Tag: UK

  • THEATRE REVIEW | Next Fall

    ★★★★ | Next Fall

    Imagine meeting a younger man, falling in love and then finding out that he has a very different ideology from yours. How would you cope if you found out that he was a fundamentalist Christian who believes that homosexuality is a flaw, the Bible is a literal document and is waiting for a rapture to occur so that he can be drawn up to heaven?

    Adam and Luke have managed to make their relationship work in spite of their differences. Adam is a failed writer from New York and a neurotic atheist with hypochondria issues. Luke is from Florida and is an aspiring actor with strong religious views and a tendency to pray to thank God for food and again after sex to ask for forgiveness. Luke has kept his sexuality secret from his parents, always planning to tell them next autumn but things come to a head when Luke is hit by a car and is lying in hospital in a coma and his long separated parents arrive from Florida along with a closeted male friend and his best female friend.

    This multi award winning play by Geoffrey Nauffts is so much more than an issue centred play but works on varying levels: as a tender exploration of human frailty and diversity, a moving drama and also a really witty comedy with laugh out loud moments. Charlie Condou (Coronation Street) and Martin Delaney portray the couple at the centre of the play with skill but the real stars of the play are the supporting cast. Nancy Crane is exceptional as Luke’s flaky mother with drug issues and her comic timing is absolutely impeccable. She delivers killer line after killer line without batting an eyelash. Sirine Saba and Mitchell Mullen are equally brilliant in their portrayal as Adam’s New Age best friend and Luke’s bullish father, struggling to cope with his suspicions about his son’s sexuality.

    The set is versatile, making use of the intimate space in play at Southwark portray hospital waiting rooms, apartments and even a street scene. The theatre is a perfect space for a play of this intensity and warm humour.

    This is a play that is really worth catching. It’s definitely worth a trip to Southwark for a rare opportunity to see a play that has the potential to make you cry with both laughter and sorrow.

    Next Fall runs until the 25th of October 2014

    Buy tickets here: www.southwarkplayhouse.co.uk

  • Beautiful Thing Comes To Birmingham

    Nikolai Foster’s celebrated anniversary production of Jonathan Harvey’s Beautiful Thing comes to Birmingham Hippodrome’s Patrick Centre from 30 March – 11 April 2015.

    Multi-award winning actress Charlie Brooks, best known for her role as Janine Butcher in EastEnders, will lead the cast as Sandra in the forthcoming performance of Beautiful Thing. Other notable credits include Jenny in Bleak Houseplus being crowned the Queen of the Jungle in I’m A Celebrity, Get Me Out Of Here! and winner of the mirror ball trophy in the Strictly Come Dancing Christmas Special in 2011. She also recently enjoyed a critically acclaimed stage performance in Our Country’s Good at Liverpool Playhouse.
    Thomas Law, whose roles include Peter Beale in EastEnders, Matt Haddon in Casualty and most recently as a young Simon Pegg in blockbuster film The World’s End will star as Ste.
    Sam Jackson, whose roles include Alex Henley in Skins (E4), Jack in Drifters (E4) and a critically acclaimed performance as Billy Casper in Kes (Derby Theatre) will star as Jamie.
    Director Nikolai Foster was recently appointed Artistic Director of Curve Leicester. His work has been seen in most of the UK’s leading regional theatres, touring houses and internationally, and recent productions include The Hired Man (St James), Calamity Jane (UK tour), Brecht’s The Good Person Of Sichuan (Mercury, Colchester), Flashdance (West End), Hayfever (CFT), Merrily We Roll Along (Clwyd Theatr Cymru), The Diary of Anne Frank (York Theatre Royal & The Touring Consortium), and Annie (WYP, Leeds).
    Beautiful Thing is a glorious urban love story between two young men set on an inner city housing estate. It tells the story of teenager Jamie’s relationship with classmate and neighbour, Ste. Together the two boys find comedy, warmth and the music of Mama Cass through their loud-mouthed next door neighbour Leah. Jonathan Harvey combines comedy with drama in his critically acclaimed award winning play. Beautiful Thing truly captures what it is to be a teenager and to fall in love.
    Executive producer Tom O’Connell said, “Having produced the original anniversary production, I am honoured to now partner with Nottingham Playhouse and Curve theatre, Leicester, two fantastic producing theatres, to bring Jonathan’s hit comedy to the stage one more time. Nikolai and I made a promise to each other that if we ever re-visited his production it would play cities and theatres that it hadn’t been to before. We feel with this new cast and with some new elements added to the show, this new production will have audiences smiling all the way home.”
    Stuart Griffiths, Chief Executive, Birmingham Hippodrome said “The arrival of Beautiful Thing in the theatre’s Patrick Centre continues an expanding programme for the venue and Birmingham Hippodrome’s commitment to presenting an expansive and varied list of performances for a diverse range of audiences.”

