THEGAYUK

Tag: Five Star Film Review

The latest Five-star film review from THEGAYUK.

  • HOTEL REVIEW | The Pineapple Point, Fort Lauderdale, USA

    ★★★★★ | The Pineapple Point, Fort Lauderdale, USA

    Fort Lauderdale, Florida makes an impressive POINT!

    Many gay travellers tend to head to Miami for its busy South Beach area that offers a gateway to its swanky bars, famous nightspots, sandy beaches, exclusive shopping, numerous tanning products and ridiculous diets to compliment that cocktail that you have in hand – oh, and if it’s not a low-calorie cocktail you may be looked at as if you were drinking CONCENTRATED orange juice!

    Yep, this is ‘SoBe’ (South Beach for short) or a more polished ‘SE’ (Southend, Essex) that definitely has its characters eyeing tourists from behind their velvet rope.

    Thankfully there is a ticket out of this hot mess and the ticket hero that is Fort Lauderdale comes to the rescue. Just 45 minutes north of Miami sits a very patient area of Florida that has an increasing gay population in the Victoria Park and Wilton Manors gaybourhoods.

    Numerous gay hotels line these areas with easy access to the calm and powdery white beaches. The Pineapple Point Guesthouse and Resort claims that over 90% of their business is from returning guests and really I am not surprised. This resort is tucked away in luscious heaps of palm trees and boasts spacious bedrooms to three-storey villas with private splash pools and decadent furnishings. The beds are so ridiculously comfortable like where on earth did they buy these from!

    If you choose to be social their repeat guests will offer you their non-attitude company and if you choose to be private then the friendly breeze from this resort will tempt you to relax. The Pineapple Point’s only downfall is you will have trouble deciding whether to stay in the quarters of your room, suite or villa or go outside on the grounds of the resort where a number of pools, Jacuzzis and hammocks are all inviting you with their silent persuading whispers – tempting you to their haven. Best to hire a car in Fort Lauderdale (with Sixt car rental) or jump on one of the bikes that the resort provides. Before heading out to dinner to the walking distance of the Las Olas Boulevard area (go to BAO Bar Asian Kitchen – so good!) the social hour by the pool in the evenings are hosted by the generous staff who are the lovely ones that promote a point to make you feel very welcomed at The Pineapple Point.

    Book a stay at The Pineapple Point with Booking.com

  • FILM REVIEW | Selma: US History With Passion And Brilliance

    ★★★★★ Selma | This extraordinary wonderful new film that finally brings Nobel Peace Laureate Dr. Martin Luther King centre stage in a Hollywood movie focuses on just one of the most crucial periods in his life.

    (more…)

  • FILM REVIEW | Pelo Malo (Bad Hair)

    ★★★★★ | Pelo Malo (Bad Hair)

    The opening scene of the extraordinary refreshing movie reveals a very reluctant Marta cleaning a luxury apartment aided and abetted by Junior her 9-year-old son who she has dragged along, as she cannot afford a babysitter.

    She’s annoyed as she feels that this work is beneath her but has to do it anyway as she is unable to get re-hired in her Security Guard job that she was suspended from for some unspecified reasons. Marta lives with her two children in a decaying tower block housing project in one of Caracas’s poorest working class areas and it’s a daily struggle simply trying to make ends meet and get enough money to feed the family.

    This is not the only reason why this attractive, but sullen, young woman looks angry all the time, as she is constantly battling with Junior, who even at this very early age, she suspects may have homosexual tendencies. The boy’s best friend is a potty mouth girl and he prefers to play with her dolls rather than pitch in with the other boys on the Estate and join their rough-horse games. Not only that but as he has inherited from his father (since departed) an unruly mop of curly hair, he is desperate to have it straightened in time for the obligatory photograph he needs to start High School next time.

    It’s yet another reason to continue the running spate with his mother who can barely disguise her loathing for her eldest child, and who chooses to use all her motherly love on the baby instead. However, Junior’s paternal grandmother, who has no real love for her ex-daughter in law, is happy to indulge her grandson. She has an ulterior motive though as she would like him to come live with her so that he will be around to take care of her when she gets older. She helps Junior experiment straightening his hair and even makes him an outfit to wear for the photograph. It’s based on one that his favourite pop idol wears but when the end result looks too girly for him, he starts to fight with his grandmother too.

    Junior is too young to understand what he is feeling and his fawning admiration for handsome teenager Mario who runs a news kiosk could, of course, be just a schoolboy crush, but Marta has already decided that it is unhealthy and is the reason that her effeminate son is developing into something that she so obviously finds abhorrent. She also knows that as the adult in this situation she has the power and the ultimate control and it’s what she will use to get her own way.

    All this family drama is played out against the rapidly changing political instability in Venezuela that is pushing this family (and so many others) into an uncertain future and making sheer financial desperation become a major factor in shaping people’s beliefs and standards. The odd thing that in this patriarchal society Marta is clinging to this outdated attitudes, which are rank with homophobia even though the job that she is so desperate to recover for herself is one that is traditional, a very masculine occupation.

