Category: Entertainment

  • Shoreditch Gay Pub Closes Down

    The George And Dragon in East London has pulled its last pint.

    According to the landlords of the George and Dragon in East London “dramatically increased” rents have forced the closure of the gay pub which opened in 2002. The pub is just one of many venues that have closed in London in 2015. In findings by THEGAYUK over 90 LGBT venues in London have closed since 2000. The last date of the George And Dragon’s lease is the 1st December.

    A Facebook post released in August stated the owners were looking for another venue to reopen the bar, they said,

    “We will be looking for a new opportunity and hope very much that some of our dear G&D fans will be able to join us on this new journey soon.

    “We’ll try to be as open as we can throughout this process as we’d love as friends as possible to join us for a drink as we begin to bid farewell to our beloved old pub.”

    Taking to Facebook once again the owners said,

    “It’s almost 13 years since we opened our doors and from pretty much that night we have been blown away with the amazing response and all the amazing things which have their origins inside Number 2 Hackney Road, a former Victorian boozer, squatted and turned into a shoe shop which we reboozerified back in 2002.

    “We are due to surrender our lease on Tuesday 1 December and a new owner will sign a new lease at the same time. We wish them every success. They inherit good times, good memories and a whole lotta love. We move to a new venue as soon as possible, hopefully within the week. The jungle drums are beating and from what we hear they’ve got it bang on.

    “Today we open at 4pm and hope as many of you as possible can pass by and raise a glass, maybe even last the whole 8 hours. Music comes from Princess Julia, Richard Mortimer, Wayne Shires, Charles Jeffrey and The Lovely Jonjo.

    “Tomorrow night we’ll be putting the last things in boxes and draining the brandy bottle – so if you can’t make today or prefer a more somber occasion there’s your chance.

    “From the bottom of our hearts and written in the sky: Thank You

  • Woman Who Wrecked Gay Bar Fined Just £165

    A woman who created £4500 worth of damage to a gay bar in Crawley has been order to pay just £165 in damages.

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  • 6 Reasons Everybody is Talking About Fleur Easts SAX

    Ever since her definitive performance of Uptown Funk the British public have been aching for more Fleur East… She’s just released Sax and here’s 6 reasons why everybody is talking about it.

    Pastels is back

    If her colourful video is anything to go by pastel colours are back… Seems like we’re living in a Refresher world.

    Young Whitney

    The look of a young Whitney (we’re sounding like Louis Walsh) are undeniable. Fleur is channelling Whitney in I Wanna Dance With Somebody.

    >5 outfit changes in 4 minutes

    Five yes five – count them… There’s a sneaky pastel in there plus a Red, Gold and Purple… Back in the day Britney would just put up with two.

    It’s not quite as good as “Uptown Funk” But It Still Works

    Sorry y’all but it’s true.

    Moves Like Paula Abdul

    We’re loving the dance breaks… Reminds us of a young Paula Abdul…

    Abs Is Back

    She’s got those abs even Anatascia would cry over.

  • FILM REVIEW: Carol

    In the new film ‘Carol’, Rooney Mara and Cate Blanchett play two women who fall in love at a time when it was not accepted and actually frowned upon.

    Director Todd Haynes, in his first film since 2007’s I’m Not There, has crafted this movie in a style and theme that he’s used before. In ‘Far From Heaven‘ Julianne Moore’s housewife faces a marital crisis – her husband is caught kissing another man so she takes comfort in the arms of a black man. Whereas in Carol Cate Blanchett‘s unhappy housewife falls into the arms of another woman. Both of these films take place in the 1950’s where it’s all dewy and lush and beautiful. And the attention to detail in both films is amazing, capturing the fashion and essence that was the norm of it’s time, where everyone made an effort to dress up, especially the women, even just to go shopping.