    Jonathan Harvey wrote Beautiful Thing when he was just 24. It premiered at the Bush Theatre in 1993 and sold out its five-week run before transferring to the Donmar Warehouse, and then the Duke of York’s, eventually winning its author an Olivier Award nomination and the John Whiting Award. A screen adaptation of the play was released in 1996 by Channel 4 films, which went on to be a cult hit. Jonathan is a regular writer for Coronation Street and wrote the TV hit series Gimme, Gimme, Gimme, as well as the best-selling 2012 novel All She Wants. His plays include Canary and Corrie!
    Over its 20 year history, the play has featured in the careers of many famous actors including Jonny Lee Miller, Suranne Jones, Hugh Bonneville, Philip Glennister, Andrew Garfield, and Rhys Ifans, and has been produced over 25 times worldwide, with international dates in China, France, Canada, Australia and Holland.

    Lighting design is by David Plater and sound design by George Dennis, Beautiful Thing will be a co-production between the Nottingham Playhouse, the Curve Leicester and Tom O’Connell for QNQ Ltd.

    Beautiful Thing runs at Birmingham Hippodrome’s Patrick Centre from Monday 30 March – Saturday 11 April 2015. The first 100 tickets at every performance are priced at an early bird rate of £25 – call 0844 338 5000 or book online at birminghamhippodrome.com. 5% transaction charge applies (excl. cash sales in person) postage from £1. Phone calls from 5p per minute. Prices and discounting subject to change.

    Perf times: Mon-Sat eves 7.45pm, Fri & Sat mats 2.30pm.

  • THEATRE REVIEW | Opera North La Traviata – National Tour

    ★★★★ | Opera North La Traviata – National Tour

    Set in Paris circa 1700, Alfredo Germont, a demure young man falls in love with Violetta, a courtesan, who is the toast of society because of her lavish, debauchery filled parties. But Violetta is dying and despite initially dismissing him, she falls for Alfredo and gives up her lifestyle to be with him. As they move to the country and with her fortune dwindling, Violetta is visited by Alfredo’s father, who is worried about the impact upon his daughter’s marriage prospects as a result of Violetta’s former profession, and he talks her into leaving Alfredo to secure the family’s future. But with Alfredo confused at why his love has abandoned him and with Violetta’s health failing quickly, can love bring the two back together before it is too late?

    Opera North has produced a simply sumptuous production of Verdi’s beautiful and heart-breaking opera, both in terms of performance and presentation. During the opening scene where Violetta appears, silhouetted by a full moon, the combination of modern theatricality and traditional opera makes it clear that you are about to watch something special. From the sexually charged ensemble piece of Violetta’s party during the opening, to the ghostly visitations voyeuristically poised over Violetta’s death bed, the director, Alessandro Talevi, provides a refreshing take in terms of the opera’s presentation.

    Hye-Youn Lee, as Violette and Ji-Min Parkas Alfredo were well matched in terms of their performances, with Lee providing a sweet and sensitive performance, whilst Roland Wood stood out from the remainder of the cast as Alfredo’s desperate and scheming father. It is only when you hear opera sung live you are hit with the sheer power of their voices, especially as the soaring sounds echoed around the opulence of the Leeds Grand Theatre. The live orchestra sent a shiver down the spine, from the opening notes played by the piercing strings to the swelling crescendos of the closing moments, and sounded exquisite.

