THEGAYUK

Category: Entertainment

  • DVD Review: Silicon Valley

    Where would we be without HBO? They keep churning out good programmes – and this Silicon Valley is no exception. Think Sex and the City with geeks, and penises, and the main characters are all men, and mostly virgins, and did I mention they were geeks? But I think you get my drift.

    ★★★★

    The premise is simple. In Silicon Valley, California, everyone wants to be that tech start-up that gets bought by the big boys for the big bucks – but in order to do that, you need the idea, the app, the techie bit that doesn’t actually matter in this review, but these 5 guys have it. They have come together as part of a hot house, somewhere to work on ideas, in exchange for a percentage of their product – it’s a roof over their heads and someone to bounce ideas off and get help if and when they need it.

    Over the course of the 8 episodes in series 1, we meet all 5, flesh them out as characters and watch as they face the ups and downs of bordering on a genius and totally inept at everyday life – and a potential billionaire. Richard is the idea man, a stereotypical geek, shy, nervous, awkward around people and in crowds, but full of ideas and potential.

    When his product is put before several possible buyers or backers, he’s given a choice – take the money and run but sign away the rights or take some startup funds and sell a small share of his company and also get the business knowledge and guidance needed to succeed in this cut-throat world.

    The rest of the series follows his adventures or mis-adventures with his 4 buddies and their possible backers. It pokes fun at the whole tech world, highlights some of the anomalies, the sheer wealth available, and is host to a lot of in-jokes!

    The cast is made up of pretty much complete unknowns, and the series is the better for that – I liked that I got to binge watch as these boys grew and matured, learning from mistakes as they go along their journey. The writer, Mike Judge, drew on his own Valley experience back in the 1980s and this shows – it needed a gentle hand to make the jokes and still produce something where you care about the characters.

    This is the real deal and cannot wait till Season 2 – yes, I’ve checked IMDb, there is a season 2!

    4 stars – minus one as some of it goes way over my head at times

     

  • Frameline Festival Has The Gayest Promo Ever

    We have been to a few film festivals in our time but we can say without a doubt that the brand new trailer promoting San Francisco’s Frameline Festival is by far the best we have ever seen It is also probably the gayest too.

    Now in its 39th year Frameline is the world’s oldest and largest celebration of queer cinema. It so worth the trip, that’s if you even need an excuse to visit San Francisco itself. After all, there is no place like here.

    Watch it below

    www.frameline.org

    @RogerWalkerDack

  • FILM REVIEW | Freaks (1932) Cinema Re-release

    ★★★★ | Freaks (1932) Cinema Re-release

    Hollywood Classics presents a cinema release of “Freaks” – in cinemas from 12th June 2015

    This classic opens with a sideshow barker shouting about his latest addition, without showing it immediately builds some tension, as you want to see this freak. The audience around the cage gasps and screams and so sets the scene for that back-story, the story of how the freak came into being.

    A beautiful circus trapeze artist, Cleopatra, takes an interest in Hans, a dwarf who works in the circus sideshow away from the main ring. She has ulterior motives though as her interest is more about Hans and his inheritance than in Hans himself. Hans has his head turned by this beauty, and forgoes his loving finance to pursue this highflying love.

    What he isn’t immediately aware of is that she is carrying on an affair with Hercules, the circus strongman. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them – huge mistake and this group of friends close ranks and plot. Together, the freaks decide to make her one of their own.

    Tod Browning, the director and producer, drew on his own experiences in the fairgrounds and circuses of America to create this once shocking film. He was given leeway by the studio system to create this horror after his success in creating Dracula. He intentionally showed the “freaks” to be the ones with a code of honour and a sense of justice and the so-called normal cast as the ones with murderous intentions.

    Tod also managed to interweave sub-plots that built on the “freaks” having normal lives, such as the co-joined twins who each have romances, the armless wonder who performs everyday tasks with her feet – remember folks, in 1932, these were shocking images, things never before seen, hence their place amongst the circus sideshows.

    It seems impossible to believe now, but after test screenings in New York, the film was pulled after one lady threatened a lawsuit – claiming the film had been so shocking, she had suffered a miscarriage! The film was butchered and reduced from its original 90 minutes to just over 60, with some of the more shocking scenes removed. There were extended images of the freaks attacking Cleopatra and the scene where Hercules, her lover, is castrated was also removed.

    The initial barker scene was added to give it some context, but despite this and the other cuts, it lost money on it’s second release and despite Brownings earlier work with Lon Chaney and Bela Lugosi, his career was effectively over – Hollywood doesn’t forgive or forget easily!

