THEGAYUK

Tag: Three Star Film Review

The latest three-star film review from THEGAYUK.

  • FILM REVIEW | A Funny Kind Of Love

    ★★★ | A Funny Kind Of Love

    You could be forgiven for thinking from the opening scenes of this new comedy from Australian actor turned director Josh Lawson that you are about to watch a movie that is like a Wikipedia of sexual practices, or even some soft-core pornography.

    Thankfully it is neither of those although Mr Lawson does want us to laugh at the absurdity of fulfilling sexual fantasies, which never ever turn out like you had dreamed and wished for.

    These then are the totally separate stories of five couples and the tenuous link to them is the fact that they all live in the same suburb neighbourhood, and they are all white and middle-class. The first concerns Maeve who confides to Paul her live-in boyfriend that she has a rape fantasy, which he is as reluctant to comply with as he is with proposing marriage. Evie and Dan’s marriage has hit a rocky patchy so the counsellor they consult suggest role-playing to spice things up a bit. The trouble is that Dan gets so into it he quickly forgets why the started doing this as he is now completely obsessed with becoming an actor so he can play dress-up every day.

    Richard and Rowena have been trying to have a baby for so long that sex has become a monotonous chore, for Rowena anyway. That is until her husband gets really bad news and bursts into tears and she suddenly discovers she has dacryphilia (that thankfully is explained on screen). It means that she gets sexually aroused at the sight of tears, which is harmless enough until she finds has to plot to constantly keep Richard sad enough to weep whenever she fancies getting laid. It is an odd condition, but not quite as potentially objectionable as the somnophilia that Paul has when he drugs his nagging wife Maureen so that when she is passed out, he can finally have sex with her.

    The fifth and final … and by far the best scenario, is of a couple of strangers who have not met in person. Monica works as a signing translator for deaf people wanting to make phone calls, and one night Sam calls into use the service. He wants to be connected to a sex line and poor Monica has to be the conduit for the funny and bawdy language that passes between the ‘working girl’ and Sam a cute young graphic novelist. Despite its set up it has the most tenderness of all of the scenarios because of the very real chemistry between both the caller and the operator, and it is such a genuine connection.

    There is one other tenuous link between this group of vignettes in the shape of a new neighbour who is going around introducing himself. Whilst handing over welcoming gifts he slips into the conversation that fact that he is a registered sex offender, but every household he calls on is so wrapped up in their own problems that the last part simply doesn’t sink in. Just when you think he may get back to his old ways, Lawson finishes him off. We had expected something fatal to happen because of the original title of the movie had been The Little Death and he is one of the ‘little deaths’.

    The movie ends up being more bizarre than bawdy although it does heavily on the basic assumption that many people who find sex funny will find this movie comical too. The troubles are that the laughs are rather intermittent and some regarding the whole concept of non-consensual intercourse are bordering on being offensive and in extremely bad taste.

    As well as giving himself a plum part (Paul) Lawson does pepper the piece with an extremely talented cast of well-known Australian actors. Particular mention to the pitch performances from TJ Power and newcomer Erin James as Sam and Monica. By placing their story last in the proceedings it did at least mean the movie ends on a much higher note than the one it started on.

  • FILM REVIEW | Tiger Orange

    Wade Gasque’s debut feature, which he co-wrote with lead actor Mark Strano, is an interesting drama about the conflict between two estranged gay brothers who are trying to reconcile after the death of their father. ★★★

    Their sexuality is one of the few things the siblings have in common as Chet is quiet and reserved and has never left their small hometown or ‘come out of the closet’. His younger brother Todd, on the other hand, escaped to LA when he just 18-years-old to try his hand out as an actor, and he is out, proud and very loud.

    Chet is a workaholic and when he is not running the family hardware store in town, he leads a solitary life just eating dinner in front of the TV every night. Todd never bothered to return to town for his father’s funeral but now breezes back when he ends up both jobless and homeless with no other options or prospects in sight. If his rebellious streak is not enough to upset Chet’s calm equilibrium, then at the same time Brandon one of his schoolboy crushes also turns up and between the two of them, force Chet to deal with his reality.

