THEGAYUK

Tag: LGBT Movie Review

Read the latest LGBT+ film reviews from THEGAYUK.

  • FILM REVIEW | Floating Skyscapers

    ★★★★★ | Floating Skyscapers

    Polish writer/director Tomascz Wasilewski’s second feature film is a dark tragic love story that you immediately sense from the opening scenes that is doomed.

    Although it is Poland’s first ever gay movie, it is so much more a story about the search for one’s identity and about being accepted for one’s own true self and accepting others for who they are. Essentially it’s a movie about love. Love between a girl and a boy. Between boy and a boy. Between a mother and a son, and a father and a son. It is completely heartbreaking.

    Koba is a young man who has been training to be a champion swimmer for 15 years. He lives at home with his mother who makes somewhat unnatural and creepy demands on him, plus Sylwia his rather sullen girlfriend of two years. He is also in the closet and furtively seeks out brief sexual encounters with other male swimmers in the locker rooms after practice. And then one evening it all changes when one Sylwia drags him reluctantly along to an art opening and he meets Michel, and there is an immediate attraction between the two men.

    Michel is open about his sexuality although his wealthy family, with whom he still lives, are having difficulty with accepting it. The two men surreptitiously embark on a relationship which Sylwia suspects but will do nothing about beyond being hostile to Michel. Uncharacteristically Koba falls totally for his new lover and as a consequence much to the annoyance of all, he neglects both women in his life, and his training.

    When it finally reaches the point of no return and the men decide to leave the closet once and for all, Kuba is confronted by an embittered pregnant Sylwia, and the fervent demands of his mother that he abandons Michel completely and become a full time father and husband. This is however not the only tragedy that befalls them, and makes for such a bitterly sad ending.

    By using such austere and somewhat foreboding locations Wasilewski has heightened the darkness in this heavyhearted tale in a society that is still unceasingly hostile to most gay and lesbian people.

    Watching here in the US where the acceptance of LGBT rights is now racing along and is reflected in the recent Supreme Court rulings somehow makes this groundbreaking film seem even more poignant and pertinent.

    Recently I reviewed Out Loud the first ever film from Lebanon that dealt with gay issues, and also ‘In The Name of’ the 2nd ever-Polish gay movie (and this one won the coveted Teddy Award for Best Feature at the Berlin International Film Festival earlier this year).

    Change is happening, and these excellent movies are both witnesses to the fact, but also more importantly, instruments of the change too.

    Unmissable.

    Floating Skyscapers is Out Now on Matchbox Films

    BUY ON AMAZON | BUY ON ITUNES

  • FILM REVIEW | Floating Skycrapers

    Polish writer/director Tomascz Wasilewski’s second feature film is a dark tragic love story that you immediately sense from the opening scenes that is doomed. ★★★★★

    Although it is Poland’s first ever gay movie, it is so much more a story about the search for one’s identity and about being accepted for one’s own true self and accepting others for who they are. Essentially it’s a movie about love. Love between a girl and a boy. Between boy and a boy. Between a mother and a son, and a father and a son. It is completely heartbreaking.

    Koba is a young man who has been training to be a champion swimmer for 15 years. He lives at home with his mother who makes somewhat unnatural and creepy demands on him, plus Sylwia his rather sullen girlfriend of two years. He is also in the closet and furtively seeks out brief sexual encounters with other male swimmers in the locker rooms after practice. And then one evening it all changes when one Sylwia drags him reluctantly along to an Art Opening and he meets Michel, and there is an immediate attraction between the two men.

    Michel is open about his sexuality although his wealthy family, with whom he still lives, are having difficulty with accepting it. The two men surreptitiously embark on a relationship which Sylwia suspects but will do nothing about beyond being hostile to Michel. Uncharacteristically Koba falls totally for his new lover and as a consequence much to the annoyance of all, he neglects both women in his life, and his training.

    When it finally reaches the point of no return and the men decide to leave the closet once and for all, Kuba is confronted by an embittered pregnant Sylwia, and the fervent demands of his mother that he abandons Michel completely and become a full-time father and husband. This is however not the only tragedy that befalls them, and makes for such a bitterly sad ending.

    By using such austere and somewhat foreboding locations Wasilewski has heightened the darkness in this heavyhearted tale in a society that is still unceasingly hostile to most gay and lesbian people.

