Category: Review

  • THEATRE REVIEW |  Saturday Night Fever – National Tour

    THEATRE REVIEW | Saturday Night Fever – National Tour

    ★★★☆☆ | Saturday Night Fever – National Tour

    Stuck in a dead end job and in a deadbeat family, Tony Manero escapes the dull routine of his life by gathering the adoration of the crown as he struts his stuff on the dance floors of Brooklyn’s discos. But whilst practising with new dance partner, Stephanie Mana, his eyes are opened up to a world beyond the Brooklyn Bridge, and Tony slowly realises that his life has to change.

    Richard Winsor (Casualty) is affable enough as Tony Manero and is well matched by Kate Parr as Stephanie, whilst the ensemble cast fills the stage and brims with energy and enthusiasm during the dance numbers.

    Overall, the production has its faults. The set intrudes on stage leaving little room for the cast; the second act is narrative heavy with a storyline which all gets rather gloomy, the rapid flicking between brief scenes made the proceedings feel disjointed and the faux Brooklyn accents made the script difficult to decipher at times.

    But as you would expect, where this show comes alive is in the disco scenes, and these sections of the show are vibrant, colourful and full of life; and as they explode onto the stage they are a pure joy to watch. Featuring a soundtrack which defined a generation, the live band and singers were one of the show’s strongest features, as they brilliantly captured the look, sound, feel and falsetto harmonies of the Bee Gee’s, and belted out a string of songs which are deeply embedded in popular culture, including ‘Stayin’ Alive’, ‘Jive Talkin’’, ‘If I Can’t Have You’ and ‘How Deep Is Your Love’.

    Overall, Saturday Night Fever is a bit of a mixed bag, albeit one which is lifted by its strong and infectious musical numbers, the enthusiasm of the cast and a heavy dose of nostalgia.

    Saturday Night Fever is currently at Sheffield Theatres until Saturday 2nd March 2019 before continuing on its national tour

  • CAR REVIEW | Getting Dirty with the new Jeep Wrangler

    CAR REVIEW | Getting Dirty with the new Jeep Wrangler

    We managed to get ourselves an invite to drive the new Jeep Wrangler recently.


    The email invitation read;
    We would like you to be among the first to drive this exciting new car, and invite you to join us for a special drive event in the Lake District. There will be opportunities to drive the cars on- and off-road.

    Off-road you say? We love getting down and dirty so didn’t need asking twice.

    Jeep are very proud of their heritage. They started making vehicles in 1940 for the Army and have been making civilian vehicle since 1945. That’s some pedigree.

    They describe their all-new Jeep® Wrangler as the ‘Go Anywhere, Do Anything’ 4×4 that blends together excellent on-road performance with legendary off-road capability.” We’ll be the judge of that.

    We won’t go mad about the details. We’ll tell you more about that after we’ve had one on test for a while. What we will say is that, depending on spec, it includes two advanced four-wheel drive, active, on-demand full time systems – Command-Trac and Rock-Trac – plus Tru-Lock electric front- and rear-axle lockers, Trac-Lok limited slip differential and electronic front anti-roll bar disconnect. We can tell you first hand that this stuff is unbelievable. It makes you feel invincible, like you could drive anywhere, over anything.

     

    The format for the event was simple. Pick a car, get in and follow the leader.

    Ardent Off Road looked after us and guided us along the course, helping us through the most challenging parts and keeping us safe.
    These guys are amazing. They run off-road tours and training sessions for the public and emergency services etc, they run holidays and events in the UK and abroad and lots more. They are really good guys and absolute experts when it comes to anything off road.

    Our day consisted of 3 different off road sessions with some road driving in between.
    The first off road session was a very challenging, uphill rock crawling section, the second was woodland, heavily rutted with big rocks all over the place and the third was even more rocks with steep steps and big drops.

    The Ardent guys kept things moving, guiding us through the perils but kept it safe and fun…..lots of fun.

    Our car was a Jeep Wrangler Sahara 2.2 diesel 2 door and was really really nice. The Sahara is the entry level and crucially, comes with road biased tyres. No big chunky, nobblies here, they’re standard fit on the Rubicon.

    Despite this, it was truly awesome off road. I mean, really impressive. Ardent took us up some really technical and challenging routes; rock crawling in the rain, fording in the woods and much worse. Even on road biased tyres our Wrangler didn’t struggle. It’s was jaw dropping, breathtaking and more fun than you can imagine.