    The film was considered overly exploitative over here and was banned in the UK for over 30 years but even with mainly negative reviews, some saw this as a masterpiece, a true gem of film-making with even the Rotten tomatoes site giving it an overall thumbs up, stating that time has been kind to this film and the US National Film Registry adding it to its archives as being culturally, historically, or aesthetically significant.

    It isn’t easy to watch, in this age of PC conformity, you do question its making, it’s potential to exploit – but if you can, put that to one side and consider it in it’s historic context.
    Take a peek if you can, in its intended surroundings – aim for a real cinema with Rococo fittings and real organ music. Failing that, go see it at your local multiplex, but DO GO SEE IT.

    A huge 4 stars – not as scary as it once was, but excellent historical perspective and amazing cast

  • FILM REVIEW | Meet The Fokkens

    69-year-old identical Dutch twins Martine and Louise Fokken give a new meaning to the word sexagenarian. Both of them have been working as prostitutes in Amsterdam’s red light district for almost 50 years now, and Marianne is still plying her trade daily. (Louise retired 2 years ago when arthritis meant she ‘couldn’t get one leg over each other’ any more)!

    ★★★★★

    In this truly delightful documentary we discover that they are a wonderfully colorful irascible pair of Rubenesque women who have such joie de vivre. The film starts with following elderly Martine as she catches the bus from the suburbs clutching her tiny chihuahua (which she NEVER ever seems to put down) and en route to work calls in at the convenience store to pick up another box of 144 condoms. Immensely affable she greets everyone she meets with her big smile and constant chatter as if she is just heading for another day at the office.

    Setting up her room she hangs her accouterments to show to passing strangers that she offers dominatrix and other kinky services for her ‘naughty’ men, and then dressed very provocatively sits in her large window enticing then to come in. The fact that all the ‘working girls’ in adjoining ‘windows’ are barely 20-years-old seems to hardly bother this old trooper at all.

    The sisters explain that very few of the punters want full intercourse but just to simply ‘get their rocks off,’ and the film includes some hilarious scenes with Martine and her gentlemen callers and how easily she can get them to be satisfied. What should be regarded, as an intensely sexual experience seems to be harmless and a somewhat funny episode for the men who appear to enjoy the free cup of coffee afterwards just as much.

    The sisters are inseparable and do literally everything together and live in their own apartments that are in buildings opposite each other. They dress in the same bright gaudy clothes, finish each other’s sentences and clearly are each other’s best friend. We see them in conversation with each other and also alone talking unguardedly straight to the camera about their lives to date. The information they reveal is somewhat patchy which makes their story even more intriguing. When Louise was 19-years-old and already a mother of 3 children her physically abusive husband ‘forced’ her into working, as a prostitute and Martine seemed to follow almost to support her sister’s indignity and precarious situation.

    They touch on the fact that they made so much money in the early days, but now stuck in municipal housing there is no sign of it at all. They are fiercely independent and talk about the days when they broke away from the organised crime ‘pimp’ system and even opened up their own brothel at one time. And there is a scene when Louise is reconciled with one of her daughters but no real explanation is offered as to why the child grew up with foster parents. It’s almost like there is a whole another movie to be made here.

    The sisters own pleasure now is in painting bright garish canvases of scenes of their life in the Red Light District. Like the women themselves their artwork can best be described as somewhat naive. They do however make for a wonderful scene towards the end of the film when they are exhibited in a Gallery and all their old cronies turn up to show their support and their genuine love for these two unstoppable women.

    They are two good-natured women with an infectious sense of humour who have obviously led a tough life yet appear to bare no scars or even deep resentments even, and the final scene where they are frolicking together in the snow like a couple of silly schoolgirls shows what a wonderful resilient couple they are.

    A sheer joy to watch, and even enough reason to check up flight schedules to Amsterdam.

    by @RogerWalkerDack

  • BIG BROTHER Aaron Shows How to Twerk Whilst Bottoming

    Openly gay Big Brother housemate Aaron Frew has given Chloe tips on how to Twerk whilst having sex.

    Aaron who admitted last week that he had sex with someone with a “10 incher” has shown Chloe how he likes to Twerk whilst having sex.

    Aaron, 24 romped on the bed infront of the Doncaster lass to demonstrate how he wiggled his butt whilst having sex. With his hips raised off the bed, Aaron proceeds to wiggle his bottom and gyrate his hips in front of a bemused Chloe.

    Top marks for poise and angle we say!

    Chloe, 25, was quick to show off her prowess got on all fours to show her stylings.

