dashes, Sinitta (probably just because it was press night), the occasional can-can and a male striptease – in amongst the pandemonium of jollity is a cast humpbacked-full of enthusiasm, each sperming their own individual clicks, pulses and whistles.

    Ishmael (Rachel Anne Rayham) would give a chorus of orcas a swim for their money with her compelling vocal cords. Anton’s animated boat-race did him no favours with Mr Cowell but worked superbly spurting life into the Headmistress and Ahab. And Glen Facey’s pirouettes, fouettés and fish dives were executed without so much as a splash.

    School uniform isn’t mandatory, and you may be encouraged to dance with the Head, but there’s no Moby about enjoying this Dick – it’s a sure thing.

    Wednesday 12th October – Saturday 12th November 2016 Tuesday to Sunday, 7.30pm
Saturday and Sunday matinees, 2.30pm

    Union Theatre, 204 Union Street, London SE1 0LX – phone: 020 7261 9876

    Tickets are available starting at £15

    Book: www.uniontheatre.biz

  • THEATRE REVIEW | RAGTIME

    ★★★ | RAGTIME, London Theatre

    The US is in turmoil: racial discrimination is rife while immigrants arrive by the boatload to escape feast and famine in their own countries. This could describe present-day US but it’s actually the early 20th century in the new production of Ragtime now playing at The Charing Cross Theatre.

    Ragtime the novel was originally written in 1975 and had its London stage debut in 2003, after it had debuted on Broadway in 1998. The revival of the show was brought back to London’s Regent’s Park Open Air Theatre in 2012. This new version, directed by Thom Southerland, is very ambitious, with a very crowded cast of 24 on a stage barely able to fit in their singing, dancing and acting.

    It’s the turn of the 20th century in New York and we are sung the story of three different groups; an upper class family, African Americans, and Eastern European immigrants, and eventually all their lives will cross in a show that packs a lot in its over two hour running time in a theatre that was too hot and a bit too uncomfortable.

    The upper-class family takes from and centre. It’s the wife, who’s called Mother (Anita Louise Combe) with a young son and a husband who leaves the family behind to go on an exhibition to the North Pole. Then there’s the African Americans, fronted by Coalhouse Walker Jr. (Ako Mitchell), a Harlem musician whose girlfriend Sarah (Jennifer Saayeng) leaves her baby on Mother’s doorstep, but eventually moves in with Mother and is found living there by Coalhouse. Then there’s the immigrants – Tateh (Gary Tushaw) and his daughter (Alana Hinge) – who arrive in the big city with nothing to their name. However they don’t find their American dream in New York so Tateh decides they should go to Boston but right before their trip they meet Mother and her son. And trouble is in store for Coalhouse and Sarah who get harassed by unfriendly locals and it’s at this point when the first half ends.

    The second fails to match the first half’s intensity and drama. It neatly wraps up the storylines, with themes of reunions and acceptance but it’s all a bit of a letdown after the energetic and frantic first half. The cast are all fine, with the excellent vocal chords of Saayeng and Bernadette Bangura. And Combe and Tushaw provide much dramatic acting in their roles, while Samuel Peterson is adorable and perfect as the son on the night I saw it.

    If there ever was a musical that’s full of music, this is the one. It’s a good old classic American story that’s pure red, white and blue – there’s nothing as American as this show. And what a pertinent time to have on display this show of Americana, when the U.S. is going through a most unusual election, and where black men are continuously getting killed, and immigrants from all over the world wanting to live to live there. What took place in the early 20th century is still taking place today.

    Ragtime is now playing at the Charing Cross Theatre until Dec. 10th.

     

  • THEATRE REVIEW | Safe, London Theatre

    THEATRE REVIEW | Safe, London Theatre

    ★★★ Safe, London Theatre

    The statistics about homelessness people are alarming. 25% of homeless and at risk youth in the UK identify as LGBT, a shockingly high proportion.  Alexis Gregory has made a verbatim theatre piece looking at the subject. He interviewed a group of young adults who had been at risk or homeless and created a powerful set of interwoven monologues.

    CREDIT: Jane Hobson
    CREDIT: Jane Hobson

    Alicia started stealing her family’s painkillers to self-medicate against her confusion and worries about her sexuality.  Spiralling into a cycle of alcohol addiction she hurtles towards homelessness and hits rock bottom. Jack is confused by his gender, growing up as a boy in a girl’s body, suffering anxiety attacks and verbal abuse from his family who refuse to call him by his correct gender or use the right pronouns. Samuel realises that he’s gay at a young age but his ultra-religious Nigerian parents aren’t sympathetic to his sexuality. When he’s outed by his sister he ends up facing a volley of abuse and barrage of prayers along with plans to send him to Africa to ‘cure’ him. Understandably he flees. Alicia (same name, different character) is rejected by her mother and ends up in children’s homes and foster care. Trapped in the wrong body she works as a rent boy to get cash to get by.

    The stories are a mix of pathos, humour and horror. Samuel’s story (told by the talented Michael Fatogun) is laden with wry humour and the vibrant wit of his character comes through. Riley Carter Millington is among the cast and plays Jack. Better known for his portrayal of Kyle Slater in ‘Eastenders’; Riley was the first transgendered actor to play a transgender character in a T.V. soap opera. It’s a strong cast and they’re gifted a beautiful script (or transcript, even). There’s a hint of music with alternating singers at the start of the show (Rudi Douglas did a spine-tingling acapella version of ‘Smalltown Boy’ on the show I saw). There’s also a series of thought provoking 15 minute curated talks each night after the hour-long performance.

