Tag: Canterbury

  • THEATRE REVIEW | The Play That Goes Wrong, Marlowe Theatre Canterbury

    ★★★★★ – Dangerous, jaw-dropping and comedy genius!

    Mischief Theatre, in role as The Cornley Polytechnic Drama Society, brought to the Marlowe Theatre in Canterbury stage an uproariously funny murder mystery entitled The Murder at Haversham Manor and it went south, literally.

    The Play That Goes Wrong was a comedic masterpiece, like its successor Peter Pan, Goes Wrong, with dangerous and risky tricks that left audiences clutching on to their seats as pieces of stage fell off and got thrown around, sometimes missing the actors by inches. The actors were so efficient in everything they did, from balancing three objects across two body parts, to expertly delivering their lines while dodging canvasses, candelabras and each other. What was sublime about The Play That Goes Wrong was that if ever you have seen an amateur, or a badly produced professional, play, this show embodies the different mistakes and disasters that have occurred in the former shows. There’ll be a moment where you cannot help but recall a bad production where sets had fallen down or actors had genuinely forgotten lines and asked for “line” throughout entire speeches.

    Jason Callender who plays Jonathan playing Charles Haversham was brilliant. His gag was always turning up at the wrong point in the play, revealing the ending every time. It was very comedic, too, when Jonathan was rarely allowed to play dead, for actors clumsily walked on him, sat on him, or fell on him. He made the audience laugh at his every entrance, and I chiefly loved his sneaking off stage wriggling subtly on the floor as if to kid the audience that we couldn’t see him depart. Patrick Warner who plays Chris playing Inspector Carter was a comedy genius. Every reaction was crafted to perfection, and his lines were well-timed with the action. The audience hung on to every word he said. He played the director too, so it was particularly hilarious when, under his breath, he would mutter a direction to understudies that had come on to fill in for a part. Ham acting is a feature often prominent in amateur murder mystery productions, and Alastair Kirton playing Max playing Cecil Haversham did a sterling job showcasing this. Max’s sawing the air with his hands and over dramatising his role while stopping to smile as the audience laughed during one of his lines, was incredibly entertaining. When Max changed role to be the Gardener he flashed his clothes to tell it was still him, and that he had returned, but as a different character. Absolutely hilarious. Lastly, Natasha Culley as Sandra Wilkinson enacting the role of Florence Colleymoore was a treat. Sandra was everything that had ever gone wrong with acting all sewn together in one actress. Her ticks, shallow demeanour, and not able to improvise without direction, was a great feast for the senses. Her overproduction of movement as she spoke, too, was hilarious. Overall, each cast member contributed to one of funniest nights I’ve had this year.

    The Play That Goes Wrong was especially entertaining for the set was a safety hazard, as the study, built atop of the drawing room, with no rails or support, collapsed gradually while the actors were still on there. It eventually fell down while an actor was under it, but the dexterity by which the actors moved and positioned themselves, made the accidents sort of safe, and we could exhale once again.

    Mischief Theatre is like Alton Towers, you queue to get on, you get several scares, and then you want to hop on again and again.

    The Play That Goes Wrong is playing at the Marlowe Theatre, Canterbury until 5th August 2017

  • THEATRE REVIEW | Mamma Mia, The Marlowe Theatre, Canterbury

    ★★★| Mamma Mia 2017 National UK Tour

    REVIEW | Mamma Mia, The Marlow Theatre, Canterbury

    Sophie is determined to have her father walk her down the aisle at her forthcoming wedding. After finding out that there are three potential guys who may be her father, she invites them all to the forthcoming nuptials; but will she find out which one really is her father, and how will her mother react when three of her former lovers all turn up unexpectedly?

    Currently on its first ever UK tour, Mamma Mia is a show which needs little introduction. Based around the hit songs of Abba, the show has been a phenomenon for many years and continues to pack out theatres with its sunny setting, perfect pop and feel-good factor.

    The show feels as warm as the weather in the Greek setting to the story, with a set made up of a backdrop of brilliant blues and two moveable parts to the set which transforms the locations of the story very well. The lighting design is well conceived, the costumes include some spandex and stomping platform boots, and the whole thing is fairly seamless in its presentation.

    Sadly, for such a slick and polished production, the lead cast was disappointing; with both the acting and singing not being of a standard one would expect from such a huge show. Someone in the foyer joked “at least we won’t have to listen to Pierce Bronson sing tonight” (referring to his much-maligned performance in the film version of the show); but at times, his dulcet tones may have been a blessing. It is the ensemble cast who really shone in terms of their enthusiasm, singing and dancing; with more gorgeous gals and hunks in trunks than you can shake a stick at; and an abundance of muscular and ridiculously attractive young men in the ensemble with vast amounts of six packs, biceps and perfect pecs on display.

    But the real star of the show is the music, and with a soundtrack which plays out like your ABBA Gold CD, there are more than a few songs here that you will know every word to. There are some storming numbers, which work really well; “Money. Money, Money”, “Mamma Mia” and “Does Your Mother Know” are good ensemble pieces, and the collision of the stag and hen do’s to “Voulez Vous” was an enjoyable highlight; with this show reminding you of just how good ABBA really were.

    But where the show really succeeds is in the fact that it remains an absolute crowd-pleaser and presents itself with a real sense of fun. It’s a show which cranks up the camp, ditches the story and plot and goes all out to enjoy itself. It’s not perfect by any stretch, but by the time the crowd are on their feet singing and dancing at the end, you know that you have had a good couple of hours of escapism and managed to kick-start your summer.
    Mamma Mia plays at The Marlow Theatre, Canterbury until 29th July 2017 
    Review taken from the Sheffield Theatre’s production.
  • Canterbury gay bar’s window reportedly “shot out”

    Canterbury gay bar’s window reportedly “shot out”

    Police are currently undertaking a search of the area surrounding the Limes gay bar in Canterbury after the window was reportedly “shot out”.

    According to Kentonline.com police officers are currently searching the area surrounding Canterbury’s only gay bar Limes Lounge, after a window was allegedly “shot out”. A small hole was discovered in the window, leading people to believe that the window had been shot at.

    It is not yet clear how the hole was created, officers are investigating the possibility that a catapult or air rifle was used. No weapon was seen by witnesses or seized by officers.
    A Spokeswoman for Kent Police said,

    “No injuries were reported and the investigation into the incident continues.

    “A window was broken and the cause of the damage remains under investigation. No weapons were reported to have been seen.”

    Officers were called to Rosemary Lane in Canterbury at 9.50pm on Sunday 19 June following a report of a disturbance after a number of people had been asked to leave a venue. A window was broken in the incident. The cause of the damage remains under investigation. No weapons were reported to have been seen.

    Shortly after 4am two people – an 18 year-old man from Dover and a 17 year-old woman from Hythe – were arrested in connection with the incident and are currently in custody.

    No injuries were reported and officers remain at the scene as investigation into the incident continues.

     

    In 2014 the boss at Limes said he was threaten with arson six months after it opened. The owner  Tony Butcher told Kentonline that he was also approached by a man in a dog collar who suggested that he should be cleansed of his sins by attending his church.

     

  • Victim Of “Homophobic” Acid Attack Scared Of Leaving Home

    Victim Of “Homophobic” Acid Attack Scared Of Leaving Home

    A man in Whitstable has spoken about the moment he says he was sprayed with a noxious liquid in what is being described as a homophobic attack.

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  • GIG REVIEW: Joan Armatrading

    Ah Joan. Last night, I was lucky enough to see Joan Armatrading LIVE in Canterbury.

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