THEGAYUK

Author: Tim Baros

  • THEATRE REVIEW | Party

    THEATRE REVIEW | Party

    ★★★★ | Party at Above The Stag

    CREDIT: PBGStudios
    CREDIT: PBGStudios

    There’s a party going on in Vauxhall and you’re all invited!

    Party, a play at the Above the Stag theatre, is about seven gay men who get together one evening to hang out, chat, be together, and basically talk about sex, as gay men do! And what a party it is! It involves alcohol, lots of alcohol, where seven handsome and hunky guys pretty much up for anything, play a game called Fact or Fantasy, a bit like Truth or Date, which involves, of course, male nudity – all taking place in a cozy living room.

    Party, written by David Dillon in 1992, originally ran in Chicago before moving to New York, and has even been produced internationally.

    For this version, directed by Gene David Kirk, the party, and action, takes place in a British man’s living room, with references to British culture, news, and the requisite British accents! It’s the home of Kevin (Nic Kyle), who is letting out his extra bedroom to Peter (Stefan Gough). In attendance at the party are dancer Brian (Jamie Firth), teacher Ray (Ben Kavanagh), Philip (Lucas Livesy), James (Sam Goodchild) and young and innocent Andy (Tom Leach). They’re all friends, good friends, but when they decide to play Fact or Fiction, a game where one man is to tell the truth, lie, or act out someone else’s fantasy, secrets are revealed, as well as skin, lots of skin, in a game where being shy is not an option! And it’s Ray who steals the show with best lines – he actually berates Andy for not knowing who ‘Barbra’ is or how to tell the difference between a cast album and a soundtrack. Peter reveals, during the game, that he’s got a secret crush with one of the men, while Brian is sexy and he knows it, and is the first to strip off. It’s a party in this intimate theatre where the audience feels like they’re right in the middle.

    Party is 100 minutes of very funny jokes, lively atmosphere, and laugh out loud comedy. It’s play which celebrates gay men who enjoy the company of other gay men, sexual attraction or not. And all the actors deserve praise, and courage, for baring it all – it’s exciting and done in good taste. This is one party you definitely don’t want to miss.

    Party plays at Above The Stag until October 30th

  • Film Review | Theo & Hugo – sexually charged and romantic

    ★★★★ | Theo & Hugo

    Two men meet at one of Paris’ most popular, and notorious, gay sex clubs, and then embark on an evening with lots of twist and turns, in the new film Theo & Hugo.

    You might think you’re watching a gay porn film as the first 20 minutes of Theo & Hugo is full-on man-to-man action – erections and anal sex are all on full display, filmed at L’Impact – a naked gay sex club in the Marais district in Paris. Theo & Hugo, In French, with English subtitles, is shot in real-time, and it’s in that club where Theo and Hugo meet, at exactly 4:27 a.m., amongst the writhing and moaning group of men who are all enjoying each others’ company.

    While there, Theo and Hugo connect sexually, intimately, and emotionally. They then decide to leave the club together to carry on their night with each other. But what wasn’t discussed while they were having unsafe sex at the club was the use of a condom to prevent HIV transmission, as Hugo (Francois Nambot) tells Theo (Geoffrey Couët) that he is HIV+.

    What transpires after is a rollercoaster of a night for both of them, when Theo goes to the hospital to get PEP (Post-exposure prophylaxis), a medication that should kill any traces of the virus that might be in his system.

    Romantically, and responsibly, Hugo joins him there. They then wander the streets of Paris, on a night that could turn out to be either very romantic or very tragic, with the ramifications of HIV staring them right in the face, and the possibility that their encounter could be more than just an encounter.

    Is Theo & Hugo a porn film or is it a film with an important message? This is something that you will have to decide, but nonetheless, it’s guerrilla and gay filmmaking at its finest. And Kudos go to the actors for ‘baring it all’ in scenes that are relevant to the message of the film, and to writers and directors Olivier Ducastel and Jacques Martineau for bravely, and successfully, having the balls to make this controversial, yet romantic and engaging film.