    Watching here in the US where the acceptance of LGBT rights is now racing along and is reflected in the recent Supreme Court rulings somehow makes this groundbreaking film seem even more poignant and pertinent.

    Recently I reviewed ‘Out Loud’ the first ever film from Lebanon that dealt with gay issues, and also ‘In The Name of’ the 2nd ever-Polish gay movie (and this one won the coveted Teddy Award for Best Feature at the Berlin International Film Festival earlier this year). Change is happening, and these excellent movies are both witnesses to the fact, but also more importantly, instruments of the change too.

    Unmissable.

    Buy Now on Amazon

     

  • FILM REVIEW: The Adored

    FILM REVIEW: The Adored

    ★★ | The Adored

    Maia is a model who finds her life in turmoil when a personal tragedy befalls her which severely impacts on her relationship with her husband.In an attempt to increase her self-esteem and to try and kick-start her career, she books a weekend with a prolific photographer, Francesca, in her secluded house in the remote Welsh countryside. But Francesca, who suffers from obsessive compulsive disorder, becomes increasingly fixated with Maia and tries to control her feelings towards her. But with a combination of guilt, paranoia and infatuation increasingly impacting on the relationship between the two of them, their past appears to be catching up with them.

    The film stars Laura Martin-Simpson and Ione Butler as the two women whose physical and emotional relationship develops over the course of the film’s 90 minute running time. The story unfolds with long scenes of the two women in the isolated house and surrounding area spliced with some rather intense scenes of a man called Adrian talking frankly with his therapist about his self-awareness of his violence and his troubled marriage. Who this man is and his relevance to the two women is a mystery which feeds into the slow burn of the story.

    The performances from the four cast members were all perfectly serviceable, with Jake Maskill as Adrian as the most notable. The direction of the film was functional, but never flashy or over-stylised and the scenery surrounding the house was a naturally beautiful backdrop.

    One of the main problems with the film was that the characters were all so unlikeable that as a viewer, there was the potential to not share any empathy or connection with characters. Furthermore, the development of the story was far too slow, so that by the time the reveal arrived, any dramatic impact was lost given that the narrative had struggled to hold the attention.

    Where the film does deserve some recognition is in its portrayal of the exploration of the female characters sexuality. Their intimate moment manages to steer well clear of tacky titillation and that aspect of the story is more about establishing their sexuality as one aspect of their complex characters rather than being the trait that their characters are built around.

    Overall, the film is a slow watch, which some viewers may find rewarding, but one which, unfortunately, runs out of steam. It is a bold attempt at a low budget film noir, but never quite lives up to its potential.

    The Adored is available to buy from Amazon and iTunes and further information about the film can be found on the films official website at http://www.theadoredmovie.com

     

  • FILM REVIEW | In Bloom

    ★★★★ | In Bloom

    This is the rather gritty story of a hip very young gay couple in Chicago’s ‘Boystown’ coming to terms with how tough one’s first love can be.

    Kurt is a small time drug dealer who supplies pot to his peers, whilst Paul his boyfriend of two years has a dead-end job in a local grocery store that he can barely tolerate. When the long summer starts, they are having fun and very much into each other and seem the perfect couple, but some seven months later they have separated and can barely talk to each other.

    Everything had been going well with them until one night one of Kurt’s good-looking customers puts the moves on him, and although he initially resists Kevin’s advances does it opens his mind to the possibility that there is more to life outside of his cosy relationship with Paul. Suddenly that starts to look painfully inadequate to him now, and in a fit of impulse he starts a ‘break-up’ that he will only regret when it is far too late.

    If that is not bad enough, the real world outside is even scarier than usual right now as there is a serial killer on the prowl whose victims have all been young gay man from the area. With Kurt making late night deliveries to hip parties all over he is probably more at risk than most.

    This look at contemporary edgy youth culture is the work of a 22 year newbie filmmaker Chris Michael Birkmeier who based this work of fiction on his own story of when he broke up with his first ever boyfriend. The plot is steeped in innocence and naivete and full of well-meaning intentions. It’s a remarkable debut feature and as such one can overlook the slow-moving story line that almost grinds to a halt at times.

    Credit too for the great wee cast full of untried talent, and very good photography too.

