THEGAYUK

Tag: London News

All the latest from London, the capital of the UK, home to the UK’s largest gay community.

  • The Secret Is Out, The Shadow Lounge Is Back

    If you’re in London this weekend with post pride blues wondering where the next party’s at, then check out the newly refurbished Shadow Lounge in the heart of Soho.

    Soho’s Biggest Secret has been unleashed and it’s clear there’s been no expense spared when it came to refurbishing the sophisticated venue. From the installation of the latest sound system sourced from Vegas to the ceiling and walls covered in special LED screens which display a whole range of graphics including images of clubbing guys to our favourites; the twinkling stars.

    Gone is the ‘hole-in-the-ground-bull-ring’ dance area, complete with 70’s disco floor and the limited walking space, and say hello to a roomier, more open, intimate-warehousey space, it doesn’t sound possible but they’ve done it.

    Shadow Lounge is a great club to party and lose yourself in the music. Ensconced within one of the private booths TheGayUK team were served by the cute and attentive bar staff who were on hand to serve and make us feel at home. Special shout out to Antonio who made us all feel incredibly welcomed.

    You don’t have to be a member to visit the Shadow Lounge, however there are a host of benefits in becoming one including, complimentary entry for you and a friend, birthday champagne and personal table service. Full details can be found at www.theshadowlounge.co.uk

    Wednesday’s are hosted by The Family Fierce, Thursdays Minty, Fridays Miss Dusty O’ and Saturdays Johanna Londinium.

    Shadow Lounge is located in Brewer Street (number 5), right next to Prowler and is open from 9:00PM to 3:00AM and is available for private hire. Find out more visit: http://www.theshadowlounge.co.uk

  • The Commonwealth Condemned at Pride In London parade

    African LGBT activists will march alongside the Peter Tatchell Foundation near the head of the annual Pride London parade this Saturday, 28 June, to protest against the persecution of LGBT people in 80 per cent of the 53 Commonwealth member states – many of them African nations.

    We are calling on 42 Commonwealth countries to repeal their criminalisation of same-sex relationships and to protect their lesbian, gay, bisexual and transgender (LGBT) citizens against discrimination and hate crime – in accordance with the principles of the Commonwealth Charter,’ said Peter Tatchell, Director of the human rights organisation, the Peter Tatchell Foundation.

    ‘We are urging the organisers of the Commonwealth Games in Glasgow in July to require every competing nation to sign a pledge to not discriminate in the selection of athletes for their national team. Article 7 of the Commonwealth Games Federation constitution prohibits all discrimination. But it is widely believed that most Commonwealth nations would refuse to select a LGBT athlete,’ he said.

    Peter Tatchell has written to the Chief Executive of Glasgow 2014, David Grevemberg, asking him to ensure that all countries participating in the Commonwealth Games sign a non-discrimination pledge.

    Peter Tatchell helped organise Britain’s first Gay Pride march, which took place in London in 1972. He has attended every Pride London parade since then.

    ‘Forty-two of the 53 Commonwealth member states criminalise homosexuality, with seven of them stipulating life imprisonment and two of them – Pakistan and Nigeria – having the death penalty under Sharia law in some regions,’ noted Mr Tatchell.

    Marching in a joint contingent with the Peter Tatchell Foundation on Saturday will be African activists from Uganda, Nigeria and other African nations – including the African LGBTI Out and Proud Diamond Group and Nigerian LGBTIs in the Diaspora Against Anti-Same-Sex Laws.

    On Saturday, we are meeting at 12.30pm at the corner of Baker Street and Wigmore Street W1 (opposite Portman Square).
    The Pride London parade leaves at 1pm sharp.

    Edwin Sesange, Coordinator of the African LGBTI Out and Proud Diamond Group, said:
    ‘It is unfortunate that the Commonwealth has failed to implement its own charter on human rights, which the Secretary General has said includes rejection of discrimination against gay people and any other form of discrimination. The Commonwealth should show leadership by directly challenging homophobia and transphobia in its member states, in the same way that it eventually opposed apartheid in South Africa. The Commonwealth Secretariat says it opposes anti-gay persecution but it takes little action.’

