THEGAYUK

Category: Review

  • THEATRE REVIEW | Bend It Like Beckham

    ★★★★★ | Bend It Like Beckham

    Does a musical version of the hit film “Bend it Like Beckham” work? You bet it does!

    The plot from the film is successfully transformed into a fantastic singing and dancing musical with a clever set, memorable songs, superb costumes and an excellent cast.

    Natalie Dew is amazing as Jess, a young woman coming of age in a Sikh household in the Asian community of Southall, London in 2002. She loves the game of football, enough so that she’s got two large posters of David Beckham in her bedroom.

    One day Jess is spotted playing football by Jules (Lauren Samuels, playing the Keira Knightley role from the film) who plays for the Hounslow Harriers team. Jess goes along to one of the team’s practices where coach Joe (Jamie Campbell Bowen) takes in interest in her playing, as well as in her, and Jess decides to play for the team, without telling her parents. She knows that her parents, Mr. and Mrs. Bhamra (Tony Jayawardena and Natasha Jayetileke), will forbid her from playing the game that she absolutely loves.

    Coach Joe feels that Jess is good enough to make the England team, and along with Jules, they urge her to stay in the game, even after her parents do find out. Meanwhile, Jess’s older sister Pinky (Preeya Kalidas) is about to get married to a man whose family thinks that Pinky is not suitable for their son. But all Mr. and Mrs. Bhamra want is the best for their daughters, they worked hard and have provided a good life for them and they want them to continue to live, and follow, their traditional Sikh life. But Jesse has a dream, and she wants to play for England, but will her parents stop her from fulfilling this dream?

    To say Bend it Like Beckham is a feel good show is an understatement. From start to finish we are treated to a very vibrant and colourful spectacle, the likes which we haven’t seen in the West End in a long time. And the cast is perfect. Drew brings just the right amount of vulnerability and youthness to the role of Jess – it’s like the part was specifically written for her. Kalidas as Pinky brings the show punch, sass, and vavavoom. Jamel Andreas is very good as Jess’s best friend Tony who is perfect for Jess, perhaps too perfect. Other standouts include Sophie-Louise Dann as Jule’s blond mom, she’s sassy, funny and a blond bombshell. And Rekha Sawhney beautifully sings a traditional wedding song called, Sadaa Chardhdi Kalaa that will mesmerize you.

    Gurinder Chadha, who wrote and directed the movie, which is set in the pre 9/11 era, also wrote (with Paul Mayeda Berges) and directed this stage version. She’s captured the spirit of Jess and her love of the game that most British people can relate to, and has given us a show that at no point gets boring or drags – it’s dialogue is very witty yet very dramatic. And the whole cast do wonders with it, and with the set that changes from a shopping street, to Mr. and Mrs. Bhamra’s living room, to an actual football field, all cleverly done. And the show wouldn’t have the name ‘Beckham’ in it if he didn’t make an appearance. The actual David Beckham is NOT in the show, but a lookalike is (along with a Victoria Beckham lookalike).

    Let’s hope the real David Beckham goes to see it, he will absolutely love it.

    Bend it Like Beckham is playing at The Phoenix Theatre.

  • THEATRE REVIEW | Matthew Bourne: The Car Man

    ★★★★★ | Matthew Bourne: The Car Man

    Set amongst the Italian-American community in a small town in 1960’s America, Matthew Bourne’s The Car Man reimagines Bizet’s most popular Opera, Carmen, in a more contemporary setting.

    Luca (Tim Hodges) is a drifter, whose charisma immediately draws the attention of Lana (Zizi Strallen), the wife of Dino, Luca’s boss. They embark on a passionate affair, but Luca catches the eye of Angelo, a young mechanic who is bullied by his contemporaries and who is irresistibly drawn to the stranger. In a heady mix of violence, murder, sex, passion and revenge, Luca’s arrival sets off a cataclysmic chain of events.

