Category: Review
-
THEATRE REVIEW | Hairspray – Sheffield Theatres & National Tour
Tracey Turnblad is not your average 1960’s American teen. She is a big girl, with a big heart and even bigger hair. ★★★★★
-
RESTAURANT REVIEW: Zeytin, Traditional Turkish Restaurant, Greenwich
For a new restaurant on the high street, Zeytin offers a nice splash of Turkish food in a nice setting. ★★★ (more…)
-
CAR REVIEW | Mercedes AMG A38
As potential performance cars go, the first generation Mercedes A-Class is not a vehicle that immediately springs to mind.
-
CAR REVIEW | Mitsubishi ASX
Launched in 2009 to high expectations, the Mitsubishi ASX failed to make an impact on the competitive Sports Utility Vehicle sector which at present is dominated by the Nissan Qashqai and Toyota Rav4.
However according to the Society of Motor Manufacturers & Traders, in 2014-2015 sales grew by as much as 20% for the ASX. This is already on top of Mitsubishi sales, in general, rising over the last 3 years. This might account as to why we are seeing more and more ASX’s on the road. Now 7-years-older and finally finding love on the forecourt, can it now start worrying the competition? I had one for a week to find out.
Visually she’s aged well. It is still striking to look at and in a carpark full of small SUVs from the likes of VW and BMW it demonstrates a victory against the bland.
Sadly the interior cannot be said to have impressed as much. While the seats were supportive and comfortable with an impossible to locate switch to heat them, the plastics were of the hard wearing type similar to what’s used in the man machines from Mitsubishi like in their L200 pick up. There lacked a soft touch feel about the cabin. This soft touch was further lacking in stupid imprinted signs on the door pockets and centre console saying “no cups!” Most annoying after all it’s my car and I’ll put cups where I want them. Bottles were allowed in the door pockets.
Further annoyances were found with the lack of illuminated switches on the doors for windows and mirrors except for one flimsy light for the drivers switch. You forget how much you take for granted an illuminated switch in the dark. So instead of giving these lights, Mitsubishi added some sunshine lights into the glass roof panel and it screamed cheap electrical light tape found on a famous auction website. That said when the roof panel was open it did make the spacious cabin even more tardis like. It wasn’t an unpleasant place to be if I am honest.
And then there was the satnav and its illumination horrors. In the day the system was like Dr Jekyll. However, come dusk and nightfall it became Mr Hyde. At night in day mode it was just too bright. Thankfully there is a switch that turns it to night mode. It then becomes too dark using blacks and blues in colour.
So far there isn’t a lot to recommend this 7-year-old car and then you drive it. Two things stand out as negatives. Firstly there is an almighty amount of road roar in the back. At first, I thought I had the window open. Secondly, from a standing start, there is an awful delay that catches you out when pulling into traffic. This can be over come by trying to get a slight roll going before you push down hard on the accelerator. It is then that the 2.2-litre diesel engine mated to one of the smoothest 6-speed automatic boxes l have tried makes you feel like you’ve spent a million dollars. Mitsubishi gives you paddle shifts on the steering wheel too but unless you are really into spirited driving there is very little need to use them. The gearbox was always in the right gear.
This impressive gearbox and power unit managed to further impress in its economy in 4WD where l found it at its best as a driver’s car and in road behaviour.
In 2WD the economy according to the onboard computer was exactly the same over the same route of 31MPG. As you would expect in 4WD, traction was increased and it was also felt that the traction control system was less needed in keeping it where it was pointed. And then there are the headlights. Nothing fancy about these units, they didn’t even swivel. What they did give you though was a beautiful beam pattern and crystal clear view on even the grimmest of road conditions. Commuting through the wildness of Surrey I found there was little need to use the main beam.
So the ASX was starting to make me appreciate it and its appeal so quickly lost on taking delivery was starting to make sense. There is bags of room inside and the cabin does have a tardis feel about it. The boot is very generous for this size of vehicle and rear seat leg room with my 6-foot frame behind the wheel was more than adequate. With this opulent amount of space must come a good heating system and it was good. And then it was bad. and then it was perfect. Call it what you like but there were times l felt like Goldilocks. Set to 19 degrees it would heat the cabin until it was as hot as the sun and then cool it down with blasts of cold. Only then would it settle to a perfect temperature. This lasted around 10 miles per journey and opening a window would only confuse it.
Where this ASX really excels is in its price. The top end £24,899 model is £1400 more expensive that its 1.6-litre sister and that only comes in manual. You do pay more at the pumps if you go by official figures of over 10 MPG worse for the 2.2 but only 4 MPG over the extra urban. I, however, was not able to match even its lowest figure of 39.8 for the urban dash. Compare the top of the range ASX to its lowest family member and it £9,000 saving doesn’t make the 1.6 ASX 2WD look good at all unless you are after an estate looking vehicle with no functions. The ASX is already 10 years out of date, don’t do yourself a disservice and make it worse by opting for the lesser model.
Overall all is not lost for the quite likeable ASX. According to the 14 owners on the Autotrader website, it scored 4.6 stars out of 5 and prices are set to become even more competitive with talk of a new model ASX coming in 2017. Need yourself an SUV with a 5-year warranty? Now is the time to talk to Mitsubishi.
