Tag: Take That

All the latest breaking news Take That. Browse The THEGAYUK’s complete collection of features and commentary on Take That.

  • Take That’s Howard is open to pansexuality

    Take That’s Howard is open to pansexuality

    Pop star Howard Donald has revealed that he’s open to pansexuality.

    Take That’s Howard Donald has revealed that he’s into the idea of being pansexual to 49,400 fans on an Instagram post. According to The Mirror, the 50-year-old star, who has been married to a cis-gender woman for four years said, that he was inspired by fellow popstar Christine And The Queens, who also identifies as pansexual – saying, “Christine And The Queens, she’s a pansexual, I’ve read. Pansexual sounds good. Maybe I should be pansexual”.

    “And let’s face it, women look at other women sometimes and think, ‘Ooh yeah, she’s tasty, I fancy her’

    “I’ve looked at men before and thought, ‘Oh yeah, I fancy him, he’s a good-looking guy. I wish I looked like that’.

    “You can still be attracted to men and still be attracted to women . . . as well as women, sorry.”

    What is pansexuality?

    Recently THEGAYUK.com asked its readers to help define pansexuality. One reader, Alex, told us, that pansexuality meant, “Love without gender, connection without exclusion, and plenty of fish in the sea” while another, Eggy, wrote, “sexual attraction regardless of gender”. Sometimes the identity is known by its “hearts not parts” mentality.

    Howard then said that although he was happily married to his wife, he was “very open-minded” when it comes to pansexuality.

    Howard married his partner four years ago and together they have two children.

     

     


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  • Theatre Review | The Band – Sheffield Theatres

    ★★★★☆ | The Band

    In 1993, teenager Rachel and her best friends are obsessed with The Band, and sneak off behind their parents back’s to a concert where, on the way home, they discuss the future, make promises to each other and swear that they will be best friends for ever. But when something happens that shatters their world, the girls go their separate ways. 25 years later, The Band brings them back together, when Rachel wins a competition to see them in Prague, and decides to invite the group she had lost touch with. But with an awkward reunion on the cards, it’s going to be a trip they will never forget.

    What elevates The Band high above other jukebox musicals is the story written by Tim Firth. Firth successfully interweaves great characterisations with nostalgia, comedy and genuine emotion in a heartfelt story about friendship, self-belief, realising that it is never too late to achieve your ambitions and that life doesn’t always pan out how you planned.

    The back catalogue of Take That songs is ripe for the picking, and with plenty of hits spanning their 30-year-career, including Relight My Fire, Greatest Day, Prey, Shine and Back For Good, the show primarily presents the musical numbers not as standalone songs, but almost as if it is the soundtrack to the character’s lives; and cleverly places them naturally into the story; meaning that they are there to support the narrative and not because the fans expect them to be shoehorned into the show somehow.

    In a cast which is fairly faultless and which works incredibly well together, Rachel Lumberg excels as Rachel, the bubbly woman whose love of The Band brings her friends back together; Alison Fitzjohn provides many of the laughs as the self-depreciating Claire and the young ensemble who play the teenage friends are brilliantly put together.

    As for “the Band” the Let It Shine TV show winners,  were everything you would expect; putting on a great performance as they belted their way through the musical numbers,  singing and dancing their hearts out with confidence and professionalism; and looking great to boot.

    The presentation of the show, especially for a touring production, is big budget and incredibly well done, with inventive staging, immersive lighting, a solid sound design and direction which keeps the show moving along flawlessly. The production is incredibly slick and polished and barely stops for breath as it speeds along.

    The success of the show is how all of the individual elements are present and come together to produce the whole package; and The Band surpasses all expectations and is a crowd-pleasing, foot tapping, fun packed show crammed with genuine warmth and emotion at its heart.

    Details can be found at the show’s website.

  • THEATRE REVIEW | The Band – Sheffield Theatres and National Tour

    THEATRE REVIEW | The Band – Sheffield Theatres and National Tour

    ★★★★★| The Band 

    In 1993, teenager Rachel and her best friends are obsessed with The Band, and sneak off behind their parents back’s to a concert where, on the way home, they discuss the future, make promises to each other and swear that they will be best friends for ever. But when something happens that shatters their world, the girls go their separate ways. 25 years later, The Band brings them back together, when Rachel wins a competition to see them in Prague, and decides to invite the group she had lost touch with. But with an awkward reunion on the cards, it’s going to be a trip they will never forget.

    Photo Credit – Matt Crockett

    Launched primarily off the back of a Saturday night TV talent show, The Band became the UK’s fastest selling theatre tour; but now that the TV show has ended and the hype has died down, the question is, is it actually any good? And the answer is a resounding “yes”.

