Tag: UK

  • THEATRE REVIEW | Opera North La Traviata – National Tour

    ★★★★ | Opera North La Traviata – National Tour

    Set in Paris circa 1700, Alfredo Germont, a demure young man falls in love with Violetta, a courtesan, who is the toast of society because of her lavish, debauchery filled parties. But Violetta is dying and despite initially dismissing him, she falls for Alfredo and gives up her lifestyle to be with him. As they move to the country and with her fortune dwindling, Violetta is visited by Alfredo’s father, who is worried about the impact upon his daughter’s marriage prospects as a result of Violetta’s former profession, and he talks her into leaving Alfredo to secure the family’s future. But with Alfredo confused at why his love has abandoned him and with Violetta’s health failing quickly, can love bring the two back together before it is too late?

    Opera North has produced a simply sumptuous production of Verdi’s beautiful and heart-breaking opera, both in terms of performance and presentation. During the opening scene where Violetta appears, silhouetted by a full moon, the combination of modern theatricality and traditional opera makes it clear that you are about to watch something special. From the sexually charged ensemble piece of Violetta’s party during the opening, to the ghostly visitations voyeuristically poised over Violetta’s death bed, the director, Alessandro Talevi, provides a refreshing take in terms of the opera’s presentation.

    Hye-Youn Lee, as Violette and Ji-Min Parkas Alfredo were well matched in terms of their performances, with Lee providing a sweet and sensitive performance, whilst Roland Wood stood out from the remainder of the cast as Alfredo’s desperate and scheming father. It is only when you hear opera sung live you are hit with the sheer power of their voices, especially as the soaring sounds echoed around the opulence of the Leeds Grand Theatre. The live orchestra sent a shiver down the spine, from the opening notes played by the piercing strings to the swelling crescendos of the closing moments, and sounded exquisite.

    Opera is often overlooked by theatre goers because of the perception of it being impenetrable and highbrow, but Opera North have produced a theatrical piece which is beautifully put together, but accessible to all. La Traviata is embedded in popular culture and you will recognise it from the silver-clad roof top bus ride in Priscilla, Vivien’s first opera in Pretty Woman or the story of Satine and Christian in “Moulin Rouge!” Whether you are an opera novice or aficionado, this production oozes quality and has much to recommend it.

    Despite being sung in Italian, the show has surtitles; two screens which provide the audience with details of what is being said. These surtitles are detailed enough to enhance and drive forward the narrative, but do not translate every single word, thereby allowing you to easily understand the interactions of the characters without it ever preventing you from being able to watch the stage and to appreciate the music, staging or performances.

    La Travita is currently being performed alongside a two other productions, The Bartered Bride and The Coronation Of Poppea (the latter two being sung in English) which comprise Opera North’s Autumn season and are being performed at different venues around the country, including Leeds, Nottingham, Belfast, Manchester and Newcastle.

    For full details, visit their website at http://www.operanorth.co.uk

  • First Trans and Gender Non-Conforming Swimming Group Opens In London

    Trans and Gender Non­Conforming Swimming Group (TAGS), after meeting with Lewisham council, have confirmed they have full private use of the training pool at the Glassmill Leisure Centre, Lewisham for a transgender safe swimming group.

    Facilities are accessible for individuals with disabilities and include a very discrete space with electric blinds on all windows to ensure privacy. There is a 20m Teaching pool with moving floor to alter depth. The Glassmill Centre also includes gender specific and gender neutral training facilities. Swimmers will have an hour and a half slot for changing and swimming. In additional, pool staff will be given training by TAGS to ensure that gender issues are covered and treated sensitively. There will be TAGS representatives to greet swimmers and take them to changing area. There are also accessible CCTV monitored parking at a very reasonable rate (£2 per hr) open until the centre closes and a cafe space to socialise. Parents of young people and carers are welcome to swim or spectate.

    TAGS is the only Trans Gender Non Conforming swimming group in London. This first swimming session is part of a three-month trial with Lewisham Council, so TAGS is seeking all interested swimmers to take the initiative to support the space by coming to the sessions. The cost will be £3.20 (lower for Lewisham residents) a session. The more swimmers at each session, the more TAGS can negotiate the cost down further.

    TAGS is organised by volunteers from the Gendered Intelligence Volunteer Society. Roberta Francis, the main volunteer, organised TAGS because she wanted to go to her local swimming group, but felt nervous. “I felt there was a big need for a swimming group in London to allow trans and gender non­conforming people the opportunity to have access to a safe space. Being able to swim is a basic right but for many trans people it can be really difficult because of how we are treated in the community as a whole,” Roberta said.