    Yemisi Ilesanmi, Coordinator of Nigerian LGBTIs in the Diaspora Against Anti-Same-Sex Laws, added:
    ‘It is saddening that 80% of Commonwealth countries discriminate against lesbian, gay, bisexual, transgender and inter-sex (LGBTI) people. In this age of democracy, every progressive nation should endeavour to protect the human rights of every citizen. No one is less of a human being because of their sexual orientation or gender identity. Acknowledging and protecting LGBTI rights as human rights is a step forward for humanity. It is shameful that the Commonwealth of nations has not taken this important step. We continue to call on the Commonwealth to stand up for the rights of its LGBTI citizens. Every human deserves human rights. LGBTI rights are human rights.’

  • THEATRE REVIEW | Fashion Victim, The Musical

    ★★★ | Fashion Victim, The Musical

    Fashion Victim, The Musical originally premiered in 2007 by Toby Rose and stared Pop Idol winner Michelle McManus. Now directed by Robert McWhir, setting up shop in the beautiful Cinema Museum in London and boasting a cast of performing fashionistas, the show promises to be the number one spot for all front row fashion wannabes.

    The strong cast led by the amazingly talented and side splittingly funny Carl Mullaney also consists of the leading lady Rosie Glossop, sexy James Wilkinson, beautifully articulate Aimee Barrett and fashion model Aaron Blake. Model and actress Camilla Rutherford also stared in the show as a first in a series of celebrities to make a small cameo appearance. I have to say beautiful as she is, Camilla’s performance was as awkward as she seemed standing there and I felt perhaps another great cast member would be more prudent than a lacklustre celebrity presence.

    Through a cleverly written, modern and stylish script and a set of catchy pop tunes we are told a classic story of “style-crossed” lovers. Average girl meets hunky model boy with impressively chiselled cheekbones, girl shags boy for fame, girl leaves boy for more fame, girls gets busted for being a press hungry whore, boy regains fame and somehow everyone ends up happy. Not the most original story (though perhaps not the most classic story either) but it’s fun, fashionable, bitchy and sexy. We can’t want for much more than that, can we?

    Speaking of sexy, if your anything like me you’ll enjoy seeing the scrummy male dancers wearing well, not a lot. Celebrity choreographer Ryan Jenkins knows how to get them moving I’ll tell you that!

  • Gay couple attacked in London; one left unconscious by TEEN gang

    A gay couple in London were beaten by a number of teenagers in London, leaving one unconscious.

    According to the London Evening Standard, Walter Adrian, 23, and his partner, who has asked not to be named were approached by seven Bangladeshi teenagers who then assaulted the couple and called them anti-gay slurs, including ‘f*cking faggots’.

    The attack happened on Whitechapel Road, after leaving a friend’s party, on the 13th June, just before midnight.

    ‘We weren’t even holding hands or kissing or anything, but all the comments were based on us being gay.

    ‘One of them said “f**king faggots” so we wanted to try and leave and my partner pushed one of them but then they got physical.

    ‘They punched him and then there were six or seven of them just going at us while we were cornered against the wall.

    ‘They were saying, ‘this is our street, this is our area, get out of here’, just because they thought we were gay. It happens a lot round this area and East London.

    ‘We weren’t even acting gay and that’s what’s upsetting. Whether anyone is gay or not you just can’t feel safe. You’re scared of being attacked and afraid to go out by yourself.’

    Adrian was left unconscious, he has bruises to his head and stomach, while his partner had a swollen jaw.

    The attackers were described as 15-to-18 year old Bangladeshis who were wearing dark sports clothing.

    A Scotland Yard spokesman said: ‘We were called at 1.40am on June 13 to reports of an assault in Whitechapel Road. Investigations continue.’

    Last year anti-gay incidents were recorded in East London, where a number of men were arrested after harassing a ‘gay looking’ man.