    The overall feeling of the piece is one of grimy, seedy sensuality, with more scantily clad dancers, muscular, sweaty torsos and bulging biceps than you could reasonably expect and an abundance of sexually charged encounters, which abandon the usual constraints of sexuality. The main protagonist, Luca, is clearly comfortable in his attraction to both sexes and his passionate encounters with both Lana, his boss’s wife, and Angelo, the young mechanic, demonstrate both his irresistible allure and his self-serving manipulation of others. The other townsfolk are equally as liberal, where the fluidity of sexuality mixes in with the testosterone-fuelled masculinity of the mechanics and their blend of both fiery and submissive girlfriends. This is a gritty world, where sex, rough handling and casual violence are compounded by the intense heat, and one which comes across superbly in the theatre. It is also a world where the levels of sexual tension and dramatic tension are evenly matched. This is not just a straightforward narrative piece, it is a piece that delivers a genuinely enthralling story, pulling you in early on, and not releasing its taught grip until the final curtain falls.

    Whilst using what is effectively an abridged version of Bizet’s score, Bourne cleverly utilises the most identifiable pieces and surrounds them with original music, making the accompanying score simultaneously familiar and fresh. Further inspiration comes from Bizet’s opera, but never in such abundance that this production becomes a re-tread. For me, Luca was Carmen, and switching the sex of the central character was an inspired choice, but that doesn’t stop the other characters, Lana in particular, from taking on the mantle of Carmen at different junctures in the story.

    The cast were universally on form, tightly choreographed and performed incredibly, injecting each of their roles with uniqueness and filling the stage with an energetic and boundless performance, where the character was as important as choreography. Tim Hodges was as charismatic as the character he portrayed, and Angelo’s transformation from naive teenager to vengeful young man was superbly handled by Liam Mower. The set, crystal clear music and lighting only served to make this production the whole package. The Car Man is a simply stunning piece of theatre and could easily sit as this generations West Side Story.

    Sultry, sexy and sensual, you would be hard pushed to find a better blend of dance, drama and passion.
    The Car Man is at Sheffield Lyceum until 27th June 2015, before moving to Sadlers Wells Theatre, London until 9th August.

  • RESTAURANT REVIEW | Q-Grill, Camden

    Around five minutes stroll from either Chalk Farm or Camden tube is the Q-Grill, and no introduction necessary with the main method of cooking here. Plenty of smoky dishes on the menu using their house smoker, in fact they have a special smoked beer ‘Rib Tickler’ designed to be paired with one of the rib dishes on the menu. I had a small sip of the beer just to try, and could have easily had a pint of the stuff.

    The vibe is very Camden, the décor channelling a beach bbq shack, and has an open kitchen on view. Our waiter, Armand, had impeccable customer service and clearly knew the menu well, he suggested his favourites for the starters – to which we had all 3 between us both.
    Baked Butternut Hummus (£6.00), not the usual hummus as not a chickpea in sight! A vivid orange pool of spicy thick butternut puree, adorned with fat feta chunks lightly charred, and some cubed butternut too. Homemade flatbreads charred & chewy make good for mopping up all that nutrition in neon.

    The Seabass Ceviche (£9.75) was so lovely, it couldn’t have been any fresher. A healthily herbed dish spiked with flecks of chilli. So many ceviche can be spoiled by being overly acidic, but the proportions here were spot on. This dish also came served with golden boat-like shaped strips of fried plantain which provided some texture contrast against the silky sea bass.
    Our final starter was rather odd, but totally moreish. The Spiced Cornbread Waffle (£3.50) which was screaming out “WHERE DO I BELONG”, being served with an absolutely heavenly scoop of maple syrup whipped butter, but then all of a sudden the chilli kicks in and the whole dish makes perfect sense. I will be dreaming about that naughty dirty maple butter for the foreseeable future.
    For our mains we decided to maintain sharing (there is a separate menu for sharing platters but we wanted to make our own up!). Chargrilled Tiger Prawns (£19.75) came in a generous portion, although the unnecessary inclusion of the heads on the plate gave the impression there were more. Lovely lime and chilli notes, and prawns perfectly plump and cooked beautifully. For me this was the star of the meal. This really did make me feel like I was on a beach, and then wish that I was.