    It’s easy to use too. The auto gearbox was simple, just put it in drive and select 4×4 low ratio, then go and get dirty. Some modern 4×4’s seem to have a million settings. The Wrangler has some buttons like hill decent but we didn’t use them. It is very simple to use and unbelievably effective.

    We’ll get one on test and do you a road test review. If it sunny, we’ll even show you it’s other party trick and take the roof and doors off too for a bit of fresh air fun.

  • THEATRE REVIEW | 9 to 5 The Musical, Savoy Theatre, London

    THEATRE REVIEW | 9 to 5 The Musical, Savoy Theatre, London

    ★★★★ | 9 to 5 the Musical

    (C) Photo Pamela Raith

    Dolly, no last name needed, brings to the West End the musical of her huge song and hit film 9 to 5, and it’s a hoot!

    How could we forget the film, which starred Parton, Lily Tomlin, and Jane Fonda as secretaries at Consolidated Companies who turn the tables on their misogynistic boss? The song has endured more so than the 1980 film, so it’s perfect that it’s been turned into a musical.

    9 to 5 the Musical had a brief Broadway run in 2009 and finally it’s here in London at The Savoy Theatre. Natalie McQueen is just about perfect and a dead ringer for Parton in the role of Doralee Rhodes, secretary to the flirting and very handsy boss Franklin Hart Jr. (a very good and game Brian Conley). Amber Davies is in the Jane Fonda role as Violet Newstead, who is newly divorced and finds herself starting a new job at Consolidated, while Caroline Sheen is Lily Tomlin in the role of Judy Bernly, who has worked at the firm for years yet keeps on missing out on promotions that go to men. One day Judy accidentally puts rat poison in Mr Hart’s coffee (or at least she thinks she did), but when Hart finds out he threatens to call the police so the ladies kidnap him and attempt to find dirt on him, which of course they do. But from start to finish, accompanied by fun songs and a dazzling set, and great performances from the cast (which also includes Bonnie Langford as busybody Roz Keith), 9 to 5 the Musical will drive you happy if you let it!!!

    Of course, there are some cringe-worthy moments, especially when Mr Hart grabs his balls and plays with his nipples during one song (‘Here for You’), while society has moved on about this sort of treatment of women in the workplace with the #metoo movement in full force. But overlook these as we all have a good time watching the show. And it’s Dolly who is our narrator in the beginning, middle and ending (a video, not her in real life, unfortunately) who sets up the story and then winds it up. ‘9 to 5’ is no longer a rich man’s game, it’s all for us to enjoy!

    9 TO 5 THE MUSICAL plays at the Savoy Theatre, Savoy Court, until 31 August 2019, Book tickets here.

  • THEATRE REVIEW | The Mousetrap – National Tour, 2019

    THEATRE REVIEW | The Mousetrap – National Tour, 2019

    ★★★☆☆ | The Mousetrap, National Tour

    After a murder in London, and with the snow falling heavily outside, Monkswell Manor, a guest house, opens its doors to welcome its first five seemingly unconnected, guests, some of whom are expected, some of whom aren’t. But the night is interrupted by a phone call and the arrival of the police warning that there is a killer on the loose and that there more murders expected in the isolated house. But who is the murderer, who are the victims and who will survive?

    The Mousetrap is the longest running show in the West End and when I first saw it in 2013, having not read or seen any Agatha Christie and with a curiosity to see what made this theatrical legend so special, I found it suitably engaging, and seeing it again on this new tour was just as enjoyable.

    As one would expect with Agatha Christie, the story is one of a mixed bunch of characters; including the grumpy old woman, the retired army general and the delightfully camp young bachelor; and the intelligent writing had you casting doubt on each of the characters in turn, as their secrets slowly surface. But the fun comes in the last twenty minutes or so, as the killer’s identity is revealed and you can see whether you were right in your deductions.

    On this tour, there are high spec production values, with a sturdy and detailed set and an ambient sound and lighting design; and there are good central performances from Geoff Arnold as Sergeant Trotter, Gwyneth Strong as Mrs Boyle; and in particular, Lewis Chandler standing out from the crowd as  Christopher Wren.