  • THEATRE REVIEW | The Naked Magicians

    THEATRE REVIEW | The Naked Magicians

    ★★★★ | The Naked Magicians

    The Naked Magicians

    A naughty and funny magic show with full nudity!

    There are two men who get their kit off every night near Trafalgar Square, and I recommend that you go have a peek!!!

    These two men are Mike Tyler and Christopher Wayne, and they are starring in a new show at Trafalgar Studios called The Naked Magicians. Having seen the show, I can vouch that they do indeed take off all of their clothes (except for the strap that holds the microphone battery!).

    Directly from the Edinburgh Fringe Festival, Tyler and Wayne are two Aussies who’ve been performing as naked magicians all over the world for over two years, so they’re both used to baring all in front of an audience. But their charm and cheekiness in the way they strip is unique, and best of all, lots of fun.

    Both men are actual real-life magicians (and not strippers) and their show features all sorts of magic tricks. Ninety minutes in length, the handsome gents perform tricks such as pretending to smash an audience members mobile phone, using an inflatable penis to get members of the audience to reveal their porn names (name of street you grew up on and the name of a pet) while already having it written down, card tricks galore, and of course the disappearing clothes trick, are all part and parcel of what they do. Of course, any magic show wouldn’t be a magic show without audience participation, and some lucky (?) members of the audience get the chance to go on stage and help the men to ‘perform’ their magic. Since this boisterous magic show is R-rated, the humour and the jokes, are for an adult audience, so if you’re prudish, go see Aladdin instead! And near the end of the show, the buffed men wear top hats, not on their heads, but hats that are strategically placed and in which an audience member is tasked with holding the hat in place while Christopher performs some rope tricks. It’s hilarious! By the time the men attempt to get themselves out of straightjackets (tied by two audience members), they are practically naked, but it’s the hungry audience who wants to, and gets to, see more, and they definitely get to see more.

    The Naked Magicians takes magic to a whole new naughty level and it’s a level where you want to be at!

    The Naked Magicians plays at Trafalgar Studios until 24th September

     

  • FILM REVIEW | Chicklit – a film about Mommy Porn and BDSM!

    FILM REVIEW | Chicklit – a film about Mommy Porn and BDSM!

    ★★★★ | Chicklit

    Four men try to cash in on the Fifty Shades of Grey phenomenon by writing their own racy novel in order to save a local pub in the new film Chicklit.

    Chicklit
    SWCP

    Set in a small village in Norfolk, the whole town seems to be reading She Came in Chains, a new BDSM book by author Lady Lovelorn, including local newspaper editor David Rose’s (Christian McKay) wife Jen (Caroline Catz).

    So when the local pub is faced with closing unless a buyer can come up with £300,000 to save it, Rose has an idea – why don’t him and his pals write their own racy novel. So he enlists his card game buddies – pub manager Chris (Tom Palmer), school teacher Justin (David Troughton) and local bookstore owner Marcus (Miles Jupp – who owns the bookstore with his partner Geoffrey – James Wilby), to each write their own section of a ‘mommy porn’ novel in the hopes that they can get someone to publish it.

    Well, David contacts London book agents Bonar and Law (John Hurt and Eileen Atkins), who are very interested in representing the book the men have called Love Let Her. They get a publishing deal but with one caveat, they need to have the author available to do book tours and signings. So David enlists his struggling actress sister-in-law Zoe (Dakota Blue Richards) to play the part of the ‘author’ of the book. But with the book becoming a success, it’s harder and harder for them to keep the book’s real authors a secret, and even more so when Zoe starts getting tired of promoting something that is not hers.

    Ii is a cute and funny take on chick literature and how almost anyone with an imagination and a computer can write a saucy novel. Filmed like a 1970’s style television show in a small English village with typical local characters, it’s a film that’s both charming and cute. Hurt and Atkins almost steal the movie as the uproarious book agents while the delightful music of Alex Britten (related to Director Tony Brtten who also wrote the film with Oliver Britten – it’s a family affair), who sings as part of the pub’s house band, adds a nice touch. This film is recommended because it’s cute and doesn’t take itself too seriously.

