THEGAYUK

Category: Entertainment

  • University of Leicester academic co-curates special exhibition on Joe Orton

    University of Leicester academic co-curates special exhibition on Joe Orton

    The new National Justice Museum launches its first crowdfunding campaign for exhibition exploring role of crime in Joe Orton’s life and work
    The National Justice Museum has launched its first-ever crowdfunding campaign to celebrate the work of Leicester playwright, Joe Orton.
    The museum is hoping to raise £10,000 as part of an Art Happens campaign, hosted by national charity Art Fund, to help create a special exhibition – featuring archival materials provided by the University of Leicester – and exploring for the first time the fascinating role of crime in Joe Orton’s life and work.

    Titled Crimes of Passion: The Story of Joe Orton, the exhibition will mark the 50th anniversary of Orton’s death and the 50th anniversary of the decriminalisation of homosexuality.

    The exhibition is co-curated by the renowned Orton academic at the University of Leicester, Dr Emma Parker.

    Dr Parker, of the School of Arts, said,

    “This exhibition will examine, for the first time, crimes committed by and against Orton alongside Orton’s treatment of crime in his plays. It offers a valuable insight into shifting conceptions of social justice.”

    Orton was born in Leicester in 1933 and after winning a scholarship to RADA in 1951, he met Kenneth Halliwell, an actor and writer seven years his senior. Halliwell would become Orton’s friend, mentor, partner and eventually his murderer. Throughout his life, Orton wrote many acclaimed plays including: Entertaining Mr. Sloane, Loot and What the Butler Saw.

    The exhibition will pay homage to Joe Orton’s principle format of work – plays and will feature objects on loan from the University of Leicester’s Orton Archive [1], including archival material and the Morocco diary.

    Artist (and Orton’s nephew) David Lock, will also be commissioned to create new artwork and a large-scale collage inspired by the one that lined the walls of Orton’s and Halliwell’s bedsit in London which featured images stolen from library books.

    Donations for the museum’s Art Happens campaign, start at just £5 and donors can take away a selection of limited edition rewards; from badges and tote bags, to prints and original artwork from artist David Lock.

    Tim Desmond, Chief Executive of the National Justice Museum said,

    “We’re excited to launch our first ever crowdfunding campaign with Art Happens. Joe Orton is a gay icon and a working-class hero from the East Midlands and we hope to bring focus to his life and work through the themes of crime and punishment as part of a new special exhibition. It is important to us that the 50th anniversaries of Joe’s death and the decriminalisation of homosexuality are recognised as part of our programme of public learning as to how the law can and does more to protect fundamental but neglected personal rights.”

    Donations can be made via the National Justice Museum’s Art Happens page: www.artfund.org/joe-orton [2]

  • 20 #BritishThreatLevels tweets every gay man needs to see

    20 #BritishThreatLevels tweets every gay man needs to see

    In the wake of the attack in Manchester, the UK’s threat level has been raised from severe to critical – the first time this has happened since June 2007.

    Nerivill / Pixabay

     

    But the nation doesn’t seem to be bothered, instead, getting into the spirit of the times by pointing out just what constitutes an actual threat to the British way of life. #BritishThreatLevels has been the top trending topic on UK Twitter for most of Wednesday, and the responses are bloody brill.

    I’m a political nerd, so I immediately went to check out what the politicians and journalists were saying – and I wasn’t disappointed:

     

    https://twitter.com/RupertMyers/status/867325576964706304

     

    https://twitter.com/JamesMelville/status/867349299537088513

     

     

    But there were a few that any gay man can appreciate:

    https://twitter.com/RichardBabley/status/867349975902162945

    https://twitter.com/GeckoKid_WOW/status/867336593023131654

    https://twitter.com/DanielRidsdale/status/867367982669975552

     

    And some that are just too true not to mention:

    https://twitter.com/cjlatimer16/status/867370750155649024

    https://twitter.com/BrummieCanary02/status/867411373650792448

     

    On a day we all doubtlessly needed a laugh, you lot came through. Well done.

     

  • FIRST LOOK | Spider-Man Homecoming pictures

    Check out these first look pictures of Tom Holland as Spider-Man

    Spider-Man: Homecoming

    SPIDER-MAN™: HOMECOMING

    SPIDER-MAN™: HOMECOMING

    SPIDER-MAN™: HOMECOMING

    A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging superhero in Spider-Man: Homecoming.  Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighbourhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.