    Jay Stewart of Gendered Intelligence, said: “We know physical activity reduces mental distress. This is such a huge factor in trans people’s lives due to the pressures to conform to gender norms. I feel incredibly proud that this initiative has been led by some of our volunteers at Gendered Intelligence. The Gendered Intelligence Volunteer Scheme is all about strengthening the wider trans community and this is doing exactly that.”

    Anyone wishing to attend the TAGS swimming group can join their Facebook event here: https://www.facebook.com/events/269765326552514/ Or contact admin@genderedintelligence.co.uk for more information.

  • OPEN LETTER | South Molton News, Alex Da Silva

    Following an article published in South Molton News, reader and writer for  THEGAYK Alex DaSilva writes an open letter to the editor, Paul Henderson.

    Hi South Molton News,

    I don’t know where to begin really: astonishment or anger.

    ‘The Road to Hell is Paved with Good Intentions’. – This does not connect with the articgfle’s content.
    Allow me to correct you:

    ‘The Road of South Molton News is Paved with Bigotry and Ignorance.’

    I am so happy for you that you have never needed to have an “aggressive” pride movement. I am thrilled that you have, not once, felt ostracised, marginalised or made to feel like a second class citizen.

    Let me educate you on this raging pride. Pride means that no matter how much hatred comes in one’s direction, love and care that others feel for one another will be celebrated and proclaimed as a symbol of hope.

    A reminder that organisations: “Stonewall (and such like)” have gone through sacrifice and indefatigable knock backs, knock backs of which that have been caused by the likes of columnists of the South Molton News.

    It’s in not just a Gay Pride.. It is now a Human British Pride, for thousands and thousands are fighting our corner, against bigots (and such like) that reside in establishments such as yours.

    Have a ‘happy’ day.

    Alex DaSilva

    if you have an open letter to send Paul Henderson, please email it newsdesk@thegayuk.com

     

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • OPEN LETTER | South Molton News, G Dudley

    Another letter to the editor of South Molton News, after an article appeared under the title Grave Turner (See below) in which gay people are called an aberration.

    Sir
    I write by way of complaint and to express my disgust at your grossly distorted, bigoted, inaccurate and hateful article about homosexuality.
    Gay people are accustomed to reading drivel about them, from people who lack integrity and understanding. However, to find such an article written by what appears to be a patronising, bigoted old git, in what I can only describe as a second-rate rag, offends and concerns me deeply.

    In the “article” (and I use the term loosely), it is claimed that the Human Rights legislation “has been used to overturn well founded taboos that have, hitherto, stood the test of time over many generations.” Does this include the right to life? The right not to be thrown in jail for non payment of a debt? The right to freedom of expression, so that mutton-headed cretins can express their ill-conceived, vile views to other people? In point of fact, the Human Rights Act had not come into force when, in 1967, the then Conservative government decriminalised sexual “acts” between two consenting men. Indeed, the aforementioned legislation makes no direct and specific mention to homosexuality.

    The “article” is based upon the nonsense of antiquity. Such rubbish has long since been discarded by more enlightened thinkers. Perhaps you consider we should go back in time to antiquity:-
    In 1102, the Council of London (Roman Catholic church council of the church in England) took measures to ensure that the English public knew that homosexuality was sinful. In 1533 King Henry VIII passed the Buggery Act making all male-male sexual activity punishable by death. I feel certain we all know of Henry’s attitude towards his wives. Perhaps you would still prefer to have gay people hanged.
    It has only been men who were persecuted (remember Oscar Wilde?). Perhaps you would prefer to see both men and women hanged, or does your prejudice not include women on this particular “thorny issue”?

    In deference to the patronising statement that “Such persons as suffer from it should be treated with sympathy and understanding”, homosexual people do not “suffer” from being what they are, any more than heterosexuals do. I think it is more accurate to say that some people suffer from religion – as well as blind stupidity, absurd prejudice and a lack of empathy, whilst the rest of us, in turn, have to suffer them. It is also interesting to note that a significant number of people who are anti homosexuality are, in point of fact, homosexual, themselves, but are afraid or ashamed of what they are. Their fear and/or shame only having been born out of ignorance spouted by people who, themselves, feel they have something to be ashamed or afraid of. Fear/hatred of homosexuality is learnt, not inherited.