  • House prices have risen 31 PER CENT in London

    New research from comparison site Gocompare.com has highlighted the disproportionate growth in the London housing market when compared to the rest of the UK since the last general election in May 2010.

    Under the Conservative-led coalition, average house prices in the capital have risen by a staggering £103,323, on average, from £331,711 in 2010, to £435,034 this year. This means purchasing a property in London four years ago is the equivalent of having a second income of £25,830.

    However, the figures show that the story isn’t the same across the entire country, as only five of the nine regions of England and Wales enjoyed any rise whatsoever over the four year period. The house price data also shows that the North/South divide is alive and well, as the North West, North East, Wales and Yorks & Humber regions all experienced a drop in house prices.

    Though London house prices have risen by a staggering 31.15%, excluding the capital the rest of England and Wales only saw a rise of 0.16%, or £217.38, on average. Of the other regions, the South East experienced the most growth with a 7.8% (£16,384) rise in property values, which is still nearly four times lower than the boom enjoyed in London.

    Conversely, the North East suffered the biggest drop in house prices as values fell by 8% from £107,717 in 2010 to £99,001 in 2014, an average slump of £8,716.

    Matt Sanders mortgage spokesperson at Gocompare.com commented, ‘It’s no secret that London is a particularly expensive place to live, however the difference between house price rises in the capital when compared with the rest of England and Wales really does lend weight to the phrase ‘London prices’.

    ‘These figures will do little to comfort Londoners looking to get on the property ladder. However, those in other areas of the country should be reassured that despite talk of rising house prices across the UK, outside of the capital, there hasn’t been a big change in the affordability of property. And even with the recent tightening of mortgage lending rules, with low interest rates and competitive mortgage deals available it’s still very much a buyer’s market.

    ‘With the European elections behind us and British political parties now focusing on next year’s general election, balancing the housing market and preventing a London bubble, must surely be a key issue.’

    For people overwhelmed by mortgages, Gocompare.com has a collection of mortgage guides available on their website, including guides for first time buyers and information regarding the government’s Help to Buy scheme.

  • THEATRE REVIEW | Bath House, Above The Stag

    ★★★★ | Bath House, Above The Stag

    For their summer production, Above The Stag have returned to one of their successes from 2009. Bath House The Musical is a fun, frothy, irreverent romp, which is quite perfect for a summer evening. Given the fact that the cast spend most of the time wearing nothing but a towel, I imagine they’re quite relieved they are performing on warm summer evenings.

    The story, such as it is, concerns young Billy, wide-eyed and innocent, who turns up at the baths looking for love and fun. Advised on bathhouse etiquette by the disembodied voice of Giles Brandreth, he explores the steam room, the locker room, the showers and anywhere else he might find a bit of cock. Threaded through this narrative is a bit of an unlucky love story, but, don’t worry, there are no real broken hearts, and very little interrupts the generally high spirits of the show. Lyrics and script are both very funny.

    The score is a witty amalgam of musical references from Ethel Merman to jolly Christmas songs, not that you have to get the musical references in order to enjoy songs with titles like I’m a Bear Chaser, Clickin’ for dick, Bathhouse ABCs, Christmas at the Baths, and the hilariously sweet Penises are like Snowflakes. I’m still humming the tune three days after the show.

    Tim McArthur, who directed Above The Stag’s recent successful production of Orton, directs and also stars in the show, and proves to have excellent comic timing and a lovely voice. His direction and choreography is well conceived and never less than apt, but I did occasionally wonder if he might not have had a bit more cheeky fun with the towels.

    In such an ensemble piece, it would be insidious to single out any of the performers, who all get their moment to shine and who all give excellent accounts of themselves. The show being rather short, it ends with a sort of disco megamix of all the songs from the show, a la Joseph and the Amazing Technicolour Dreamcoat. It’s quite a marathon and my only criticism would be that the entire cast found it a wee bit taxing. In my experience the only way you prepare for something like that is to build the stamina by repeating the number without a break twice or three times. Maybe they didn’t have time. No worries, I’m sure they will build up the stamina by the end of the run.