    Blanchett’s character, Carol Aird, is in a loveless marriage but it’s not because her husband is cheating on her with another man, it’s because Carol is cheating on her husband with another woman. It’s not a mid-life crisis that Carol is going through, she’s been linked to Abby Gerhard (Sarah Paulson) in the past, and Abby has always been in the shadows throughout Carol’s marriage to Harge (Kyle Chandler). Harge still loves Carol, he wants to stay married, but Carol insists that the divorce still goes ahead, which is very difficult for the both of them because of their young daughter. But one day Carol goes into a department store and is eyed by employee Therese Belivet (Rooney Mara), who suggests to Carol to buy a train set for her daughter. Carol and Therese have chemistry, and the next day Carol invites Therese out for lunch to thank her for helping her out with her purchase. Eventually, they start seeing each other more and more, and they fall headstrong into a relationship. Carol, who has the perfect husband and the perfect house, pursues a relationship with Therese, at the risk of losing custody of her daughter. Harge, in utter frustration over Carol’s new found relationship, seeks full custody of their daughter using a morality clause as the reason. And Therese risks her impending marriage to her boyfriend Richard (Jake Lacy) to be with Carol, and she and Carol embark on several trips together. It’s not until New Year’s Eve where they consummate their relationship in a full on one-minute lip lock, which leads to a sexual act, again full on, there’s almost nothing left to the imagination. But will Carol’s impending divorce and the threat of losing her daughter and Therese’s burgeoning career as a photographer get in the way of their relationship?

    Blanchett is magnificent as Carol, who risks losing her daughter yet has strong feelings for a much younger woman. Mara is even more superb as Therese, her innocence and naivete in full display. Both actresses are excellent, yet it’s Mara who ups Blanchette in the acting arena. The movie basically revolves around Therese and her coming of age not just with her career but with her sexuality as well. It would be a shame if Mara is reduced to supporting actress level as Blanchett does get top billing, they both deserve Best Actress Academy Award nominations but it’s Mara who should be on the podium. Chandler is also excellent as Carols’ husband – he’s got an ideal 1950’s look about him. ‘Carol,’ Based on the novel ‘The Price of Salt’ by Patricia Highsmith, was written at a time when it’s subject was considered scandalous, which Haynes truly captures.

    Carol was filmed with Super 16mm to produce the muted hues of glamour magazines of the era, it’s romantic and dramatic and lovely to watch.

     

  • 10 UK Queens Who Would Slay In RuPaul’s Drag Race

    Imagine if you will, that there was a British Drag Race… Oh, how wonderful would that be. Well, there’s such a wealth of drag talent in the UK we’d be spoilt for choice, well here’s our top 10…

     

    10) Meth

    Slightly amazing… Beautiful to boot. A real contender for winner if there was a British Drag Race.

     

     

    9) Sassi Afrika

    Warwickshire’s number 1 drag queen – has released a number of tracks from her album Shockalolic our favourite in the office is Pink To Make The Boys Wink. Take a listen you’ll soon realise why it’s genius. She’s not working… She’s working it.

     

     

    8) Mary Mac

    A powerhouse Scottish queen, whose vocals are second to none. Was a part of the Supreme Fabulettes before going on to front her own show at The Admiral Duncan.

     

     

    7) Crystal D’Cantor

    This fabulous queen is what British Drag is all about, getting down with the crowd, wearing the biggest wig you can find/afford and animal print. Always animal print. You could write what this queen doesn’t know about backcombing on the back leg of a My Little Pony.

     

     

    6) Sandra

    There probably isn’t a club, bar, backroom or toilet that Sandra hasn’t performed in. Having been on the scene for over 15 years – Sandra has sworn, blown and bitch slapped her way to our top 10 ten. All hail the Whore Of Hampsted.

     

    5) Dave Lynn

    Ah Dave Lynn… In a career that’s spanned 35 years Dave Lynn knows how to control an audience like a wireless vibrator. She rose to fame after entering a competition at the now defunct Black Cap and the only queen to have appeared on The Weakest Link with Anne Robinson (praise be) 4 times.

     

     

    4) Dusty O

    Described as queen bee of Soho, you wouldn’t want to get on the wrong side of Dusty O once she’s up on stage, with mic in hand.

     

     

    3) Titti La Camp

    Basically RuPaul would have no idea what hit her if Titti was in the house – it’d most likely be a chicken leg. Titti La Camp’s routine, is, well the stuff of legend. The audience knows what’s coming up and loves every moment of it. From Michelle McManus to Karen Carpenter.