    As is so typical of people with a “chip on their shoulder”, the originator of the article (who is evidently so proud of the bile it writes, that it is too cowardly or ashamed to identify itself to other people), has to bring children into its nonsensical verbiage. Of course, no piece of bigotry would be complete, if it didn’t try to justify its stupidity, by “tugging at the heartstrings” of the feeble minded, suggesting that homosexual people are all child molesters and that homosexuality will corrupt the young. I’m afraid you’ll have to do much better than that, because that has been proven – time and again – to be factually incorrect. It is not possible to make someone into a homosexual – just as it is not possible to make a homosexual person become heterosexual. Were the great Alan Turing still alive, I don’t doubt that he would confirm this. However, because of people such you and the vermin that spout the drivel you have chosen to publish, Mr Turing was deprived of happiness and thus his life, despite having arguably one of the greatest minds the world has ever seen. The benefits he would have brought to humanity are immeasurable, but he was destroyed by the same ignorance, absurd prejudice and utter stupidity that you have shown. I am also wondering what other views you share with Adolf Hitler.
    If you have never watched the film “Victim”, starring the late great Dirk Bogart, I would suggest you do (that is always assuming you have the intelligence to understand its message). It is based so honestly on facts. People should not be killed or blackmailed, just because they happen to be attracted to members of the same gender. We are supposed to be the most intelligent species on the planet. However, so many people seem to revel in persecuting others for no reason other than they happen to be different. I can see no signs of a population crisis – indeed, far from it. It isn’t homosexual people who have overpopulated this planet. I am also not aware of any gay organisation that tries to “convert” people to being homosexual. Neither do not know of any homosexual who wants to kill or injure someone just because of an absurd and unjustified dislike of a quirk of fate that befell them due to something entirely beyond their control – their birth.

    What gives you the right to publish the nonsense that you have? The answer to that question is simple: the right to freedom of expression. That you won’t be persecuted because of your jaded, antiquated and dangerous views. That you should be allowed to publish the anonymous scribble of a coward, who was probably masturbating over images of naked men as he expressed his own self-loathing, and who found an outlet for his ghastly offspring in the grubby pages of a grotty, provincial, piece of tat! If you doubt what I say, think about why you have devoted so much time and energy in order to express your absurd dislike of something that is so benign. To think of all the problems this world faces, yet there are still people who devote feverish energy to criticise and persecute fellow human beings, whose only “crime” is to have been created different. You have made yourself look a complete and utter fool.
    You have shown a total lack of compassion towards fellow human beings. Before you go preaching your false prophecies of doom and destruction, because a few people are “gay” and want to be allowed to exist in safety and peace, think. Use the brain you would have us believe you possess. Remember that you believe you are a decent human being. All you have done is show your crass stupidity, your lack of understanding and that you and the coward to whom you have given a voice, are a menace to civilisation. Shame on you, sir!
    “…in spite of your talk of equality and fraternity, you still believe some people are better than others because of the way they make love.” Another Country
    G. Dudley

    If you have an open letter you wish to have published, please send to newsdesk@thegayuk.com

     

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • THEATRE REVIEW | Twelfth Night – Sheffield Crucible Theatre and National Tour

    ★★★ | Twelfth Night – Sheffield Crucible Theatre and National Tour 2014

    In Shakespeare’s gentle comedy about unrequited love, tomfoolery and cross-dressing; twins, Viola and Sebastian are separated in a shipwreck and believing each other to have drowned, Viola to disguises herself as a young man called Cesario who falls into the service of Orsino, a benevolent Duke. The Duke holds an unrequited love for grieving widow, Olivia, a wealthy countess, but Olivia falls for Cesario, not realising that “he” is Viola in disguise, whilst Viola’s affections are firmly set on the Duke. Meanwhile, Sir Toby Belch, Olivia’s drunken uncle, plots a cruel trick upon Malvolio, the head butler, to make him think that his mistress, Olivia, has fallen in love with him. As the confusion reigns, love begins to blossom and bloom.

    Shakespeare can be considered a little heavy by many, but this production felt light and accessible, with a number of genuinely funny moments. Focussing more on the comedy of the play, the show feels surprisingly contemporary whilst remaining faithful to the original use of language. Shakespeare aficionados will no doubt appreciate the text, dialogue and rich characterizations which are ably provided by the cast, whilst those who are not so familiar with the Bards work will find much to entertain them in this fresh take on the classic play and easily lose themselves in the story.