Pros
Automatic gearbox
Headlights
Standout looks
Cons
Poor switch gear
Road noise
Throttle response from standing start
The Lowdown
Car – Mitsubishi ASX
Price – £24,899 (as tested)
MPG – 39.8 urban
Power – 147 bhp (at 3500 rpm)
0-62mph – 10.8 seconds
Top Speed – 118 MPH
Co2 – 152 g/km
by Stuart M Bird
-
REVIEWED: Forbidden Nights
What better way to warm ya cockles, lift spirits, and power-tool through a long dark night this winter then an evening of ogling bulging biceps, finger-licking thighs, prolific pecs and alluring abdominals? ★★★
-
THEATRE REVIEW | The Solid Life of Sugar Water
This is a story that describes events between a couple who go through hell and back again while having disabilities.
★★★
-
THEATRE REVIEW | A Raisin in the Sun, Sheffield Theatres
- With the current controversy around the lack of diversity this year’s Academy Award nominees, it seems somewhat timely for Sheffield Theatres, Eclipse Theatre Company and Belgrade Theatre, Coventry to present “A Raisin In the Sun”, a landmark play in Black theatre and one which explores issues of racial politics and social attitudes through the eyes of the Young Family. ★★★
Set in 1950’s Chicago, the family await the receipt of a cheque for $10,000, a life insurance payment from the patriarch’s recent death. Each of them harbours their own ideas about how the money can be used to transform the lives of all of them and release them from the crammed apartment they all share. The tensions in the family are exacerbated by Walter’s propensity to drink, Benetha’s desires to go into medicine (despite the duel disadvantage of her sex and skin colour) and the challenges of a family all trying to do right by each other.
Ashley Zhangazha gives a very strong performance as Walter, bringing across the characters mixture of frustration, enthusiasm, desperation and ultimately his misguided attempts to better himself for his family’s benefit. There is a certain vulnerability within the character which draws the audiences sympathy and whilst his actions are questionable, his motives aren’t. Equally, Angela Wynter’s portrayal of Mama is just as accomplished; with her melodic intonation becoming somewhat mesmerising and softening the matriarchal figure.
The director, Dawn Walton, steers the production with solid confidence and garners performances from her small cast which allow you to instantly warm to the family, despite their individual flaws, fantasies and motivations.
The play looks at the issues of change on both a personal level and of the community at large. Written in 1959, Lorraine Hansberry’s script certainly reflects the mood of the time, leading to it being the first play written by a black woman to be produced on Broadway. The family comes across as a metaphor for the civil rights movement and social consciousness of a society on the cusp of change, with a mixture of methods and reasons for wanting to improve their situation for the better in the face of blatant challenge and prejudice.
The theme of the play remains relevant – motivation, money and moving forward – and steadily builds towards an emotional denouement, despite a handful of somewhat intrusive scene changes and a slightly overlong scene between Beneatha and Joseph Asagai towards the end. The play is a straightforwardly presented production which allows the script and performances to speak for themselves.
A Raisin In the Sun is currently at Sheffield Theatresuntil 13th February 2016. 0114 249 6000.
by Paul Szabo | @IAmScubamonkey
-
THEATRE REVIEW | Wonder.Land at The National Theatre, London
Alice’s Wonderland has had a major upgrade to version 2016 and it’s good. ★★★★
Wonder.Land comes to us via Rufus Norris, Blur’s Damon Albarn, who wrote the score, and playwright Moira Buffini, who have taken Alice and Wonderland and brought it right up to date for 2016. If you liked the original then you will not be disappointed, if you can get past the online element to the new wonderland. The usual characters survive such as the mad hatter, the rabbit, the twins and of course the Cheshire Cat, but as you have never seen them before.
Alice or Aly, played by Lois Chimimba and brilliant, is a teenager growing up in a suburban city dealing with a mother’s attention focused on baby brother Charlie, the feeling of responsibility for her parents’ separation and being bullied at school. Her only means of escaping the life she hates is a new online game ‘Wonder.Land’ where she can be who she wants and find answers to the ‘who are you’ question which is asked throughout.
It’s in this online world where Alice creates her online avatar persona, who is the complete opposite of herself, and follows the white rabbit through various online levels, meets other like minded gamers and battles against the red queen, who happens to be Aly’s head teacher in the real world with a hint of Cruella De Vil thrown in the mix.
The songs, which are easily recognisable as written by Damon Albarn, are great, each character having their own unique song that is the personification of that character. From the sad and desperate songs of Alice and her mother, the hypnotic and soothing song from the caterpillar and the mad and hectic song of the hatter all play their part in this wonderland on stage.
The staging itself is a mix of contemporary theatre, digital displays, weird and wonderful costumes and characters that all fuse seamlessly into one. The real world is grey and dull, even down to the costume which is in complete contrast to the colourful online world, and when they collide on stage, almost creates a hallucinogenic experience for both the stage characters and audience alike (not that I know what such an experience is like of course).
The only downside were the three school girl bullies who, when combined, reminded me a bit too much of Catherine Tate’s “am I bothered” sketches and I wasn’t sure if I should of laughed at their bullying or not.
That aside it was still worth a watch.
The modern musical story creates laughs, wonder, glitter, self driving sofas, and a baby throwing up, yes I did say a baby throwing up. So if you are a fan of Alice in Wonderland then you will not be disappointed by this modern take on the classic if you dare enter Wonder.Land at The National Theatre.
Also, for those who like that bit extra for their money, turn up a bit early for the fully interactive wonder.land things to do from entering the magical garden, creating your very own avatar to a musical tea party.
Wonder.Land plays at The National Theatre, London until 13 March 2016, 020 7452 3000
