Imagine a world where if you can’t find a parter in 45 days you will be changed into the animal of your choice. That’s what ‘The Lobster’ is all about.

Colin Farrell plays David. He looks like he could be an accountant; glasses, a bit overweight, squarish nerd type, and just been dumped by his wife. Him and a few dozen other people check into a hotel. It’s not just any hotel, it’s a hotel where men and women are expected to find a compatible partner during their stay there. They’re deemed compatible if they both have something in common; for instance a favorite color or a favorite pastime. And homosexual couples are also part of the mix in a world in the future where society has changed, and so has it’s requirements.


The hotel manager is played by Olivia Colman – she runs the hotel like it’s a prison. And in way it is. The rules are lengthy, complex and must be adhered to. All those detained are issued uniform clothes to wear so that no one stands out. They also must follow a rigorous schedule that includes eating meals at set times. And of course the one main rule is that the ‘guests’ must find a suitable partner amongst the other hotel guests by the end of their stay.


David instantly makes friends with two other men who are also staying at the hotel; John C. Reilly plays ‘Lisping Man,’ (lots of characters in ‘The Lobster’ don’t have proper names, just adjectives to describe them). He’s overweight and is a schlub. Ben Whishaw plays a character also known for his trait; Limping Man. These men form a friendship of sorts and it’s a bit of a race between them to see who can find a partner before ‘their time is up.’


It’s Limping Man who finds a partner first. She’s got a constant nosebleed (Jessica Barden – Nosebleed Woman). So in order for Nosebleed Woman to fall in love with him, Limping Man causes his nose to bleed by hitting his nose, thereby creating a characteristic trait that makes them both compatible. They get married and are ‘assigned’ a child to make their relationship stronger. Meanwhile, various animals walk around and near the hotel and at some point these animals were human beings who were not able to find a suitable partner.

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The Maid of the hotel (Ariane Labed) takes an intense liking to David. Their relationship turns sexual and emotional, and since she can’t leave the hotel, she helps David to escape. He escapes into the woods and is soon in the hands of the renegade Loners. They’ve dedicated their lives to everything that the Hotel isn’t. But this group has rules as well – it’s everyman for himself. There is no coupling of any sort, and actually there’s very little freedom amongst the members of the group – with it’s leader (Lea Seydoux) being very dictatorial, and cruel and cold. David has run away from an authoritarian society to another. And when he falls in love with a fellow Loner member Short Sighted-Woman (Rachel Weisz), the rules that they have to adhere to make it harder for them to live the lives that they want.


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The idea for the very unusual script for ‘The Lobster’ came about through discussions with the writer and director and about how people feel like they always needs to be in a relationship; how other people see those who can’t make it; how you’re considered a failure if you can’t be with someone; and the lengths people go to in order to be with someone. Director (and co-writer) Yorgos Lanthimos (Dogtooth), with fellow co-writer Efthimis Filippou, tells a tale of two different worlds; one where couples live, and one where singles (loners) live, it’s a parallel world, one that takes a look at how we are as a people. ‘The Lobster,’ which won the Jury Prize at this year’s Cannes Film Festival, is a highly unusual film – one with great humor, and with great sadness, and with some violence. It’s unusual and that’s what makes it unique.


By Tim Baros

About the author: Tim Baros
Tim Baros writes film and theatre articles/ reviews for Pride Life and The American magazines and websites, as well as for, and He has also written for In Touch and TNT Magazines, and He is a voting member for the UK Regional Critics Circle and the Gay & Lesbian Entertainment Critics Association (GALECA – of which he is the UK representative). In addition, he has produced and directed two films: The Shirt and Rex Melville Desire: The Musical.