    Director, Jonathan Mumby neatly nestles charm and romance in amongst the comedy; using a flurry of rose petals quite literally bursting out from the characters, a scattering of musical interludes and a delightful, grin-inducing opening to the second act. The static, shabby chic set provided an unobtrusive backdrop for the piece, allowing for the performances to take centre stage. As an ensemble, the cast worked remarkably well together. In the straighter roles, Jake Fairbrother stood out with his perfect diction and charismatic persona as Orsinio being matched only by Rebecca Johnson, who provided a commanding performance as the headstrong and determined Olivia. David Fielder garnered the most laughs out of the comedy roles, as he delightfully swayed and staggered his way through his turn as the drunken Sir Toby Belch and Hugh Ross easily demonstrated his mastery of the text with his portrayal as Malvolio.

    The play’s most often quoted line; “If music be the food of love …. play on” is taken quite literally with the score, coupled with the well thought out lighting, adding depth and atmosphere to the theatre and enhancing the feel of the piece. Despite a couple of the scenes feeling a little overlong, the blend of drama, physical comedy and music all combined together to make for an enjoyable evening, and a surprisingly short feel to the 3-hour running time.

    Twelfth Night is currently playing at Sheffield Crucible Theatre until the 18th October 2014. For further information and to book tickets, visit http://www.sheffieldtheatres.co.uk/event/twelfth-night-14/?tab=1#unit-production-dates . The production then heads out on national tour, details of the venues and how to book tickets can be found at http://www.ett.org.uk/productions/81/twelfth-night

  • THEATRE REVIEW: You Should Be So Lucky, Above The Stag

    ★★★ | You Should Be So Lucky, Above The Stag

    For their opening play of the new season, Above The Stag have chosen a madcap comedy from the pen of Charles Busch, a New York writer and drag artist, who also played the male lead in the original New York production of the play.

    A modern day Cinderella story, the play concerns Chris, a shy and slightly eccentric electrologist who accidentally electrocutes and kills his customer, the elderly Mr Rosenberg, unexpectedly inheriting Rosenberg’s millions. This sets off a chain of crazy events, including appearing on a TV reality chat show, under the guidance of his fairy godfather Mr Rosenberg, who returns as a ghost to take care of his surrogate son, and make sure his wishes are carried out in the face of his vengeful daughter disputing the will.

    Apart from one brief scene in the TV studio, the entire action takes place in the one room of Chris’s Greenwich Village apartment, a very clever and elaborate set by David Shields. Busch is a seasoned writer, his writing reminiscent of 1930s screwball comedies, and the laughs come thick and fast.

    I had my reservations, though and these were much the same as those I had with last year’s Gay Naked Play, also directed by Andrew Beckett. Too much of it was played on one frenetic level, with a surfeit of mugging to the audience, and an energy level far in excess of what was needed in this small house. Chris Woodley’s Christopher started well, and in his first couple of scenes with Colin Appleby’s warmly gentle Mr Rosenberg, created a touching portrait of a slightly lost young man, but as events got more and more out of control, so too did his performance. Stacy Sobieski was on firmer ground as Christopher’s completely over the top drama queen sister, Polly, as was Ellen Vernieks as Rosenberg’s daughter, Lenore, but they too would benefit from reining things in occasionally, as could Lucas Livesy’s Walter.

    The role of the TV host Wanda Wang is being shared by several actors. On the night I attended we had a nicely nuanced performance from Ishani Basu.

    Maybe the pacing will settle down a bit as the play gets further into its run. An entertaining evening none the less.

  • THEATRE REVIEW | Ballad of the Burning Star – National Tour

    ★★★ | Ballad of the Burning Star – National Tour

    Glamorous drag queen, Star, invites you to join her on a cabaret filled journey into the heart of the Middle East. Armed with a pair of killer heels, a deadly troupe of dancers and a handful of stories from both sides of the conflict, you are taken on a journey like no other to examine the individuals, families and communities who find themselves in the Ballad of the Burning Star is undeniably a bold piece of theatre. Credit is due to anyone who attempts to explain the complexities of the Middle East conflict via the medium of Cabaret, using a drag queen, a Star of David mirror ball, a musician called “Camp David” and a troupe of military dressed Diva’s. It was also undeniably confrontational, never shying away from its explosive, in your face style and being uncompromising in its portrayal of both sides of the conflict. It is equally bold in its physical, stripped back presentation – it is a show which stands on its own two feet, without the need for a set, props or a multitude of elaborate costumes.