    Despite the show being somewhat of its time and harbouring a terribly twee closing scene, The Mousetrap retains its ability to engage the audience without flashy visuals or an over the top production, and simply allows some good performances and classic story writing to shine through in a night of old fashioned entertainment.

    The Mousetrap is on national tour and details can be found at the show’s website.

  • THEATRE REVIEW | Come From Away,  Phoenix Theatre, London

    THEATRE REVIEW | Come From Away, Phoenix Theatre, London

    ★★★★ | Come From Away

    come from away theatre review

    Before September 11, 2001, no one had ever heard of the tiny town of Gander, Newfoundland. But on that horrible, horrible day, the townspeople (no more than 10,000 people) welcomed in and took in thousands of people who were on Westbound planes that were diverted to this place in the middle of nowhere.

    This story is told in the musical Come from Away. Winning many awards in its Washington D.C. and Broadway runs, this popular show has arrived into London with much anticipation. And the show surely lives up to it.

    Gander has a small airport, where the nearest Starbucks in four hours away, and where there are a total of 550 hotel rooms. But on 9/11, 6,579 people were grounded in Gander. And it was the townspeople who opened up their homes, and hospitality, to these passengers who at the time at arrival had no idea as to what was happening (this was before everyone had mobile phones).

    The characters in this show are based on (and is most cases share names of) real Gander residents and the passengers on these planes. The actors play both the passengers and citizens, switching roles every now and then. While it does get a bit confusing in the beginning, as the show rolls on and the music starts to kick in, Come from Away gets more uplifting, until it, and the residents of Gander, have really won us over.

    Beautiful songs such as ‘I Am Here’, beautifully sung by Cat Simmons, whose son was a firefighter in NYC, ‘Stop the World,’ sung by Robert Hands and Helen Hobson who were passengers and ended up falling in love, and ’Something’s Missing,’ sung by the entire company after the 9/11 passengers all left Gander – show us how the human spirit was alive and well the week the world changed. With incredible book, music and lyrics by Irene Sankoff and David Hein, and sharp direction by Christopher Ashley, Come From Away may not only bring you to tears, but it will also lift up your spirits.

    It had been announced that there will be a feature film adaptation of Come from Away, with Sankoff and Hein writing the script and Christopher Ashley as director. I’m really looking forward to seeing the movie version of this moving and cathartic musical. 

    Come From Away plays at the Phoenix Theatre until 19th September 2019. Book tickets here.

  • THEATRE REVIEW | The Rocky Horror Show – National Tour 2019

    THEATRE REVIEW | The Rocky Horror Show – National Tour 2019

    ★★★★★ | The Rocky Horror Show

    Nearly 45 years on from its debut, Richard O’Brien’s cult musical needs very little introduction. The show follows Brad and Janet, two 50’s Americana sweethearts who stumble upon the castle of Frank-N-Furter; a cross dressing scientist cum force of nature, on the evening that he is to bring his Frankenstein-esque playmate to life.

    As a musical it remains larger than life; and like Frank’s creation himself, the show has taken on a life of its own. With its affectionate nod to the B-Movie science fiction genre of the 50’s, it’s cult following is unparalleled and its fans amongst the most fiercely loyal you will find.

    The role of Frank-N-Furter is so iconic, that you need a larger than life personality to fill the fishnets, and Stephen Webb does a great job blending Frank’s camptastic alluring persona whilst maintaining an underlying gruffness to his vocal performance, along with Philip Franks as the narrator, brilliantly trading quips with the audience. But to be fair, you would be hard pressed to find a weak link within the cast in this top-notch production.

    Rocky Horror is presented here in all its gloriously loud, brash, colourful, neon day-glo garishness, with a set which looks luxurious and holds an almost cartoon-like feel to it; all accompanied by an excellent lighting design by Nick Richings which flooded the stage in reds, greens and purples, and some steady direction by Christopher Luscombe.

    Rocky Horror is a phenomenon, and the atmosphere at any Rocky Horror performance is one which has to be experienced. This production provides a fresh feel to a classic show and one which engages the audience like no other. So pull on your fishnet stockings, warm up your vocal cords, leave your inhibitions in the foyer and go and “give yourself over to absolute pleasure”.

    Rocky Horror is at the Sheffield Lyceum until Saturday 23rd February 2019, before continuing on its national tour. For details visit the show’s official website.