    What should have been the star of the meal, was the Rare Breed Pork Baby Back Ribs (£15.00) off the specials menu. Even though the flesh was as you’d like ribs to be, flaky, falling and soft- its spice rubbed exterior had been burnt leaving a bitter taste on your palette. Even the chipotle sauce served alongside the ribs could not act as flavour saviour, unfortunately being watery and tasteless. Again, like the sauce, the pot of ‘slaw tasted tired and far from the freshness we had experienced from everything else on the table. Such a shame!
    Parmesan Truffled Fries (£4.00), served beautifully crisp, smoky, and with a heavy shaving of parmesan- I don’t normally have fries so to have a touch of truffle in there too was a total treat. Green Beans (£3.75) – sadly these were extremely greasy, I’m not entirely confident how these were cooked, as the smoked aioli they were smothered in made it all overly oily. I think it would be received better if the aioli was in a pot on the side.

    After the waffle as a starter and the fries, we were struggling for room for dessert. Our waiter suggested the peanut butter cookie stack but a stack at that point felt like our Everest. But there is always room for ice cream, right? Homemade delights, (£1.50 per scoop) we chose firstly the peanut butter, which was really well balanced with just the right amount of peanuts. Overdoing the PB can make dishes claggy. Lastly, a G&T sorbet which would have been a crime not to have picked. Refreshing, icy and strong in citrus, you could definitely detect the gin! An odd combination peanut butter and gin, but we didn’t even care.

    It’s such a shame that our ribs were ruined by being overcooked on the outside, and the ribs dish as a whole being a little underwhelming with flavour (other than burnt). The starters were fantastic and the homemade ice cream were both winners, and I wish we did have room for the peanut butter cookie stack as I’m sure it would have been cookie monster heaven.

    The food was delivered to the table at a good speed and with stupendous service. I would definitely eat here again, especially as you are also presented with a £20 gift card off your next visit (you must register the card online initially). Q-Grill also has another restaurant opening this Summer, check their website for details. Home delivery is also available through Deliveroo.

    Reviewed by @LohanJordan
    ADDRESS: 29 – 33 Chalk Farm Road, London NW1 8AJ
    PHONE: 020 7267 2678
    PRICE: ££££ (explained)
    STAR RATING: *** (explained)
    TIPPING POLICY: http://q-grill.co.uk/camden

  • FILM REVIEW | The Last Knights

    In the current climate of sword and sorcery fever, stirred up by the wonderful Game of Thrones, we are seeing a surge of books and films set in Machiavellian worlds, with plot twists and turns to keep you on your toes.

    This film is one of those – probably more by happenstance than by planning. This film seems to seek to ride that wave – however, it falls short, far short.

    A fallen warrior, one of the last knights of the title, seeks to avenge his former and now dishon-oured master against a cruel and corrupt ruler in a pseudo-medieval land.

    Beautiful backdrops, amazing scenery, weather fit for Winterfell and its frozen North, there just seems to be something missing.

    The cast work hard, the plot, in theory at least, should entertain but it fails somewhere.

    Have you ever settled down to watch a good movie, only to be left a little, well, a little flat and dis-appointed?

    With a cast that includes Clive Owen and Morgan Freeman, we could expect more but they can only work with what they have. The scenery is wonderful, spectacular even. The castles and courtyards appropriately epic, the costumes perfection.But, and its a big but, it doesn’t succeed – and I can’t put my finger on why?

    I read a few reviews on this film from Amazon and my favourite one read: “utter ball bag”. Not sure why this tickled me, but it did! It was also too harsh as it only gave the film 2 stars – I’d give it 3 and maybe a second watch at some point to check if my review was right.
    A mild-mannered 3 stars

    BUY ON AMAZON

  • REVIEW: Diamond White Home Teeth Whitening Kit

    Being a black coffee drinker and red wine guzzler, one’s smile isn’t always as sparkly white as a Royal Doulton china dinner set. Over the years I’ve tried various different ways to keep my gnashers looking as close to Simon Cowell’s as possible.

    I’ve given every brand of whitening toothpaste a bash but with no noticeable results.

    For an instant result, laser whitening works. I went through this process about four years ago. The dentist covers your gums and lips to protect them. Then applies Zoom whitening gel to your fangs and sticks a laser in your gob. The Zoom whitening laser light and gel work together to penetrate the surface layers of your teeth to remove stains and discolouration, it should last a year.

