THEGAYUK

Category: Entertainment

  • Courtney Act In Beheading Music Video

    Hail to the artists… but we’d like to know what you think about this video.

    It has to be said we love this song, v v catchy, but we’re not too sure on the subject matter of the video. Slick yes, Courtney Act looking hotter than ever, yes – Beheading. Not so much.

    Check out and proud gay rapper Andre Xcellence’s new video, starring Courtney Act, for the single he’s just dropped called Game Of Thrones complete with veil wearing, sword carrying dancer.

    Andre plans to conquer the world independently with a force not seen since the debuts of Eminem, and 50 Cent. Along with launching himself as an artist, he has also formed a record label by The name of “American Commission” with his executive production team “The Prodigal”. Together they have set high expectations for themselves and the new label. The plan is to break boundaries and create a new standard of “Xcellence” in the music industry

    We can’t make our minds up – is it a brilliant free speech torch, where music conquers all, or is it bad timing and bad taste? You decide.

  • FILM REVIEW | Three In A Bed, Where is the chemistry?

    ★★☆☆☆ | Three In A Bed
    three in a bed film review

    After his mother dies, twenty-something-year-old struggling musician Nate has taken on her mantle and the responsibility of looking after his two self-centered sisters.

    When both of his sibling’s lives take a turn for the worse: one finds out her live-in boyfriend is cheating on her and the other discovers that the married man she has been dating has got her pregnant, they move in with him in his small one-bedroom apartment. It doesn’t give him much privacy or independence at a crucial time in his life when he is slowly discovering his sexuality.

    The object of his affection is Jonny the boy-next-door who quickly falls in love with a confused Nate, but when the going soon gets rough, Jonny runs off to France to drown his sorrows by getting a job erecting tents! Nate discovers that not only does he miss Jonny, but also that he finally has something to write a song about.

    This micro-budget romantic comedy set in Manchester and funded mainly by actress Jody Latham who plays one of the sisters, is full of good intentions and a great deal of enthusiasm. Sadly that does not make up for the painfully weak script or some extremely lame acting that makes one wince instead of smiling much of the 81 minutes. What was particularly disappointing was the lack of any real chemistry not just between the two men but with the siblings too and all the other characters.

    The movie has a happy ending for Nate but not necessarily for us. When there are three in a bed, sometimes that can be at least two too many.

  • THEATRE REVIEW | Radiant Vermin, Soho Theatre, London

    ★★★★ | Radiant Vermin, Soho Theatre, London

    “I want this house. Oh, yes, I know there’ll be problems. But at least we’ll have the hope of things getting better. Isn’t that the least we owe our child? Hope.”

    Jill and Ollie: a seemingly ordinary couple, trapped in poor housing on a rough estate, unable to get on the property ladder. They want to tell you about how they found their dream home and some of the things they did in order to get it. It’s a beautiful house. They know you might find some of the things they did shocking and horrible but they want to explain. They deserve that chance, at least. It may well be that you understand more than you initially think you do, too.

    Philip Ridley’s plays are often visceral and dark with skilful humour leading the viewer subtly down dark routes too often brutal and sharp conclusions. This play is no exception with a hilarious and seemingly light-hearted satire on consumerism and the lengths we’re willing to go to acquire things. That’s till things get nasty and the gruesome secrets come out with Jill and Ollie’s suburban niceties peeling away to reveal deadly secrets.

    The sublime Gemma Whelan, star of Ridley’s last play, “Dark Vanilla Jungle”, puts on another brilliant performance as the seemingly naïve and sweet, Jill. She’s ably supported by hapless and sweet Sean Michael Verey (Pramface) as wholesome Ollie and Amanda Daniels as the Mephistophelean Miss Dee.

    A stark white set supports the raw action in this play that is perhaps one of Ridley’s most accessible. It’s a piece that’ll make you laugh, squirm and shudder and ultimately question your own motivations and desires. What would you do for a rapid induction hob, a four-man Jacuzzi and a flat screen TV? The Soho Theatre has yet again managed to put on something truly original and contemporary that suits beautifully in our current cultural landscape.

    Radiant Vermin runs until the 12th of April 2015

    Buy tickets here: http://sohotheatre.com/whats-on/radiant-vermin

  • Drag Queen Becomes Mr S F Leather 2015

    The times are definitely changing.

    The prestigious MR S.F. LEATHER 2015 title was won on Saturday by a Drag Queen called Jem Jehova. She is the persona of Trevor Wisnieski whose version of drag is ‘San Francisco style’ in that she is bearded and androgynous.