    It is nevertheless a wonderful melodrama that even with the futility of the embittered mother’s position she still wants to fight the natural development of her child even though he obviously has no idea of what he is even happening to him and his sexuality. Samantha Castillo as Marta, and a complete scene-stealing turn by Samuel Lange Zabrina as Junior enhances it with a stunningly realistic performance.

    It won writer/director Mariana Rondón the major award at the prestigious San Sebastián International Film Festival but the main reason that this excellent movie deserves our attention is because she chose to tackle the very sensitive subject of budding sexuality, and in an environment/culture that is facing such turmoil right now anyway.

  • FILM REVIEW | The Boy in the Striped Pyjamas

    After my recent visit to Auschwitz, watching a film about The Holocaust might not seem like such a great idea. However, I remember this film coming out in the cinema, and wanting to watch it – but never quite got round to it. ★★★★★

    And thanks to the wonders of Netflix, I have now seen it – and wept! The film is based on the book by John Boyne, and follows the adventures of an 8-year-old boy, Bruno. The son of a high-ranking Nazi, you don’t really get a sense of what his father does and it doesn’t seem to impact on his son and his friends as they play at being pilots (remember using your arms as wings, running around pretending to be a plane?)

    The only sing that something is odd is when his father gets a promotion and this upsets Bruno’s life, shifting his mother, sister and father to an undisclosed location. The new house is beautiful, very modern for the 40s and lots of rooms to play in, leaving Bruno to choose his bedroom and the view of the “farm”. When questioned, his father finally explains to his wife the true nature of the new posting. The odd smell… the strange hired help.

    And then Bruno goes exploring and encounters the boy in the striped pyjamas, Shmuel. This is where this film comes into its own; the viewpoint of an 8-year-old. In their world, nothing’s nasty, nothing’s fatal, in their world food is found, no-one starves, lost relatives can be found, someone on the other side of a fence can still play games, lying doesn’t have major consequences, summer is endless and life is beautiful.

    Or is it?

    Whilst we see what is happening around them, their own wide eyed world view is based on what is in front of them, no wider picture, nothing bad happens. And that’s what makes this film unique, the two main characters are children and we see things through their eyes.

    When Shmuel loses his father, Bruno offers to help and a simple plan is put in place… with consequences. I wont spoil it for you, but stock up on tissues.

    The two main characters are amazing in this film, understated performances and totally believable. Asa Butterfield who plays Bruno is all wide eyed Arian with an 8-year-old’s simplistic world view. He has all the benefits of being of the right genetic stock, and still doesn’t understand just yet what’s going on, whilst his family can see the other side and his mother suffers a near breakdown when she realises whats going on.

    Jack Scanlon plays Shmuel and is so believable, they caught him at the right time, skinhead with missing teeth, he excels in the part as a camp inmate. The script is pitch perfect, the costumes spot on and the sets are believable, having seen the wooden stables the Nazis used to house inmates in Auschwitz-Birkenau, and the bunks use to house 2 or 3 inmates at a time, this really is faultless.

    Watch this film if you can, read the book, then read up on the subject – get an understanding on this subject. Visit the Holocaust Educational Trust site and support their work: www.het.org.uk

    Available to buy from Amazon

  • FILM REVIEW | Wild, Witherspoon Shines With Talent

    ★★★★★ | Wild

    After her cancer-ridden mother died just aged 45, Cheryl Strayed fell to pieces. Heavily in debt and with her marriage disintegrating she developed an obsession for sleeping with countless strangers and an addiction to heroin. Her solution to finding a path to recovery and do some major soul-searching was deciding to hike alone the entire Pacific Crest Trail (PCT) that stretches some 2663 miles from California right up into Canada.

    The stunning scenic route takes in some extreme terrain such as the unforgiving heat of Mojave Desert and the deep snowdrifts of the Sierra Nevada. Even though the rigours of the PCT has defeated many experienced hikers, completely green newbie Cheryl was convinced that she nevertheless would succeed. However, on day one, she could barely lift her heavy backpack that she had stuffed it with too many things that she would eventually realise were unnecessary for this arduous journey.

    As she starts the long hike northward Cheryl discovers that as she can barely manage 5 miles per day, she will never walk anything like the whole distance in the 3 months she had estimated. She also quickly discovers that she has the wrong gas for her primus stove so her diet now has to consist of cold mushy oatmeal and dried fruit. Racked with pain and a body full of red sores and a pair of bloody feet, Cheryl has to fight hard not to give into her inner voice that keeps telling her she can quit anytime.

    With only the occasional rattlesnake and her well-worn poetry books to keep her company and relieve the tedium and the agony, she can hardly contain herself when she finally encounters a fellow hiker en route even though the advice he imparts to her both encourages and scares her rigid at the same time. By now it has really dawned on her that she is woefully unprepared for such a massive undertaking. The only thing that seems to sustain her besides her sheer stubbornness, is a real need to ‘find’ herself again.

