THEGAYUK

Tag: LGBT Movie Review

Read the latest LGBT+ film reviews from THEGAYUK.

  • FILM REVIEW | Keep The Lights On

    ★★★★★ | Keep The Lights On

    This award-winning and Sundance Festival-selected film is an intricate look at the lives of two men who enter into a relationship in 90s New York.

    Erik is a Danish documentary film-maker who meets Paul via a telephone chat-line. Erik is anxious about commitment and lawyer Paul has a steady girlfriend. What starts off as a casual sexual relationship develops into something more meaningful and romantic. The film charts the two lovers throughout their turbulent ten-year relationship.

    The two main characters’ lives take on unexpected turns and as Erik becomes more responsible and committed, Paul’s more orderly life spirals out of control as his recreational drug abuse becomes a destructive habit. The relationship enters a series of cycles of damage and renewal as the film charts their lives.

    The film is beautiful to watch but also painful to view in places, but ultimately provides a meaningful glimpse into the areas of both lightness and shade which relationships can pass through. The balance of the film is such that the story never feels too bleak but is balanced with erotic tension, a compelling storyline and occasional bursts of humour. Strong performances from the cast add to the emotional intensity of the film.

    Highly recommended for a moving and fascinating insight into the life cycle of a relationship.

    Directed by Ira Sachs

    See other reviews for Gay Dramas

    See reviews of other five-star gay movies

    See all Gay Film Reviews

    This review was first published in January 2013

  • FILM REVIEW | Cocoon

    FILM REVIEW | Cocoon

    Rating: 4 out of 5.

    Cocoon is a true depiction of the trials and triumphs of female adolescence, a coming-of-age tale that every woman can relate to.

    In the heat of a shimmering Berlin summer, Nora (Lena Urzendowsky) spends her days as a third wheel to her older sister Jule (Lena Klenke) and her best friend Aylin (Elina Vildanova). They think and talk only of boys and how to keep thin, whilst wandering the vibrant city streets taking selfies and juvenile social media videos. Feeling the pressures to fit in, Nora goes along with her sister’s frolics – drinking, smoking and playing ‘smack the finger’ with the boys. But with their alcoholic mother largely absent, it is Jule who bears the brunt of Nora’s supervision. Nora looks up to Jule but still keeps and cares for caterpillars, an activity she and her mother once shared.

    On a gym day at school, Nora gets her period for the first time in front of the class – one embarrassing step too far for Jule. When older student Romy rushes to Nora’s rescue, a friendship blossoms and Nora falls fast in love for the first time. But as the hottest summer on record comes to a close, things will never be the same for Nora – the butterfly has emerged from her cocoon. 

    Now available in cinemas and on VOD.

  • FILM REVIEW | Funny Boy

    Rating: 4 out of 5.

    Set in 1970’s and 1980’s Sri Lanka, and adapted from Shyam Selvadurai’s critically acclaimed novel of the same name, Funny Boy is a coming-of-age film of a young boys exploration of his identity and set against the backdrop of 1980’s Sri Lankan Civil War.

    Arjie (Arush Nand) lives with his wealthy family in a beautiful home and very close to his large extended family. He doesn’t want to play soccer with the other boys, including his brother – he actually wants to dress up in colourful clothes and hang out with his cool aunt Rahda (Agam Darshi). But Arjie’s parents know he is different, but as Arjie gets older (played by Brandon Ingram), there is no denying that Arjie is gay. He even becomes best friends with, and then falls in love with a fellow male classmate. And when his family catches them in the act, they feel that Arjie has disgraced them, And it’s especially more daunting is that his boyfriend is Sinhalese, while Arjie and his family are Tamil. This is all set against instability and unrest in Sri Lanka, and at a time when homosexuality there was illegal (it still remains as an offence in the country’s books). Arjie suffers because of who he is and who he loves.

    Funny Boy is such a lovely film. We would like for more films just like this, please.

    Written by Deepa Mehta and Shyam Selvadurai, the film stars Brandon Ingram, Nimmi Harasgama, Agam Darshi, Ali Kazmi, Seema Biswas, and Arush Nand.

    Funny Boy is Canada’s official entry for the 93rd Academy Awards in the Best International Feature Film category.

    Now playing in the UK and Ireland also available on Netflix.

  • FILM REVIEW | Bare – For fans of male nudity – and dance

    Rating: 4 out of 5.

    In the new documentary film Bare, these men are whittled down to eleven who rehearse and perform the premiere of Belgian choreographer Thierry Smit’s new dance piece ‘Anima Ardens.’ Director Aleksandr M. Vinogradov’s captures the auditions, and rehearsals, in this documentary that is both revealing, sexy and fun. Filmed in Brussels, the men, all presumably professional dancers, jump at the chance of working with Smits, a well-known choreographer who set up his own company in 1990, and who has created over 30 dance performances. His dance pieces are contemporary, with fusions of pop, queer and often provocative aesthetics included.