     

  • RESTAURANT REVIEW | Texas Joe’s Slow Smoked Meats

    There are now two American style meat serving restaurants named Joe in London – Joe’s Southern Table & Bar and Texas Joe’s Slow Smoked Meats. And while they both share a common first name, Southern Joe’s is all about the deep south with lots of variation on chicken, while Texas Joe’s is all about traditional BBQ meats, done the Texan way.

    Texas Joe’s, located behind London Bridge Station right near the upper end of trendy Bermondsey Street, is like stepping into a wild west saloon. A bit small on the inside – 70 seats (though there are plenty of tables outside if the weather is conducive), Texas Joe’s aim is to bring the spirit of Texas into a very small pocket of London. Does Texas Joe’s succeed? Yes.

    Luckily the menu, which is cleverly printed in the style of a 1936 Texas newspaper named ‘The Big Smoke Signal’ and features articles written by Texas BBQ journalists, is not overwhelming. There are five different types of main courses; beef (brisket or short rib), chicken (wings, thighs or breast), pork (shoulder, belly and ribs), tacos (brisket, mutton or pork) and mutton (shoulder and ribs). What, you might ask, is mutton? It’s similar in texture and flavor to lamb.

    Visiting Texas Joe’s six weeks after it’s opening, me and my dining companion were ready to savour the meats and other Texan-style dishes on the menu, food that I was very familiar with having grown up in New Mexico. I decided to go for the beef brisket, as I am a huge fan, while my companion went for the mutton. We were torn between the excellent variety of sides, but then settled for bone marrow (basically fat nestled into a bone), a house salad, cornbread and brisket chilli. As it was too hot that night to drink alcohol, we ordered the very refreshing root beer and cream soda from new brand Soda Folk.

    My beef brisket was absolutely delicious. There were many larges slices presented on a platter, alongside coleslaw, lots of pickles, and a few slices of bread. The brisket, as you would imagine, was tender and lean while a cup of very mild and not too thick BBQ sauce accompanied it. The coleslaw was a bit too creamy for my taste, however, it had onions which gave it a nice kick. My companion’s mutton was thick, a bit colorless, but nonetheless delicious. Our starters were also very good – the house salad (quite a generous portion for £5), the bone marrow (a bit too lardy and fatty for us), corn bread (deliciously tasting with a hint of jalapeño, just like they make it in the southwest), and the brisket chilli – which was absolutely amazing. Yes it was spicy, but the massive portion given (at £5.50) is almost a meal in itself. So is the Mac & Cheese, which the people next to us were eating. The mains are reasonably priced based on how much meat they give you (most in the £12 to £15 range, though the chicken is no more than £9). The bread served with the meals is a bit unnecessary – cornbread should be served as that would make for a better companion to the food, though perhaps if you want to make a sandwich with the meat, then it’s makes sense. To top it off, we had pecan pie with vanilla ice cream for dessert. The portion was just the right size, it was moist, warm and freshly made. After finishing our dinner, we didn’t feel too stuffed, and we were very satisfied. And compliments go to our waitress Beth. She was very knowledgeable about the menu, knew when we needed something, and was very charming and friendly. Too bad the goes back to school in Manchester in a couple weeks – she’s an asset to the restaurant.

    After your meal, I highly recommend a visit to Joe’s Honky Tonk Bar, located right next door, which serves Texas bourbons and whiskeys, along with Texan Lone Star Lagers and a selection of local beers. And while you are there, pick up a bag of Texas Joe’s Beef Jerky. It comes in two flavors – Low & Slow BBQ and Lean & Mean Beef Jerky. it’s actually the best jerky I’ve ever tasted here in England!

