Author: Chris Bridges

  • REVIEW | Limbo, London Wonderground

    ★★★★★ | Limbo, London Wonderground

    Witness heart-stopping illusions, mind-bending manoeuvres, breath taking dance moves and thrilling live music from a coterie of highly skilled international performers. A summer celebration of otherworldly proportions: welcome to the greatest party ever between heaven and hell.

    If you’re expecting light circus tricks with cheesy grins and fluffy plinky-plonky music then you’re going to be disappointed. Instead you get sweaty muscled bodies, sinister tunes and tongue in cheek dark high camp. Expect to be on the edge of your seat, gasping in shock and feeling slightly frisky as you witness some beautiful people doing some death defying stunts. Sword swallowing, balancing acts, contortionism and aerial displays may be old hat but not when they’re performed with such panache and verve that there’s a whole new spin on it.

    The choreography is superb, the tone hits the right pitch and the atmosphere is electric. I’m not normally a person who gets carried away with the moment (inner monologue and intrusive thoughts: think Woody Allen but more camp) but this is a spectacle that drags you along with it and you wonder how the time went so quickly. Plus, you get to sit inside the gorgeous Spiegeltent on the Southbank; once home to legends like Dietrich, Coward and Garland.

    This pumping, dirty, beast of a show is a must see. Did I mention that the boys are gorgeous?

    Limbo runs until the 17th of August

  • COLUMN | Football Is Crazy, Football Is Mad

    I’m sorry to be a gay stereotype but football bores me senseless.

    I’ve never seen more than a few minutes of any sports match and I don’t intend to change that now. For the duration of the World Cup I’ll be avoiding the TV and newspapers (it seems to have pervaded everything, even Google has football themed graphics). I’ll definitely be staying out of any pub that has a huge flag draped outside and a television the size of a standard door. I’ll be wincing at pound shop nylon flags draped on cars or people wearing face paints.

    My family weren’t sports viewers and we grew up without the presence of competitive sport anywhere in the house and with a healthy disinterest in people running round in rash inducing nylon. Surely there are more important things to put your competitive energy into like fighting for the right man, a good place to live or the killer job. I’ve sustained the disinterest and taken it to a slightly higher level (i.e. hatred of all sports). I just don’t get why people become such fanatical crazed monsters. My worst public transport nightmare isn’t the slurry drunk or the youth playing music and spitting. It’s the two men avidly discussing sport and becoming increasingly shouty and loud as their tempers and passions rise. I feel like I may as well be hearing a Martian language for all the sense it makes to me.

    I see the appeal of football for some gay men: men in skimpy shorts frolicking about on a field. That can be found elsewhere though. Why bother watching the game? Just take it to another level and search for one of the multitude of sport related porn flicks on the Internet. At least you don’t have to watch the dull bit and the action is more interesting than a few men kicking a ball to each other. If you’re unlucky the film will have a ‘plot’ a.k.a. a couple of South Londoners shouting across to each with lines they’re reading off a card whilst they ineptly kick a ball just before the shower scene when the fellatio starts.

    Last night I was kept awake till the early hours. I don’ t know what the result was but they were either happy/sad/angry/elated/disappointed. It seems to translate into the same way: drunken people shouting at 2am. I love that people have a passion but what the f**k? I get very excited by literary awards but you don’t catch me running down the High Street shouting about them in the small hours. It strikes me that sport lacks decorum at times.

    I can waffle on for hours about things I hate, like orange skinned W.A.G.s, bizarre hairstyles and hideous tattoos. I can bemoan overpaid dunderheads and managers in car coats. Let’s maybe just leave it that football is not my thing and I can choose to avoid it and will try really hard (except when I’m in the supermarket, looking at social media, in the street, at work, reading the news, on the train or anywhere out of the house at all when I can’t avoid it all as it’s being rammed down my throat). If you need me for the next month I’ll be in isolation with a pile of books and a pot of coffee or maybe partaking of my own particular sport: competitive complaining and griping.

  • THEATRE REVIEW | The Roof

    ★★★ | The Roof

    A door opens and an immaculate figure steps out onto a roof. Knives are sharpened and the game begins. Set within the suspended reality of a brutal and unforgiving game, this mix of intimate three-dimensional sound and free running aims to transport the audience into the body of a reluctant hero, desperate to stay alive.