    Opera is often overlooked by theatre goers because of the perception of it being impenetrable and highbrow, but Opera North have produced a theatrical piece which is beautifully put together, but accessible to all. La Traviata is embedded in popular culture and you will recognise it from the silver-clad roof top bus ride in Priscilla, Vivien’s first opera in Pretty Woman or the story of Satine and Christian in “Moulin Rouge!” Whether you are an opera novice or aficionado, this production oozes quality and has much to recommend it.

    Despite being sung in Italian, the show has surtitles; two screens which provide the audience with details of what is being said. These surtitles are detailed enough to enhance and drive forward the narrative, but do not translate every single word, thereby allowing you to easily understand the interactions of the characters without it ever preventing you from being able to watch the stage and to appreciate the music, staging or performances.

    La Travita is currently being performed alongside a two other productions, The Bartered Bride and The Coronation Of Poppea (the latter two being sung in English) which comprise Opera North’s Autumn season and are being performed at different venues around the country, including Leeds, Nottingham, Belfast, Manchester and Newcastle.

    For full details, visit their website at http://www.operanorth.co.uk

  • First Trans and Gender Non-Conforming Swimming Group Opens In London

    Trans and Gender Non­Conforming Swimming Group (TAGS), after meeting with Lewisham council, have confirmed they have full private use of the training pool at the Glassmill Leisure Centre, Lewisham for a transgender safe swimming group.

    Facilities are accessible for individuals with disabilities and include a very discrete space with electric blinds on all windows to ensure privacy. There is a 20m Teaching pool with moving floor to alter depth. The Glassmill Centre also includes gender specific and gender neutral training facilities. Swimmers will have an hour and a half slot for changing and swimming. In additional, pool staff will be given training by TAGS to ensure that gender issues are covered and treated sensitively. There will be TAGS representatives to greet swimmers and take them to changing area. There are also accessible CCTV monitored parking at a very reasonable rate (£2 per hr) open until the centre closes and a cafe space to socialise. Parents of young people and carers are welcome to swim or spectate.

    TAGS is the only Trans Gender Non Conforming swimming group in London. This first swimming session is part of a three-month trial with Lewisham Council, so TAGS is seeking all interested swimmers to take the initiative to support the space by coming to the sessions. The cost will be £3.20 (lower for Lewisham residents) a session. The more swimmers at each session, the more TAGS can negotiate the cost down further.

    TAGS is organised by volunteers from the Gendered Intelligence Volunteer Society. Roberta Francis, the main volunteer, organised TAGS because she wanted to go to her local swimming group, but felt nervous. “I felt there was a big need for a swimming group in London to allow trans and gender non­conforming people the opportunity to have access to a safe space. Being able to swim is a basic right but for many trans people it can be really difficult because of how we are treated in the community as a whole,” Roberta said.

    Jay Stewart of Gendered Intelligence, said: “We know physical activity reduces mental distress. This is such a huge factor in trans people’s lives due to the pressures to conform to gender norms. I feel incredibly proud that this initiative has been led by some of our volunteers at Gendered Intelligence. The Gendered Intelligence Volunteer Scheme is all about strengthening the wider trans community and this is doing exactly that.”

    Anyone wishing to attend the TAGS swimming group can join their Facebook event here: https://www.facebook.com/events/269765326552514/ Or contact admin@genderedintelligence.co.uk for more information.

  • OPEN LETTER | South Molton News, Alex Da Silva

    Following an article published in South Molton News, reader and writer for  THEGAYK Alex DaSilva writes an open letter to the editor, Paul Henderson.

    Hi South Molton News,

    I don’t know where to begin really: astonishment or anger.

    ‘The Road to Hell is Paved with Good Intentions’. – This does not connect with the articgfle’s content.
    Allow me to correct you:

    ‘The Road of South Molton News is Paved with Bigotry and Ignorance.’