  • THEATRE REVIEW | The Price, Wyndham’s Theatre, London

    THEATRE REVIEW | The Price, Wyndham’s Theatre, London

    ★★★★ | The Price

    (C) Nobby-Clark

    There is a price to pay for everything in life, and in the new play The Price, this is true.

    Now playing at Wyndham’s Theatre in the West End, one of Arthur Miller’s least known plays is a study of two brothers who have not spoken to each other in 16 years yet each has their demons, each have paid a price for decisions they had made in life. Brothers Victor (Brendan Coyle) and Walter Franz (Andrian Lukis) have not seen each other for 16 years since their father passed away. During this time, Victor has kept dozens of his parents pieces of furniture in his attic, and he’s decided to get rid of them. So he asks 89-year old appraiser Gregory Solomon (a wonderful and definite Olivier Award in this role for David Suchet) into the home he shares with his wife Ester (Sara Stewart). Solomon is a Miller character, and Suchet injects his character with such panache, humour and vulnerability that it’s a master class of acting.

    Meanwhile, Walter suddenly shows up, having not returned any, any of Victors’ phone calls over the years. And, yes, there has been a price in not returning those phone calls, and we learn that Victor paid an even bigger price by remaining at home to care for his father when he was getting sicker and sicker. And all Ester wants is to have enough money to be comfortable, and as the going gets rough between the two brothers, Solomon offers a price for the furniture. Is the price a good one? Is there a price for being a responsible son, versus one who flies the coop and becomes successful? All of this drama takes place with the backdrop of the great depression in their past.

    The Price, which was written in 1968, is about estranged brothers facing up to the lasting effect of the Depression on their family three decades on. It’s also about not reaching your dreams, and family conflict. The set, where dozens of pieces of furniture are literally hanging on the side of a wall (by Simon Higlett), is genius. Also genius is the acting. Suchet is superb, and Coyle is at ease as the brother who may or may not have been manipulated by his sick father. Under the direction of Jonathan Church, The Price is worth the price of a ticket.

    The Price is playing at the Wyndham Theatre until Saturday, April 27th.  Book tickets here

     

  • CAR REVIEW |  Honda CR-V, 2019

    CAR REVIEW | Honda CR-V, 2019

    ★★★★☆ | Honda CR-V

    Hot on the heels of every manufacturer it would seem these days, Honda has released a new SUV. Not so totally new because the CR-V has been a staple part of Honda’s UK line-up for many decades.

    Here, however, Honda is showcasing their new petrol and more importantly, a hybrid drive system. Again, nothing new from Honda except this time it is fitted into their large SUV.

    The CR-V demonstrates two things, Class-leading space and an increase in size. All common factors with a new launch. 2 things, however, do stand out and that is space inside is very much on the generous side and the overall feel of the car is not so large that it feels like a nuisance to drive on narrow country lanes.

    THEGAYUK tried two models back-to-back. Both front wheel drive but with two different powertrains. Firstly the hybrid with a CVT gearbox and a petrol manual.

    Between the two models, one thing is very evident between the two models and that’s the ride. The all petrol drove better. It was softer, compliant and more engaging to drive. No doubt this is due to the lack of excess weight in the rear from the hybrid system. Another is silent running. While the petrol could be raucous when pressed, the hybrid with its near silent electric motors became all too familiar in whine from the CVT gearbox. 

    The CVT is not to my liking and I was a bit disappointed. Honda’s press release mentioned a unique intelligent Multi-Mode Drive (i-MMD) with clutch lockup between petrol and drivetrain when in engine mode. It still behaved like a conventional CVT system and the paddle shifts on the steering wheel didn’t make much of a difference except when it ‘sport’ mode. On the plus side, its transition between battery, petrol or both was seamless.

    Combined economy varied between power units. 53.3mpg for the Hybrid and 44.8mpg for the all petrol. That seemed a lot for the petrol to achieve, despite its lighter agile feel and the hybrid also struggled to achieve those figures. But there are 2 things standing in the way. Review cars are hardly driven softly and combined figures are not those in the real world. However, we did see a constant 45+ mpg in the Hybrid. So the penalty for that heavy feel looks like it could be offset by less time at the pumps.  

    There were other good points to be seen in these SR mid-range models and that is in its fit and finish. There was a lot to like. General tactility was top class with soft feel where you expected it to be hard plastic. The wooden effect inserts, however, were not universally liked but I liked them. The effect is pretty good. It’s not luxury wood but then at £31,565 for the Hybrid and £31,435 for the petrol, neither is the price. 