    Following Electric Hotel and Motor Show, The Roof is Requardt and Rosenberg’s third production and takes place in a purpose-built arena designed by Jon Bausor, set designer for the London 2012 Paralympic Opening Ceremony.

    The Roof is a blend of dance, free-running inspired moves and surreal fragments of disconnected stories. Staged in a car park at the back of The National Theatre, the set is a multi-level 360-degree panoramic creation. A figure emerges and begins trying to complete levels on a game, aiming to rescue a D.J. trapped in a small box representing her brashly decorated bedroom. The game is one that the audience, standing watching, are immersed in via headphones and witty sound design. The opening moment where a heavy breathing figure appears to run across the gravel, approach you from the back and whisper into your ear was inspired and left the audience all looking round in alarm.

    It all sounded really exciting. The rain held off, the audience stood poised for a unique and immersive experience but sadly, the show failed to deliver. The free-running element felt tired and relentless and lacked thrill. I’ve definitely seen better examples of free running. The narrative felt slightly contrived and weak with a script that didn’t always work and the dance moves, although imaginative, failed to glue the piece together. The costumes were inventive and wouldn’t have looked out of place on a t-shirt designed by a hipster from Hackney (women in 70s suits with rabbit faces with no eyes, surreal drum majorettes and people with triangular heads).

    I liked elements of the show (mainly the really clever and immersive sound design and the occasional glimpses of humour) but on the whole the show left me a bit cold, in spite of it being a warm night. Looking round at the rest of the audience and a lot of slightly bored expressions, I could see I wasn’t alone in this.

    The Roof runs until 28th of June 2014

    Buy tickets here: www.liftfestival.com

  • THEATRE REVIEW | A Simple Space, Udderbelly: London

    How long can you hold your breath for? How many back flips can you do in one go? Can you stand on your head…or even somebody else’s?

    In the London premiere of the show that has captivated sell-out festival audiences around the world, seven young acrobats compete for your laughter, gasps and applause with non-stop, mind-boggling feats of breath-taking acrobatics. Spend a riveting hour with one of Australia’s hottest young circus ensembles, Gravity & Other Myths, as they push themselves to their physical limits and beyond in a captivating show of physicality, skill and daring.

    I have to confess that I can barely stand up without falling over so these young (and rather lithe and good looking) Australian acrobats were always going to impress me. The show is a stripped back, pure acrobatics show that manages to captivate and entertain with aplomb for an exhilarating hour. The show ranges from human pyramids, death defying aerial manoeuvres and feats of strength through to tongue in cheek comedy, absurdity and joyful physicality. Part circus, part gymnastics and part contemporary dance, this show had the audience on its’ feet with a loud and boisterous standing ovation at the end of the show.

    Did I mention the men too? It’s worth the price of the ticket alone just to see them. They’re muscular lithe and not afraid to take off their tops (and at one point trousers too).

    The show runs at the Udderbelly on the South Bank until the 6th of July.

    Buy tickets here: https://www.underbelly.co.uk/node/5325256

  • COLUMN | Unhappy Birthday

    I did something sly and naughty this week. I kept a big secret. I wasn’t hanging around in a sauna in a skimpy towel, working my way through a selection of sex toys, snorting Crystal Meth or shoplifting. My secret was far worse: I was having a birthday, a secret birthday.

    I’m not ashamed at aging. I’m irritated by aging (thinning hair, ear hair, nostril hair and other hair related things) but not ashamed. I don’t mind being in my early 40s at all. I feel more comfortable in my skin and more assured of what I do and don’t want and am able to better articulate this.

    One thing I don’t want is to be made a fuss of. I can’t abide those silly office things where colleagues put a few quid into a pot and ritually buy each other a card with a silly slogan and a gift voucher for some shop you wouldn’t necessarily set foot in under usual circumstances. I’d rather get something useful like a packet of cigarettes or a tenner off my supermarket shopping. I hate all those inane Facebook messages and tweets from people you barely know that only know it’s your birthday because the site tells them so. I’m not keen on shelves full of cards that the combined cost of would buy me something useful (e.g. cigarettes). They seem a bit of a waste of money to me.