    The projected run of Bath House The Musical sold out so quickly that it has been extended by three weeks and will now run until August 9th, so if you didn’t get your booking in early, there’s still time to catch it.

    Bath House the Musical is at the Above the Stag theatre in Vauxhall.

  • REVIEW | Limbo, London Wonderground

    ★★★★★ | Limbo, London Wonderground

    Witness heart-stopping illusions, mind-bending manoeuvres, breath taking dance moves and thrilling live music from a coterie of highly skilled international performers. A summer celebration of otherworldly proportions: welcome to the greatest party ever between heaven and hell.

    If you’re expecting light circus tricks with cheesy grins and fluffy plinky-plonky music then you’re going to be disappointed. Instead you get sweaty muscled bodies, sinister tunes and tongue in cheek dark high camp. Expect to be on the edge of your seat, gasping in shock and feeling slightly frisky as you witness some beautiful people doing some death defying stunts. Sword swallowing, balancing acts, contortionism and aerial displays may be old hat but not when they’re performed with such panache and verve that there’s a whole new spin on it.

    The choreography is superb, the tone hits the right pitch and the atmosphere is electric. I’m not normally a person who gets carried away with the moment (inner monologue and intrusive thoughts: think Woody Allen but more camp) but this is a spectacle that drags you along with it and you wonder how the time went so quickly. Plus, you get to sit inside the gorgeous Spiegeltent on the Southbank; once home to legends like Dietrich, Coward and Garland.

    This pumping, dirty, beast of a show is a must see. Did I mention that the boys are gorgeous?

    Limbo runs until the 17th of August

  • Show That Explores Animal Sexuality Accused Of Gay Bestiality Propaganda

    A show which compares human sexuality and that of animals has been accused of being ‘Gay Bestiality Propaganda’

    The petition, which was created by George Gilbert, has been signed by over 1000 people who are against a play that is currently showing at The Kings Head theatre in London.

    The show aims to compare human’s sexuality with that of animals.

    The opening statement of the petition reads, ‘As the name of the play ‘Sex with animals’ suggests, it is absolutely horrifying and disgusting that the play of this name has been staged in the name of exploration of animal sexuality. By signing this petition we oppose abuse and sexual exploitation of animals suggested by this play which is already implied in the name of the play. We also oppose all propaganda suggesting or encouraging abuse and sexual exploitation of animals by this play, otherwise termed as bestiality or zoophilia.’

    Gilbert is asking petitioners to agree with the following statement: ‘Therefore this group of men with homosexual and bestiality tendencies needs to be identified and along with dramaturg, producer, director, and all the creative cast should be publicly challenged and hold accountable for:

    1. Staging a play with potential for suggesting animal abuse – bestiality propaganda (Direct/indirect message is there, if some others entirely subliminal.)
    2. Thematic consequences of the play.
    3. Getting credits and blame for what the play does and does not.
    4. The name of the play which may distorts the nature of the play, if this is the case.
    5. Rationality of the play and expected implications in a viewer’s life. (Provide a scientific evidence on which the play is based).
    Further we are asking all responsible for the play to:
    6. Present shared belief on abuse and sexual exploitation of the animals – from dramaturg, producer and playwright of the play especially, to all the creative cast.
    7. Publicly clarify their own sexual preferences since they appear to advocate what seems to be ‘sex with animals’ – gay bestiality propaganda
    Lastly, we are calling on launching an investigation into whether any animals in their personal care are in danger of abuse or sexual exploitation.’

  • Londoners Set To Star Alongside Pride In London Celebs

    Londoners to star alongside celebrities supporting Pride in London’s #FreedomTo multi-channel ad campaign

    With just two weeks to go until the main Pride in London event celebrating the LGBT+ community, the event organisers can today unveil a celebrity-backed evolving campaign in which Londoners will be invited to become part of the marketing to promote this year’s #FreedomTo theme.