    The comparisons between Mr Birkmeier and the French/Canadian wunderkind Xavier Dolan who picked up Awards at Cannes for his first movie at the tender age of 19, are natural. Especially when Birkmeier makes no bones of the fact that he is a big Dolan fan. But there is very little similarity in their work and this movie is of a much simpler construction and far more straightforward. The two young filmmaker’s works complement each other, rather than complete.

    No doubt at all that C M Birkmeier (as he bills himself) is one to watch in new queer cinema, and I for one cannot wait to see how he follows this fascinating first movie.

  • FILM REVIEW | Stranger By The Lake

    ★★★★ | Stranger By The Lake

    Alain Guiraudie’s intriguing new thriller is about as homoerotic as can be without crossing the divide into soft porn. It’s set on a tranquil isolated lake in a beautiful corner of the French countryside where the beach front is sparsely occupied by a handful of men sunbathing in the buff. Behind them lies a small wood which is a busy cruising area for gay men.

    Young Franck is a regular visitor to the lake each summer, and as he is currently unemployed now hangs out there most afternoons. He befriends Henri a sad overweight man who is more interested in just chatting and sitting on the rocks rather than getting his rocks off. Franck is however obsessed with a handsome hunk called Michel who with his Tom Selleck bushy mustache is another element that insinuates a distinctive 1980’s look to the whole movie.

    Michel however already has a young man in tow who he takes off to he woods at regular intervals.Then at dusk one evening as Franck is leaving the woods after a quick hook up with another man, he turns to look at the lake and is horrified to witness Michel drowning his date before swimming back to shore.

    Instead of being put off by the fact that the object of his affections is a killer, Franck actually uses the absence of he young man to make his moves on Michel. It gets hot and steamy and although this excites both of them, the mysterious Michel refuses to continue when it’s time to leave the lake or even give Franck as much as a hint to what his real life is actually about. The fact that the dead boy’s clothes are still lying on the beach and his car is in the car park doesn’t seem to concern anyone at all until his body resurfaces and a police Inspector comes around asking questions.

    The policeman is shocked at the callous indifference he encounters and when Franck is even unable to name the man he was having sex with to support his alibi, the Inspector comments ‘you have a funny way of loving each other’. Franck prefers to keep silent so that Michel will keep having sex with him. However Franck’s love is only Michel’s lust and when the older man suspects that Franck knows what happened that fatal night, things start to look decidedly dangerous for the younger man.

    Asides from the cold-blooded murder, Guiraudie’s story is as much about carnal desire and as such he doesn’t shirk from portraying that with some very explicit sex scenes. There is no effort here to disguise the fact that these very blatant hook-ups are purely sexual and an escapism from the reality of the men’s lives. What the men will do for some momentary passion is very obvious here, but why it spurs Michel into becoming a killer is left to our imagination.

    This is a wonderful erotic thriller, well-written and beautifully photographed in a way that belies the fact that this idyllic looking spot hides such violent and deadly deeds. The story places passion before danger and proves that it is not always a wise choice.

    Winner of both the prestigious ‘Queer Palm Award’ and ‘Un Certain Regard Best Director ‘ at The Cannes Film Festival. Highly recommended.

    Available to buy / view on: Amazon | Amazon Prime | iTunes

  • FILM REVIEW | GBF

    ★★★ | GBF

    When Tanner is accidentally outed in school, whilst the other boys in his class may resort to taunting and bullying him, the girls start to seriously compete for his attention.

    Three of the most popular teen girls in particular believe that if Tanner would be their G (ay) B (est) F(riend), which their favorite fashion mags say is ‘the’ must-have accessory of the season, then this would seal their election to become the next Prom Queen. There is Fawcett a very pretty buxom blond, ‘Shley the slightly serious good-time Mormon girl, and Caprese the African/American drama queen.

    Whilst Tanner glows in his new-found popularity as the girls fall over themselves to capture him for themselves, his best friend Brent who is still stuck in the closet, is so jealous of all the attention that so starts to plot Tanner’s downfall.

    This rather charming ‘boy-lit’ high school comedy is peppered with some very good performances by a very professional young cast who have cut their teeth on TV :Michael Willet as Tanner (The United States of Tara), Paul Iacono as Brent (The Hard Times of RJ Berger),Xosha Roquemore as Caprese (The Mindy Project),Sasha Pieterse as Fawcett (Pretty Little Liars) andAndrea Bowen as ‘Shley (Desperate Housewives).