    To qualify for the competition, Trevor/Jem had to prove an abiding love for leather and the leather community, and beat out fellow contestants representing bars and businesses around town modelling gear on stage. He will now go on to compete at the INTERNATIONAL MR. LEATHER CONTEST in Chicago in May.

    On of Jem’s sister drag queens Juanita More! writes on Facebook, “It’s a new world in San Francisco. Congratulations to [Jem] on her title. She is living proof that you can be EVERYTHING in SF.”

     

  • THEATRE REVIEW | Jeeves & Wooster in Perfect Nonsense: Hilarity at its best

    ★★★★ | Jeeves & Wooster in Perfect Nonsense

    Jeeves and Wooster played by Jason Thorpe and Robert Webb respectively, bring to The Birmingham Rep a delightful and hilarious performance of Perfect Nonsense with actor Christopher Ryan. There is an initial gag before the curtains go up by a speaker announcing that phones should be switched off, for it might interrupt the first performance of Mr Wooster and he might feel nervous. Of course, merriment ensued.

    Perfect Nonsense tells a story of Wooster and his butler Jeeves who are putting on a play, but it is Wooster’s debut so he starts the show with running through his part and calming himself by saying: ‘How hard can acting be?’ Jeeves had cleverly set everything up so Wooster pretty much walks on to the intricate set that he has just been describing, as it is rolled on, on wheels, and displayed behind him as he turns around. It was so efficient that it surprises Wooster every time.

    Perfect Nonsense, directed by Olivier Award winner Sean Foley, is currently touring the UK, and it is peppered with comedy, suspense, and a little drama, especially when Wooster is blackmailed by half the characters, who all want the silver cow creamer.

    Robert, Jason and Christopher combined made the show extra special, as each contributed to the amusement by exaggerating facial expressions that provided the effect they wanted: to bring the house down with laughter.

    Robert Webb, whose credits are endless, but one would immediately recognise him as Jeremy Usborne from the Peep Show, had an innate ability of moving his body to suit the action and it made the transition between scenes even funnier. He even simulated Michael Jackson’s famous moonwalk to travel between scenes. Webb reprised the role like a duck to water and carried the show with relentless energy and flair.

    Jason Thorpe, whose theatre credits include: From Morning to Midnight, His Dark Materials and What the Butler Saw, lends his ingenious acting ability and comedic timing to Jeeves, Wooster’s butler. He also convincingly multi-part plays other roles in the show, and to each one he gives a special touch that supports Wooster’s storytelling. His characterisation of Stiffy was sublime.

    Christopher Ryan most famous for playing Mike in 1982-1984 TV series: Young Ones, portrays the character of Seppings who plays all other roles with an enthusiasm and persistence that would put anyone my age to shame. Christopher dominates the stage with his flair of movement with one second portraying Wooster’s aunty Dahlia and in the next Roderick Spode who is described as being 6ft 9in when Ryan is nowhere near that height at all.

    The set was a masterpiece of the steady yet unpredictable design of Alice Power whose recent design credits include: The Walworth Farce; and A Mad World My Masters by Thomas Middleton. Power designed a set that was so effortlessly mutable, that it became part of the comedy, as the sets were pushed on and pictures were rolled up and down a photo frame via a rotating handle.

  • FILM REVIEW | Map To The Stars

    ★★★ | Map To The Stars

    When the Hollywood limo driver asks his mysterious disfigured young passenger where she has come from she answers ‘Jupiter’ meaning the small town in Florida. It could however easily been the planet though as the girl is obviously extremely odd, and this is a David Cronenberg movie after all.

    Agatha is back in California after being incarcerated after trying to kill her kid brother in a house fire. Now a young adult she is out to find Benjie her brother an obnoxious 13-year-old successful movie star in the vein of Justin Bieber, who has just spent the summer in rehab trying to kick his habits. Their father is a celebrity self-help guru, who mixes massage with lashings of Freud, and their highly-strung mother is trying to keep herself and the family together by acting as Benjie’s manager, and at the same time praying that their well-kept secret about the mentally unstable Agatha never leaks out.

    Meanwhile elsewhere in this tale about the narcissistic and greed of movie land, Havana a fading middle-aged star is desperate for a role in a remake of a film that originally starred her abusive mother. When she fires the latest in a long line of personal assistant, or ‘chore whores’ as she calls them, her good friend Carrie Fisher hooks her up with a weird new girl in town who she had met online. When Havana learns of Agatha’s burns she sees that as good omen having lost her own mother in a fire, and gives her the job. Eventually, Havana is offered the film role, albeit by default, and when she is back in the studio it gives Agatha access to hook up with her brother and prey on his insecurities to worm her way back into his life.