    This very simple indie melodrama that is presently playing the Film Festival circuit is attracting attention simply because of the curiosity value with it starring porn performer Johnny Hazzard going legit. Under his real name Frankie Valenti, he plays Todd and puts in a much more credible performance than one may have suspected, and he proves to be a strong focal point of the drama.  He is very charismatic and easily shows that he doesn’t have to be naked to grab our attention.

    It’s a well-produced and well-crafted movie that thanks to some good acting, and a pleasing visually look, really belies its low budget. Well worth a look when it is released on DVD/VOD later this year.

  • FILM REVIEW | Kidnapping of Freddy Heineken

    ★★★ | Kidnapping of Freddy Heineken

    This film is a true sleeper, it had a limited cinema release earlier this year but now gets a DVD release.

    It tells the true story of the 1983 kidnapping of Freddy Heineken, the head of “that” brewing dynasty. It goes inside the gang responsible and shows their family links, how it escalated. It shows how these individuals went from owning a successful building company through to one of the worst recessions the world has seen that hit everyone, and finally to show how they planned and executed one of the biggest kidnappings in history.

    It stars Jim Sturgess (21, Cloud Atlas), Sam Worthington (Avatar, Clash of the Titans), Ryan Kwanten (True Blood, Home & Away) and Mark van Eeuwen as the main components of the group who, after being turned down for loans to help them through this tough period, and having their only piece of real estate occupied by squatters and therefore open to long and expensive legal battles to free it up, turn to crime.

    This film paints them all as dreamers, people who didn’t want to live in the real world, people who wanted their boats and mansions and cars back, people willing to do anything, ANYTHING to get their old lives back.

    So, along comes the idea, after a successful bank job that will keep them afloat and food the new scheme.

    The rest of history, and makes for a bloody good film. The back-story is intriguing, the plan ingenious and the rest of the film is gripping.

    Anthony Hopkins puts in a great turn as Freddy, showing little concern for his own safety and having fun with his captors as the whole scheme unravels.

    This film scored a terrible 27/100 on Rotten Tomatoes, but I enjoyed it. It is entertaining, the story is intriguing and the cast put in good performances. It is no frills, no major special effects, but this means it doesn’t detract from the actual story, which is, for me, how it should be – the story is centre stage.

  • FILM REVIEW | Seek

    Twenty-something-year-old Evan Brisby is ambitious. Currently working on a gay magazine that covers the local community in Toronto his hometown, he aspires to bigger things and so sends samples of his writing to The Gazette, one of the city’s daily newspapers.

    ★★★

    He doesn’t get offered a job but the editor is suitably impressed to give him the assignment to write a freelance piece on the city’s nightlife, something that shy Evan is not really an expert on. He does, however, accept the challenge, as he knows that this could be his big break, and he also knows that Aidan his colleague at the gay magazine will be able to connect him up with exactly the right sort of people.

    Aidan comes up trumps and hooks him up with Hunter who despite the fact he is Evan’s age is evidently THE king of the night who runs clubs and hosts parties that are the best in the city. It is also obvious that Jordan quickly takes a shine to his interviewer who is so single-minded and determined to get the best story he can, is totally oblivious to his new admirer. Evan is also distracted by the fact that he cannot shake of the memory of a recent ex who very inconveniently keeps popping up in his mind and his dreams quite regularly.

    This micro-budgeted homegrown movie from first time writer/director Eric Henry is evidently partly autobiographical and besides being a fond love letter to the city of Toronto, is very much about different kinds of acceptance. When Evan is not shadowing Hunter for his article he is still doing his regular writing job that includes interviewing people like the gay couple into fetish sex, or the straight couple who have embraced the husband’s cross-dressing. Even when he is off-duty having a drink he has an uncomfortable encounter with an old man looking for company. Very admirable reminders about everyone needing to find their own path to happiness, but still a tad too preachy and really unnecessary to the flow of the story.