    The interspersing of the monologues with interactions of other actors playing subsidiary roles stalls the action and reduces the impact a little but it’s otherwise pitch perfect.

    Troubling and painful as the stories can be there’s ultimately something redemptive about them too. The Albert Kennedy Trust’s work figures highly in their support of young LGBT people in crisis. This is a performance worth catching. There can’t be many LGBT people out there who don’t find something to identify with here, too. These are exceptional stories in one sense but not in another. These are ‘everyman/woman’ stories that are sure to resonate.

    Follow Chris Bridges on Twitter

  • RESTAURANT REVIEW | Roma

    In a part of London where there’s not a whole lot going on cuisinewise, Roma is a nice breathe of fresh air.

    CREDIT: Supplied

    Situated right next to Fenchurch Street Station, past a Pizza Express and The Windsor Pub, Roma brings a unique and very elegant dining experience to a part of London that desperately needs it. If you walk quickly past the ugly station and try not to inhale any of the train fumes, Roma, located down a flight of stairs from the square is the elegant Roma and it’s an absolute find. A bar with ample tables for drinks, and beautifully situated tables alongside the large windows – tables that seat two, four, six, and perhaps more, with large windows that gives the restaurant its Italian style.

    Roma claims that it brings 2000-year-old flavours and passions of ancient Rome to its rich menu full of Roman-inspired dishes. Well, no one I know was around 2000 years ago so we will have to take their word for it! Luckily the menu is not overwhelming – it’s simple yet and uncomplicated. Recommended as a beginning dish while you relax and read the menu are the requisite olives, bread and dips, a selection of crudités as well as bruschetta – all priced below £8.00. There are eight small plates to choose from, all very simple and knowing. Oxtail Soup, Mussels and Clams, Cod Loin Fish Cake, Hay smoked mackerel fillet, Hare & pistachio terrine, all excellently priced at below £9.00. The Mediterranean lentil salad served with ricotta salata, with lite vinegarette sauce, was absolutely wonderful – a snip at £7.00. The Salumi dish of cured meats & antipasti, priced at £15.00, was worth every pound because of its large size and excellent presentation of an array of meats served with bread and olives. In fact, this is a chance for Roma to present its own charcuterie – which is in their kitchen – so you know you’re getting fresh meat.

    CREDIT: Supplied

    Roma offers Large Plates and plates cooked in Hay. First off, the large plates include Mussels & Clams, Tiger prawns, Wild mushroom gnocchi, Honey & Mustard pork, and 16th-century cotechino (an Italian charcuterie dish). You might ask, what is hay? This is where Roma bakes it’s meat on hay – which is how the ancients Romans cooked. So the hay menu included the Crispy pork belly, accompanied by Borlotti beans, ham & tomato casserole. It was a bit disappointing for its £19.00 price as the pork was not that big, and it was awfully hard to chew, served with a small portion of the casserole. Luckily I ordered the Gnocchi to accompany it, but it was basic, scattered in butter and basil. The Vine wrapped tuna, leeks & olives dish, with Risotto Bianco, was the piece de resistance. Two pieces of tuna, covered in a vine leaf, with a massive portion of risotto, was very nice, and the risotto and tuna complemented each other. At £22.00, it was worth the money. Other ‘cooked in hay’ dishes on offer include slow cooked leg of lamb for 2 (I will have this next time), lamb rump, and half roasted chicken.

    This being an Italian restaurant you can bet that the desserts would be perfect, and they were. The Torata del nonna (a pastry shell covered with pine nuts and sugar to the veil that hides a delicious cream filling pasticcera) with pine nuts and peanuts needs to be eaten to be believed. The Apricot and ratafia sweet-beverage cake, coupled with Rose water créme Anglaise, was also heavenly, sweet, and a perfect ending to a filling meal, both at a very sweet price of £6.50.

    CREDIT: Supplied

    There’s a lot of wine on offer at Roma (just like in the days of the Roman empire), and Sarah the wine sommelier will offer you an excellent selection to go with each of your dishes. They were all very excellent and excellently accompanied the dishes we had. The Northern Rome GEWURZTRAMINER, ALOIS LAGEDER, Alto Adige 2015 and the TEMPRANILLO, 6 MESAS EN BARRICA, FINCA LA ESTACADA, Ucles 2015 were perfect with the starters. With the mains, the CABERNET, MERLOT, PUKLAVEC FAMILY HERITAGE, GOMILLA, Macedonia 2015 and the PINOT NOIR, KRAFUSS, ALOIS LAGEDER, Alto Adige 2012 complemented the fool. Roma also offers wines from the South of Rome, France, and Spain & Portugal making their list one of the most comprehensive north of the Roman ruins!

    Roma is the perfect place to go if you want to impress your clients, co-workers, loved ones or perhaps even your boss. It’s an elegant nicely tucked away restaurant where the food is impressive, with impeccable service.

     

    Reviewed by: Tim Baros

    Telephone: 0207 488 2807

    Address: 14 New London Street, London, EC3R 7NA

    PRICE: ££££ (explained)

    STAR: ✮✮✮ (explained)

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