THEGAYUK

Category: Film

  • FILM REVIEW | Tangerine, A Film You Will Not Want To Miss

    ★★★★★ | Tangerine

    Two transgender prostitutes tear up Santa Monica Boulevard in the brilliant new film ‘Tangerine.’

    In a week that also sees the releases of Michael Fassbender in Steve Jobs and Dame Maggie Smith inLady in a Van, Tangerine is far and above the best film of the three.

    It is one of the most funny and original films of the year. and stars two transgender actresses in the lead roles, roles that will make them both stars.

    Mya Taylor is Alexandra, and Kitana Kiki Rodriquez is Sin-Dee (yes, Sin-Dee), it’s Christmas Eve in Los Angeles, and Sin-Dee has just got out of jail after spending 28 days for holding drugs for her pimp boyfriend Chester (James Ransom). She finds out, from Alexandra, that Chester has been having sex with Dinah (Mickey O’Hagan), so Sin-Dee goes on a mission to find Dinah and then to confront Chester. And Alexandra is having her own drama – she’s performing at a local bar that night and has passed out fliers to everyone she knows. Meanwhile, she’s got one of her regular customers, Razmik (Karren Karaguilian), looking for her. Razmik has problems of his own, he’s attracted to transgender prostitutes, but he’s married with a young daughter at home. He’s also got his nosy mother-in-law visiting for the holidays.

    Sin-Dee finds Dinah in a motel room with several other prostitutes and their naked male customers, so she literally kidnaps her and then heads to confront Chester. Alexandra, meanwhile, scuffles with a customer who doesn’t feel like he should pay her because he didn’t come. But she does have sex with Razmik in a brilliant uncut sex scene in a car wash. All these characters converge together at the local Donut Shop as they confront each other about infidelity in a very dramatic and hilarious ending. Tangerine is a Christmas tale not of the typical Christmas kind.

    Shot on three iphone 5s’ on a $105,000 budget, Tangerine is not the sort of movie you would expect to be dazzling, funny, dramatic, adventurous and original, but it is. Thanks to the many elements that bring this 88-minute film to fruition which make it so; the guerrilla style filmmaking is excellently created by Director, Editor, Co-Cinematographer and Co-Writer Sean Baker (co-written along with Chris Bergoch). And the actors are fantastic. Baker initially met Taylor at the Los Angeles Lesbian Gay Bisexual Transgender and Queer Community Center, and she introduced him to all her friends, including Rodriquez, which is how ‘Tangerine’ came to be, and these two actresses more than carry the movie, they are the movie, you can’t take your eyes off them. The rest of the cast is also brilliant; especially Karaguilian (who is a professional actor) brings sympathy to his role as a man trying to do the right thing but who also harbours a secret, and O’Hagan as the ‘other’ woman who is literally dragged around Los Angeles by Sin-Dee in the search for Chester. The Los Angeles neighborhood where this film is shot feels like another character in the film; the hued and hazzy skies, cheap motels, strange people and very cheap fast food restaurants litter the area. And the music (and script) is cutting edge; pulsating, loud, sharp, a perfect match for a film with characters who are the same, who spew lines such as, “He just went from half fag to full fag” to “You forget I’ve got a dick too,” with copious amounts of the word ‘bitch’ and ‘whore.’

    Tangerine is a smorgasbord of wit and sarcasm. It’s also brilliant and must be seen to be believed.

  • FILM REVIEW | In The Grayscale – A Chilean love affair

    FILM REVIEW | In The Grayscale – A Chilean love affair

    Two men, who seem perfect together, fall in love in the new Chilean gay film ‘In the Grayscale.’ ★★★★

    We first meet Bruno (Francisco Celhay) in his grandfathers’ workshop studio where he is living. He’s an architect, and has been assigned by the city commissioners to design a new monument in Santiago. Bruno is introduced to Fer (Emilio Edwards), a history teacher who knows Santiago inside out and will help Bruno look for a unique spot for the monument. Bruno is recently separated from his wife Soledad (Daniela Ramirez) and they share custody of their young son Daniel (Matias Torres). Soledad is very depressed about the breakup of their marriage, and there are days when she can’t get out of bed, even when she’s supposed to be watching Daniel.