  • THEATRE REVIEW | 5 Guys Chillin’, Kings Head Theatre, London

    ★★★ | 5 Guys Chillin’, Kings Head Theatre, London

    5 guys chilling kings head theatre review

    There’s a chemsex party taking place at the King’s Head Theatre. No, it’s not an actual party – It’s the returning show 5 Guys Chillin’.

    In the comforts of the living room of J (David Palmstrom) and M (George Fletcher), them and three other guys (actually men) are enjoying each other as well as the drugs on the table in order to experience the highs, and in some cases, the lows, of what gay men (not all gay men) are getting into nowadays; drugs and sex and more drugs and in some cases unsafe sex in private house parties.

    B (Gareth Watkins) and R (Tom Ratcliffe) are a bit of an unmatched couple; R is very young but not so innocent, while muscular big daddy B is experienced and likes it any which way and loose. And the last one to arrive at the party is Pakistani PJ (George Bull). He’s a bit unsure as to why he’s there, but slowly gets into the action. But he’s got a story to tell the other guys; he’s actually married with a young child because it’s what is expected in his culture. Besides him, all the guys have stories to tell; B’s story is particularly vivid as he recounts the time he was spit roasted in Berlin where sexual diseases were not discussed. It’s all a lot to take in; the play’s honesty and brutal nature is scary because know all know these types of gay men, and parties, do actually exist.

    And all the actors should be admired for performing such an in your face play shedding emotions as well as bravely shedding their clothes. Writer and Director Peter Darney seems to have gotten the tone and characters right, but luckily I wouldn’t know because I’ve never been and don’t plan to go to one of these parties.

    5 Guys Chillin’ plays at Kings Head Theatre  until June 3rd 

     

  • THEATRE REVIEW | La Strada – Sheffield Theatres and London’s West End

    ★★★ |  La Strada – Sheffield Theatres and London’s West End

    Based on the film by Frederico Felini, La Strada is set in the heart of the Italian Countryside, and tells the story of the Gelsomina, who becomes the assistant to a travelling showman, Zampano, as they move from town to town trying to earn their keep. But things change when they join a travelling circus and they meet Il Matto, a clown, who teaches Gelsomina that there is more to life than her current existence and encourages her to find herself.

    La Strada is a show with a very European flavour and a real feel for the source material, being Fellini’s classic 1950’s Italian film. The music is a broadly uplifting fusion of gypsy, jazz and folk, providing a jaunty soundtrack which melts into the story rather than providing standalone moments, and whilst the show is billed as a musical, it would perhaps be better pitched as a drama with musical interludes.

    Overall, the show carried with it an impressive presentation. Sally Cookson’s direction is distinctive and stylish, with a slew of innovative theatrical techniques, carefully choreographed movement and almost constant activity on and around the stage. The set has a feeling of 1950’s European cinema, with its muted colour pallet and its use of shadows and silhouettes, and the provision of the on-stage musicians added a nice touch. Feeling almost cinematic in its staging, the show does has a certain magic about the way in which it presents itself.

    La Strada boasts a large international cast, led by Audrey Brisson and whilst the performances were functional, they never really excelled. The story is filled with pathos and it is bold in its attempt to portray what is effectively a road movie on a single, static set. The pacing of the show is very slow and the narrative is thin, almost only allowing the audience to glimpse snapshots of the character’s lives, rather than allow them to join them on their journey;  which is where the production struggled overall and where the emotional punch of Fellini’s film was somewhat lost

    La Strada is a show which is a luxurious, visual feast, but one which has a low-key narrative, and a steady pace; and is a more high-brow musical  for people seeking an alternative to the saccharine-coated West End extravaganzas or the traditional staples of musical theatre. It is very much style over substance, but may well reward the patient audience member.

    La Strada is currently at Sheffield Lyceum Theatres (www.sheffieldtheatres.co.uk) until 27th May 2017, before transferring to the West End, playing at The Other Palace in London from the 30th May to the 8th July 2017. Visit www.theotherpalace.co.uk/whats-on/la-strada for details.