    I’m pretty rubbish at pretending. I can’t do faces of delight when offered a present I don’t want. I’m actually pretty impossible to buy presents for. Who’d want their clothes or household items chosen for them? Not me, for sure. From the age of about 5 I was quite determined to choose my own attire and soft furnishings. The usual suspects are out: booze and chocolates (drink issues and migraines rule those out). That leaves books, DVDs or music which are surely impossible things to buy for someone unless you actually inhabit their head and police their taste and monitor what they’ve already read, seen, own or have listened to.

    I do like cake. Cake is good. I just can’t be bothered with all that embarrassing attention that goes with it. I nonchalantly spent the day at work and almost forgot it was my birthday, pulled up occasionally when I typed the date. It was perfect. My partner insisted on taking me out for a meal, which was sweet and a friend made a cake for me. We quietly consumed it whilst watching T.V.

    I’m not totally miserable but just know what I like. Being older is great. Being able to choose to do or not do something is better than anything.

  • COLUMN | Dying to talk

    I’m afraid that I’ve got some really bad news for you. I’m not usually so blunt but there’s something that I need to tell you. You’re going to die one day. Sorry about that. I know it’s not palatable but it’s going to happen. No one has, as yet, escaped the inevitable. It’s an uncomfortable fact for most of us and one which we, generally, try to avoid thinking about.

    The organisation Dying Matters has been promoting talking about death, forward planning and trying to break down taboos surrounding death. Their recent survey findings are fascinating. Only a third of people have made a will, half of people don’t know what their partner’s funeral wishes are and over 70% of people haven’t given any though to what would happen to their on-line legacy. Future care planning is important too. How can medical professionals decide what treatment to give us if we haven’t made our wishes clearly known about what kind of treatments we’d like to have carried out?

    There are a whole host of additional issues that can present themselves for LGBT people. If you’re in a relationship, is your partner the person nominated to be your next of kin, your advocate or your beneficiary? There are whole hosts of horror stories about bereaved partners who are left homeless, cut out of funeral plans and denied the place they should be entitled to in the pecking order of mourners by resentful and bigoted families. I certainly wouldn’t want that to happen to mine or anyone else’s partner.

    The digital legacy frightens me. I hate the idea that my social media accounts would linger on with mawkish pictures of sad kittens and inept tributes after my death. That’s not my style at all. It may suit some people but isn’t for me. My partner has strict instructions to close the accounts down the minute I croak. He just has to look in the bureau and find the folder marked “Death” to find the will, passwords, explicit instructions and funeral plans. Maybe I’m an extreme example of a control freak but is that so bad?

    Naturally, LGBT people have their own special issues. No one wants a Grindr account loitering in the ether with their preference for ‘hard tops’, after they’ve been hit by a car. What about your collection of European twink porn? Is that something you want your mum to have to sort out for the charity shop along with your barely worn Aussie Bums? Does anyone know which Britney song you want at the funeral and which ex shags you definitely don’t want there?

    Flippancy aside, it’s something that’s worth thinking about. Anyone who’s had an unmarried or non-civil partner-shipped relative or friend die intestate will tell you just how much easier it would have been to sort the post mortem affairs out with a sturdy will in place. Anyone left with a dying relative or friend who has had no idea about what their care or funeral wishes are will tell you how hateful and hard that can be.

    It’s definitely worth checking out the Dying Matters website. It’s not as bleak or painful to read, as you’d think and it’s bloody important. Seriously.

    Read more here: http://dyingmatters.org/

  • THEATRE REVIEW | Fleabag, Soho Theatre, London

    ★★★★★ | Fleabag, Soho Theatre, London

    What happens when your life has descended into an endless round of masturbating to Internet porn, seeking casual pick-ups and having catastrophic career and relationship failures? How do we manage to live in a world where sex is ever present and the only way we can sometimes connect is through (not always satisfying) sex?