    If you have sensitive teeth like I do it’s not the most comfortable way to spend 45mins. Sporadically it felt as though someone was sticking a pin into one of my teeth and piercing through to the nerve. My teeth did look about three to four shades lighter afterwards. But at £495 a pop, laser isn’t for every bank balance.

    My dentist also made moulds of my ivories to make whitening trays, so I could continue using the Zoom whitening gel and maintain my youthful smile. But the hydrogen peroxide contained in the gel gave me electric-like-shocks, even hours after using them. All for the bargain price of £250 for the trays and three syringes of gel.

    Not having used the Zoom gel for over two years, I jumped at the opportunity to test Diamond Whites (DW) home whitening kit. I was introduced to Charlotte from DW and my first question to her: ‘is the process painful?’. Charlotte assured me DW’s kit is pain-free.

    The Home Whitening Kit comes with two whitening syringes, 1 mouth tray, 1 activator spray, 1 whitening pen and toothpaste – all of which costs under £40. I was also given an LED light which are sold separately.

    The instructions tell you to keep to a white diet while you’re whitening, which I did as much as possible.

    First up on DW’s instructions: mould the mouth tray to your teeth by placing the trays in hot water for 20 seconds to soften. Then place the softened trays around your not-so-pearly-whites and bite for a further 20 secs to create a mould of your teeth. Great idea but about as effective as Labour’s last manifesto. I was left with a slight bite mark at the bottom of both trays. I used the trays my dentist made.

    Next, spray the activator spray on a dry toothbrush and brush your dentures for 30 secs.

    Step three, similarly to the Zoom, syringe about 1-2ml of the DW gel into the trays then place in your north-and-south for 20-30 mins with the LED light. The light is supposed to accelerate the whitening process. It looks and feels like you’ve an oversized dummy wedged in ya chops, but on the plus side no pain.

    After said time you remove all the mouth-clutter a brush with DW toothpaste. I put this into practice for one week. I’m not blinding people with my smile, but there is a noticeable difference. Some of that difference does seem to wear off by the end of the day. My teeth are shinier and a tad whiter.

    The Whitening Pen is for touch ups and is about as useful as the DW mouth trays.

    The moral of this story: no pain, no gain.

  • THEATRE REVIEW | The Boy In The Striped Pyjamas, The Belgrade Theatre, Coventry And UK Tour

    ★★★ | The Boy In The Striped Pyjamas, The Belgrade Theatre, Coventry And UK Tour

    Set in Auschwitz, the show follows the developing relationship between two nine-year-old boys on opposite sides of the fence.

    Having read the book and seen the film due to my morbid fascination with the Holocaust and this general period in our recent history I was delighted to see The Boy In The Striped Pyjamas was coming to the stage.

    Being a touring production the set and staging was basic but magnificently executed giving the audience the real sense of the austerity of the concentration camp. The old typewriter being projected on the back screen was an excellent effect adding to the ambience of the piece.

    Whilst I applaud the young actors in terms of the amount of lines they had to learn, I did feel they failed to connect with the audience for two reasons – diction and projection. Much of the dialogue was lost because the voice volumes were so low and were also lost in the regional accent.

    This was not the case throughout as sometimes the young actors did explode into full on stage school mode, which was not appropriate for this subject matter.

    Helen Anderson shone as the Grandmother; her singing in German was most definitely my highlight, as was her acting masterclass.

    The closing of the show lacked the poignancy of the film and for me should have finished at the closing of the gas chamber doors allowing the audience to draw their own conclusions, the additional narration was just unnecessary.

    Whilst not a 5 star show, it was a very affable afternoon and I would recommend, especially if you have not read the book, seen the film, or like myself have researched the Holocaust in minute detail.

    Pleasant not award winning.

    Touring Nationally, for tickets visit http://www.theboyinthestripedpyjamas.com/tour-dates.php

  • THEATRE REVIEW | Putting On The Ritz National Tour

    As someone who was raised on a diet of the films of the golden age of Hollywood and classic MGM Musicals; and as someone who finds a full on show-stopping musical dance break hard to beat, the lure of a musical revue of the songs of George Gershwin, Irving Berlin and Cole Porter proved hard to resist.