    Last week Joel, from Cardiff admitted that if he had to make out with a male housemate he could with Aaron.

    Just in case you needed to see more of Aaron’s moves – here you go…

     

  • The untold story of Bletchley Park And Alan Turing comes to Cast, Doncaster

    Following the recent 70th anniversary celebrations of VE Day, Idle Motion’s That Is All You Need To Know brings the untold story of Bletchley Park to Cast, Doncaster on Wednesday 17 June in a stunning piece of visual theatre.

    Total Theatre Award nominated Idle Motion takes the audience back to 1940s England and the melting pot of Britain’s greatest minds; to the eccentric country house whose grounds, filled with chess champions, Oxbridge graduates and young debutantes. Among these were the visionary Alan Turing (recently portrayed by Benedict Cumberbatch in Oscar nominated The Imitation Game), the exceptional Gordon Welchman, and the thousands of dynamic women whose work was the hidden heroism of the war.

    Idle Motion are one of the countries leading visual theatre companies who tour nationally and internationally to critical acclaim. They integrate playful stagecraft with innovative video projection to create highly visual theatre that places human stories at the heart of the work. Their humorous and sensitive past productions include the Edinburgh Fringe Sell-Out Borges and I, and The Seagull Effect exploring a couple’s crumbling relationship as Britain is hit by the unexpected 1987 storm.

    Alan Turing was prosecuted for his homosexuality in 1952, Idle Motion learned about his life and subsequent premature death (while researching chaos theory for The Seagull Effect) before he was posthumously pardoned in 2013. Fascinated by this British mathematician, cryptologist and co-author of the foundations of computer science, the Idle Motion team intended to base their next work on his life story.

    Following research into Turing’s incredible work during the Second World War at Bletchley Park and visits to the site itself, the Idle Motion team realised that Bletchley Park was full of astounding stories and people. What stood out most remarkably was that the thousands of people who worked there kept it all a secret throughout the war and for most of their lives, and this was the story the company wanted to tell.

    Artistic Director Paul Slater read Gordon Welchman’s ‘The Hut Six Story- Breaking the Enigma Codes’, first published in 1982 and written in the 1970s. This book was one of the earliest memoirs of life at the park to be published after the ‘secret’ history came out in 1974. The style of the writing in and the insights it gave to the life and work provided an ideal foundation to the wider story of the Park itself and the structure of That Is All You Need To Know.

    That Is All You Need to Know incorporates correspondence; including Turing’s 1952 “Yours in distress” letter to his friend and fellow mathematician Norman Routledge shortly before pleading guilty to gross indecency; and voice overs of interviews with veterans who worked there during the war from the Bletchley Park archives .

    Using personal testimony and multimedia on a stage busy with filing cabinets and typewriters; That is All You Need to Know is an insightful, innovative and immersive celebration of the remarkable men and women who cracked the Enigma code. The play is a celebration of humanities ability to solve the impossible, to crack the most complex of problems, and of the extraordinary people whose quiet work changed the course of our history.

    Tickets for That Is All You Need To Know on Wednesday 17 June at 7.30pm are £15 adults / £13 concessions* available from Cast’s Box Office on 01302 303 959 or castindoncaster.com.

  • FILM REVIEW | More Than Friendship

    ★★★ | More Than Friendship

    Twenty-something-year-olds Lukas, Mia and Jonas have been best friends since their childhood, but then three years ago this all changed.

    They fell in love with each other and became a very happy ménage-a-trois. They decried society’s contempt for their unusual relationship and became totally committed to each other even though it meant making a break from their parents who vehemently disapproved of their arrangement.

    Since then once a year every summer the trio went on a camping trip together touring the countryside where they were able to be completely free from everyone’s prying eyes and pointed fingers. This year, however, is different as Lukas has just been diagnosed with terminal pancreatic cancer and although the tight-knit lovers agree to take an oath that the holiday should be focused just purely on joy, they soon realise that it is difficult to completely forget that this will be their very last summer together.

    The trip starts off all light and love and it is surprising that they actually get to their first destination as they cannot keep their hands off each other and are always making out in the back of the van. However, it is inevitable that they cannot avoid the elephant in the room especially when Lukas shares with them the Living Will that he has written that gives them both control over his final days rather than his estranged parents.

    When Jonas gets taken sick and is rushed into hospital the trio’s joy and hope deserts them and is replaced with fear and grief and they have also to deal with the anger of Jonas’s parents who turn up and insist that the Doctors keep him alive even though that is against his express wishes.