     

  • THEATRE REVIEW | The Faulty Towers Dining Experience, London

    ★★★★

    | The Faulty Towers Dining Experience, Kingsway Hotel, London

    The Faulty Towers Dining Experience review

    Believe it or not, I’ve never seen an episode of Faulty Towers. I knew that it is a British television institution, a classic, yet I’ve just never got around to watching it (plus I’m a bit too young to remember when it originally aired on television). So I didn’t know what to expect when I went to the Faulty Towers Dining Experience.

    It was hilarious! Taking place in the dining room at Kingsway Hotel in Covent Garden, the Faulty Towers Dining Experience is an interactive and immersive theatre at its best. Of course, there is a meal that’s included in the experience, but it’s all about the show that is unravelling (and falling apart) right before your very eyes as you’re tucking into your leek and potato soup – that is if Manuel hasn’t taken it from you.

    If you don’t know much about the television show, which would be hard to believe, it is about characters in a fictional hotel in the seaside town of Torquay. First off there is owner Basil Fawlty – a true Englishman – and his wife Sybil, who orders him around but she’s the one who wears the pants in the relationship. And then there is Manual – a short in stature Spanish waiter who practically speaks no English and gets the instructions from Basil all wrong. So it’s these characters from the show that you get to ‘enjoy’ your dining experience with.

    The show starts immediately when Basil (played by Benedict Holme) tells Manuel (Anthony Clegg as an exact replica to the Manuel played by Andrew Sachs) to take the glasses away, of course, Manuel takes people’s glasses off their faces and not the drink glasses! Then Basil tells Manuel to pass out the peanuts, so Manuel literally passes out the peanuts. It’s one thing after another, and once you sit down in the Faulty restaurant it’s only a matter of time until Manual interferes with you – he turns your napkin into a bib, tosses rolls around the room, does somersaults, and spends the entire time misunderstanding and misinterpreting everything Basils says. Lucky for us it’s Sybil (Suzanna Hughes) who manages, a bit, to keep the entire dinner from melting into complete chaos! It’s very physical comedy, but it’s also physical for the attendee because you’re laughing very hard and out loud too! It was the unlucky few who found a set of teeth in their soup – gags like this that make the whole thing hilariously fun and funny! No person is spared, and god forbid if you are celebrating a birthday or anniversary – you will get a special gift from Sybil – and boy is it special! It’s an experience that you will not forget – just don’t mention the war!!!

    It was a treat to be transported back to the 1970’s with being part of Fawlty Towers Dining Experience. The trepidation that you might be picked on was real and you almost expect the soup to end up on your lap? Sybil was so like the television character down to the scary laugh, while Manuel was brilliant and made the whole show so very reminiscent of the television snow. What a great way to spend a two and a half hours – to be part of this experience makes me want to watch the television series now.

    Tickets for the Fawlty Towers Dining Experience can be bought here:

    http://www.torquaysuitetheatre.com

    If you have any questions on the show, there is a Frequently Asked Questions on the first page.
    The London shows, held in the Torquay Suite Theatre at the Kingsway Hall Hotel, are held throughout the year, while there is also a version that tours the UK as well as Australia and the rest of the world. Yes, this is how popular this show is – continuously playing much to the delight of the television show’s fans – it’s the world’s most successful comedy dining show of it’s kind and now it’s time for you to experience yourself too!

  • TRAILER | The Mummy, first look

    Sandy… you’ve not seen anything yet.

    Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilisation: The Mummy.

    Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

    From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.

    Cruise is joined by a cast including Annabelle Wallis (upcoming King Arthur, television’s Peaky Blinders), Jake Johnson (Jurassic World), Courtney B. Vance (TV’s American Crime Story: The People V. O.J. Simpson), Marwan Kenzari (The Promise) and Oscar® winner Russell Crowe (Gladiator).

    The creative team on this action-adventure event is led by director/producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years—with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on.  Sean Daniel, who produced the most recent Mummy trilogy, and Sarah Bradshaw (Maleficent) produce alongside Kurtzman and Morgan.  www.themummy.com

  • THEATRE REVIEW | Judy, The Arts Theatre

    ★★★★★ | Judy!, The Arts Theatre

    Judy! review at the Arts Theatre London

    If you were off from gay school the week that they covered gay icons then this is the play for you. If you’re already well versed in Garland mania then you’ll love this too. Judy is a potted history of the life of Judy Garland told with wit and warmth from the clever perspective of having three Judy Garlands on stage at different points in her life.