    And this is the key to the CR-V. It’s price. In this segment, the CR-V SR offers a lot of car for the money, it’s just at the moment I am struggling to justify to myself that the hybrid is better. If it was my money I’d go for the all petrol. 

    Love

    Looks

    Quality inside

    Value

    Loathe

    CVT gearbox

    Rear doors lack sound deadening

    Less agile feel in the hybrid model

    The Lowdown

    Car –  Honda CR-V SR petrol/hybrid models

    Price – £ £31,435 / £31,565 (as tested)

    MPG – 44.8/53.3 mpg (combined)

    0-62mph –  9.3/8.8 seconds

    Top Speed –  130/112 mph

    Co2 – 143/126 (g/km)

  • Jaw Dropping Harley Scrambler

    Jaw Dropping Harley Scrambler

    Fastec Racing, based in Newmarket, is an engineering company who manufacture custom parts for everyone from race teams to joe public. To promote their work (and because they live and breath bikes) they have built a string of show bikes. One of the latest is this disrespectful, insolent Harley Sportster Scrambler / Tracker. This bike reeks of attitude and bad manners but man, it looks like it’s fun.

    Originally an XL1200 Sportster, it’s been rebuilt, piece by piece from the ground up. The engine has had a complete nut and bolt rebuild including brand new pistons and barrels. Exhaust gasses exit fast and loud through some hand made stubby pipes

    One of the most impressive tricks up the sleeve of this mischievous Harley is the electrical system. The old Harley wiring was ripped out and replaced with a Motogadget M-unit blue. This is the heart of the entire onboard electrical system and controls everything from the ignition to the lights to the alarm and everything else electrical. The coolest thing about this system is the Bluetooth capability. All of these features and more can be controlled from an app on your phone. Remote start, engine diagnostics, positioning and a whole host of other stuff.

    The rear frame overhang on the standard Sportster has been cut off behind the upper shock mounts and an upswept rear hoop has been seamlessly grafted in, following the line of the fame, from swingarm pivot to upper rear shock mounts. An in house fabricated short rear mudguard and hand fabricated oil tank, ignition cover and custom made short seat gives the bike a tough, hard as nails look and those CNC’d footpegs have a steampunk kind of vibe.

    A Suzuki GSF 1200 Bandit rear wheel has been expertly squeezed into the rear with a Fastec brake calliper mount and spacers. Up front, there’s a Bandit 1200 front end; forks, wheel and brakes. That’s not as easy as it sounds. The bandit forks are beefier than the Harley forks and the spacing is wider to allow for the wider front wheel. To accomplish this, Fastec designed and manufactured a custom set of yokes to take the 43mm Bandit stanchions. The forks are held tight with one of their own Suzuki Bandit fork braces. Bars are mounted on custom risers with machined handlebar grips, all made in house.

    Why a Bandit front end on a Harley? The GSF Bandit is a great bike to modify and always has been. By grafting on a Bandit front end they get a twin disc front brake setup and a wider front wheel allowing for a much broader choice of rubber.

    Talking of rubber, this scrambler/tracker runs Heidenau K73 supermoto tyres to give that hardcore look and still offer plenty of grip, with 120/70-17 up front and 160/60-17 at the back.

    The icing on the cake is the paintwork, taken care of by Hilary at  Hurricane Airbrush Art.

  • RESTAURANT REVIEW | BOWLS, London

    RESTAURANT REVIEW | BOWLS, London

    ★★★★ | BOWLS, Soho, London

    One of the tastiest, and fun, and coolest restaurants in Soho is not on the trendy streets of Old Compton Street or Dean Street, it’s on that walkway called St. Anne’s Court. Most people use St. Annes Court for easy and quick access to Wardour and Dean streets. But next time you pass through St. Annes Court, look for BOWLS – and go right in.

    Once you walk in you will be enveloped in warmth, with smells that you can’t quite put your fingers, and tastebuds, on. And once you are shown to your seat, you will feel like you’re in a friends house. All of this is due to owner and manager Zarifa Ragimova. Moscow born, she has really put her heart and soul into this restaurant, which is just over 2 months old. She trained at Le Cordon Bleu London, and her hard work here has paid off. Right next to the bar as you walk in there is a painting of her co-created by her boyfriend Will – it’s stunning. And further in you can see bowls on the main wall from all over the world, and heading downstairs there is a clever and stylish lit up guardrail, and downstairs the walls are painted in tropical style – beautiful! Oh, and let’s not forget the food.