    I am so happy for you that you have never needed to have an “aggressive” pride movement. I am thrilled that you have, not once, felt ostracised, marginalised or made to feel like a second class citizen.

    Let me educate you on this raging pride. Pride means that no matter how much hatred comes in one’s direction, love and care that others feel for one another will be celebrated and proclaimed as a symbol of hope.

    A reminder that organisations: “Stonewall (and such like)” have gone through sacrifice and indefatigable knock backs, knock backs of which that have been caused by the likes of columnists of the South Molton News.

    It’s in not just a Gay Pride.. It is now a Human British Pride, for thousands and thousands are fighting our corner, against bigots (and such like) that reside in establishments such as yours.

    Have a ‘happy’ day.

    Alex DaSilva

    if you have an open letter to send Paul Henderson, please email it newsdesk@thegayuk.com

     

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • OPEN LETTER | South Molton News, G Dudley

    Another letter to the editor of South Molton News, after an article appeared under the title Grave Turner (See below) in which gay people are called an aberration.

    Sir
    I write by way of complaint and to express my disgust at your grossly distorted, bigoted, inaccurate and hateful article about homosexuality.
    Gay people are accustomed to reading drivel about them, from people who lack integrity and understanding. However, to find such an article written by what appears to be a patronising, bigoted old git, in what I can only describe as a second-rate rag, offends and concerns me deeply.

    In the “article” (and I use the term loosely), it is claimed that the Human Rights legislation “has been used to overturn well founded taboos that have, hitherto, stood the test of time over many generations.” Does this include the right to life? The right not to be thrown in jail for non payment of a debt? The right to freedom of expression, so that mutton-headed cretins can express their ill-conceived, vile views to other people? In point of fact, the Human Rights Act had not come into force when, in 1967, the then Conservative government decriminalised sexual “acts” between two consenting men. Indeed, the aforementioned legislation makes no direct and specific mention to homosexuality.

    The “article” is based upon the nonsense of antiquity. Such rubbish has long since been discarded by more enlightened thinkers. Perhaps you consider we should go back in time to antiquity:-
    In 1102, the Council of London (Roman Catholic church council of the church in England) took measures to ensure that the English public knew that homosexuality was sinful. In 1533 King Henry VIII passed the Buggery Act making all male-male sexual activity punishable by death. I feel certain we all know of Henry’s attitude towards his wives. Perhaps you would still prefer to have gay people hanged.
    It has only been men who were persecuted (remember Oscar Wilde?). Perhaps you would prefer to see both men and women hanged, or does your prejudice not include women on this particular “thorny issue”?

    In deference to the patronising statement that “Such persons as suffer from it should be treated with sympathy and understanding”, homosexual people do not “suffer” from being what they are, any more than heterosexuals do. I think it is more accurate to say that some people suffer from religion – as well as blind stupidity, absurd prejudice and a lack of empathy, whilst the rest of us, in turn, have to suffer them. It is also interesting to note that a significant number of people who are anti homosexuality are, in point of fact, homosexual, themselves, but are afraid or ashamed of what they are. Their fear and/or shame only having been born out of ignorance spouted by people who, themselves, feel they have something to be ashamed or afraid of. Fear/hatred of homosexuality is learnt, not inherited.