    Bruno, a handsome quiet type, and Fer, who’s very goodlooking, perky, full of jokes, very energetic with a perfect smile and perfect hair, spend their days together riding their bikes around Santiago. And over the course of their tours of the city, Bruno slowly starts to fall for Fer. It’s a love affair that Bruno finds surprised to be in; he always had doubts about his sexuality but didn’t realize he was going to find someone like Fer. But Bruno has responsibilities with his family, plus he’s ignoring the work that he’s been given so he’s under a lot of pressure to please everyone. And word is out that he’s been seen spending time with, and kissing, another man. Can Bruno handle the pressure of his new relationship while trying to be a role model to his son?

    ‘In the Grayscale,’ which literally translates to being in a state of flux, or being in a range of gray without any color, is pretty much a depiction of Bruno’s life, and is an impressive debut feature from Claudio Marcone. It’s an eye opening film depicting one man questioning his sexuality pitted against another man who’s very comfortable with his. The two male leads are very good, confident in their roles, making the story very believable. But the best bit of the movie comes at the end in the form of a song called ‘Disfruto’ by Carla Morrison which rolls over the closing credits. Morrison’s voice is angelic, and the song, which translates to enjoy, is an ode to secret love, where she sings (in Spanish) ‘be with me during this time, to guard the secret, and to be careful with these moments.’ It’s a beautiful song that wraps up the love between the two men in the film.

    Available on Amazon

  • The Vincent Price Legacy Tour – a must if you’re a fan!

    Vincent Price, the star of many horror films, is being celebrated by having his own tour.

    The Vincent Price London Legacy Tour celebrates not only the actor’s legendary horror roles, but also his great love for London. It’s where he got the acting bug while studying art at the age of 24.Price was born in St. Louis, MIssouri in 1911 but it wasn’t until the 1960’s that London became his second home. It’s also where he met his third wife and where some of his most iconic horror screen roles were born.

    The tour, which is a first for the capital, will be led by Victoria Price, Vincent’s daughter, and who has come out as a Lesbian. Victoria is a designer, art consultant, author, and public speaker who wrote the critically acclaimed book about her father ‘Vincent Price: A Daughter’s Biography’ published in 1999, and reissued in 2014.

    She will speak about her dad, meet with fans, and help keep the memory of her father alive. The five day event will include a tour of Kensal Green Cemetery, which was a location for the film ‘Theatre of Blood,’ followed by a half day excursion on Thursday, Nov. 5th to Grim’s Dyke Hotel in Middlesex, which was the llcation of ‘Cry of the Banshee.’ On Friday November 6th Victoria will present a multi-media presentation about her father at Barts Pathology museum in the City of London. On Saturday November 7th a breakfast at Harrods is planned and which will mark the 50th anniversary reprint of Vincent and his wife Mary’s cookbook ‘A Treasury of Great Recipes.’ And finally on Sunday November 8th there will be a full day tour in Lavenham, Suffolk, which was the prime location of Price’s 1968 film ‘Witchfinder General.’
    For tickets to these events, and for more information, please click here

    Vincent Price starred in dozens of films, but is best known for his distinctive voice and performances in horror films, which included ‘House of Usher’ (1960), ‘The Pit and the Pendulum’ (1961), ‘The Raven’ (1963), ‘The Mask of Red Death’ (1964) and most famously ‘House of Wax’ (1953), and ‘The Fly’ (1958).

    Price died in Los Angeles as the age of 82 of lung cancer in Los Angeles, California.

    by TIm Baros

  • FILM REVIEW | Under Milk Wood, earthily sexy

    Under Milk Wood | ★★★★

    I studied Dylan Thomas’s “Under Milk Wood” for my English A Level, rather more years ago now than I choose to mention and it came as quite a surprise to me to realise that I still remembered, almost word for word the narrator’s first long speech, beautifully spoken here by Rhys Ifans.

    “Under Milk Wood” is really an extended dramatic poem for voices. It was first conceived as a radio play, commissioned by the BBC in 1954, with Richard Burton voicing the narrator. Later it was turned into a stage play, and there is at least one previous film (1972) with Burton reprising his narrator role, and with such luminaries as Elizabeth Taylor, Peter O’Toole and Glynis Johns amongst the cast.

    Whilst remaining absolutely true to Thomas’s original text, the screenplay of this new film, brings out more than any I’ve seen or heard, the sheer earthy, lascivious and hilariously funny filthiness of Thomas’s dreamscape, a true celebration of the joys of sex. Only most of the sex in this story takes place in people’s minds, their fantasies and desires brought out in full, luscious technicolour glory. The film looks superb, for which director of photography Andy Hollis deserves enormous credit.