    BOWLS menu is a mix of Jamaican, South American, and Southeast Asian – a combination that really really works. Starting with the Painkiller Slush from their cocktail menu – it sure was a killer – deliciously so! With Gosling’s and Koko Kanu Original Jamaican Rums, orange, pineapple and coconut, this yellow looking drink, served in a coconut bowl, was ever so sweet and ever so delicious – the best drink I’ve had in a very very long time. My dining companion had the Bloody Marley – and while it was not an actual bloody mary, it was more of a cocktail, with white tequila botanical tea, bloody mary mix and lemon and tomato juice – and quite refreshing he said. Lots of other drinks to try, which I will on my next visit! £8.50 each.

    The food menu is nice and concise, and not overwhelming at all. From the choice of six starters, we had the BBQ Jerk Chicken Wings (3 very large pieces – at only £5.50), with mango and spring onions, which was assigned a hot chilli symbol on the menu but was not very spicy but was finger-lickin’ good. The BBQ glazed pork belly bao – two – were very large, but a bit on the dry side. Perhaps a bit more BBQ would’ve made them tastier.

    However, when it comes to the main portions – the Greedy Bowls – BOWLS excels. 5 mild choices, 2 medium choices, and 3 hot choices are on the menu. As I am a wimp, I had the mild Braised beef cheek. It sure was a cheek – a very large one at that, and was served with sweet potato mash (superb), sauerkraut and pickled carrots. The combination of all this was very clever, and wonderful. And while the beef was oh so tender and delicious, mild was just a bit too hot for me. I would’ve liked to have seen a non-chilli dish on the menu, but since Caribbean, South America and South East Asian foods are known for their spiciness – perhaps it’s not an option. My friend gobbled up his Laksa – a large soup dish with prawns, fish slices, tofu, and vermicelli noodles – which fell into the Hot category – but the hot spiciness level didn’t hinder him. He said this Singaporean dish was perfectly spicy.<

    And for dessert, we had to try two of their three items on the menu. The Chocolate Truffle Cake was just to die for. Warm, very rich, and not too big, it was a nice large finger slice with a bit a fruit on top. And The Churros were just divine. Served with a wonderful white chocolate & raspberry dip, the dozen or so were crispy, warm and luckily not drowning in sugar – for a perfect finish.

    Other dishes on the menu that might take your fancy include Tuna Poke, Zari- Pho- Braised Pork Belly, Homemade Broth, Soft Boiled Egg, Chilli, Thai Basil, Bean Sprouts, Spring Onion and Flat Rice Noodles, and Pan-fried Sea Bass or perhaps a Coconut Rundown Curry. Starters (Prawn Tostado, Butternut Squash croquettes, and Seared Tuna Salad) and sides (Cassava fries, fried plantains, kimchi and Truffled Courgette Fries) all sound oh so very good. Perhaps for the next visit.

    ‘BOWLS make dishes taste better’ – this is their tag line, and they are right. The food, from the starters to the main dishes, are served in varying designs and in bowls from large to small, and all pure comfort food. And the vibe is FUN! Having walked by the restaurant a few times in the past couple months, it’s constantly buzzing and busy – and with its central location, makes it a great place to meet friends after work as well as a nice weekend meal. You might also catch a night when the DJ is on the decks – all to make BOWLS extra spicy. I guarantee you will leave Bowls feeling satisfied, nourished and deeply contented, an experience that is good for the soul, and the tummy!

    https://bowlsrestaurants.co.uk

    27 St Anne’s Court,
    Soho, London W1F 0BN
    020 3146 0445

    soho@bowlsrestaurants.co.uk

    LUNCH
    Monday – Friday: 11:30 am – 3:30 pm (last reservations at 3 pm)
    Saturday: 11:30 am – 4:30 pm (last reservations at 4 pm)
    Sunday: closed

    DINNER
    Monday – Wednesday: 5 pm – 11 pm (last reservations at 10.30 pm)
    Thursday – Saturday: 5 pm – midnight (last reservations at 11:30 pm, Reduced menu available only between 10:45 pm – 11:30 pm)
    Sunday: closed

  • TECH REVIEW |  Zumo 396 LMT-S Sat Nav

    TECH REVIEW | Zumo 396 LMT-S Sat Nav

    ★★★★★ | Zumo 396 LMT-S Sat Nav

    These days, most of the cars I drive have factory SatNav. If not, I’ll use my Google maps on my phone in a holder, simples.