    Phoebe Waller-Bridge’s multi-award nominated, previous sell-out and critically acclaimed show is back at the Soho Theatre and it’s as twisted and as funny as ever. It’s a hilariously funny play with touches of pathos and enough gross out moments to make you wince and squirm. It’s great to see taboo subjects like female masturbation, pornography viewing and casual hook ups portrayed in a non-judgemental and achingly funny play.
    Waller-Bridge is a consummate performer, providing warmth to an unapologetic character that you want to alternately shake, nurture or go for a few cocktails with. In spite of her gauche demeanour and hapless nature the Fleabag has a dark psyche bursting full of issues and enough baggage to fill a carousel at Heathrow. It’s a testament to the power of the acting, production and script that the audience seems to warm to her so much and not want to boo her off the stage. The audience reaction was, in fact, ecstatic, the night I saw the show.

    This is a very unique production and a well-deserved Olivier Award nominee. You’ll have to act fast if you want to catch a seat. It’s a not to be missed experience. Just don’t take your granny along unless she happens to be very open-minded.
    Fleabag runs until 25th of May 2014
    Book tickets here: http://www.sohotheatre.com/whats-on/fleabag/

  • THEATRE REVIEW | Positive, Waterloo East Theatre, London

    ★★★★ | Positive, Waterloo East Theatre, London
    “If Britney can get through 2007, then I can get through today.”

    Benji’s mantra has got him through the first year following his HIV diagnosis, and the time has now come to grab life by the balls and get his love life back on track. Inspired by true stories, Positive is an honest and uplifting story about an ordinary guy living with one of Britain’s most misunderstood diseases.

    Shaun Kitchener’s new play is a work of quiet and restrained power. The power of the piece is in its initial appearance as a light comedy with an almost sit-com like feel at times. Whilst the situations, characters and dialogue are often achingly funny, the message at the heart of the play is a strong one with a compelling depiction of what its like to experience living with a diagnosis of HIV in a frequently ignorant and uninformed world and a world where new drug treatments aren’t the easy ride that some people would like to believe they are.

    The seven-person cast are universally strong with standout performances from Sally George as Benji’s overbearing mother and Jamie-Rose Monk as Benji’s consultant. Writer and actor Shaun Kitchener gives a bemused and amusing turn as Benji’s potential new love interest.

    This is a quietly moving and uplifting play that will make you laugh as well as think. It’s definitely worth a look. The theatre itself is an intimate space that lends itself well to the production and is only a short walk from Waterloo station.

    Positive runs until the 1st of June 2014

    Buy tickets here: http://www.waterlooeast.co.uk/positive%20.html

  • THEATRE REVIEW | Somewhere Under the Rainbow- the Liza Minnelli Story, Landor Theatre, London

    ★★★★ | Somewhere Under the Rainbow- the Liza Minnelli Story, Landor Theatre, London

    Liza is about to go on stage, pacing nervously round her dressing room in a silk robe she bursts into song, tells a few anecdotes and even shows us a few of her dance moves.

    Following on from sell out runs and rave reviews in Dublin and Edinburgh; this show is making its London premiere at The Landor Theatre in Clapham.

    Minnelli is a hard act to capture well but Sharon Sexton absolutely nails it as the gay icon. She’s got an amazing voice and her acting skills are second to none. This isn’t just a tacky cabaret style impression of Liza but a wry yet touching portrayal of a woman full of paradoxes. By turns feisty and brash yet also vulnerable and fragile, this is a Minnelli you can believe in. Sexton’s version of Sondheim’s “Losing My Mind” is heart wrenching and her Mein Herr is performed with breath taking skill. Her whole repertoire is performed with dazzling panache.

    If you know much about Liza already then you’re not going to get a deep and detailed insight into her life and her marriages, drug addictions and traumas. The show does, however, give us a glimpse of what Liza is about and how she’s fought her way through life with a smile on her face and a pair of tap shoes never too far away.