    Throughout the film, all manner of ghosts appear with disquieting regularity adding to both Benje’s and Havana’s already troubled psyches and undermines their attempts at trying to keep a grasp on their sanity. It’s one of the perverse elements of this intriguing very odd drama that seems morbidly obsessed with the past.

    It’s the first movie that Cronenberg, a Canadian, has made in the USA and it is beautifully shot in a very sunny and glamorous California which somehow makes the heart-rending tragedy at the end seem even darker. Written over 20 years by Bruce Wagner a limo driver turned screenwriter (like the one in the movie) who obviously has something of an inside track on the seamier side of Tinseltown.

    It gave Julianne Moore her second big role of 2014 and her sublime performance as Havana always on the edge of totally losing it won her the Best Actress Award at Cannes Film Festival in the summer. It also reunites her with the immensely talented Mia Wasikowska (they played mother and daughter in ‘The Kids Are Alright’) and this time she is superbly creepy as the deranged Agatha. Cronenberg reunites with Robert Pattinson who starred as the executive being driven around Manhattan all day in ‘Cosmopolis’, and this time it is he who plays the limo driver that Agatha all but forces into a relationship.

    Olivia Wilde as the mother, John Cusack as the father, and a remarkable young TV actor called Evan Bird who was pitch perfect as Benjie the spoilt child star rounded out the cast.

    Like all Cronenberg’s work, this is a fascinating movie and even though it is hard to actually like, it is well worth seeing just for Ms Moore’s exquisite performance alone.

  • THEATRE REVIEW | Beautiful

    ★★★★ | Beautiful

    Will you Still Love me tomorrow. I feel the Earth Move. You’ve got a Friend. These are just a few songs written by Carole King and Gerry Goffin that are included in the new West End Show Beautiful – The Carole King Musical.

    While Carole King might not be known to the younger generation, anyone 50 and older know her, and her music, very well. In the 1960s she, along with her husband Goffin, wrote dozens and dozens of hit songs including The Locomotion, You’ve Lost That Loving Feeling, and Up on The Roof. Beautiful tells the story of King’s life, how when she was a young girl and sold her first song to music producer Don Kirshner, to meeting her songwriting partner, and partner in life, Gerry Goffin, to being a single mother as well as a very very successful singer and songwriter. In Beautiful, King is played by the energetic Katie Brayben, from the piano playing right down to the curly hair, the resemblance is very good.

    Beautiful covers King’s life from age 16 to the age of 29, when she’s at Carnegie Hall performing So Far Away – a hit single from her mega-selling and multiple grammy winning album Tapestry. It’s just Brayben and the piano on stage. The show then goes back in time, the time when teenager King (Brayben) is at home in Brooklyn wanting to go into Manhattan to sell songs to Kirshner, but her mom tells her that she’s not going into Manhattan all by herself. When King does get to Kirshner’s (played by Gary Trainor) office, she meets people there who will be the key players in her life. She meets Cynthia Weil (Lorna Want) and Barry Mann (Ian McIntosh), a songwriting couple, but more importantly she meets Goffin (Alan Morrissey). They start a romance, but King gets pregnant so her and Goffin (played by Alan Morrissey) get married. He loves her, and they literally make beautiful mussic together – they are at their best when writing songs, and they write some of the biggest hits of the 1960s. But over time Goffin starts to feel like he’s being tied down and wants to take advantage of their new celebrity status, while King wants them to go home at the end of each day and spend time as a family. It’s a stressful situation for King, and it doesn’t help that Goffin is having mental problems to go along with his infidelity. And this is the plot of Beautiful – the relationship between King and Goffin and their very close friendship with Weil and Mann.

    But in between this storytelling we get great musical performances by the ensemble in the show – the actors who play the musicians that King and Goffin write songs for. And this is when Beautiful comes alive. The ensemble really lets it rip, and brings life and colour to the show when they perform songs such as 1650 Broadway Melody, Some Kind of Wonderful and On Broadway, among others.

    Beautiful is a female singer, songwriter, mother, daughter, an American, and British-born Brayben does a fine job in portraying King. Recently seen in American Psycho, Brayben can sing and act, and can hit all the notes, and like King, Brayben writes her own music. Her hairstyle changes throughout the course of the show, most of these styles, however, make her look much older than the character she is playing.