    Director Kevin Allen has at his disposal an excellent cast of Welsh actors, many of them faces well-known from TV, all perfect for their roles. Rhys Ifans, who also doubles as Captain Cat, is quite as effective as Richard Burton in his long opening speech, his accent, though perfectly intelligible, just that bit more Welsh, where Burton, targeting a 1950s audience, slightly Anglicised his tones.

    Charlotte Church, making a very successful screen debut, is cast as Polly Garter. She has a plump, rounded, wholesome sexiness that is absolutely perfect for the fertile baby machine, that the rest of the village like to gossip about.

    Ultimately, though, the film is also about loss; loss of community, loss of a way of life. Captain Cat is old and dying and his demise is symbolic of the death of the village Llareggub (Bugger All spelt backwards). There hangs over the film a purveying sense of nostalgia for a time that never waa. Gritty realism is swept away with a click of the camera, and for 85 minutes we can escape into a world of dreams and fantasy. I enjoyed it immensely.

  • FILM REVIEW | Big Eden – a rerelease of a very much beloved gay film

    The award-winning gay romance film Big Eden is celebrating its 15th anniversary by being re-released on VOD and Blu-Ray. ★★★★

    It’s a film that takes us back to the simpler times; pre 9/11, a time when the hardest thing one had to most worry about was being single in a large city.
    Henry Hart (Arye Gross), a very successful NYC painter, and eternally single, finds out that his grandfather, who lives alone back home in Big Eden, Montana, has had a heart attack. So foregoing a big opening for his latest artwork, and much to the behest of his very pregnant assistant Mary (Veanne Cox), Henry jumps on a plane to be with his grandfather Sam Hart (George Coe).
    Going back home, to a state with beautiful lakes and mountains, brings back lots of memories for Henry. First of all, it’s where he met his first love Dean (Tim DeKay), a man who ended up leaving town and getting married. It’s taken a while for Henry to forget about him, including years of therapy. Back home is also where lots of his old friends still live, including Grace Cornwell (Oscar-winning actress Louise Fletcher), now a schoolteacher who was the one who informed Henry of his grandfather’s condition. Henry goes back home to a place that accepts his sexual orientation, times have changed and so has the community. Local busy body Widow Thayer (a very funny Nan Martin) makes it her job to nose into other people’s business and arranges teas for local people to ‘meet.’
    Once she sees Henry back in town she arranges a tea lunch for Henry with the local single women, but when she realizes he’s gay, she arranges a tea lunch with the local gay men. But it’s not any of these men that Henry is interested in. He’s back in town specifically to take care of his grandfather and is not interested in dating any of them. But soon enough he finds out that the very good looking Dean has moved back to town with his two sons. Seeing Dean again brings back memories from the past, and also questions as to why they never got together. Meanwhile, Widow Thayer has volunteered to cook dinner for both Henry and Sam as Henry claims that, being a New Yorker, he simply doesn’t know how to cook. So for the first few nights Thayer makes and brings over dinner, but it’s local store owner Pike Dexter (Eric Schweig) who volunteers to take over the cooking duties. He buys recipe books to make the most delicious meals, meals that he delivers to the Harts but always saying that they come from Widow Thayer. When Pike delivers the dinner, he quickly leaves, never staying to join Henry and Sam when asked to. Pike is something of an enigma in town, he’s quiet, reserved, but at the same time tall and strong. Pike seems to be hiding something, is it something about Henry’s homosexuality perhaps? Henry stays on in Big Eden as his grandfather continues to improve, he appears to be in no rush to get back to New York. Will Henry decide to stay in Big Eden permanently and leave the big city behind?
    Do Henry and Dean finally hook up? Why is Pike to mysterious? And what does Widow Thayer have up her sleeve next?
    Director and writer Thomas Bezucha crafts a beautiful romantic film with characters who could be from anyone’s hometown. The actors are all wonderful in their roles. And it’s a credit to Bezucha and his team that the setting is perfect. Every last detail is thought of and captured on film, and certain shots are set up perfectly, from the beautiful landscapes to the items in the local grocery story. Plus the country and western soundtrack gives the film a perfect flavor. It’s a must that you watch ‘Big Eden’ as it takes us back to a simpler time. It’s one of the most romantic gay films of all time, and proving that yes, you can always go back home again.
    ‘Big Eden has won numerous Audience Awards at several film festivals and in 2001 was named Best Fiction Feature at the Miami Gay and Lesbian Film Festival and Best American Independent Feature Film plus Best Film at the Cleveland International Film Festival.
    ‘Big Eden’ is available for the first time on Blu-Ray, new HD version for VOD, which includes new bonus materials.
    Available to buy here