    It is however the adults that inadvertently steal all their scenes particularly Jonathan Silverman and Rebecca Gayheart who play Tanner’s supportive parents. However even they are trumped by a wonderfully funny turn by the ever delightful Megan Mullally (‘Karen from Will & Grace’) who is hysterically funny trying to drag her son out of the closet. The two of them watching the ‘Brokeback Mountain’ movie on TV together is unquestionably the best scene in the entire film.

    It’s all very cute, has a few really good one-liner’s like the one on Mormon’s ‘they smile to your face, then Prop 8 you in the back,’ but it is a squeaky clean teen-movie that is meant to be for the young… or at least the young at heart.

    P.S. Don’t miss the ‘bloopers’ at the end!

    BUY FROM iTunes | Amazon

  • FILM REVIEW | Dallas Buyers Club

    ★★★★★ | DALLAS BUYERS CLUB

    The very scary fact thing about watching Dallas Buyers Club is always knowing that this is sadly a very true story.

    Not that we have anything except unfettered admiration for Ron Woodroof and his wild unorthodox schemes, but it is the reminder of the sheer number of countless deaths that could have been avoided if it hadn’t been for the complicity of the U.S. Food & Drug Administration Agency with the greed of the Pharmaceutical Companies that still rankles even now.

    Woodroof was a working-class Texan hedonist living in a Trailer, hanging out at Rodeos and partying very hard indeed. He was also a serial homophobe. When he collapses one day and is rushed to the ER the Doctors discover he is HIV + and with such a minute T cell count, they tell him that he has no more than 30 days to live. The year is 1985 and there is very little hope for anyone that gets full blown AIDS.

    At first he is in total denial and continues his life of drugs, drink and unprotected sex with hookers until his body starts to give up. When he finally accepts the truth, he also sharpens his resolve to beat this rap. He drags himself to the library and consumes all the information that is in the public domain at the time, which is very little. It is however enough to know that there is about to be a trial of AZT a new anti-retroviral drug …. the first if its kind … and because of the rapid explosion of AIDS, the FDA have agreed to fast-track it without its usual safeguards and checks.

    Woodroof pleads with the Doctors at his local hospital to be allowed some of this new wonder drug, but he is rejected on the grounds that he doesn’t qualify, so he seeks out an Orderly and bribes him to steal a supply. When this dries up, the Orderly recommends that he tries a Doctor in Mexico who may be able to help.

    He checks into Dr. Vass’s rundown Clinic over the Border and it is there that he first learns the enormous potential harm that unchecked toxic drugs such as AZT cause. At the supposition that they may stop the virus expanding, they also do such harm to the body that they expose them to countless opportunistic diseases. Vass’s solution is proteins and vitamins that will actively improve the general health of a person with AIDS making them in better position to be able to deal with the virus.

    When Woodroof learns that none of these are available in the USA, he starts an import business to supply them to other patients back in Dallas. He partners with Rayon a Trans person with HIV who he met in Clinic once as she can introduce him to all the people who would want to get their hands on these new drugs.

    At every step of the way, he is aggressively pursued by the FDA as even though none of the drugs/proteins he sells are illegal, they have not been officially approved and the FDA, egged on by the Drug Companies who fund them, want to keep total control of every aspect. One of the ways to get around the Law is not to actually sell the drugs themselves, but sell memberships to his Club (for $400 a month) and this entitles each member to have whatever drugs they want.

    As supplies get tougher to obtain, and new drugs come on the market, Woodroof widens his search worldwide to anyone and everyone who would sell to him. And the FDA would use every legal loophole and obscure law on the Statute Books to seize all his supplies and issue countless fines. Meanwhile at the local hospital it is getting very obvious that patients on the AZT trial are doing much worse than other AIDS patients, but the Authorities anxious to keep receiving the much need Payments from the Drug Companies are happy to suppress all the official reports that confirm this, and the one Doctor that dares to question her Bosses’s ethics is fired.

    Woodroof unquestionably started this venture purely to keep himself alive and to make money. He succeed with his first aim and lived 6 years after his initial diagnosis of just 30 days, and as he gradually got less paranoid of the gay community, he started allowing some people to have the drugs even though they couldn’t afford the Fee. It wast as much that he was any less of a homophobe, but as his own friends totally rejected him out of sheer fear, he started to be able to relate to being an ‘outcast’ like his fellow AIDS sufferers.