    The 2014 Pride in London Parade will take place on Saturday the 28th June. This year’s theme is #FreedomTo, which is all about celebrities and members of the public alike communicating what Pride means to them.

    In a first for Pride, members of the public could see themselves being used in the promotional activity in the run-up to the Pride in London parade. Handling the user generated content and display element of the campaign is digital out of home agency Enigma – www.enigmacode.co.uk – whose founder, Andrew Newman, helped to devise a commercial strategy for Pride in London.

    Celebrities including Sir Ian McKellan, Kylie Minogue, Graham Norton, Sir Elton John and Ben Cohen have already backed the campaign. Of the 150+ messages already submitted, examples include:
    Sir Ian McKellan: “#FreedomTo be who you are and what you would like to be”
    Graham Norton: “#FreedomTo be camp!”

    Funmi Iyanda: “#FreedomTo support equality without fear and harassment”
    To get involved, members of the public are asked to write their own personal #FreedomTo messages on a large piece of paper. By sharing this photo on Facebook or Twitter using the #FreedomTo hashtag, the Pride team will pick it up. Submissions that catch the eye of the team will be invited you to a photoshoot. More information can be found here: www.prideinlondon.org/freedomto.

    Media owner Exterion Media has become a campaign partner, contributing more than half a million pounds worth of support. This commitment means the multi-channel campaign featuring the personal #FreedomTo messages and sponsors’ logos will be prominent across London’s bus and tube network, reaching millions of Londoners in the event build-up every single day.
    This video introduces the #FreedomTo campaign: http://www.youtube.com/watch?v=X_fiQefoSL8

    The media campaign will evolve over the course of the two weeks leading up to Pride day. The first week will include a call to action asking members of the public to submit their own personal #FreedomTo messages. The people behind the best entries will then be filmed and included in animated panel adverts alongside the supporting celebrities.
    The second week – Pride Week (Commences Monday 23rd June) – the panels will also show highlights of supportive Pride parties, galas and live events – all of which are detailed here: http://prideinlondon.org/plan/whats-on/. This content will all be filmed by attendees themselves using filmmaking app Seenit, and in a user generated content first, the footage will then be edited by Enigma to be shown on the Exterion screens.

    On Pride Day itself, the tube ads will change to say ‘Happy Pride’, including geo-specific information about how to travel to the Pride event from that station.

    A media relationship has been struck with TV channel London Live, which will see the channel take the user generated content to create community profile films to be serialised during Pride Week.

    Andrew Newman, co-founder of Enigma had the following to say, ‘We’re delighted this campaign has attracted the imagination of celebrities and members of the public alike, bringing people together for a common cause. Not only can you support Pride as before, you can now be a part of the campaign around it!

    ‘As Pride requires commercial support to be held, we needed to strike a balance to ensure that our diverse community was represented, while giving real value to sponsors and brands. We feel the #FreedomTo campaign achieves that and is something we can all be proud of.’

  • THEATRE REVIEW | Rock The Ballet, Peacock Theatre, London

    The Bad Boys of Dance’s new show “Rock the Ballet” bills itself as “a high-octane intersection of classical and contemporary set to a soundtrack of popular music”, so you wouldn’t be expecting much poetry or lyricism, and you’d be right. These dancers twist and turn and gyrate in a display of virtuososity, which is both breath-taking and exhausting to watch.

    That said, it got off to a rather slow start. The first act, labelled Beautiful Day, with the boys in casual jeans and polo shirts, tried, somewhat unsuccessfully, to meld a boy meets girl, falls in love with girl, falls out and falls back in again storyline to a pop soundtrack of U2, Coldplay and Donny Hathaway.

    Choreographed by Adrienne Cantera, who also brilliantly danced the central female role, this first act didn’t really coalesce until the final U2 “Beautiful Day”, when finally Cantera and all the boys came together in a dazzling whirl of energy. It was here too that the choreography most matched the music it was set to. Till then there had been bursts of invention, punctuated by too many moments of what I can only describe as mark till ready filling in. I also rather unkindly w ondered if we got a bit too much of Canterra, superb though she is. After all it was the guys we had come to see, and this first act harked back to old fashioned glorification of the prima ballerina. Apart from a few thrilling sequences from James Boyd, the boys took something of a back seat.