    As is so typical of people with a “chip on their shoulder”, the originator of the article (who is evidently so proud of the bile it writes, that it is too cowardly or ashamed to identify itself to other people), has to bring children into its nonsensical verbiage. Of course, no piece of bigotry would be complete, if it didn’t try to justify its stupidity, by “tugging at the heartstrings” of the feeble minded, suggesting that homosexual people are all child molesters and that homosexuality will corrupt the young. I’m afraid you’ll have to do much better than that, because that has been proven – time and again – to be factually incorrect. It is not possible to make someone into a homosexual – just as it is not possible to make a homosexual person become heterosexual. Were the great Alan Turing still alive, I don’t doubt that he would confirm this. However, because of people such you and the vermin that spout the drivel you have chosen to publish, Mr Turing was deprived of happiness and thus his life, despite having arguably one of the greatest minds the world has ever seen. The benefits he would have brought to humanity are immeasurable, but he was destroyed by the same ignorance, absurd prejudice and utter stupidity that you have shown. I am also wondering what other views you share with Adolf Hitler.
    If you have never watched the film “Victim”, starring the late great Dirk Bogart, I would suggest you do (that is always assuming you have the intelligence to understand its message). It is based so honestly on facts. People should not be killed or blackmailed, just because they happen to be attracted to members of the same gender. We are supposed to be the most intelligent species on the planet. However, so many people seem to revel in persecuting others for no reason other than they happen to be different. I can see no signs of a population crisis – indeed, far from it. It isn’t homosexual people who have overpopulated this planet. I am also not aware of any gay organisation that tries to “convert” people to being homosexual. Neither do not know of any homosexual who wants to kill or injure someone just because of an absurd and unjustified dislike of a quirk of fate that befell them due to something entirely beyond their control – their birth.

    What gives you the right to publish the nonsense that you have? The answer to that question is simple: the right to freedom of expression. That you won’t be persecuted because of your jaded, antiquated and dangerous views. That you should be allowed to publish the anonymous scribble of a coward, who was probably masturbating over images of naked men as he expressed his own self-loathing, and who found an outlet for his ghastly offspring in the grubby pages of a grotty, provincial, piece of tat! If you doubt what I say, think about why you have devoted so much time and energy in order to express your absurd dislike of something that is so benign. To think of all the problems this world faces, yet there are still people who devote feverish energy to criticise and persecute fellow human beings, whose only “crime” is to have been created different. You have made yourself look a complete and utter fool.
    You have shown a total lack of compassion towards fellow human beings. Before you go preaching your false prophecies of doom and destruction, because a few people are “gay” and want to be allowed to exist in safety and peace, think. Use the brain you would have us believe you possess. Remember that you believe you are a decent human being. All you have done is show your crass stupidity, your lack of understanding and that you and the coward to whom you have given a voice, are a menace to civilisation. Shame on you, sir!
    “…in spite of your talk of equality and fraternity, you still believe some people are better than others because of the way they make love.” Another Country
    G. Dudley

    If you have an open letter you wish to have published, please send to newsdesk@thegayuk.com

     

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • THEATRE REVIEW | Twelfth Night – Sheffield Crucible Theatre and National Tour

    ★★★ | Twelfth Night – Sheffield Crucible Theatre and National Tour 2014

    In Shakespeare’s gentle comedy about unrequited love, tomfoolery and cross-dressing; twins, Viola and Sebastian are separated in a shipwreck and believing each other to have drowned, Viola to disguises herself as a young man called Cesario who falls into the service of Orsino, a benevolent Duke. The Duke holds an unrequited love for grieving widow, Olivia, a wealthy countess, but Olivia falls for Cesario, not realising that “he” is Viola in disguise, whilst Viola’s affections are firmly set on the Duke. Meanwhile, Sir Toby Belch, Olivia’s drunken uncle, plots a cruel trick upon Malvolio, the head butler, to make him think that his mistress, Olivia, has fallen in love with him. As the confusion reigns, love begins to blossom and bloom.

    Shakespeare can be considered a little heavy by many, but this production felt light and accessible, with a number of genuinely funny moments. Focussing more on the comedy of the play, the show feels surprisingly contemporary whilst remaining faithful to the original use of language. Shakespeare aficionados will no doubt appreciate the text, dialogue and rich characterizations which are ably provided by the cast, whilst those who are not so familiar with the Bards work will find much to entertain them in this fresh take on the classic play and easily lose themselves in the story.

    Director, Jonathan Mumby neatly nestles charm and romance in amongst the comedy; using a flurry of rose petals quite literally bursting out from the characters, a scattering of musical interludes and a delightful, grin-inducing opening to the second act. The static, shabby chic set provided an unobtrusive backdrop for the piece, allowing for the performances to take centre stage. As an ensemble, the cast worked remarkably well together. In the straighter roles, Jake Fairbrother stood out with his perfect diction and charismatic persona as Orsinio being matched only by Rebecca Johnson, who provided a commanding performance as the headstrong and determined Olivia. David Fielder garnered the most laughs out of the comedy roles, as he delightfully swayed and staggered his way through his turn as the drunken Sir Toby Belch and Hugh Ross easily demonstrated his mastery of the text with his portrayal as Malvolio.