    Kudos to the fact that the production values of the piece that are much higher than one has come to expect from movies of this type. Henry helped this by making good casting calls using Adrian Shepherd-Gawinski a very impressive newbie as Evan, Ryan Fisher as Hunter, and hunky male model/actor Matthew Ludwinski as Evan’s lost love, even though the script he gave them had more than the occasionally grimacing moment.

    The whole affair is an enjoyable boy-lite romance that may not stretch your mind too much, but if this is a genre you like, will nevertheless put a big smile on your face when you see that everyone does in fact live happily ever after in the end.

     

     

  • FILM REVIEW | More Than Friendship

    ★★★ | More Than Friendship

    Twenty-something-year-olds Lukas, Mia and Jonas have been best friends since their childhood, but then three years ago this all changed.

    They fell in love with each other and became a very happy ménage-a-trois. They decried society’s contempt for their unusual relationship and became totally committed to each other even though it meant making a break from their parents who vehemently disapproved of their arrangement.

    Since then once a year every summer the trio went on a camping trip together touring the countryside where they were able to be completely free from everyone’s prying eyes and pointed fingers. This year, however, is different as Lukas has just been diagnosed with terminal pancreatic cancer and although the tight-knit lovers agree to take an oath that the holiday should be focused just purely on joy, they soon realise that it is difficult to completely forget that this will be their very last summer together.

    The trip starts off all light and love and it is surprising that they actually get to their first destination as they cannot keep their hands off each other and are always making out in the back of the van. However, it is inevitable that they cannot avoid the elephant in the room especially when Lukas shares with them the Living Will that he has written that gives them both control over his final days rather than his estranged parents.

    When Jonas gets taken sick and is rushed into hospital the trio’s joy and hope deserts them and is replaced with fear and grief and they have also to deal with the anger of Jonas’s parents who turn up and insist that the Doctors keep him alive even though that is against his express wishes.

    This sophomore film from German writer/director Timmy Ehegötz is overly melodramatic even given its themes. The three good-looking young leads play their parts passionately but despite this, it still seems that there is not enough actual chemistry between them to convince us that their relationship is as deep and real as the script would have us believe.

    This well-meaning movie is full of energy and brimming with enthusiastic performances and has a lot to commend it for particularly, in its attempt to de-mystify the whole thruple relationship concept.

  • FILM REVIEW | Rosewater

    This rather tense drama opens with Iranian journalist Maziar Bahari been awoken by Investigators in his mother’s house in Tehran and subsequently hauled off to jail. Then in a flashback, we see Bahari in London 11 days previously with his heavily pregnant English wife discussing his assignment from Newsweek Magazine to cover the impending Presidential Elections in Iran. They are both aware of the danger particularly as both his late father and sister had both been imprisoned by Ayatollah Khomeini for being communists.

    When Bahari arrives in Tehran a chance meeting hooks him up with a young driver who zips him around the city on his motor bike introducing the Journalist to his own liberal minded friends who are concerned that the present corrupt regime will rig the Elections to insure that their Candidate running against the incumbent President fails completely. When their worse fears are realised and the Government falsely declares that the President has been reelected with a landslide majority, the streets of the city are overrun with hundreds of thousands of protesters. The authorities react by sending out armed troopers to fire into the crowds, and when Bahari captures some of this on video that is shown on US TV, he has become a wanted man.

    He is thrown into solitary confinement in Evin prison and is accused of being a spy for the CIA, the MI6, or any other Western organisation his captors claim are set on bringing the downfall of the Iranian Nation. Its a combination of paranoia and panic as the Investigator clutches at straws to make his claims stick. Bahari is blindfolded most of the time, and he establishes some sort of relationship with his tormentor…. known as Rosewater for his predilection for spraying himself liberally with the scent … who seems to bumble his way through their daily sessions of interrogation without gaining any information or a ‘confession’ from Bahari after several weeks.