    The eleven men have no problem getting naked. One, during the early stages of the audition, raises the question as to why the camera is in the room. The explanation is that a documentary will be made about this process answers the question, and the show goes on. However we really don’t get to know any of the dancers individually, and Smits, front and centre, also remains an enigma. But combining Smits with the dancers in their daily struggle to get the dance moves correct, with Smits not quite knowing exactly what he is looking for, brings mystery and drama into play.

    All the dancers are very sexy, of course especially when naked, but after a bit, the nudity becomes almost invisible (but not quite) and it’s the performance piece they are rehearsing that takes centre stage because it’s unconventional. All the dancers appear to be very comfortable with each other, and near the end, they are all very playful in the showers as they clean up after a day of rehearsal. And Bare cleverly ends as the first performance of ‘Anima Ardens’ begins. Lucky for us, just a quick Google search will lead you to see the actual dance piece in its entirety. 

    Bare is indeed bare; it’s sexy, raw and in your face.

    Bare held its world premiere at Hot Docs and has also been featured at Cinema Diverse, Doc NYC and DocEdge.

    Look for it hopefully at UK film festivals in 2021.

  • FILM REVIEW | Dating Amber – Growing up gay is not easy

    FILM REVIEW | Dating Amber – Growing up gay is not easy

    Rating: 4 out of 5.

    Fionn O’Shea and Lola Petticrew are just about perfect as a young couple who pretend to fall in love in1995 Ireland in the new film Dating Amber.

    But they are not an actual couple. You see Eddie (O’Shea) is Gay (though he won’t admit it), and Amber (Petticrew) is a Lesbian, and both are on the cusp of finishing their last year of high school. Amber, who lives with her widowed mother in a trailer park, has dreams of moving to London after she graduates. Eddie, meanwhile, plans to go into the military to follow in his father’s footsteps. But to survive their final year at school, and to ward off name-calling and bullying from their fellow students, they decide to pretend to be a couple (this is after a failed attempt on Eddie’s part to woo a blond girl, though he fails to grab her boob during a groping session).

    Eddie and Amber go through their charade and actually make a perfect couple; Eddie is shy, very cute and adorable, while Amber is aggressive, knows what she wants, and has all the best lines. However, after a night out to a gay bar in Dublin where Amber meets someone, and Eddie still not quite ready to accept that he’s gay, the pressure is on for him to take charge of his life, to appease his father (Barry Ward) and very understanding and knowing mother (Sharon Horgan), alongside his know-it-all younger brother (Evan O’Connor). 

    This coming-of-age comedy is a poignant, honest and funny look at the highs and lows of teenage life while growing up in a conservative environment where young people who are different don’t seem to fit in. Both leads are just absolutely perfect, the feel of mid-90s Ireland comes through the screen, and the funny script makes Dating Amber the one of best romantic comedy and growing up films of the year.

    Now available on Demand and Digital

  • FILM REVIEW | Oliver Sacks: His Own Life – A life well-lived

    FILM REVIEW | Oliver Sacks: His Own Life – A life well-lived

    Rating: 4 out of 5.

    The late Oliver Sacks was a very fascinating man. Learn more about him in the upcoming documentary Oliver Sacks: His Own Life.

    Sacks was not just a scientist and neurologist, he also wrote dozens and dozens of books including best sellers, was a master in his field, greatly respected, became a celebrity later in life, and he was also gay. 

    Sacks grew up in an upper-middle-class family in Cricklewood, London. Both his parents were doctors – so it was almost a natural that he’d be a doctor. But it wasn’t until his older brother Michael was diagnosed schizophrenic, an illness that affected the whole family but Oliver more so, that Sacks future was sealed. Going to medical school in Oxford, then to America where he took up residency in San Francisco is when his true self came out – a man with a motorbike dressed in head to toe leather. But while he was taking care of patients with severe neurological issues (stunning footage shows him with patients with neurological diseases and oddities) – Sacks never really found love or romance. His mother vehemently objected to his homosexuality but she also turned into a champion of his while he spent a summer writing a book at his childhood home. But her death affected him greatly, and after he turned 40 he remained celibate for the next 35 years. 

    Quite a bit of footage of Sacks is of him in his West Village apartment surrounded by staff, friends, etc. His personality comes through in these moments like a bright red sunset – with his charming laugh, unique British accent and sparkle in his eye that will win you over. He won Bill Hayes over – at age 75 Sacks and Hayes (20 years younger) remained together until Sacks death in 2015 at the age of 83. It’s a happy relationship to the end of an amazing life led by a man who changed medical science and at the same time opened our eyes to it. Director Ric Burns really captures the life and times of Sacks, especially of his final years of being with Hayes.