    What elevates The Band high above other jukebox musicals is the story written by Tim Firth. Firth successfully interweaves great characterisations with nostalgia, comedy and genuine emotion in a heartfelt story about friendship, self-belief, realising that it is never too late to achieve your ambitions and that life doesn’t always pan out how you planned.

    The back catalogue of Take That songs is ripe for the picking, and with plenty of hits spanning their 30 year career, including Relight My Fire, Greatest Day, Prey, Shine and Back For Good, the show primarily presents the musical numbers not as standalone songs, but almost as if it is the soundtrack to the character’s lives; and cleverly places them naturally into the story; meaning that they are there to support the narrative and not because the fans expect them to be shoehorned into the show somehow.

    In a cast which is fairly faultless and which works incredibly well together, Rachel Lumberg excels as Rachel, the bubbly woman whose love of The Band brings her friends back together; Alison Fitzjohn provides many of the laughs as the self-depreciating Claire and the young ensemble who play the teenage friends are brilliantly put together.

    As for the Let It Shine winners, they were everything you would expect; putting on a great performance as they belted their way through the musical numbers,  singing and dancing their hearts out with confidence and professionalism; and looking great to boot; meaning that it’s not surprising at all to hear that they are working on their first album.

    The presentation of the show, especially for a touring production, is big budget and incredibly well done, with inventive staging, immersive lighting, a solid sound design and direction which keeps the show moving along flawlessly. The production is incredibly slick and polished and barely stops for breath as it speeds along.

    The success of the show is how all of the individual elements are present and come together to produce the whole package; and in the audiences relatability to the story and characters. We have all had a band which we have obsessed over, we have all had songs which remind us of a particular time in our lives and we have all had friends who we lose touch with.

    The Band surpassed all expectations and is a crowd-pleasing, foot tapping, fun packed show crammed with genuine warmth and emotion at its heart.

    The Band is at Sheffield Lyceum until Saturday 14th October 2017 , before continuing on an extensive national tour until July 2018. Visit The Band Official Website for details.

     

  • Why Are Boy Bands So Gay?

    Why Are Boy Bands So Gay?

    So the thought of 3, 4 or 5 exuberant lads together making sweet music is one undeniably interesting prospect. One, I imagine causing many a nightly stirring whilst staring at your latest pinup poster of One Direction from Smash Hits. Hang on does Smash Hits still exist? Yes, apparently it does. Jolly good. It gets the mind-boggling, doesn’t it? How on earth do 5 guys share a tour bus, hotel, swanky lads pad in North London without straying to the gay side?

    Putting aside the cluster f**k images I wonder why on earth boybands are so gay. And I don’t even mean in a ‘that’s so gay’ way. It’s like everything they’ve been marketed to be is actually Gay with a capital G. “Researching” for this article I stumbled upon The Wanted’s homepage and delved into their personal info. Every member had an innocuous homo whispering (from favourite colour pink) to the to the blatant holla (favourite movie Brokeback Mountain and loving Gok Wan.) Now I’m not saying a HetroBoy shouldn’t like cowboy cock films, but it does seem a bit odd. Doesn’t it?

    THE OVERTONES

    3 out of 5 men prefer lads… These stats speak for themselves and we salute you for coming out so early in your careers. Plus these pretty boys look like they’re fresh out of a D&G advert so we’re pleased that the window shopping could possibly turn into purchases!

    BUY THEIR MUSIC

    WESTLIFE

    There’s only so much pastel wearing and bleaching of hair a boy can get away with before the gay police come knocking. There’s something about the way those boys hopped off their bar stools at the key-change that reminds me of my youth – when a Britney tune came on. Plus one of the lads is a fully fledged ‘one of the boys’ – so they all gotta be – it’s gay science.

    BUY THEIR MUSIC

    THE WANTED
    Five lads that between them enjoy Sex And The City, Brokeback Mountain, the colour pink, Steps, Michael Barrymore, America’s Next Top Model and Gok Wan. Don’t know about you but my Gaydar has just burst into flames. Now I’m not making assumptions and I’m not someone to point my gay finger at anyone, nor cast dispersions on anyone’s sexuality – but as Mr Clary would say it’s Uncanny and Unnatural. The only heterosexual lighthouse in the midst of all this Gay is the song ‘Glad You Came’ which I know is a common relief that a lot of straight men crave.

    BUY THEIR MUSIC

    TAKE THAT
    These men just get a little sexier every time I see them. At first, it was all bondage and lighting fires with Lulu but now it’s a stronger bond. 20 years on, a little more rugged, fathers, old mates, comrades of the pop machine – hanging around a campfire remembering the good ole days when they could wear jockstraps and cream themselves in music videos… Gay right?

    O-TOWN
    Christ the first single was called Liquid Dreams. Enuff said.

    BUY THEIR MUSIC