    As time passes and ‘Rosewater’ is pressured by his Superior to get a ‘result’ he taunts Bahari more and deprives him of anything to read and feeds him with ant infested food, but beyond depriving him of his liberty and hope, he surprisingly never really resorts to physical torture that one may have expected

    This re-telling of the ghastly imprisonment of London based Iranian Newsweek Journalist Maziar Bahari in a Tehran jail for 118 days is the directing/writing debut of US TV journalist Jon Stewart whose own celebrity rather overshadows that of his subject.

    Whilst Stewart does an admirable job, he still doesn’t quite succeed in overcoming his main difficulty in maintaining the tension in a true story the greater part of which is just about these two men in jail, that we already know the outcome off, and that Bahari will survive.

    Gael Garcia Bernal however does an excellent job portraying the scared imprisoned journalist, and Shohrer Aghdashloo steals all her scenes in the cameo role of his mother.

  • FILM REVIEW | Hooked Up

    ★★★ | Hooked Up

    Technology is moving so fast and we now own more powerful processing power in our pockets (I mean your phone) than ever before. The cameras are better, image storage immense thanks to cloud storage and video quality crisper than ever.

    So, when I got the chance to review a horror movie filmed entirely on an iPhone, you can imagine how it piqued my curiosity, I am after all, a complete iFan.

    The storyline is fairly straightforward for schlock horror movie fodder, two stereotypically loud Americans go to Europe to get drunk and get laid. Both come across as quite unlikable characters, and in a horror movie, I always found you need to invest some feelings towards at least one character – otherwise why watch?

    With this, I didn’t really care for either – felt no emotion that one had just split form his long-term girlfriend, didn’t care what happened to them but was curious about the film and how it looked as it was shot on a phone.

    However, once they get to Barcelona and get out there, things take a more interesting turn and, after picking up two girls, they are invited back to one girls “grandmothers” house for the usual rumpy-pumpy. I must stress, the grandmothers house was supposed to be empty and said rumpy-pumpy did not include the grandmother.

    And this is where the film gets interesting. Obviously, there are nasty things going bump in the night, lights going out, strange happenings, lots of blood and a bit of gore – but the best thing for me was that the iPhone filming felt right?

    I know that sounds odd, but not once did I question why they were filming things – I use my phone all the time, without it, I feel like someone cut off my hand. To use one to film and take images whilst on holiday is now normal so this film didn’t feel contrived in that sense.

    Co-writer and director, Pablo Larcuen, has a good stab (yes, i went there) at writing something that tries to move the found footage genre along a little by the inclusion of something we all own – a smart phone.

    The performances are, on the whole, good with my only issue being the characterisation I mentioned earlier – give me one person to care about and I’ll stick with a film to the bitter end to see what happens. When you don’t really care, you’re just looking for the inventive ways they’ll die!

    My other issue, and not just with this film, but with all found footage films is who found the film?

    A decent 3 stars – it won’t set the world alight but a decent watch with a good pizza and a nice white wine.

  • FILM REVIEW | Frequencies

    ★★★ | Frequencies

    This quirky and ingenious British film shows us a slightly dystopian future, where we are all born with a frequency that predetermines our future, our luck and affects our relationships.

    It follows Marie-Curie Fortune (aka Marie) and Issac-Newton Midgeley (aka Zak) as they grow, knowing their respective frequencies and how it will affect their lives, expect they seem to be continually thrown together as Marie tries to understand how they can only spend one minute together at a time, without some catastrophe happening.

    Think magnets, and how they repel and attract and you have an idea of how this film works – until it throws something else in the mix. The power of words and sound waves to alter this effect – certain words being able to raise or lower a persons frequency and enable two opposites to get close to each other.

    The film then goes on to look at how this power has existed since time immemorial and has been forgotten by the vast majority of the population…and there are darker ways in which to use this power.

    But music can provide a “reset” and counter-act the effects of the sound waves – whether used for good or evil!

    The film is lovely, it doesn’t go for the silver foil suits of other low budget sci-fi. Instead it places itself in the near future or possibly a parallel earth, leaving you a feeling of familiarity with the sets and clothes – and no doubt saving much needed cash.