    This is definitely fringe theatre at its best and a show worthy of a larger venue. This is definitely one to catch during its short run

    Somewhere Under the Rainbow runs until the 17th of May 2014

    Buy tickets here: http://www.landortheatre.co.uk/index.php/booking-office/musicals/somewhere-under-the-rainbow-84/

  • THEATRE REVIEW | Foreplay, King’s Head Theatre, London

    ★★★ | Foreplay, King’s Head Theatre, London

    Some of the greatest minds of the post-War central European generation, Theodore Adorno and his wife Gretel, Hannah Arendt and Walter Benjamin became caught up in a heady mix of sexual and intellectual intrigue, infidelity, rivalry and mutual obsession. Years later, with Benjamin dead and Adorno established as one of the leading thinkers of his time Theodore, Gretel and Hannah are invited to a meal by a mysterious young woman. When their host reveals that she has access to documents that could change their lives for ever, all three are forced to face the lies, jealousies and sexual proclivities that they have hidden for decades, as their loyalty to each other is tested to the utmost.

    A psycho-sexual thriller of betrayal and revenge, Foreplay takes us into the lives of some of the greatest intellectuals of the 20th century, exposing the chasm between the public and private, what is erotic and what is pornographic, and the uneasy relationship between genius and hypocrisy in us all.

    This is the world premiere of Carl Djerassi’s new play at the King’s Head Theatre and the staging of the production, the skill of the actors and the intimacy of the space would certainly do justice to the piece. The claustrophobic nature of the play is conveyed to perfection and there isn’t a weak link in the cast with some very strong performances, my favourite being Judi Scott as the fearsome Hannah Arendt.

    The problem for me was the play itself. In spite of a fascinating premise, some well placed humour and pacey dialogue, it felt less like a meditation on intellectual versus physical foreplay and infidelity but more like a virtual reality recreation of a particularly long and dry menopause. I suspect that had I known more about German 20th Century philosophers, political theorists and sociologists then I might have found the play more compelling. As it was, I found it mostly quite dull in content and even the intriguing human elements failed to hold my interest fully for long as the intellectual debates and parrying quickly took the sparkle away from any of the merits of the excellent production.

    In spite of this, it’s well worth seeing just for the clever set and the highly accomplished acting. The brief moments of humour are well placed and timed to perfection.

    The play runs until the 31st of May

    Buy tickets here: http://www.kingsheadtheatre.com/main.html

  • COLUMN | Mary Mary

    As a child my parents were occasionally like a composite of the characters in the sit-com “The Good Life”. Like Margot and Jerry Ledbetter, they were a teaming mass of petty snobbery but also like Tom and Barbara Good, they were quite self-sufficient. We were dragged along on a regular basis to their allotment garden and forced to help out. In between we’d be roped in to help tend flowerbeds or the fruit trees in our suburban home or water and clean the many potted plants and herbs indoors.

    I would receive unwanted gifts to sweeten the pill: a bright blue children’s wheelbarrow and a various miniature garden tools. For me, a Dutch hoe will always be something you push between your potatoes rather than a woman in a bikini in a window in Amsterdam. I recall happily the joy of being given my own patch of soil to grow vegetables in and watching little shoots of life poking through but this was counterbalanced by the horror of being a picky eater with parents who had a seemingly never ending supply of fresh vegetables.

    Mud was never a thing I relished, being a pernickety child who liked to dress in tweeds and velvets like a mini aristocrat. I hated being outdoors and whiling away hours that could have been spent indoors hunched over a book reading about Milly-Molly Mandy or Narnia. I’d petulantly pace around collecting insects in matchboxes then putting them back unharmed later or kicking moodily at old tree stumps whilst thinking about the good-looking music teacher who played a guitar. I still recall the repetitive boredom of picking green beans or shelling peas, followed by the even worse indignity of having to eat them.

    I longed for parents who bought their vegetables ready washed from Marks and Spencer. Actually, I longed for parents who didn’t buy vegetable at all unless they were pre-cut into crinkle cut chips.

    The irony is that my parents taught me some valuable skills: patience and the ability to tend and grow things. I’m now a demon gardener and totally love nature. I’m also a vegetarian who eats at least 10 of my 5 a day. The ironic bit comes in also when you realise that in my London flat I haven’t got a sod of soil to my name. In times of stress I drift off and imagine myself in a soothing suburban garden full of flowers and fruit trees (an unlikely prospect, given London house prices). I picture myself in a cast iron Victorian conservatory spraying greenfly with a copper implement.

    Even in my fantasies I draw the line at growing vegetables, though. There’s a huge supermarket round the corner. Some childhood experiences put you off things for life.