    This film has been a long time coming. Scriptwrters Craig Borten and Melisa Wallack based it on the hundreds of interviews they had with Woodroof, and then waited 20 years for the movie to finally get made. Several directors and stars were attached to it until it ended up in the hands of Canadian director Jean-Marc Vallee who’s claim to fame (so far) is C.R.A Z.Y. a very neat gay coming of age so far. His two principal stars lost a ton of weight for the parts Jared Leto as Rayon dropped 30 lbs and Matthew McConaughey a scary 50 lbs. They both gave powerful dazzling performances which will has got them several acting awards including Oscar Nominations for them both. It was definitely a stunning change in direction for McConaughey in particular who has established his career so far mainly in rom-coms, but for my two cents (!) it was Leto’s heart-breaking turn as the drug-addicted Rayon that totally bowled me over. It makes one appreciate that Leto has been off our screens far too long (5 years whilst he was touring with his Band)

    These Clubs like Woodroof’s (there were others in other cities) played an important role alongside the wonderful ACT-UP movement to continually put the FDA on notice, and without their unceasing pressure, demands and activism so many of the drugs that would eventually help with people with AIDS would never have been made available in time.

    It’s a compelling story told with such passion and authority that both disturbs and delights. Unmissable.

    Available to buy / view on: Amazon | Amazon Prime | iTunes

  • FILM REVIEW | Free Fall / Freier Fall

    Free Fall (or Freier Fall, to give it its German title) is an award-winning drama from director Stephen Lacant. It has been branded a sort of German Brokeback Mountain, and indeed there are parallels between the two movies, but in some ways Free Fall is more gritty, more rooted in the present day.

    Marc would seem to have his life sorted out. He’s doing well in the police force, his girlfriend is having a baby, and they have just moved into a house, next door to Marc’s parents. He is happy (or he thinks he is) and everything is going well for him. He meets Kay at a training camp and the two men become attracted to each other. Though Marc tries hard to fight his feelings, he later starts a relationship with Kay and subsequently finds his life spiralling out of control.

    I suppose the basic storyline has a certain resemblance to Brokeback Mountain, but there the similarities end. Whereas in Brokeback much of the romance is played out against the magnificent scenery of Wyoming, this relationship is much more claustrophobic, harder to hide as so much of their life is in plain view; not much chance for the men to get away from their colleagues and Marc’s family.

    Ultimately the movie is not just about Marc’s coming to terms with his homosexuality, it is more about whether he will allow himself the freedom to walk away from the life that has been set out for him by his parents, his colleagues and his girlfriend. Marc finds it impossible to choose between Bettina and Kay because he can’t decide between the two lives they represent, between comfortable domesticity on the one hand, and freedom, with all the danger and unpredictability that suggests, on the other.

    Ultimately that choice is made for him, and though we do not know how life will pan out for Marc, there is a suggestion that he will eventually break free.

    With superb performances from the two central actors,Hanno Koffler as Marc and Max Riemelt as Kay, not to mention Katharina Schuttler as Marc’s girlfriend Bettina, it is an engaging and involving movie beautifully filmed and subtly played out. Lacant directs with a sure hand which is honest and true.

     

  • FILM REVIEW | Interior Leather Bar

    ★★★ | Interior Leather Bar

    Director William Friedkin claims that he had to take his notorious movie Cruising about the gay S&M sub-culture to the US Ratings Board on 50 occasions before they would give him a ‘R’ certificate that permitted it to be shown in cinemas. Whether that is totally true or not is part of the myth around the over-rated but little seen psychological thriller released in 1980 to great controversy. The gay community were its fiercest detractors, but the critics slammed it too.

    To appease the censors Friedkin was forced to cut 44 minutes of what one assumes from his inference were graphic sexual acts. We will never be sure how accurate that is and gay filmmaker Travis Mathews and actor James Franco never bothered to check with Friedkin when they set about trying to re-imagine what the footage may or may not have contained to make this curious new documentary.