    There were a number of very good ideas contained within the piece and as you peel back the layers, you begin to realise what an incredibly smart piece of writing this is. The way in which Star vacillates between caring host and dictator-like dominator of the Starlets, the way in which taboos are openly challenged, and the almost military precision drills of the dance routines are all reflective of the subject matter of the piece, and make the point with a sarcastic overtone and dark undertone. There is also the way in which the story comes full circle, how the events culminate at the end and how the circular narrative of the piece mirrors why the ongoing conflict still rages.

    But unfortunately, it the show never comes together in a way which allows it to reach the full potential of those good ideas. There were a number of aspects of the production which pulled it down – the almost identical troupe of Starletts playing different roles within the story led to poorly defined characters which were not always easy to identify during the narrative. The choreography became very repetitive very quickly and the majority of the presentation was reduced to nothing more than people shouting loudly, wailing or screeching at each other, which led to the loss of any actual dramatic impact. But as the closing lines of the show were delivered (in complete contrast to what had gone before and in a very powerful way) you realise what this show perhaps could have been with a little more restraint.

    That said, whilst not being particularly impressed upon immediately leaving the theatre, this show has really stayed with me for the last few days and for some reason, I have not been able to stop thinking about it. The more I have thought about it, the more I have realised what a clever piece of theatre this really was. It is just a real shame that the constant shouting and screaming undermined the value of the subject matter and the presentation of what was actually a very powerful, thought provoking, inventive and intelligent piece of theatre.

    Ballad of the Burning Star is now on national tour. Further information, details of the tour and booking details can be found at http://www.theatreadinfinitum.co.uk/productions/ballad-of-the-burning-star

  • Lewes Subud Responds To Open Letter Anti-Gay Allegations

    Earlier in September an open letter was published by TheGayUK written by a couple in Lewes, who challenged East Sussex County Council about the sale of a former school site to a organisation they described as a ‘homophobic sect’.

    (more…)

  • THEATRE REVIEW | Ghost from a Perfect Place: Arcola Theatre, London

    ★★★★★ | Ghost from a Perfect Place: Arcola Theatre, London

    Multi award-winning playwright Philip Ridley returns to the Arcola with his contemporary classic Ghost From A Perfect Place, a scorchingly dark comedy where a monster from the past meets the monsters of the present.

    Twenty years after its premiere at Hampstead Theatre, Ghost From A Perfect Place has its first major revival under the direction of Russell Bolam, following his critically-acclaimed production of Ridley’s Shivered (Southwark Playhouse 2012).

    Back in the 1960s, Travis Flood led a gang that terrorised East London. Now, after an absence of many years, he returns to find his old turf in the clutches of a new kind of gang with a new kind of leader. Rio, the ruler of a mob of girls, instantly captivates Travis with her haunting beauty but soon a shocking story begins to emerge and it is one that shatters both their distorted memories.

    A stark half burnt out council flat in Bethnal Green sees Torchie (played by the excellent Sheila Reid) entertaining the returning gangster, Travis Flood (Michael Feast) as he waits to meet up with her prostitute granddaughter, Rio for sex. Torchie fondly regales him with tales of their ‘heydays’ and unfurls the terrible story of how her life fell apart.

    Ridley’s play is both hilariously funny and horrific in equal measures. The audience both laugh and wince as the play hurtles towards (a not unexpected) yet shocking conclusion. The cast are excellent with Sheila Reid (Madge from Benidorm) showing her skill as an actress. Michael Feast is a superbly edgy yet absurd Travis Flood and the two are more than ably supported by a cast of three young actresses as the terrifying Rio and her disciples.

    This production is a real triumph for the Arcola and the staging and direction are faultless. This is theatre at its gritty best and Ridley’s play has lost none of its relevance to disconcert, even after twenty years.

    Ghosts from a Perfect Place runs until 11/10/14

    Buy tickets here: http://www.arcolatheatre.com/production/arcola/ghost-from-a-perfect-place-by-philip-ridley

  • OPINION | Yes or No… Is Scotland going to go?

    On Thursday 18th Sept 2014, History WILL be made. Never in my lifetime have I seen as many people engaged in politics, some for the very first time, there have been many arguments, wild accusations and straight out lies from both sides, and there have been some very ugly scenes on the streets, It feels like a different country and sometimes it feels like the beginning of a new revolution.