    Texas Joe’s has all the delicious dishes and southern hospitality that you could possibly want, in the central but deceptively discreet surroundings of Bermondsey.
    And make sure you meet the owner Joe, he’ll say a big HOWDY to you all!

    REVIEWED BY: Tim Baros

    ADDRESS: 8-9 Snowfields, London, SE1 3SU

    WEBSITE: http://texas-joes.com

    STAR RATING: ★★★★ (explained)

    COST RATING: £££ (explained)

    TIPPING POLICY: At the customer’s discretion

  • FILM REVIEW | Golden Years

    FILM REVIEW | Golden Years

    ★★★★ | Golden Years

    Golden Years
    PR Provided

    The pensioners in the new DVD release ‘Golden Years’ try to get even at the system that they feel is robbing them.

    It’s a cute and funny film about older people trying to get back what’s theirs. They feel the system is corrupt, so they take matters into their own hands. Retired couple Arthur Goode (Bernard Hill) and his wife Martha (Virginia McKenna), who is ill with Crohn’s disease, eke out a living on their pension while spending time at their local social club with friends Royston (Simon Callow), Brian (Philip Davis), and Shirley (Una Stubbs).

    One day Arthur finds out that the company he spent a lifetime working for has gone bankrupt, and so has his pension. He doesn’t know what to do… how is going to be able to take care of Martha? An opportunity presents itself when, while in front of a bank when money is being delivered, one of the guards trips, falls and gets knocked out on the ground, while the guard inside the truck inadvertently hands over a container of money to Arthur, who gladly takes it and runs. It sets off an idea where he enlists Martha, and eventually his friends, to rob banks. Who would expect pensioners as bank robbers, with cucumbers acting as guns, of stealing money?

    Golden Years is a delightful film with a cast of great actors all relishing their role as bank robbers. It gets even funnier when the local police keep thinking that the bank robbers are a malicious and very dangerous gang.

    I would’ve liked to have seen more of Ellen Thomas, the loquacious and horny local diva, she’s got some of the best lines in the film. Some of the robberies the gang pulls off are, however, a bit unbelievable and far-fetched, especially when they’re attempt at running away is basically a slow walk. But nonetheless it’s a charming film that will make you think what retirement holds in store for you – perhaps robbing banks to get even with the system.

    GOLDEN YEARS is available on DVD from Amazon
    www.facebook.com/goldenyearsmovie @goldenyearsfilm

  • FILM REVIEW | Boys on film 15: Time and Tied

    FILM REVIEW | Boys on film 15: Time and Tied

    Peccadillo continues to champion gay short films by coming out with their 15th gay shorts compilation. This one’s titled ‘Boys on Film 15: Time and Tied’ and it showcases a selection of British short films that are either sexy, funny or meaningful or all three.

    -G_OCLOCK_1

     

    The best by far is Trouser Bar. Directed by famous gay porn director Kristen Bjorn, Trouser Bar takes us into a gay shop that sells clothes made of corduroy clothes, which gets both the staff and customers frisky. Its pulsating music and mustached actors mimic the best elements of a 1970’s gay porn film, and it builds to an exciting climax. Porn star Ashley Ryder is practically unrecognizable as one of the shops customers, with Julian Clary making a quick cameo. This is an 18-minute masterpiece.

    Crossroad doesn’t have any dialogue, but it’s a hard-hitting 11-minute short about a young man who lives with his girlfriend. He’s angry and revengeful over the black man who ran over and killed the man he was in love with. Directed by gay actor Leon Lopez. Powerful.

    Dawn introduces us to a young blind man who’s waiting at a bus stop in the middle of nowhere, and unbeknownst to him the woman he’s speaking to is transgender. They share a special moment together in this 11-minute short directed by transgender filmmaker Jake Graf.

    Sauna the Dead is a fantastic gay horror film about one man looking for love in a sauna where the patrons turn into zombies who then try to eat him and a fellow Indian customer alive. Very original and excellently shot at Chariots Vauxhall. Directed by Tom Frederic (who also stars), it’s 23 minutes of scary fun.