    The play’s most often quoted line; “If music be the food of love …. play on” is taken quite literally with the score, coupled with the well thought out lighting, adding depth and atmosphere to the theatre and enhancing the feel of the piece. Despite a couple of the scenes feeling a little overlong, the blend of drama, physical comedy and music all combined together to make for an enjoyable evening, and a surprisingly short feel to the 3-hour running time.

    Twelfth Night is currently playing at Sheffield Crucible Theatre until the 18th October 2014. For further information and to book tickets, visit http://www.sheffieldtheatres.co.uk/event/twelfth-night-14/?tab=1#unit-production-dates . The production then heads out on national tour, details of the venues and how to book tickets can be found at http://www.ett.org.uk/productions/81/twelfth-night

  • THEATRE REVIEW: You Should Be So Lucky, Above The Stag

    ★★★ | You Should Be So Lucky, Above The Stag

    For their opening play of the new season, Above The Stag have chosen a madcap comedy from the pen of Charles Busch, a New York writer and drag artist, who also played the male lead in the original New York production of the play.

    A modern day Cinderella story, the play concerns Chris, a shy and slightly eccentric electrologist who accidentally electrocutes and kills his customer, the elderly Mr Rosenberg, unexpectedly inheriting Rosenberg’s millions. This sets off a chain of crazy events, including appearing on a TV reality chat show, under the guidance of his fairy godfather Mr Rosenberg, who returns as a ghost to take care of his surrogate son, and make sure his wishes are carried out in the face of his vengeful daughter disputing the will.

    Apart from one brief scene in the TV studio, the entire action takes place in the one room of Chris’s Greenwich Village apartment, a very clever and elaborate set by David Shields. Busch is a seasoned writer, his writing reminiscent of 1930s screwball comedies, and the laughs come thick and fast.

    I had my reservations, though and these were much the same as those I had with last year’s Gay Naked Play, also directed by Andrew Beckett. Too much of it was played on one frenetic level, with a surfeit of mugging to the audience, and an energy level far in excess of what was needed in this small house. Chris Woodley’s Christopher started well, and in his first couple of scenes with Colin Appleby’s warmly gentle Mr Rosenberg, created a touching portrait of a slightly lost young man, but as events got more and more out of control, so too did his performance. Stacy Sobieski was on firmer ground as Christopher’s completely over the top drama queen sister, Polly, as was Ellen Vernieks as Rosenberg’s daughter, Lenore, but they too would benefit from reining things in occasionally, as could Lucas Livesy’s Walter.

    The role of the TV host Wanda Wang is being shared by several actors. On the night I attended we had a nicely nuanced performance from Ishani Basu.

    Maybe the pacing will settle down a bit as the play gets further into its run. An entertaining evening none the less.

  • THEATRE REVIEW | Ballad of the Burning Star – National Tour

    ★★★ | Ballad of the Burning Star – National Tour

    Glamorous drag queen, Star, invites you to join her on a cabaret filled journey into the heart of the Middle East. Armed with a pair of killer heels, a deadly troupe of dancers and a handful of stories from both sides of the conflict, you are taken on a journey like no other to examine the individuals, families and communities who find themselves in the Ballad of the Burning Star is undeniably a bold piece of theatre. Credit is due to anyone who attempts to explain the complexities of the Middle East conflict via the medium of Cabaret, using a drag queen, a Star of David mirror ball, a musician called “Camp David” and a troupe of military dressed Diva’s. It was also undeniably confrontational, never shying away from its explosive, in your face style and being uncompromising in its portrayal of both sides of the conflict. It is equally bold in its physical, stripped back presentation – it is a show which stands on its own two feet, without the need for a set, props or a multitude of elaborate costumes.