    Judy Garland was the child stage actress and star of pappy films who hit the big time after landing the role of Dorothy in the iconic film ‘The Wizard of Oz’. Her frenetic delivery on stage, her fragility and her belting unique voice made her a public favourite in spite of her flakiness, late stage arrivals and occasional no-shows. Behind the spotlight, she was a troubled figure and the familiar story of the Hollywood legend played out: psychiatric problems, drug and alcohol abuse, multiple marriages and an untimely death from a Barbiturate overdose aged 47 in London in 1969.

    Ray Rackham presents us with three Judys. Firstly we have hard drinking and waspish middle-aged Judy struggling to keep her temper, plagued by debts and desperately trying to make a failing TV show work. Secondly, we have pill-popping mid-life Judy: mother to Liza Minnelli, box office poison, about to risk everything by embarking on marriage number three and throwing all her remaining cash into a risky venture of a grand show on Broadway. Finally, we have awkward teenage Judy, dominated by her pushy show business mother and being used and abused by the film studios.

    The device works well and showcases not only a number of songs but manages to portray both uplifting and funny side of Garland as well as the not so joyous times. There’s a cast of twelve with cast members doubling up as the live band too. Oh and the Judys? They’re pitch perfect and totally on point both in mannerisms and vocal style. They’ve clearly had great direction from Ray Rackham (part of the team behind the hit musical ‘Apartment 40c’) and spent a lot of time on YouTube studying Ms Garland’s unique style.

    This is a great show in its third incarnation after successful runs as ‘Through the Mill’ at London Theatre Workshop and Southwark Playhouse. It a piece that’s tightly written and will both move you and fill you with equal parts of joy and sadness. Go see it.

    Judy! runs at The Arts Theatre until 17th June 217

  • FILM REVIEW | Alien Covenant

    ALIEN COVENANT – The Eighth film in the franchise about the acid-bleeding Alien Xenomorph with the original director Ridley Scott back to pick up exactly after the end of the lukewarmly received Prometheus prequel with some repeat characters.

    Nutshell – 10 years after the events of Prometheus and sometime before the original Alien sequence of films a colony ship The Covenant is diverted to a potential paradise planet. Of course, it turns out to be anything but, leading to a turn of events & possible terrifying fate so a big escape is needed in this very noisy much more horror orientated movie than its sister film. It’s in many ways a greatest hits of the other seven films that result in something generally a lot less satisfying as it gets more and more complicated… and there is a third one to come requiring university degrees

    Running Time – 122 minutes; Certificate – 15.

    Tagline – ‘The Path To Paradise Begins In Hell’.

    THEGAYUK Factor – It depends on how much you fancy Michael Fasbender as there are no other potential studs here. Michael does talk an awful lot about fingering, playing with holes etc but you will probably be too worried about what the aliens are up to around the corners to get a hard on.

    Cast – Michael Fassbender and Guy Pearce are back from Prometheus and are joined by Katherine Waterson, Billy Crudup, Danny McBride who has a distinct gay bear thing going on and a bunch of unknown alien acid teeth fodder. There is also an uncredited James Franco here the king of the gays.

    Key Player – Ridley Scott is the ruler of this world and he is in his element here. His set pieces are great but he struggles to really give us anything new and boy does he make it complicated. The big thing missing here is tension.

    Budget – $111 Million the most expensive alien yet and it’s sure to make a profit – we predict it rounding out at about 400 Mill in the bank so, on to number nine..

    Best Bit – 1.38 mins; The big action beat involving an out of control spaceship is top notch and this film works better as an action blockbuster than a horror and yet it was the latter it was aiming for!

    Worst Bit – 0.03 mins; The opening unconnected scene of Fassbender and Pearce in a white room is pure 2001 A Space Odyssey and is a load of b*llocks. Total Prometheus type crap brings on the monsters and the killing.

    Little Secret – Shot on location in Australia and New Zealand using some of the same locations as The Lord Of The Rings Trilogy. In 2015 Scott announced that this would be the second after Prometheus in a new Aliens trilogy for the third one please remember to bring a pen and notepad to sort it all out. The first alien movie since HR Giger whose images created the Alien past away.

    Further Viewing – Aliens 1-7, A couple of Predators, Blobs and The Things a plenty, Interstellar and the recent Arrival, Passengers and last months space horror Life.