    On the bike, I have persevered for ages, trying to strap my phone to a holder or, if it looks like rain, stopping regularly to check google maps on my phone then carrying on for a bit.

    On the bike, I had to say enough was enough. The phone doesn’t work in the sun, isn’t waterproof and just isn’t practical. Time for a dedicated SatNav.

    Garmin came to the rescue with the devices a rugged unit, comes complete with bar mounts (and suction mount for the car) and it has a glove-friendly, sunlight-readable 4.3″ display; resistant to fuel vapours, UV rays and harsh weather.

    It’s rammed with features like WiFi updating, adventurous routing (forget boring A road slogs), live traffic, speed cameras and weather, as well as on-screen notifications from your phone and hands-free calling if you connect it to your Bluetooth headset. You get free lifetime maps too.

    This Garmin is a genuinely clever bit of kit. To really turbocharge it you need to connect it to an app on your phone (doesn’t use much data at all) and then you get live traffic updates and re-routing options, notifications for sharp curves, speed cameras, rail and animal crossings, schools and slower traffic and even Incident notification (to alert the contact of your choice in the event of a crash by sending them a link to your location). Now that’s clever.

    The more I use it, the more features I discover, like the fatigue warning that flashes up after a couple of hours, offering you suggested stops nearby.

    There’s a TripAdvisor app for ratings of nearby restaurants, hotels etc and a Foursquare app for a list of restaurants and things to do nearby, I don’t really use that much but it’s a pretty good feature.

    You can mount the unit easily with the supplied bar mount and brackets.

    It has a decent battery: A full charge seems to last for about an hour and a half, then dims to 40% brightness and it’s around 3 hours in total until it turns off. You can, however, either hardwire it with the kit supplied (direct to battery or ignition) or plug it into a USB type 12v charging socket. The satnav simply clips to a spring-loaded holder so it’s really easy to unclip it from the bike when you’re at your destination.

    The sidebar is fully customisable. Smart notifications can include alerts of emails, missed calls, SMS, WhatsApp, social media and more. Even things like elevation, traffic and other items like fuel stops ahead, trip data, weather (it’ll show you the expected weather at three points along your planned route), phone and the media player.

    You can select what categories of alerts are shown, or turn them off altogether vid the apps menu.

    The Zumo 396 LMT-S has car, motorcycle and off-road profiles. These affect the default route planning, map view, tools displayed, avoidances and off-route recalculation modes.

    Stopping to check my phone has been a massive pain in the arse. I have to keep taking a glove off to get the touch screen to work. One of my favourite things on the Garmin is the touch screen.  It works with a gloved hand… bliss. I’m sure others have it but it’s such a relief.

    The Garmin Zumo 369 LMT-S seems to be very well sealed from the weather, I haven’t had an issue yet and have been out in pretty heavy rain.

    Navigation is really good. That’s what this is about after all. The top bar shows information about the upcoming turn and distance, that kind of thing. There’s a clear map which you can change to suit you, and as you approach your exit, a clear illustration of your motorway junctions makes it easy to understand which lane to be in. Positioning accuracy is great and it doesn’t seem to lag much at all.

    I’ve been running the Garmin Zumo 369 LMT-S in my car next to Google maps on my phone as a comparison.

    I think Google Maps is slightly better when suggesting the best route and rerouting around traffic or issues. Google just seems to have slightly better information. Only slightly though and that’s more than offset by the myriad of awesome features on the Zumo.

    The other main benefit I find with Google Maps is the address search. I visit customers all week. That means I don’t always know their address. With Google, I search up the business name and usually just click ‘directions’, which ports that info into Maps. Most aftermarket SatNavs I’ve used, including this Zumo (unless I’m doing it wrong), don’t have a great business name or address directory function.

    In my opinion, this is a great unit. It’s bike specific, waterproof, touch screen you can use with a gloved hand and can see it in daylight and all the other cool features.

    I really like it. It’s made a massive difference to my riding.

    Available from Amazon for under £60


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