    There were a number of very good ideas contained within the piece and as you peel back the layers, you begin to realise what an incredibly smart piece of writing this is. The way in which Star vacillates between caring host and dictator-like dominator of the Starlets, the way in which taboos are openly challenged, and the almost military precision drills of the dance routines are all reflective of the subject matter of the piece, and make the point with a sarcastic overtone and dark undertone. There is also the way in which the story comes full circle, how the events culminate at the end and how the circular narrative of the piece mirrors why the ongoing conflict still rages.

    But unfortunately, it the show never comes together in a way which allows it to reach the full potential of those good ideas. There were a number of aspects of the production which pulled it down – the almost identical troupe of Starletts playing different roles within the story led to poorly defined characters which were not always easy to identify during the narrative. The choreography became very repetitive very quickly and the majority of the presentation was reduced to nothing more than people shouting loudly, wailing or screeching at each other, which led to the loss of any actual dramatic impact. But as the closing lines of the show were delivered (in complete contrast to what had gone before and in a very powerful way) you realise what this show perhaps could have been with a little more restraint.

    That said, whilst not being particularly impressed upon immediately leaving the theatre, this show has really stayed with me for the last few days and for some reason, I have not been able to stop thinking about it. The more I have thought about it, the more I have realised what a clever piece of theatre this really was. It is just a real shame that the constant shouting and screaming undermined the value of the subject matter and the presentation of what was actually a very powerful, thought provoking, inventive and intelligent piece of theatre.

    Ballad of the Burning Star is now on national tour. Further information, details of the tour and booking details can be found at http://www.theatreadinfinitum.co.uk/productions/ballad-of-the-burning-star

  • Lewes Subud Responds To Open Letter Anti-Gay Allegations

    Earlier in September an open letter was published by TheGayUK written by a couple in Lewes, who challenged East Sussex County Council about the sale of a former school site to a organisation they described as a ‘homophobic sect’.

    (more…)

  • THEATRE REVIEW | Ghost from a Perfect Place: Arcola Theatre, London

    ★★★★★ | Ghost from a Perfect Place: Arcola Theatre, London

    Multi award-winning playwright Philip Ridley returns to the Arcola with his contemporary classic Ghost From A Perfect Place, a scorchingly dark comedy where a monster from the past meets the monsters of the present.

    Twenty years after its premiere at Hampstead Theatre, Ghost From A Perfect Place has its first major revival under the direction of Russell Bolam, following his critically-acclaimed production of Ridley’s Shivered (Southwark Playhouse 2012).

    Back in the 1960s, Travis Flood led a gang that terrorised East London. Now, after an absence of many years, he returns to find his old turf in the clutches of a new kind of gang with a new kind of leader. Rio, the ruler of a mob of girls, instantly captivates Travis with her haunting beauty but soon a shocking story begins to emerge and it is one that shatters both their distorted memories.

    A stark half burnt out council flat in Bethnal Green sees Torchie (played by the excellent Sheila Reid) entertaining the returning gangster, Travis Flood (Michael Feast) as he waits to meet up with her prostitute granddaughter, Rio for sex. Torchie fondly regales him with tales of their ‘heydays’ and unfurls the terrible story of how her life fell apart.

    Ridley’s play is both hilariously funny and horrific in equal measures. The audience both laugh and wince as the play hurtles towards (a not unexpected) yet shocking conclusion. The cast are excellent with Sheila Reid (Madge from Benidorm) showing her skill as an actress. Michael Feast is a superbly edgy yet absurd Travis Flood and the two are more than ably supported by a cast of three young actresses as the terrifying Rio and her disciples.

    This production is a real triumph for the Arcola and the staging and direction are faultless. This is theatre at its gritty best and Ridley’s play has lost none of its relevance to disconcert, even after twenty years.

    Ghosts from a Perfect Place runs until 11/10/14

    Buy tickets here: http://www.arcolatheatre.com/production/arcola/ghost-from-a-perfect-place-by-philip-ridley