    Any Good – This is fine it is no Alien or Aliens that’s for sure but it is way better than Prometheus as at least you get some monster action here throughout the second and third acts. The twist is one of the most obvious of all time but it is still a hugely enjoyable fun movie just don’t expect big scares – are we used to this by now or is it the fact that we just don’t care about any of the crew as there is no Sigourney in her underpants here. A valid addition to the franchise but not a game changer.

    Rating – 58% out of 100

  • TRAILER | The Emoji Movie trailer released

    The Emoji Movie unlocks the never-before-seen secret world inside your smartphone.

    Hidden within the messaging app is Textopolis, a bustling city where all your favorite emojis live, hoping to be selected by the phone’s user. In this world, each emoji has only one facial expression – except for Gene (T.J. Miller), an exuberant emoji who was born without a filter and is bursting with multiple expressions. Determined to become “normal” like the other emojis, Gene enlists the help of his handy best friend Hi-5 (James Corden) and the notorious code breaker emoji Jailbreak (Anna Faris). Together, they embark on an epic “app-venture” through the apps on the phone, each its own wild and fun world, to find the Code that will fix Gene. But when a greater danger threatens the phone, the fate of all emojis depends on these three unlikely friends who must save their world before it’s deleted forever.

     

    The Emoji Movie is due for release by Sony on 28 July in the US, 4 August in the UK, and 14 September in Australia.

  • THEATRE REVIEW | The Faaaabulous Ceri Dupree Show – National Tour

    THEATRE REVIEW | The Faaaabulous Ceri Dupree Show – National Tour

    ★★★| In this one man, twenty-one woman show, the Faaaabulous Ceri Dupree brings an evening of glitz, glamour and variety to the theatre. Featuring a combination of original songs, colourful characters, female impersonations, anecdotal comedy, an abundance of feathers and sequins, quick fire one liners and healthy dose of tongue in cheek sardonic barbs aimed at members of the audience, the show is unashamedly old school drag.

    Photo Credit – PR supplied

    Taking the scattergun approach to comedy, there was a good mixture of comedy, ranging from gentle observations to the slightly risqué to the downright crude, with the vast majority of the gags hitting the spot. Throw into this, a slew of characters, from Dame Edna Everage to Camilla Parker Bowles, from Shirley Bassey to Mary Hopkins and from Amy Winehouse to Gladys Pugh, there were plenty of laughs to be had.

    The show is a bit of a mixed bag in terms of success. Parts of the act were hilarious – such as the Dame Edna section, which involved copious amounts of ribbing members of the audience, whereas the Amy Winehouse impersonation fell rather flat and garnered little response. Some of the jokes were probably around when Bernadette was touring with Les Girls, and some of the relevance of the characters, such as Gladys Pugh (from Hi-Di-Hi) and Mary Hopkins would be lost on many of the younger members of the community (although gays of a certain age (like me) will find it hilarious).

    But that said, the show shone brightly in the main, especially with the original songs, some hilariously blue and innuendo filled humour, a song-laden second act and genuine warmth resonating throughout. With drag standards all present and correct, Joan Collins, Shirley Bassey, Kathyrn Jenkins, Charlotte Church and even the Queen don’t escape unscathed. As the show rounds to a close with the mirror balls spinning and the audience on their feet for a rousing rendition of I Am What I Am, you know that you are firmly in the campest of floorshows.

    The show is pure cabaret, of the ilk which is reminiscent of the old days of variety in the style of Hinge and Bracket or Danny La Rue.  What makes the show stand out is that it does away with the bitchiness and backstabbing and places the fun and entertainment value of drag squarely in the centre of the stage. Whilst there is very little here that you won’t have seen before if you had been knocking around the scene in the eighties, the show ups the ante of the pub cabaret circuit and delivers a quality and style of show which is becoming harder to find on the scene.

    Slick, polished and with more laugh out loud moments than anticipated, this is a show which will either take you back to your youth, or show you how it used to be done properly.

    The Faaaabulous Ceri Dupree Show was reviewed at CAST in Doncaster, who have a varied and packed programme of shows and is a cultural gem in the heart of the city. Visit https://castindoncaster.com/ for details. The show is on national tour and details can be found at http://www.ceridupree.co/index.html