    It is exciting, scary and sometimes downright awful, but a passionate fire in Scotland has been lit, and it is more powerful and brighter than ever, and whatever your view on it all, it can’t be denied what has happened amongst the people has been incredible.

    But what about the LGBTI community in Scotland, how will it affect us?
    On Mon 15th Sept 2014, The Pink News website, published the results of a poll of 2163 LGBTI people and 54% voted in favour of a Yes vote, When I tweeted I wanted people’s opinions for this article, the majority of people also said they are voting Yes, and again the majority of LGBTI people on my social networks also favouring a Yes vote.

    Why is the Yes vote so strong amongst the LGBTI community in Scotland?
    Since the Scottish Parliament was formed, it has taken incredible strides for equality for the LGBTI community, but Britain as you may or may not know has no written constitution, decisions can be made and over-turned just as easily depending on who is in power at any given time, eg. nothing is set in stone, what is law now could just as easily not be law in the next government.

    From an LGBTI point of view that would be disastrous for everyone, for everyone who has fought for equal rights.

    From a Yes point of view, Scotland will have a written constitution with today’s laws written and enshrined in it, that would be a sense of stability for LGBTI communities all over Scotland, we would be equal, it cannot be taken away, an incredible reward for the decades of fighting for the smallest of rights to being able to marry the person we love. It would be leading the way in equality rights.

    It is with this in mind the Rainbow Paper was published detailing why a Yes vote would be beneficial for LGBTI communities –

    What If No Wins
    If a No vote does indeed prevail on Friday morning, then LGBTI communities all over Britain should be aware that after the next general election in May 2015 and the Conservative party are still in power they may seek to review and repeal the Human Rights act, placing everything that everyone who has fought for in jeopardy. That is something that everyone should be aware of, no matter where they live in the UK.

    The Morning After The Night Before
    On Friday 19th Sept, Britain is going to be a very different place, and that IS scary, even if a No vote has succeeded, a fire has been lit not just in Scottish politics but all over the UK, and the Govt and Westminster have a right to be scared, we all want change, we all want something better and we can and should make it happen.

    If a Yes vote prevails, it is very important to remember that it is NOT because Scotland hates England and all that tiresome rubbish the media and scumbags of society are throwing about, Hadrians wall is not suddenly going to re-appear, it was just a chance for change, a chance to make life better, a chance to have your voice heard.

    Scotland will always quite literally be a part of Britain, it will just have its own voice, It will be your annoying brother, that deep down you love to bits, just as England will be the annoying older Brother that we also dearly love.

    I LOVE Britain, It is Great! Just because there maybe 2 Governments instead of 1, does not mean a thing.

    I will still count myself as British, just as I have always done no matter which way it goes.
    In the words of the legendary RuPaul: Can I Get An Amen Up In Here!

     

    Opinions expressed in this article may not reflect those of THEGAYUK, it’s management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • Thugs Abuse 24-Year-Old Wolverhampton Man In Homophobic Attack

    Police are appealing for witnesses to an incident of criminal damage that occurred in Bridgnorth on Sunday 7th September.

    The incident took place at the Severn Car Park at around 7:15 pm on the 7th September. The victim, a 24-year-old man from Wolverhampton, was walking his dog along with another man when he was approached by an unknown female who became verbally abusive with him.

    Both men went to leave the area when they found their vehicle, a Silver Ford Fiesta, had been surrounded by a group of 6-7 men and women of mixed ages. The group proceeded to push and kick the victim’s car, one member of the group picked up a large metal bin and threw it against the car causing damage to the driver’s side panel and glass. Another member also threw what has been described as a house brick through the windscreen of the car, completely destroying it. Throughout the attack, members of the group shouted homophobic slurs at both the victim and the man with him.

    The initial female was white and described as around 40-years-old, short in height with ginger hair which was tied back. At the time of the attack, she was wearing a white blouse with a knee length skirt. One of the men in the group was described as around 40-years-old, of average build with short blonde hair. A further male was also described as around 40-years-old, wearing a blue polo shirt with dark jeans. No further descriptions of the rest of the group were given. A Ford Focus Saloon vehicle is also thought to be linked to the suspects, which Police are keen to identify.

    Police are appealing for information from anyone who may have witnessed the incident to come forward by calling 101, quoting incident 646 of 7th September. Alternatively, information can be given to Crimestoppers anonymously by calling 0800 555 111 or visiting www.crimestoppers-uk.org