    This sophomore film from German writer/director Timmy Ehegötz is overly melodramatic even given its themes. The three good-looking young leads play their parts passionately but despite this, it still seems that there is not enough actual chemistry between them to convince us that their relationship is as deep and real as the script would have us believe.

    This well-meaning movie is full of energy and brimming with enthusiastic performances and has a lot to commend it for particularly, in its attempt to de-mystify the whole thruple relationship concept.

  • FILM REVIEW | Folsom Forever

    ★★★★ | Folsom Forever

    Mike Skiff’s illuminating new documentary on the Folsom Street Fair, one of San Francisco’s iconic gay events, starts off by dispelling a few of the myths that surround its 30-year history.

    Initially, the Fair was created in 1984 as part of a growing protest movement that objected to the enforced gentrification of what previously had been one of the most blighted areas of the city. The inhabitants of the skid row houses and the working men bars were being forced out as the authorities bulldozed their way through the area to put up shiny new expensive buildings.

    This was also the height of the AIDS crisis, which would go on to decimate the city’s gay population so the advent of the Fair created an opportunity for much-needed fund raising. Audrey Joseph a local activist stressed the point that the presence then of so many women supporters, who were the most accepting of AIDS victims, helped create a crucial space without judgments at the Fair.

    The whole area known as South of Market was already home to a plethora of leather bars which local historian Jack Fritscher Ph.D. explained had sprung up as bolt holes for gay hyper-masculine men who were not interested in the stereotypical roles that were most prevalent in the community at the time. Dr Fritscher who also worked for Drummer the now defunct leather magazine talked about the oft-misunderstood leather and BDSM community who came into its own then by promoting their safe sex practices. He explained said the whole concept of successful BDSM is sexual acts within agreed lines of limits to make sure each part is safe and pleasurable. It wasn’t an argument that sat well with the Authorities who at the time were panicking like everyone else and wanting someone to blame for this uncontrollable epidemic.

    Skiff added: “In the 1970s, Folsom Street was the West Coast’s mecca for anyone on their leather journey in life and his movie goes on to explore why the Folsom Street Fair couldn’t have got started anywhere else but San Francisco.”

    When someone talks about Folsom Street Fair now, the leather and fetish elements of the historic outdoor celebration of sexual diversity are likely what come to mind, and it follows the tradition of where members of the LGBT community are given the space to explore the full spectrum of their sexuality and queerness.

    It’s the one time of the year when those into kink and fetish can literally dress anyhow and do anything they want and the Fair security staff who police the streets will only stop them if they engaging in full on sex. Evidently that you can do in any of the bars on the strip.

    Nowadays the Fair is not only a major social event it is also one that has an enormous economic impact on the city. Demetri Moshoyannnis the Executive Director estimates that San Francisco benefits to the tune of some $35.4 million in revenue, and the Fair itself raises some hundreds of thousands in profits that it distributes to fund important local non-profit organisations.

  • The five best Abba comedy videos

    With Eurovision rapidly approaching most of us are recalling the dazzling days of yore where the contest could create lasting stars and songs the whole world remembered.

    No act, though, could ever match the massive legend that would become ABBA the fabulous foursome left a legacy that continues to influence new generations.

    The most interesting thing is that ABBA did not just touch the gay scene and the music scene, but the comedy scene as well.

    Let’s take a look at some British comedians whose acts were touched by Swedish genius.

    5 ½. Dannii Cohen Yes, I too am part of those the group influenced. When starting out as a comic in the late 90s I had a comedy music group with a friend. It was called Mayallzone: named in tribute to both Rik Mayall and Boyzone (yes, yes I know.) The music was strictly ABBA, though. Understandably, it did not last very long.

    Okay, now that’s out of the way:

    Let’s take a look at some British comedians whose acts were touched by Swedish genius.

    5. Peter Kay Kay has acknowledged his love for ABBA several times, giving a rare interview to talk about the group in a documentary about 1976 and even refusing to host ITV’s Sunday Night at the London Palladium because the group would not reform for him.

    He performed the Bjorn and Benny classic “I Know Him So Well” with Susan Boyle for Comic Relief.

    4. Rowan Atkinson Starting with this amazing performance with the cast of Not The Nine O’Clock News:

    Rowan has used the music of ABBA on various occasions, with this great scene of Johnny English as a highlight.

    3. David Walliams What was it that made David Walliams survive the gruelling swim down the Thames in 2011? Was it strength and pure determination? Or did it have something to do with playing music by 4 magic Swedes in his head? It certainly helped. David requested various songs by ABBA when calling into radio stations for updates about the swim, but no song drove him more then the all time classic Dancing Queen, his favourite song, which saw him through the worst day of the swim, when falling ill.