     

  • 8 Ways To Queer Up Back To The Future

    In an attempt to shoe horn Back To The Future onto TheGayUK we’ve looked at ways to queer up the films. Here’s 8 moments we think would have worked better or had a significant, in our minds, queer sensibility.

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  • FILM REVIEW | The Lobster

    Imagine a world where if you can’t find a parter in 45 days you will be changed into the animal of your choice. That’s what ‘The Lobster’ is all about.

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  • FILM REVIEW | Suffragette

    ★★★★ Suffagette | The plight of the British women who fought for the right to vote is beautifully told in the excellent film ‘Suffragette.’

    Suffragette’ is told through the eyes Maud Watts (Carey Mulligan) in London, 1912. She works in a local factory, the Glass House Laundry in Bethnal Green, is married to fellow factory worker Sonny Watts (Ben Whishaw) and they have a young son. Watts has actually been a part of the factory since she was very young: her mother worked in the same factory and would strap her to her back when she went to work. Her mother died when she was four and Maud started working part-time there at the age of 7. At the age of 12, she started working full-time. She’s now a lead washer where she makes 13 schillings a week (compared to the salary a man is paid for the same job – 19 schillings a week). Watts has also been sexually molested by the hard core boss Norman Taylor (Geoff Bell).

    One day Watts is asked to accompany another women who’s to speak at Parliament about women’s working conditions and a bill to give women the right to vote. Watts wasn’t supposed to speak, but the other woman, Mrs. Violet Miller (Anne-Marie Duff) had been beaten up and didn’t look presentable, so Watts is thrust into giving the preprepared speech. Watts speaks from her heart, and from her experience, ignoring the script that was written. This lights something within Watts and turns her into an activist. She gets more more disgusted at the lack of women’s rights, and even more so when she sees young factory worker Maggie Miller (Grace Stotter), Violet’s daughter, being groped by Taylor in his office. Taylor is a sexual predator who believe women have no rights, and he tells Watts to ‘leave the vote to us.’

    But Watts’ pleas to Parliament are not enough. They say that there is not enough evidence to support the bill. The women rebel in front of the Houses of Parliament; many are thrown to the ground by the police with little regard for the women’s safety. Some, including Watts, and fellow protestor Edith Ellyn (Helena Bonham Carter), are sent to jail, where they are humiliatingly stripped naked. But this doesn’t deter them, and this leads to Watts becoming a member of the ever increasing suffragettes – a group of women working full-time to advance the rights of women.

    The Suffragettes are led by Emmeline Pankhurst (Meryl Streep) – a woman who has given up her life to further the cause. She’s also in hiding for fear of getting arrested for leading the movement (during those times women had very little rights).

    Determined police inspector Arthur Steed (Brendan Gleeson) puts the women under surveillance – he won’t let them carry on with their protesting and letter box bombings – he wants them all arrested, especially Pankhurst, and calls the women the “East London ladies.” But Pankhurst rallies the women – she tells them at a gathering in a speech from a balcony “We would rather be lawmakers, not lawbreakers.” The women continue their protesting, even resorting to bombing an M.P.’s house, just to get their message across. But Watts eventually loses more than what she bargained for, but she’s more determined than ever to fight for the cause.