    Putting together a collection of some of the most timeless and well-known songs, including “Puttin’ On The Ritz”, “Top Hat”, “Let’s Face the Music and Dance”, “I’ve Got My Love to Keep Me Warm”, “Anything Goes” and “I Got Rhythm”, the soundtrack was top notch and a real demonstration of the enduring appeal of these masterfully written slices of perfection. There was a pleasant spread of songs, taking into account the upbeat numbers, but also slowing the pace with some ballads, including “Someone To Watch Over Me”. There were a few odd choices – a rather over the top performance of “Summertime”, a couple of instrumental songs which really should have been sung (“Cheek to Cheek”) and a few absent favourites, but overall, with such a vast catalogue to choose from, there was a good spread of the well-known and seldom heard.

    Despite the staging being fairly bland; an unimaginative glittery set, a backdrop curtain with a cascade of fairy lights and a rickety staircase; the numerous costumes changes came thick and fast, with enough sequins, feathers and glitz to satisfy even the hardiest of ‘Strictly’ fans. Lighting and direction was fairly functional, but the choreography was fast paced, upbeat and a good mixture of ballroom, jazz, tap, swing and Charleston, performed in a rather polished fashion.

    The low quality production values aside, the cast performed competently albeit with an abundance of fixed grins. The six vocalists were able to give the songs enough joie de vivre to do them justice, with the three male vocalists eclipsing the female trio. Trent Whiddon and Gordana Grandosek (from ‘Strictly Come Dancing’) were rather impressive, although criminally underused, making the most of their handful of routines, floating lightly across the stage and making the whole thing look absolutely effortless. The remaining cast of dancers did give it their all and the numbers were well choreographed, building nicely and feeling very playful.

    The show is certainly more “cruise ship cabaret” as opposed to “West End spectacular”, but despite its low production values, slightly cheesy feel and constantly grinning cast, the show was foot tappingly entertaining where the stars of the show were the songs themselves. I’m sure that this was never intended to be life changing theatre, but it never pretends to be; and managed to completely sweep up the audience with its charm and its firm footing in the tradition of good, old fashioned entertainment. The running time of just over two hours went far too quickly, making this show a nice little guilty pleasure.

    Puttin’ on the Ritz is at Sheffield Theatres until 20th June 2015 before continuing on its national tour, calling at numerous venues around the country until the 14th November 2015. For details, visit the show’s official website.

     

     

  • THEATRE REVIEW | Wayne McGregor’s Random Dance: FAR – CAST Theatre, Doncaster

    ★★★ | FAR – CAST Theatre, Doncaster

    Based on an 18th-century text, Flesh in the Age of Reason, (hence the acronym, FAR), choreographer Wayne McGregor’s piece ventures into the relationship between the flesh and the mind. Utilising a backdrop of a pin board of thousands of LED’s, glistening and twinkling like the firing of neurological pathways, a troupe of ten incredibly agile and flexible dancers intertwined and knotted together their bodies as they conveyed how ideas are formed and spread into the physicality of creativity.

    Minimalist lighting enhanced the piece, showcasing the dancers and their incredible suppleness. The fluidity of their movement was visually intriguing as they contorted their bodies in a heady mix of extended limbs, ripples and head rolls, working throughout the performance with a professional determination and intensity. The piece left me in no doubt as to the talent of the cast, with their precision movements and the sheer power of their toned and muscular physicality contrasting with the flaccidity of some of their more exaggerated double-jointed dance steps.

    The accompanying soundtrack started promisingly, with subtlety and a classic feel to it, as a duet of barefooted dancers performed a tender routine flanked by four torch bearers, but soon descended into a more industrial auditory landscape, with its constant clatters, pulses, bangs and harsh rasps which assaulted the audience with little discernible melody. The brief respites of a more traditional score were occasional and welcome, but not frequent enough and one could only think about how different the piece could have been with the addition of a more forgiving acoustic accompaniment.