    Heterosexual Franco has a growing reputation for his limitless fixation with gay culture and he used his celebrity to pull this very spurious event together. On a day and a half, he and Travis gathered together a bunch of actors – some gay and some straight – stuck them in a warehouse with a script treatment and told them very vaguely to simply get on with it. Franco himself copped out of recreating the main role played by Al Pacino in the original movie and instead persuaded Val Lauren (who has just starred in Franco’s directorial debut ‘Sal’, about yet another gay figure Sal Mineo). Lauren was either alarmingly nervous about playing gay, even for pay, or just following a script, we never really know. But he was uncomfortable to watch, and like others, annoyingly kept repeating that he had only agreed to the project because of James!

    The gay members of the cast had joked that they had only agreed to take part in the hope of seeing Franco naked, but that wasn’t going to happen. He pontificated excessively before the shoot intellectualising about sex, but on the day itself he part filmed a scene where a couple of guys are going full at it, before totally disappearing. Incidentally most of the hour long running time is taken up with all the behind the scenes angst than the actual ‘missing footage’.

    This is not the first vanity project by Franco, He made an experimental film from scraps that Gus Van Sant cut from My Private Idaho, and the main question I can only raise about his intentions with all of this, and the making of this film is, WHY?

    Available to buy / view on: Amazon

  • FILM REVIEW | Mr Angel

    ★★★★ | Mr Angel

    Buck Angel is a brawny muscular red-headed good-looking bearded hunk. With his heavily tattooed body, his twinkling eyes and his infectious smile, he is in fact one very hot man. In our label-fixated society Buck is actually transgender, or as he loves to describe himself so succinctly, he is ‘a man with a pussy’.

    What strikes you immediately in this extraordinary wonderful documentary by Dan Hunt, is that before you start to try to get your head around all the gender-transitioning is how remarkably charismatic and engaging Buck truly is. He is full of charm, totally fearless with such a strong sense of purpose which we soon discover is something he achieved only after battling so many demons in his past.

    Buck has always identified himself as a male – even when he grew up – he was a rather stunning looking woman who carved a career out of fashion modeling. That in turn led to cocaine and then a rapid spiral downwards where he ended up turning tricks, more suicide attempts and then literally ending up in the gutter.

    Life eventually changed for him for the better after taking hormones and testosterone and he had a double mastectomy and ‘Buck’ was born. Not content with just being a male, he worked out aggressively and once he achieved a really great physique he launched into a career in porn. Here he carved out a unique niche for himself because as he kept saying ‘he never had bottom’ surgery.

    As we follow him making personal appearances at Sex Industry Trade Shows he is unabashedly proud about his career and although he repeatedly insists that he is not a sexual oddity, he definitely is challenging the accepted terms and classifications we are currently used too. For examples he shoots videos with gay men for the gay market, but as his partners are penetrating his vagina, doesn’t that make it ‘straight’ sex? And when he does another scene with a MTF person who still has a penis, isn’t that also heterosexual sex?

    I have to say that regardless of the technicalities of the actual penetration that takes considerable mind-blowing, you are firmly persuaded by a combination of Buck’s words, demeanor, attitude and spirit that he is very much a man.

    The documentary made over 6 years sees Buck now happily married to Elayne, a piercing expert, and they are living in Mexico with countless dogs. Buck is now re-positioning himself from sex-worker to sex educator as he undertakes a series of speaking engagements and advocacy about gender-roles in particular. I would normally be skeptical about how anyone can switch sides like this and be either accepted or respected, but it’s hard not to be swept away by the combination of Buck’s enthusiasm and the belief in has in himself.

    One of the biggest hurdles Buck had to overcome was helping his parents and siblings come to terms with his new persona. It’s not just the gender altering but it is also the porn career, which is hard for all of them to get their heads around. It is a remarkable journey that they all take together, and I defy anyone not to reach for the tissues when his father breaks down.

    This is not a film for everyone… Some of the imagery is very graphic. I do hope it gets the biggest audience it deserves.

    Full credit to Mr. Hunt for not only helping to start de-mystifying some of these questions, but more essentially for the respect that he accorded both Buck and his story.

    Available on Amazon

  • FILM REVIEW | House Of Boys

    ★★★★ | House Of Boys

    The blurb and the cover on this DVD doesn’t do it justice. It gives the impression of some sleazy b-movie, lots of gyrating hips, few (if any) articles of clothing and even less of a plot line. This isn’t true!

    (more…)