    ‘Suffragette’ tracks the foot soldiers of the early UK feminist movement, working class women who were forced to go into hiding to pursue equality. They were willing to risk, in their fight, their jobs, homes, families, and for some of them, their lives. And it’s a great movie. The film lies heavily on the shoulders of Mulligan’s portrayal of her character, a fictional character but someone who we route for every step of the way. It’s an unflawed performance that hopefully will see Mulligan receive an Academy Award nomination. Streep, who shares top billing, is only in the film for less than five minutes, but her character’s presence is felt all throughout the movie. Carter is perfectly cast as the local pharmacist and fellow activist, with a husband who supports her every step of the way. Carter is actually the great-granddaughter of Herbert Asquith – the Prime Minister during the time this movie takes place. Director Sarah Gavron (Brick Lane), working from a script by Abi Morgan (The Iron Lady), successfully and beautifully blends in actual footage of the real protestors into the film, in a film that effectively uses dark lighting and unglamorous costumes to set the mood of the times. And while the plot may be familiar (the recent Made in Dagenham follows a similar plotline), ‘Suffragette’ is an important film to highlight what women did to get equal rights. And we have to be reminded that they are still fighting, and in some countries around the world (Saudi Arabia), women still have very little or no rights.

  • The 59th BFI London Film Festival begins on Wednesday

    The program for the 59th BFI London Film Festival is another stellar lineup of must-see movies starring the world’s hottest stars, and includes several films with Gay & Lesbian content:

    It’s a rich and diverse lineup that includes a total of 238 fiction and documentary features, including 16 World Premieres, 8 International Premieres, 40 European Premieres and 11 Archive films. Taking place from Wednesday 7 October 2015 to Sunday 18 October 2015 at various venues across London, also included are talks and seminars and special presentations.
    The festival opens with the premiere of the eagerly anticipated Suffragette. An all-star cast brings to life the early UK feminist movement as they fought for their right to vote. Carey Mulligan (who is a shoo-in for an Oscar nomination for this role) stars alongside Helen Bonham Carter, Anne-Marie Duff, with a cameo by Meryl Streep. Screenplay by Abi Morgan (The Iron Lady, Shame).

    Gay & Lesbian themed films to be shown at the festival that might be of interest to you include:

    Tangerine

    A tale of two transsexual sex workers on Santa Monica Boulevard and the friendship they have amidst their dangerous profession.

    Carol

    Carol tells the simple story of a 1950’s department store clerk who falls for another woman. This one stars the can’t miss Cate Blanchett, and is directed by Todd Haynes (Far From Heaven). With Rooney Mara.

    Chemsex

    A documentary that takes a look at London’s gay sex and drugs scene. It will do doubt cause lots of conversation and controversy.

    Grandma

    Lily Tomlin is back on the big screen playing a sharp-tongued, foul-mouthed Lesbian poet in her 70’s, who also happens to be grieving over the death of her long-term partner, and is interrupted by a visit from her granddaughter.

    Gayby Baby

    A documentary that follows the lives of four Australian children whose parents all happen to be gay.

    Aligarh

    This film follows the downfall of a male college professor after he was found in bed with his male-rickshaw driver lover. It’s one of the few films ever that has dealt with the Indian gay male experience.

    Closet Monster

    A troubled teenager falls for a new boy at his work which makes his life even more confusing. He has conversations with his pet hamster, voiced by Isabella Rossellini.

    Other movies being shown at the festival include:

    Trumbo

    Breaking Bad’s Bryan Cranston stars as Dalton Trumbo, a screenwriter in 1940’s Hollywood who gets blacklisted after he is confirmed to be a Communist. Diane Lane plays his wife while Helen Mirren plays gossip columnist Hedda Hopper.

    Bang Gang

    One of the most controversial films of the festival about a group of French high school students who start a private orgy society.

    High Rise

    Adapted from J.G. Ballard’s novel of the same name, High Rise stars Tom Hiddleston in a film set in a luxurious high rise tower block that begins to decay almost as soon as it is built.

    He Named Me Malala

    A documentary about the 18-year old Malala Yousafzai who was shot in the head by the Taliban for championing girls’ education in Pakistan.

    The Program

    Director Stephen Frears brings us the story of disgraced cyclist Lance Armstrong (played by Ben Foster) in a documentary-style telling of Armstrong’s triumphant Tour de France years to his mighty downfall after his confession of taking drugs to enhance his performance.

    Live from New York

    A funny documentary about the long-running American television institution Saturday Night Live, from its beginnings in 1975 through its many cast members (some of whom went on to have highly successful movie and television careers).

    Black Mass

    An unrecognizable Johnny Depp stars in this true story about one of the Boston’s most violent criminals (Jimmy Bulger) who became an FBI informant. Also starring Benedict Cumberbatch as Bulger’s brother Billy and Joel Edgerton as the FBI agent who persuades Jimmy to turn against the mafia.