    All this was put to rights in the second act, when all the boys were at last given their chance to shine, and there was no doubting it was the boys the audience had come to see. It opened with a darkly atmospheric rendering of Brotzjor’s “Olafur Ornald”, and I had rather hoped that this more lyrical opening was an indication of how things were to go. However it wasn’t long before we were back to the energetic, pumping pop of the first act, only this time it was sexier, the boys in tight black pants and white vests. In particular, Blake Zelesnikar, who had caught my eye in the first half, was finally given his moment, first in a sexy duet with Canterra and then on his own. Judging from the audience reception, and the screams of delight from some of the girls (and no doubt some of the boys), I wasn’t the only one to notice him. This boy has sexual charisma in spades. James Boyd too got some amazing solo work in this half, and was the first one to show off his rippling torso. When all the guys finally got their shirts off and danced topless, there was no doubting that this is what the audience had come to see. It was also at this point my critical faculties deserted me. So who cares if it’s not exactly artistic? When Zelesnikar is flexing his muscular torso, nothing else seems to matter. Putting their jackets back on, they came out for an encore of (fittingly) “Sexy and I know it”, one by one stripping off their jackets again and flirting with the audience. By this time everyone was screaming for more, and I couldn’t really blame them.

    It’s not a show that’s likely to appeal to dance purists, and in all honesty it’s a bit safe, especially when you consider what Michael Clark was doing to pop music twenty odd years ago. But if you want to see some sexy boys, strutting their stuff and showing off their virtuosity (and let’s face it, who doesn’t?) then this is the show for you.

    Rock the Ballet runs until June 28th at the Peacock Theatre.

    3 stars for the show (that’s the critic in me)
    5 stars for Zelesnikar (OK, so I can be shallow.)

  • THEATRE REVIEW | The Roof

    ★★★ | The Roof

    A door opens and an immaculate figure steps out onto a roof. Knives are sharpened and the game begins. Set within the suspended reality of a brutal and unforgiving game, this mix of intimate three-dimensional sound and free running aims to transport the audience into the body of a reluctant hero, desperate to stay alive.

    Following Electric Hotel and Motor Show, The Roof is Requardt and Rosenberg’s third production and takes place in a purpose-built arena designed by Jon Bausor, set designer for the London 2012 Paralympic Opening Ceremony.

    The Roof is a blend of dance, free-running inspired moves and surreal fragments of disconnected stories. Staged in a car park at the back of The National Theatre, the set is a multi-level 360-degree panoramic creation. A figure emerges and begins trying to complete levels on a game, aiming to rescue a D.J. trapped in a small box representing her brashly decorated bedroom. The game is one that the audience, standing watching, are immersed in via headphones and witty sound design. The opening moment where a heavy breathing figure appears to run across the gravel, approach you from the back and whisper into your ear was inspired and left the audience all looking round in alarm.

    It all sounded really exciting. The rain held off, the audience stood poised for a unique and immersive experience but sadly, the show failed to deliver. The free-running element felt tired and relentless and lacked thrill. I’ve definitely seen better examples of free running. The narrative felt slightly contrived and weak with a script that didn’t always work and the dance moves, although imaginative, failed to glue the piece together. The costumes were inventive and wouldn’t have looked out of place on a t-shirt designed by a hipster from Hackney (women in 70s suits with rabbit faces with no eyes, surreal drum majorettes and people with triangular heads).

    I liked elements of the show (mainly the really clever and immersive sound design and the occasional glimpses of humour) but on the whole the show left me a bit cold, in spite of it being a warm night. Looking round at the rest of the audience and a lot of slightly bored expressions, I could see I wasn’t alone in this.

    The Roof runs until 28th of June 2014

    Buy tickets here: www.liftfestival.com