    After recovering he paid tribute to the group on Sport Relief night with pall Miranda Hart.

    (Bonus: a very funny sketch ABBA sketch from his Rock Profile series)

    2. Steve Coogan AHA!! With the first series of his TV show named after an ABBA track Steve was a strong contender for the number one spot. In earlier years, of course Steve Coogan claims it is Alan Partridge who is the ABBA fan, but no-one can know so much detail about a group and it’s music without being a fan.

    One of his inner circle has claimed that one one occasion he was given a lift by Coogan and the car radio was on, playing songs by ABBA loudly. Coogan blushed, swiftly switched it of and exclaimed: “JUST RESEARCH!!” Yeah, right. In recent years he admitted: “Just because Alan likes it, it doesn’t mean it must be naff. That’s very two-dimensional thinking. A lot of the music I choose for Alan is stuff I like.”During recent series The Trip with friend Rob Brydon the duo perform The Winner Takes it all in a bar.

    1. Rik Mayall – Who else!! In the early 90s during his Rik Mayall Presents series, Rik starred in a fabulous movie called “Dancing Queen” about a man falling in love with the stripper (Helena Bonham Carter) who dances at his wedding. A lovely romantic comedy romp.

    Over the years Rik often referenced ABBA (with “Money, Money, Money” even being used in The New Statesman). And now here’s for a twist: ABBA were fans of him too!! Well, at least Bjorn and Benny, which led to him being cast in ABBA’s Our Last Video Ever. The role of the producer was written especially for him and shows all the signs of his trademark humour.

    With this trump card there was no doubt Rik should be number one!!

  • BIG BROTHER: Joel Admits He Could Make Out With Aaron

    In tonight’s episode of Big Brother, Conservative councillor Joel admits that he would make out with openly gay Aaron Frew.

    Despite claims that he’s a “proud” heterosexual in yesterday’s show, Joel, 19 from Cardiff, said that it would be a “no-brainer” for him to make out with his fellow housemate Aaron.

    Aaron pretends to be Big Brother and asks Joel which male housemate he would make out with. Joel replies: “This is an absolute no-brainer for me, the contestant is on the board to your immediate top left.”

    The Housemates cheer as they realise he means Aaron. So is love in the air for Aaron and Joel?

    Later on a drunken Aaron, after copious amounts of wine is in the bathroom being sick. Danny goes into the toilet and carries Aaron to bed.

    Big Brother continues tonight, Monday 18th May at 10.00pm on Channel 5

     

     

  • FILM REVIEW | A Most Violent Year

    ★★★★★ | A Most Violent Year

    Ok, a film that’s set in 1980 (my era) and stars Oscar Isaac (W.E. and Inside Llewyn Davis) and Jessica Chasten (Interstellar and Zero Dark Thirty), along with some killer outfits and one hell of a story – who wouldn’t want to watch this?

    The storyline follows Abel Morales (Isaac), an honest and hard working man, as his ethics collide with brutal violence at a time when New York is facing an unexpected and unprecedented spike in violent crime. Abel is building his business, following the American Dream, over-stretching himself in order to expand in what appears to be a sensible way.
    Having borrowed heavily to fund this expansion, his business is hit by opportunistic thieves, and he finds himself taking matters into his own hands in order to protect his interests. Alongside this, his wife, from a very distinctly NY “family”, is itching to get in there and sort the matter out if her husband can’t!
    While searching for those responsible for these crimes, he attracts the attention of an ambitious Assistant District Attorney (David Oyelowo – Interstellar and Selma) who is out to make a name for himself and needs a victim to do it.
    This film has the look and feel of a classic thriller from the Serpico and Godfather era, the use of language and mannerisms are spot on. The colours and settings echo the early ’80s perfectly, with the costumes showcasing power dressing NY style. Chasten has some killer outfits and hair-dos and knows how to work ‘em!
    With a strong supporting cast that includes Alessandro Nivola (American Hustle and Coco Before Chanel), Albert Brooks (Drive) and Elyes Gabel (World War Z and Spooks), this film showcases the underbelly of a city, pitting good men against what can seem impossible odds.
    Director JC Chandor did an amazing job on this film and I for one was dumbfounded that it didn’t generate any interest at the major awards – showing how unfair these shindigs can be.
    This is a perfect pizza and beer movie and a distinct 5 stars, I paid good money to see this first time round and wouldn’t hesitate to do so again.
    Buy on Amazon