     

     

    2) Regina Fong

    Regina Fong is fondly remembered by those on London’s gay scene. She coined the phrase Her Imperial Highness. Sadly Fong died in 2003 from Cancer aged just 56.

     

     

    1) Paul O’Grady as Lily Savage

    Possibly the most famous drag queen the UK has ever enjoyed. Although Paul O’Grady is unlikely to don another pair of heels, we think Paul O’Grady could teach even Ru a thing or two about Drag.

     

  • TV REVIEW | London Spy

    Ben Whishaw in a gay spy thriller? What’s not to like?

    CREDIT: (C) WTTV Limited - Photographer: Joss Barratt

    CREDIT: (C) WTTV Limited – Photographer: Joss Barratt

    The cute and slightly broody looking Q from the Bond franchise in a new 5 part programme, in part inspired by the Gareth Williams case of the body in the bag, and in part by a 1960’s CIA handbook about covering up a murder by using an accident?

    Right up my street and no mistaking! We are less than 1/2 way into this programme, and am firmly gripped. I love programmes that throw up more questions than they initially answer, that keep you guessing, that offer false scents, false trails and you end up with no idea how it will all end – bit like life really. It starts with Danny, played by Whishaw, a 20-something in dead-end jobs who parties, flat shares and doesn’t have a steady boyfriend – a bit of an every-gay, nothing special, just living his life.

    A chance meeting early one morning with the enigmatic Joe/Alex/Alistair (Edward Holcroft) and suddenly love creeps into his life. Joe is secretive with no family, a job he doesn’t want to talk about and Danny laps it up – even when Joe fronts up and becomes Alex. Danny has a close friend in Scottie (Jim Broadbent playing an older gay in quite a respectable way) and confides in him about Alex and then after 8 months, the two finally meet. Fast forward to a possible romantic weekend away, and suddenly Alex disappears. Danny and Scottie have a heart to heart and Scottie’s past as a spy comes out, along with his suspicions about Alex and his area of work.

    Danny then receives a mysterious package at work, and so begins a game of cat and mouse.

    A key to Alex’s exclusive apartment complex leads Danny to discover a decaying body, a sex dungeon (but in the attic) and his boyfriend’s possible secret life. After questioning by the police and the assumption the body is that of his boyfriend, yet another identity comes out and Alex becomes Alistair, together with a whole other life and a family.

    Episode 2 introduces the iconic Charlotte Rampling in a role made for her – queen of her very own castle, a model of decorum and a woman of few words, but all packaged with a tinge of menace.

    Enter Alistair’s family. Where is this going? Who was Alex? Is he really dead? Why is Danny being watched, and by whom?

    The next 3 episodes promise more unanswered questions before the finale, but I intend to savour the acting skills of Ben, and the flashbacks to his handsome and taciturn boyfriend Joe/Alex/Alistair – along with Jim Broadbent’s superior character, who for me, reminds everyone that gay life doesn’t end at 40.

    If you like your spy thrillers with a realistic edge, watch this!

    London Spy is on Monday nights at 9PM on BBC 2

  • THEATRE REVIEW | Four Minutes Twelve Seconds

    James Fritz brings you West Croydon’s version of an Eastenders Christmas Day special, but with more tiers than one of Pat Butcher’s earrings and acting skills far superior to the likes of Dirty Den. ★★★★

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  • Sex Box Is Back On Channel 4

    Channel 4 has commissioned another mini series of Sex Box, a show that explores the intimate world of sex being couples in front of an audience.

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  • Anton Stephans Eliminated From X Factor

    Anton Stephans has been booted from X FACTOR, but don’t worry you’ll see him again… on the tour.

    The soul diva has been eliminated from X Factor after a sing-off against Che Chesterman in last night’s show on ITV.

    The star, who recently backed a campaign to allow gay men to give blood, thanked Cheryl and Rita for their support as well as his mentor Simon Cowell.

    As he bowed out Anton joked that you would see him again… because he made the X FACTOR tour.