    Morrissey is fine as Goffin, excited about their love yet still not sure that’s he’s happy or not in their relationship. Want and McIntosh are excellent as their best friends, and even more so when they provide emotional support after King’s breakup of her marriage. The staging of the show is fine, moving from living rooms to recording studios to Kirshner’s offices – but it’s Peter Kaczorowski‘s lighting that literally and figuratively lights up the stage. If only the book of the show was as good. By Douglas McGrath, the book is very mundane and not very dramatic – sure we care about King’s life but give us more of the music and razzle-dazzle and less of their bickering and conversations.It’s a musical that should be a musical, yet Beautiful plays more like a drama show with bits of music thrown in. But the show redeems itself when near the end, Brayben (as King) and the ensemble bring down the house with the song ‘You Make Me Feel Like a Natural Woman” – it’s a moment when you realize that King really is the greatest female songwriter of all time.

    Beautiful The Carole King Musical plays at the Aldwych Theatre,  until 5th August 2017

  • FILM REVIEW | Global Warming

    Do not be put off by this ominous title as this is not an environmental doomsday prediction about the state of our planet, but simply a selection of four boy-lit short movies where the action sometimes gets steamy.

    ★★★

    The first is You Can’t Curry Love which is the story of a young Asian gay man who cannot get a boyfriend back home in the UK, but when he flies to India on a business trip he falls in love with the very first man he meets and who happens to be Sunil the handsome front desk clerk at his hotel. This too-cute-for-words tale also serves as an infomercial with Sunil preaching on how far gay rights have/have not progressed in his country. They wrap up this happily-ever-after very slight story with one of those camp song and dance numbers that are the mainstay of every Bollywood movie.

    Daddy’s Big Girl is a less than satisfactory tale of a sad overweight girl desperately trying to reconcile with her self-centred man-hungry father who is only interested in being a ‘daddy’ to the stream of young gym trainers he beds.

    The third movie in this compilation, and probably the best, is Foreign Relations. Shy Tom is assigned to bunk up with handsome Greek Nikos on a group vacation trip. Unsurprisingly Tom totally falls for Nikos even though he has no idea if his new friend shares his preference for boys. By the time this sweet tale ends you are hoping for Tom’s sake that he does.

    The fourth and final movie is Performance Anxiety which is the most amusing one in the quartet. It is the tale of two straight actors who have been cast to play gay in a movie. Both are naturally cute to boot and unnecessarily are as worried as hell. They really needn’t be, as they both would fit in extremely well on our team any day. Or night.

    All written and directed by filmmaker Reid Watererand filmed with a cast of engaging young actors, this enjoyable new collection would make a perfect date movie. It may not warm the globe, but it will probably get you hot under the collar at times.

     

  • Could this be the most homoerotic music video of all time?

    Could this be the most homoerotic music video of all time?

    Stand aside George Michael, The Janoskians might have just released the most homoerotic music video of all time for their single: LA GIRL. (more…)

  • THEATRE REVIEW | Back Down: Cheeky, Dramatic and Sincere

    Back Down is an intense play by Steven Camden aka Polarbear, whose excitement stems from writing dialogue and unashamedly falls in love with his own ‘Brummie’ story, and the action centralises itself on the friendship of three ‘brummie’ friends: Zia, Tommy and Luke. ★★★★ (more…)

  • THEATRE REVIEW | Bathhouse, The Musical

    ★★★★ | Bathhouse, The Musical

    For their second production of 2015, Above The Stag have chosen to revive their hugely successful production of Bathhouse The Musical.

    It comes with a few changes of cast and new choreography by Carole Todd, a choreographer of some renown, who comes with an impressive list of credits which includes West End musicals as well as work at the Royal Opera House and Sadlers Wells.

    What was always a hugely entertaining and hilarious show now emerges slicker, tighter and cleaner.

    In case you missed it last time, the show is set for its entirety in a Bathhouse, with the cast wearing nothing but towels throughout. The story (such as it is) revolves around the adventures of young Billy, who starts out a bathhouse virgin, but finishes a lot more experienced. He is guided through his adventures by the disembodied voice of Giles Brandreth.

    The score is a wonderfully witty amalgam of styles ranging from hoedown to full out Broadway ballads with quite a few other musical references between. With song titles like I’m a Bear Chaser, the hilarious Penises Are Like Snowflakes, Clickin’ for Dick and Seduction Tango, the jokes aren’t exactly subtle, but nor are they meant to be.

    In a show that is such an ensemble piece, it would be invidious to single out any one individual. Each and every one gets their moment to shine and they are all excellent, so kudos to Will Ferris, Matthew Harper, John R Harrison, Ryan Lynch, Luke Webber and Tim McArthur, who also directs the fast-paced production, which doesn’t flag for one second.

    Great entertainment, not so pure and simple.

    Bathhouse the Musical runs at Above the Stag until 29 march 2015.