    G’OClock is a relevant and timely short about a chemsex party where a paramedic and a younger man re-connect from a previous encounter. Though it ends abruptly, it’s very glossy style with a very sexy cast make it’s ten minutes too short. The film includes the infectious song ‘Look at Me’ by DPSC. With Leon Lopez (again) and a bevy of real life porn stars.

    Closets (18 minutes) is a poignant and emotional story about a camp young teenage boy in 1986 who likes to dress up in his mother’s clothes. She gets angry at him so he retreats into his closet, and then comes out of the closet (no pun intended) to meet another young gay man 30 years in the future whose gay lifestyle, and dressing up, is more acceptable. This 18-minute beautiful film is directed by Lloyd Eyre-Morgan and has a fantastic performance by Tommy Knight as the 1986 gay teen.

    Putting on the Dish is basically two gay men sitting on a bench in a park talking about gay men and sex. Their accents and the too short story make it a bit hard to understand and pretty much irrelevant.

    The above is just a taster of all the short films that are featured in this two hour compilation that’s all about showcasing some of the UK’s best emerging talent. Tie yourself to your DVD player and make this a much watch!

    BOYS ON FILM 15: TIME AND TIED

    Available to purchase on AMAZON

  • THEATRE REVIEW | Through The Mill, Southwark Playhouse

    ★★★★★ | Through The Mill, Southwark Playhouse

    CREDIT: Southwark Playhouse

    It’s Judy Garland times three in the new musical Through The Mill now playing at Southwark Playhouse.

    The show gives us Garland in three different stages in her life. There’s the young Judy before her Wizard of Oz role – ages 13 through 16 – brilliantly played by Lucy Penrose. Then we have the Palace Judy – the time in Garland’s life when she was performing on Broadway at the Palace Theatre, age 29 – with Belinda Wollaston in the role. Then finally we are presented with CBS Judy – the 47 year-old star (played by Helen Sheals) who was in the last year of her life during which she had her own television show on America’s CBS network.

    These three eras of Judy’s life are superbly intertwined in a show that’s both fantastic and tragic. We all know that Judy died at the age of 47 in London due to an over-dosage of barbiturates. But she had such a tumultuous life, and it didn’t make matters any better in that she was an extremely insecure, and nervous, woman. Young Judy’s father (played by Joe Shefer) ran a cinema, but he also had a predilection for young boys. Her mother Ethel (Amanda Bailey) was an extremely controlling stage mother. But Palace Judy’s life isn’t much better. By this time she takes various drugs just to help her get through her day (and to get her on stage). Her life seems to be a mess, though she’s got her husband Sid Luft (Harry Anton) with her at all times. By the tim CBS Judy (who actually opens the show with a rounding version of ‘Life is Just a Bowl of Cherries’) sung brilliantly by Sheals, her life seems to be on track, she’s got a hit television show, but the network keeps on demanding more and more from her. It’s too much for a woman as fragile as Judy, and though her death is not played out on stage, we all know what’s going to happen to her.

    Through the Mill is excellent. It’s all due to the three women who play Judy, they are all very good but it’s Penrose who shines a bit more because she plays a version of Judy that is young and innocent, and Penrose conveys that excellently. When Young Judy and Palace Judy duet on ‘Zing, Went the Strings of my Heart’ together in the intimate theatre, it’s an event! And when all three get together to sing the finale – ‘Over the Rainbow’ – there’s not a dry eye in the house.

    Director Ray Rackham, along with the rest of his crew, have staged a musical that’s larger than life in a theatre that’s as intimate as a living room. And the parallel timeframes used in this production is genius. Cleverly, the musicians also act in the show, from Carmella Brown who plays CBS Judy’s assistant, to Don Cotter who is very good as Louis B. Mayer, the head of MGM who greenlit Garland for Wizard of Oz.