    The piece is challenging, with an absence of an easily identifiable narrative and a feeling of a number of short pieces knitted together, but it ultimately left me feeling somewhat confused, with the theme of the interplay between art and science being conveyed less precisely than the movements displayed on stage. However, where McGregor does succeed is the demonstration of what can be achieved by the body when pushed to its physical limits in tandem with allowing the mind to be creative; and whether you appreciate the abstract nature of the piece or not, there is much to be admired in the physicality of the performance created.

    More information on the company can be found at http://www.randomdance.org/home . FAR was viewed at Doncaster Cast Theatre; who has a varied selection of mainstream and niche productions in their current season.

  • FILM REVIEW | Boy Meets Girl

    ★★★★★ | Boy Meets Girl

    Eric Schaeffer’s refreshing and enchanting drama about three 20 year-olds looking for love in a small backwater town in Kentucky gently challenges us to suspend our preconceived views on gender labels and be as open to what happens as these lovelorn kids are. Ricky is a confident and determined transgendered young woman who is marking her time working in the local coffee until she is accepted at Fashion School in NY and can get on with the life she dreams of. She’s been best friends with Robby since they were 6 years and he now works as a mechanic at her father’s garage and the two of them are totally inseparable.

    Then one day their world gets shaken up more than a little when Francesca breezes into the coffee shop and within minutes it’s clear that there is a mutual attraction between her and Ricky. Francesca is the spoiled rich kid of a local Politician and is engaged to be married to a Marine presently serving in Afghanistan. When she and Ricky hang out with each other and start to really bond, Ricky breaks the news about her identity to her new friend by text even though they are sitting next to each other at the moment. It sets a tone on how all the intimate moments are so superbly handled in this touching tale of romance.

    Francesca has been ‘saving herself’ for marriage … well, that’s the line she has feeding David her fiance… but soon finds herself in bed with Ricky. She asks after making love if this now makes her gay, to which Ricky simply replies ‘it makes you human.’ The situation soon intensifies when David comes home on leave unexpected and is horrified to discover that his fiance’s new best friend is the transgendered Ricky. It turns out that his homophobia is, however, to do with his own secret past which he shared with Ricky.

    The one person who is even more upset with the two girl’s relationship, which ends before it even gets a chance to really take off, is Robby. Turns out that he now realises that he must come to terms with his own feelings for his best friend, and once he can let go of his preconceived ideas of her gender, he can love her for who she really is.

    Schaeffer’s script handles this all with such refreshing candour which empowers these young people to find it within themselves to accept and value who they are without being hung up on the labels that society insists on doling out. Ricky’s own journey of discovery up to that point was certainly not easy as she had to deal not only with bullying and taunting during her school days but also with the demons of misremembering her late mother’s opinions. She is, however, fortunate to have the unconditional support of her blue-collared father and her younger brother.

    Superb casting also contributed a great deal to the undisputed success of the movie, and the presence of the incredibly talented transgendered actress Michelle Hendley making her film debut as Ricky lifted the whole piece to a different plane. She gave a riveting performance of Ricky as a sassy strong-willed young woman, not immune to the world’s negativity and ignorance about her sexuality, but one who was determined that it wouldn’t stop her being her own true self.

    It’s warm and often very funny and an entertaining, intelligent, sensitive treatment of an oft-misunderstood subject and probably the most enlightening and best movie that I have seen on it so far. It truly deserves the widest audience possible way.

  • HOTEL REVIEW | Hilton Garden Inn Glasgow City Centre

    HOTEL REVIEW | Hilton Garden Inn Glasgow City Centre

    ★★★★ | Hilton Garden Inn Glasgow City Centre

    A contemporary gateway into modern connected Glasgow

    Hilton Glasgow

    Set along Glasgow’s famous Clyde River, the Hilton Garden Inn is the perfect place to stay, when visiting the bustling city of Glasgow.

    Situated in the redeveloped and developing area around the historic Finnieston Quay, the hotel is a stone’s throw from the burgeoning media city and the sports facilities that were in full use during the Commonwealth Games 2014.

    The newly built hotel has 164 guest rooms, which all feature an iMac entertainment system and free WIFI along with, what I would call room essentials, an ironing board, hairdryer, tea and coffee making facilities. There’s also a well equipped, free Precor gym, should you want to burn off calories from the exquisite food available from the AA Rosette restaurant, City Café.