    This gem is written, directed and produced by Darren Paul Fisher, who has had a hand in the In-betweeners and he does a mean turn here – playing with the ideas of words and sound waves leading to mind control but music being a reset on a button based in the soul.

    The grown up Marie and Zak are played well by Daniel Fraser and Eleanor Wyld, but the child and teen characters put in excellent turns.

    Overall, it can come off a little like a well-meaning episode of Doctor Who, but I for one don’t think that’s such a bad thing.

  • FILM REVIEW: Girlhood

    Life is pretty bleak in this concrete jungle of soulless tower blocks of shabby apartments on this housing complex in a poor rundown suburb of Paris.

    Sixteen-year-old Marieme is hoping that one day she will break out of there so for a better life so she does her school work, plays American football, and then goes home to look after her younger siblings whilst her mother is out all hours doing cleaning jobs to keep the family together.

    However when Marieme learns that her grades are not enough to continue high school she gives up being a good girl and falls in with a gang of three girls who seem to wreak havoc wherever they go. At first, Marieme sits on the sidelines observing the girls led by a real toughie who calls herself Lady, but she soon gets drawn into their questionable activities when they slack off school every day. She swaps her braids for a more glam look and starts copying their more outrageous dress style. It’s not long until she is the one menacing other kids on their way to school to relieve them of every cent they have to fund the gang’s nefarious agenda.

    They use the money to check into a hotel to try on all the clothes they have stolen from the mall, get wasted on a diet of booze and pot noodles, and give a full rendition of Rihanna’s Diamonds. It’s their idea of a high life, sad as it is.

    Things change when Lady gets roundly beaten in a fight with a member of another gang, so an emboldened Marieme … known by the girls as Vic … steps up to the plate and takes on the victor and beats her up. It delights Djibril one of her brother’s friends who she has been hooking up with in secret, but it infuriates her bully of a brother, and when he threatens her, she knows it is time to leave home.

    In this situation the only way out is to start selling drugs, which she does for another gang in return for a share in a safe house in another neighbourhood. As tough she has become, this is very much a man’s world, and despite all her efforts, she is still a girl.

    It’s the third feature from French filmmaker Céline Sciamma and although it doesn’t quite have the same resonance of her award-winning Tomboy but it does nevertheless pack a powerful punch. It’s a bleak grim reality that these tough bad girls inhabit and come-of-age in but Sciamma does at least infuse it with a glimmer of hope…. and some compassion too. It’s zillion years away from the cosy life of Boyhood!

  • FILM REVIEW: Drink Me

    ★★★ | Drink Me

    Young gay couple James and Andy seem to have everything, especially an extremely busy sex life.

    Life in the rather comfortable house they share couldn’t be more perfect and James wants to make it all even more permanent by getting down on his knees and proposing marriage. However timing is everything and Andy fesses up that he has just been laid off from his job, which puts a dampener on any ideas of paying for an expensive wedding right now.

    After he has trouble finding new work, money gets tight for the couple so James suggests taking in a lodger. Sebastian a handsome stranger moves in and all seems well until housebound Andy realises that the new member of the household is hiding a secret. He suspects that Sebastian could be the killer who has been stalking the streets of their neighbourhood and responsible for so many people seemingly disappearing into thin air. He will not have to wait long to find out the truth.

    This brand new thriller made on a micro-budget on by husband & husband team Daniel & Richard Mansfield is a rare genre i.e. gay vampire drama. Strangely enough it is not nearly as frightening as the overly dramatic soundtrack intonates it should be, and the slight plot unfurls at such a slow pace that there are neither any real scares nor surprises. It does however possess more male full frontal nudity than I have ever seen outside of a porn movie, and full credit to both director and cast, as they ensure that most of it is highly erotic.

    The movie following on from The Secret Path that the Mansfields made last year proves again that this young couple of talented British gay filmmakers are definitely a pair well worth watching.

     

  • FILM REVIEW: Tin

    This innovative independent film takes a simple storyline of intrigue and shenanigans and gives it a slight twist and does so on a micro-budget.

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