    Now playing on https://filmforum.org/virtual-cinema/ and https://kinomarquee.com

  • FILM REVIEW | Dedalus – startling and memorable

    FILM REVIEW | Dedalus – startling and memorable

    Rating: 4 out of 5.

    Dedalus is a fictional triptych portraying community, love, and loss.

    It’s a film that deals with homosexuality and age, with three very different storylines. And while one of them is a bit confusing, it’s a very good piece of work by a first-time director.

    A goodlooking young man (newcomer Alexander Horner, a natural) is a bit lost in life, always struggling to make ends meet, going from couch to couch. But he knows what he likes – he enjoys the ‘company’ of older men. He also needs food and shelter during a cold winter in New York City. He is also sexually attracted to older men. And even though a young woman takes him in, nothing satiates his quest for love then older gay client. He meets a succession of them, most of them wealthy, and lonely. They all, of course, take a fancy to him. But he falls for an anxious lawyer (Thomas Jay Ryan) and can foresee a relationship with him, but the lawyer has other things in mind. This second of the three stories in this film is the most hard-hitting and unforgettable.

    Directed by Jonah Greenstein, an independent filmmaker, the other two stories deal with a fathers mortality which compels him to leave his home in Los Angeles and move in with his daughter, and the other story takes place in rural Iowa, a grocery cashier watches helplessly as classmates conceal their act of sexual violence against his teenaged step-sister. 

    All gorgeously directed by Jonah Greenstein, an independent filmmaker. He’s worked with some big names (Rami Malek, Michelle Wiiliams, documentary filmmaker Laura Poitras), but it’s this debut, which laces loneliness. beauty and mystery, to create a film that is both startling and memorable.

    Now on on Streaming Platforms including Apple TV, Amazon Prime, OVID.tv & Kanopy

  • FILM REVIEW | Summer of ’85 – The joys of young love

    FILM REVIEW | Summer of ’85 – The joys of young love

    Rating: 4 out of 5.

    Remember your first romance? It probably took place during the summer. The new film Summer of ’85 beautifully tells the story of one young man who experiences his first romance – in the summer of 1985.

    The opening song ‘In Between Days’ by The Cure sets the era for the film (yes, you know it if you were around then). Summer of 85 is set in a Normandy, France, seaside town where Alexis Robin (a memorable Félix Lefebvre) lives with his parents and is in the gap period between school and college.

    Alexis enjoys being the near the water, so much so that one day he takes a small boat out to sea but gets caught in a storm. He is rescued by the all too dashing Benjamin Voisin (David Gorman). Benjamin makes sure Félix is fine and takes him to his home to take care of him, where his mom (a very good Valeria Bruni Tedeschi) undresses Félix for a hot bath and admires his manhood). This leads to a quick relationship where Alexis has his first real crush (and love) with Benjamin. But it’s all too fast and furious, and when Benjamin’s mom (who was recently widowed) asks Félix to work in their nautical shop full time, it’s might be too much too soon for the perfect pair. And when Brit Kate (Philippine Velge) enters the picture the boys’ relationship is put to the test. Will it pass or fail? And then an unseen tragedy, typical in French films, dramatically changes the tone of the film.

    Directed and co-written by the masterFrançois Ozon – the creator of so many great and memorable films (recent films include By the Grace of God and L’Amant Double) scores another winner here with a superb choice of actors, location, and songs (’Sailing’ by Rod Steward and Bananarama’s ‘Cruel Summer’ tells the story in their titles). Though the film goes a bit off the charts by having Félix dress up as a young woman in one silly scene (reminiscent of The New Girlfriend), Summer of ’85 is a very memorable and charming film about young love. It’s a film that will take you back to your first summer love. 

    Summer of 85 is in cinemas and on Curzon Home Cinema

  • FILM REVIEW | Monsoon – Quiet and Meditative

    FILM REVIEW | Monsoon – Quiet and Meditative

    From the man who brought us the brilliant ‘Lilting’ in 2014 returns with his new offering Monsoon.

    Lilting, directed by Hong Khaou, told the story about the death of a young gay man leaving his lover to deal with a grieving Chinese Cambodian mother. It was quiet and meditative as is Khaou’s new film Monsoon.

    In Monsoon a young man of Vietnamese descent, who now lives in Britain, returns to Saigon to return his mother (her ashes) to her home country, a country her and her husband fled during the Vietnamese war. But Vietnam is also a country that Kit (Henry Golding) also knows very little about – he was 5 when they left. So his return to the home country is a poignant one, his father has also died and Kit’s brother is bringing their father’s ashes so him and Kit can bury them together. While Kit returns and visits old friends of his and his mothers, he falls for American Lewis (Parker Sawyers) and establishes a semi-relationship with him. While the gay storyline is a bit irrelevant to the focus and mission of the plot, it’s played out against the backdrop of a city full of traffic, noise, people, motorcycles, and beautiful sunsets that linger in the horizon.