    Please go see Through the Mill, even if you’re not a Judy Garland fan. It’s a fabulous show.

    Through the Mill is playing at the Southwark Playhouse until July 30th .

  • THEATRE REVIEW | 1984

    ★★★ | 1984

    George Orwell’s classic book 1984 was not always going to be easily transferable to the stage. But a new production of it has just opened at the Playhouse Theatre.

    CREDIT: Manuel Harlan

    If you’ve ever read the book (either in school or for leisure), you will know the story. Written in 1949, when the year 1984 seemed like a long way off, Orwell wrote about a world where, simply, big brother is watching everything you do, everywhere you go. It’s like the present day North Korea where the government dictates how and where you will live your life, but it takes it to a bit more extreme in that anyone with an individual thought or who speaks bad about the government is punished, it’s a totalitarian state.

    The protagonist of the show is Winston Smith (bravely acted by Andrew Gower). He knows and understands that the world he lives in is bad, cruel, harsh. And he really hates it. He has put his thoughts onto paper, an illegal act if there ever was one. But there’s lots more to this complicated story, on the surface and underneath, and to explain it would be to write a very long explanation.

    But in summary, Smith has an affair with Julia (Catrin Stewart) and it all goes wrong for both of them. You see, they thought that a secret bedroom they were shown by a shopkeeper was free of surveillance, but it wasn’t. They’re rustled up and taken to prison where they are interrogated, and the shopkeeper turns out to be a spy for the government. Smith is labeled a ’thought criminal’ and is tortured, and comes face to face with his self-confessed worst nightmare – rats.

    A production of 1984 was produced by Nottingham’s Headlong Theatre company before embarking on a UK tour in 2013 and then had a sell out run at the Almeida Theatre. It’s a show that’s hard to watch. The story, and characters, are a bit complicated and not very well understood; we seen them but don’t really know who they are. And perhaps that’s the point. But it takes shock theatre to all new levels with lots of blood in the torture scene (the woman next to me had her eyes closed), and the use of very bright strobe lights used intermittently during the play which is very jaring. But it’s Chloe Lamford’s sets that keep 1984 in its time period – it’s a minimalist world where total surveillance is common.

    Credit goes to directors Robert Icke and Duncan Macmillan for putting together a show from a book that’s been described as complicated at best. And Gower gives an amazing performance as the literally tortured soul who is punished for his thoughts.

    If you can stomach a production of 1984, then this is well worth the effort. If you’re looking for something a bit light-hearted, then this show is not the show for you.

    1984 plays at the Playhouse Theatre until the 29/10/16

  • THEATRE REVIEW | Get Em Off, Above The Stag

    ★★★ | Get Em Off

    Well, it’s not exactly The Full Monty – it’s called ‘Get ‘Em Off!’ Set in the suburbian enclave of Croydon, ‘Get ‘Em Off’ takes place in the only gay bar around for miles – The Golden Canary – and it’s a dive.

    Run by proprietor/proprietress Quinny, a/k/a Baz (Dereck Walker), it’s a bar that needs some spicing up. So it’s his employee Mitch (Joe Goldie) who comes up with the idea of turning Monday night into a gay strip competition to bring in more customers. And so that’s what they do. And they encourage their customers to enter in the hopes of winning the cash prize. Milosh (Michael Nelson), from Kosovo, is one of the first ones to enter, he’s definitely not shy about showing his body. Then there’s Ricky (Ashley Daniels), who is a regular customer to the bar when his boring partner (David Michael Hands) is out of town on business and who actually forbids Ricky from going to the gay bar as he doesn’t think they should lead ’that kind of lifestyle.’ But there’s a spark between Milosh and Ricky that’s palpable.