    The rooms are well appointed, with an inventive, airy, modern sensitivity, and best of all they offer stunning views across the river, and spectacular visions of The Clyde Arc, or as some around these parts call it, the ‘Squinty Bridge.’ It’s especially beautiful at night as the coloured light from the bridge reflects off the inky blackness of the Clyde.

    If you’re in Glasgow to do a spot of business, the rooms also have an ergonomically designed office chair – as well as that iMac mentioned previously, for you to use, but if you prefer to be amongst the people, you’ll also find a fully functional 24-hour business centre.

    A brisk walk along the river bank will take you into the heart of Glasgow to enjoy the many delights that Scotland’s second largest city has to offer, including a well developed gay scene, with bars and clubs.

    With a late check out of 12:00PM and the trademark ‘nothing-is-too-much-hassle’ attitude from staff, the Hilton Garden Inn, Glasgow City Centre, is the first choice for accommodation in Glasgow.

    Parking is just £5 and all rooms are non-smoking.

    Visit the Hilton Garden Inn Glasgow online

  • FILM REVIEW | A Funny Kind Of Love

    ★★★ | A Funny Kind Of Love

    You could be forgiven for thinking from the opening scenes of this new comedy from Australian actor turned director Josh Lawson that you are about to watch a movie that is like a Wikipedia of sexual practices, or even some soft-core pornography.

    Thankfully it is neither of those although Mr Lawson does want us to laugh at the absurdity of fulfilling sexual fantasies, which never ever turn out like you had dreamed and wished for.

    These then are the totally separate stories of five couples and the tenuous link to them is the fact that they all live in the same suburb neighbourhood, and they are all white and middle-class. The first concerns Maeve who confides to Paul her live-in boyfriend that she has a rape fantasy, which he is as reluctant to comply with as he is with proposing marriage. Evie and Dan’s marriage has hit a rocky patchy so the counsellor they consult suggest role-playing to spice things up a bit. The trouble is that Dan gets so into it he quickly forgets why the started doing this as he is now completely obsessed with becoming an actor so he can play dress-up every day.

    Richard and Rowena have been trying to have a baby for so long that sex has become a monotonous chore, for Rowena anyway. That is until her husband gets really bad news and bursts into tears and she suddenly discovers she has dacryphilia (that thankfully is explained on screen). It means that she gets sexually aroused at the sight of tears, which is harmless enough until she finds has to plot to constantly keep Richard sad enough to weep whenever she fancies getting laid. It is an odd condition, but not quite as potentially objectionable as the somnophilia that Paul has when he drugs his nagging wife Maureen so that when she is passed out, he can finally have sex with her.

    The fifth and final … and by far the best scenario, is of a couple of strangers who have not met in person. Monica works as a signing translator for deaf people wanting to make phone calls, and one night Sam calls into use the service. He wants to be connected to a sex line and poor Monica has to be the conduit for the funny and bawdy language that passes between the ‘working girl’ and Sam a cute young graphic novelist. Despite its set up it has the most tenderness of all of the scenarios because of the very real chemistry between both the caller and the operator, and it is such a genuine connection.

    There is one other tenuous link between this group of vignettes in the shape of a new neighbour who is going around introducing himself. Whilst handing over welcoming gifts he slips into the conversation that fact that he is a registered sex offender, but every household he calls on is so wrapped up in their own problems that the last part simply doesn’t sink in. Just when you think he may get back to his old ways, Lawson finishes him off. We had expected something fatal to happen because of the original title of the movie had been The Little Death and he is one of the ‘little deaths’.

    The movie ends up being more bizarre than bawdy although it does heavily on the basic assumption that many people who find sex funny will find this movie comical too. The troubles are that the laughs are rather intermittent and some regarding the whole concept of non-consensual intercourse are bordering on being offensive and in extremely bad taste.

    As well as giving himself a plum part (Paul) Lawson does pepper the piece with an extremely talented cast of well-known Australian actors. Particular mention to the pitch performances from TJ Power and newcomer Erin James as Sam and Monica. By placing their story last in the proceedings it did at least mean the movie ends on a much higher note than the one it started on.