    Monsoon also brings us lulled moments – quiet and contemplative – in a film that’s oh so short at 85 minutes.

    Henry Golding (Crazy Rich Asians) is good in the role – but the film itself could’ve explored more of his background and his relationship with his family (perhaps flashbacks) to give more of a background into his homosexuality. In all, if you’re looking for a meditative and quiet film, this film is for you.

    ‘Monsoon’ is now out in UK Cinemas.

  • FILM REVIEW | Socrates – Tender and touching film about a young gay youth in São Paulo

    Rating: 4 out of 5.

    A young man tries to find his way in life after the sudden death of his mother in the new film Socrates.

    Socrates, now in cinemas and streaming online, is an emotional and sad story of 15-year old Socrates (Christian Malheiros), who with his mom, a cleaner, live on the margins of society in a favela in São Paulo. His sick mom suddenly dies in their small apartment, and leaves Socrates alone, and crushed. Determined to make it on his own, he does everything he can to find a job to pay the rent, which is way overdue. He even tries to take over his mom’s job but, being underage, the boss says it is not possible. With nowhere to turn, he ends up getting a construction job, where he hauls equipment back and forth.

    His co-worker, Maicon (Tales Ordakhi) picks a fight with him, but this is a distraction because Maicon likes Socrates, and suddenly (perhaps a bit too sudden), Socrates finds himself at Maicon’s apartment where they fall into each other’s arms and get it on. In light of this unbelievable plot point, Socrates still has to struggle to pay the rent and survive, and when his long lost father shows up to take him (as he is a minor), Socrates runs away. Things go from bad to worse when he is kicked out of the apartment and has nowhere to live. With no help from social services, and not wanting help from his father, and with Maicon busy with other responsibilities, Socrates fights to survive in a world that seems to be putting roadblocks in his way.

    Executive produced by Academy-Award nominated Brazilian director Fermando Meirelles (‘City of God’), ‘Socrates’ brutally shows us what it’s like to grow up poor (and gay) in one of the worlds largest cities. Malheiros is superb as the downtrodden Socrates (he has won two film festival awards for his performance and won the ’Someone to Watch’ award at the 2019 Independent Spirit Awards), while other cast members hold their own. Directed by Alexandre Moratto working with a script written by himself and Thayna Mantesso, Socrates is a film you won’t easily forget.

    And while the gay aspect of this film is unbelievable and a bit irrelevant, the story as a whole is about resilience, perseverance, and hope against all odds.

  • FILM REVIEW | Linga Franca – delicate and moving portrait of a Filipina Transwoman

    FILM REVIEW | Linga Franca – delicate and moving portrait of a Filipina Transwoman

    Rating: 3 out of 5.

    Linga Franca follows the story of an undocumented Filipina transwoman Olivia (Isabel Sandoval) in Brooklyn’s Brighton Beach Russian neighbourhood. 

    Olivia is the live-in caregiver for elderly feeble Russian Olga (Lynn Cohen – remarkable). Olivia has yet to get her green card, and she’s vulnerable to getting kicked out of the country in Donald Trump’s fetish for kicking out illegal aliens – it’s his rhetoric and voice that permeates in the background of the film. Olivia’s best friend and fellow Filipina transgender friend Trixie (Ivory Aquino) has found happiness with a good-looking American man and is more or less guaranteed a green card. 

    One day Olga’s Grandson Alex (Eamon Farren) returns from being away for a year – he’s the black sheep of the family. He stays with Olga and Olivia in Olga’s house and gets a job in a meat factory owned by his uncle. 

    Sure enough you can guess what happens next. Alex is attracted to Olivia and perhaps all too suddenly they fall into each other’s arms and make love. But is this what Olivia really wants? She had just been dumped by a guy who promised her the world, and Olivia, who was at a loose end and desperate, should’ve welcomed this new man in her life, but she doesn’t. We never really get to understand what makes Olivia tick and what will indeed make her happy. 

    While Lingua Franca is a very sensual and provocative film, we never really get to the heart and soul of Olivia. And the love affair between Olivia and Alex is a bit too easy. And while the direction and writing by Sandoval herself are delicate and moving, she brings us into an already chartered territory (it’s hard to top 2017’s ‘A Fantastic Woman’).

    Lingua Franca may frustrate you a bit but it’s saved by terrific acting – especially by Cohen (she played Miranda’s housekeeper in ‘Sex and the City‘), who unfortunately passed away earlier this week.

    OPENS IN SELECT THEATERS AND ON NETFLIX AUGUST 26