  • THEATRE REVIEW | The Prime of Ms. David Hoyle

    Have you ever loved a poxy, gaping wound that never heals?

    Have you ever loved a poy, gaping wound that never heals? Welcome to the pure disease of radical thinking, the open-heart artistry of David Hoyle. A precision provocateur, he’s a beautiful leper puking on the bland smirk of consensus dissent. Never afraid to offend, he’ll stare, point-blank, at dead-eyed conformity, and test-drive blanket idiocy to total destruction.

    So, tonight –in character as a no-limits, libertarian headmistress for tonight’s show, ‘The Prime of Ms David Hoyle’ – he’s in his element. And, as always – perhaps acknowledging some fractured, kindred mind-set – his intentionally smeared make-up is a cosmetic-Cubist’s spin on Liza Minelli. It’s pithy, visual ventriloquism, an instant, persona transplant of Liza’s unshakeable self-belief, an immediate, autocratic departure point for Ms. Hoyle.

    And it’s wholly appropriate. Tonight, David’s manifesting – and inverting – that patronising sense of belonging British schools cram into pitifully vulnerable minds. Quite brilliantly, he’s subverting the crypto-fascist overtones of Muriel Spark’s Prime Of Miss Jean Brodie novel into a school-night for unedited, sexualised scandal. How? With extreme satire, the preferred poison for killer, social comedy since theatre began. Essentially, it’s the freedom to question any standards of etiquette, taste and so-called decency, and push them to blatant heights of self-evident absurdity.
    Therefore – as headmistress in tonight’s mock, end of school-term assembly – David unflinchingly proclaims his inflammatory manifesto. ‘Ladies and gentlemen, and those clever enough to have transcended gender’ he begins, ‘We are now free from the ridiculous expectations of our genitals. It will be trans people, and trans consciousness that will liberate the whole of humanity’.Wow. Simultaneously utopian, hilarious and upstaging blinkered identity politics, it’s a typically stellar David Hoyle starting-gun, but not one winning full approval. One heckler –ex-forces, befuddled, confrontational – obviously feels his servile, binary-sexed values are being mocked, a surly, potential flash-point. But immediately, he’s beautifully love-bombed by David, and instantly evolves from feisty reactionary to besotted disciple.

    How could he not? David’s seductive power of surreal persuasion totally rewrites any opposed punter’s world-view with a stunningly queer lexicon. Fittingly, David queers our global pitch from its first, bedrock principle – education – and, as always, asks gloriously awkward questions.

    ‘Does education make us conform’ David ominously inquires, ‘by hacking off our beautiful eccentricities?’ Oh yes; British state and public schools give a kiss of Guantanomo Bay brutality for arty queens enduring term-time torment. But not tonight, as, quite gorgeously, our devil’s advocate headmistress unleashes three recent graduates of his maverick regime.
    First, there’s Bambi Sexsmith, self-styled, queer conversion therapist, with her projectile-diction sermon on avoiding ‘Straight Complex’. In an assured blizzard of quips, she diagnoses, treats and cures any obstacles to thoroughly liberated, thoroughly queer existence. And, remarkably, that’s just for starters; each fabulously unpredictable prodigy from the Hoyle class of honour ramps the anti-hetero stakes stunningly higher.

    Take Ray, a flawless, drag-king Fred Astaire clone. Tap-dancing like a frenzied needle probing an addict’s veins, she strips to a startling androgyny, all duct-taped, flattened breasts and stencilled six-pack. A take-no-prisoners attack on the mediocre, mundane and pointlessly mean, David’s graduates conclude with the starkest, cautionary warning yet; enter, ‘Cis White Male’.

    Naked, mute and nervous, his name scrawled on his belly, ‘Cis’ is a shocking indictment of state education crushing social and sexual dissent. Is there an antidote? For sure -Ms Hoyle’s fearless call to self-expression at any cost. It’s a fantastically liberating lesson that, ideally, should be taught and memorised from birth, the ferociously humane heart of David’s stunning rejection of global despair. Live free, live fierce, live now; there’s no finer riposte to mindless fascism.

    David’s next show is December 9th at Bethnal Green Working Men’s Club.