    The Lobster

    This film could win the award for the most far-fetched plot: In the future, single people have to find a partner within 45 days or are then transformed into animals and released into the woods. This one stars Colin Farrell and Rachel Weisz. With their very good lucks there is no doubt they will find a match, within one day no doubt.

    The Lady in a Van

    Dame Maggie Smith stars as a homeless woman who lives in a van parked outside playwright Alan’s Bennett’s home in the 1960s. Believe it or not it’s based on a true story that actually took place in the 1960s, where she ended up staying for 12 years.

    Truth

    Cate Blanchett (again) stars at CBS news producer Mary Mapes, with Robert Redford as anchorman Dan Rather, and their involvement in a story that questioned then-President George W. Bush’s receiving preferential treatment to help avoid the Vietnam draft.

    Sherpa

    Documentary about the deteriorating relationship between Sherpas (local people who help expeditions guide their clients up Mt. Everest) and western tourists, arriving just a few days before last year’s deadly avalanche that killed 16 sherpa. Timely as well in that sherpas were all but ignored in the recent film ‘Everest.’
    Room

    Brie Larson stars as a woman who has been trapped in a garden shed for seven years after being kidnapped and raped. She then attempts to escape with her five-year-old son.
    The film festival closes on one of the most eagerly-awaited films of the year – a film called Steve Jobs

    Michael Fassbender plays the late Steve Jobs, the man who made Apple a household name. Kate Winslet co-stars as his assistant Joanna Hoffman and Seth Rogen plays Apple co-founder Steve Wozniak.
    There are nine program strands each headlined with a gala, they are: the Love Gala, the Debate Gala, the Dare Gala, the Laugh Gala, the Thrill Gala, the Cult Gala, the Journey Gala, the Sonic Gala, and the Family Gala.
    There will also be talks with filmmaker Todd Haynes (Carol), casting director Laura Rosenthal, actress Saoirse Ronan (Brooklyn), and filmmakers Jia Zhangke and Walter Salles (A Guy from Fenyang).
    There will also be prizes handed out in the following categories:

    -The Official Competition: recognizing inspiring, inventive and distinctive filmmaking.

    -First Feature Competition: recognizing an original and imaginative directorial debut

    -Documentary Competition

    -Short Film Award
    Tickets have already gone on sale, so if you want to see any of the above-mentioned films or to peruse the other events taking place at the festival, please go here:
    http://www.bfi.org.uk/lff

  • Stonewall FIlm Slips Further Down The Chart

    Things are going from bad to worse as Stonewall slips from 37 to 41.

    Roland Emmerich’s Stonewall has slipped from number 37 in the box office charts to number 41, taking in a just $60,460 in B.O. receipts last week. The controversial film, which has been accused of “white washing” the history of the Stonewall riots has been panned by critics, despite audiences loving it.

    Emmerich’s choice of focussing his film’s story on the fictional character of Danny, was because he thought that the character would be more relatable to a straight audience. Speaking to Buzzfeed he said,

    “You have to understand one thing: I didn’t make this movie only for gay people, I made it also for straight people. I kind of found out, in the testing process, that actually, for straight people, [Danny] is a very easy in. Danny’s very straight-acting. He gets mistreated because of that. [Straight audiences] can feel for him.”

    According to RottenTomatoes.com critics are rating the film at 9% whilst actual audiences are rating it as high as 93%.

    The film had been ranked at 193 in all “gay and lesbian” films over at BoxOfficeMojo.com however it has crept up to 180.

     

  • 11 Times Mean Girls Blew Our Tiny Minds

    So today is 3rd October – a high holy day for Mean Girlers everywhere. Here are the top ten quotes from on of the most quotable films of all time.

    If you haven’t watched Mean Girls then you’ll need to hand in your gay card. Mean Girls is one of the seminal moments of camp history, basically when we learnt how to b*tch like the best of them.

    You can buy it here and bone up so you know what the rest of us are talking about.
    The 3rd October

    Trying to make So fetch work

    And again…

    If you want to be one of the plastics you have to follow the rules…

    Just saying…

    This is also where we learned modesty

    And where we get our fashion tips from… Always pink… Always Wednesday

    The most awkward sex ed ever

    No, wait most awkward

    This is where Mariah got the inspiration!

    If you are going to say nasty things about your friends, it’s best to do it on a secure server, where no one can find your bitching.