    Meanwhile back at the bar, Baz, all dolled up in sequins and a head wrap, hosts the competition. Mitch urges his all so sexy and very hot straight friend Luke (Tom Bowen) to enter, hey Luke’s wife is about to give birth to their first child so he says why not? And it’s poor Brian (Stuart Harris), Mitch’s school teacher, newly single after six years, trying to find his way back into the gay scene, and finds himself at The Golden Canary. With the strip competition such a success, Quinny decides to enter her men in a national strip competition. So ‘Get Em Off’ follows The Full Monty’s plot where the men practice and practice for the competition where we all know what’s going to happen.

    ‘Get Em Off’ should’ve been called ‘The Gay Full Monty.’ It’s a camp musical comedy with very funny lines but not very funny nor memorablesongs (one is titled ‘Get Your Dick Out).

    The book, by Jon Bradfield and Martin Hooper, gives Quinny some of the best lines in the show, though Milosh and Mitch have some as well. Walker steals the show even when his/her men get naked – he’s hilarious! Hands also deserves a mention as he plays various roles and is unrecognizable in each one of them. ‘Get Em Off’ is not the best show the Above the Stag has produced, but it’s perhaps perfect for the summer season when all gay boys want to do is see to watch light-hearted fare with cute guys and lots of nudity. This is the show for them.

    Get Em Off run at Above The Stag until 28/08/16

  • THEATRE REVIEW | Aladdin

    ★★★★ | Aladdin

    Disney has done it again. They’ve produced another musical based on one of their very popular animated movies – this time it’s Aladdin.

    Already playing on Broadway where it opened in 2014 to very good reviews, Aladdin takes the colorful animated movie and successfully transfers it to the stage. It’s a production so colourful, so full of life, with quite a few memorable scenes, that it’s likely this show will follow in the footsteps of The Lion King and Beauty and the Beast in entertaining lots of children (and adults) for years to come.

    Of course the Aladdin film is most famous for Robin Williams as the voice of the Genie. It was a natural fit; his huge character persona so in line with the genie’s. In the stage version, the genie is just as memorable (played by a campy and very funny Trevor Dion Nicholas), who practically steals every scene he’s in. He can grant three wishes in this love story between Aladdin (Dean John-Wilson) and the Princess Jasmine (Jade Ewen). Aladdin is poor, and hangs out with a trio of losers and thugs in the town of Agrabah. Meanwhile Princess Jasmine is very unwilling to enter into an arranged marriage by her father the Sultan (Irvine Iqbal). But lurking in the background is the Sultan’s Prime Minister Jafar (Don Gallagher) – his right hand man – who wants to overthrow the Sultan and will do whatever it takes to do so. This entails locating a dangerous cave where there’s a special lamp that grants wishes.

    Back in town, Princess Jasmine dresses as a commoner and walks around town and meets Aladdin. They’re smitten with each other but the romance hits a rocky start when Aladdin gets arrested for being in the palace. He’s saved by Jafar, who enlists him to go into the cave to retrieve the lamp. But it’s Aladdin who, accidentally, gets to own the lamp, and like in the film, he has three wishes to make, wishes that will not only change his life but the lives of his friends and Princess Jasmine as well.

    Aladdin is not a perfect musical. There’s not very many memorable musical numbers (except the well-known ‘Friend Like Me’ and ‘A Whole New World,’ which plays out on a magic carpet flying above the stage with the stars twinkling all around. It’s a magical and mesmerizing scene).

    John-Wilson is good as Aladdin, but he doesn’t wow us. Gallagher as the evil Prime Minister is especially good. He’s evil, cunning and very clever, with the aide of his assistant Iago (Peter Howe).

    Former UK Eurovision contestant Ewen, as Princess Jasmine, is very good and proves that she can sing AND act. However it’s Dion Nicholas as the genie who you will cheer and applaud. But it’s the sets, wow the sets, that are the real star of the show.

    Moroccan deserts, palaces, villages, sunsets, and perfect costumes are all worth the ticket price. And while Aladdin resurrects the story and music written for the 1992 movie by Alan Menken and lyrics by Tim Rice and the late Howard Ashman, it’s no Lion King but it sure comes close.

    Alladin plays at the Prince Edward Theatre (London)