    Director Jean-Marc Vallee armed with a script by Nick Hornby fills the journey based on Cheryl Strayed’s own memoir with flashbacks of her tumultuous and troubled past which help us understand her determination to make this trip work. Bobbi her working class mother had suffered at the hands of a physically abusive husband which somehow never dented her sheer optimism and just before her untimely death she had gone back to college to get the education she had missed out on as a child. The bond between Bobbi and Cheryl, who was just 22 years old when her mother died, was the most important thing in both these women’s lives and the reason why the death propelled Cheryl so quickly into a downward spiral.

    When Cheryl reaches the first town along the PCT which is a resting place for all hikers, she retrieves a care package that her ex-husband has mailed c/o the local Post Office. She also discovers that word has got out about her and her oversized backpack has been nicknamed ‘The Monster’ but it also elicits advice on how to discard half its contents to make it more practical.

    As a lone woman on the Trail, Cheryl feels very susceptible and she views every man as a potential predator. One is a harmless roving reporter for the ‘Hobo Times’ who riles Cheryl up for insisting on calling her a hobo. Another is a kind farm worker who offers her a hot meal and a shower, and she even comes across a male hiker dipping naked in a stream who cannot get his clothes on quick enough when she appears. Her encounter with two hunters is however quite scary, but with quick thinking on her part Cheryl soon scrambles for safety.

    The stunning setting makes this heartbreaking journey such a visual treat, and the story of self-preservation of this doggedly determined troubled soul is one that will resound with so many people on so many levels. Reese Witherspoon, the movie’s star and producer optioned Cheryl Strayed’s book even before it was published and topped the NY Times Bestseller List as a vehicle for herself and to kickstart her career that has been in the doldrums since her Oscar win in 2005. It paid off big time as she totally immersed herself in the role and gave an impressive career-best performance as Strayed (even though she was 12 years older than her, and even odder still, just 9 years younger than Laura Dern who was electrifying as Bobbi her mother).

    The movie is bound to do more than just make us appreciate what a talented actress Ms Witherspoon really is, as it is also bound to inspire lots of other lost souls to buy themselves a pair of hiking boots and attempt this near-impossible journey, and maybe cause a ‘traffic jam’ or two along the P.C.T. in the future.

  • FILM REVIEW | Into The Woods

    ★★★★★ | Into The Woods

    Hollywood has a knack of bungling the adaption of hit Broadway musicals when it tries to capture the same magic for the silver screen.

    Just think of the turgid Les Miserables in 2012 or the excruciatingly painful ‘Nine’ in 2009. However when they get it right as with Tim Burton’s take on Sweeney Todd, or discovering Jennifer Hudson in Bill Condon version of Dreamgirls, then the results are wonderfully entertaining. Of the two musical movies vying for our attention this Christmas, one at least is as good as it can get, and something that its original writer and composer Stephen Sondheim can be relieved and even happy about.

    ‘Into The Woods’ is a wonderful mix of classic light and dark fairy tales that Sondheim uses to weave around an original story of his own. It’s the tale of a Baker and his childless wife who have been cursed by a witch after the Baker’s late father had stolen her magic beans. To enable them to break the spell so that they can conceive a baby, the witch sets them a list of things they must acquire for her before the 3rd midnight. It includes a cloak as red as blood, that they ‘relieve’ Red Riding Hood of; a cow that is milky white which they barter with Jack of Jack & the Beanstalk; the slipper as pure as gold that they get from Cinderella as she is running from the Prince; and the hair as yellow as corn which is snipped off Rapunzel after she lowers it out of the window of the tower she is imprisoned in .

    As the Baker and his wife go about encountering all these characters we get a slice of each of their stories. Jack egged on by his mother steals from the Giant who lives at the top of the Beanstalk, and when he is pursued, kills him only to have the rage of the Giant’s wife inflicted on the whole village. Cinderella gets to go to the Kings Festival thanks to her Fairy Godmother, but when she is eventually tracked down by the Prince, she discovers he is not quite as wonderful as we thought. He quips in defence ‘I’m meant to be charming, not sincere!’ Rapunzel is pursued by the Prince’s younger brother but when her mother (the witch) discovers the lovers she blinds him. Luckily Rapunzel’s tears give him back his sight.

    The real magic though is in Sondheim’s outstanding music in what is probably one of his best ever scores. Director Rob Marshall opens the movie with a long take of the song ‘I Wish’ which cleverly introduces all the major characters and sets the storyline up from the start. It establishes a pattern for really making the extraordinary songs a much more integral part of the story than usual. What Marshall has added to some pieces is a campy touch of humor that may offend real Sondheim elitists, but in most instances, as in the case of the two Princes so brilliantly mugging their way through the song ‘Agony’, it will surely provoke a spontaneous round of applause from the audience as it did last night when I saw it.

    The stage musical has been revived many times on Broadway and on London’s West End and the role of the Witch has been played by a whole slew of the cream of musical theatre. In the movie, however, The Witch is played by Meryl Streep who really adds much more dimension to the part in what is one of her best performances for years. She is both funny and scary and proves that she can really deliver a song with more nuance and power than most.

    In fact, Marshall could not have selected a more perfect ensemble cast than he did. Brits James Corden and Emily Blunt had remarkable chemistry together playing the central characters of The Baker and his wife; Anna Kendrick was sublime as Cinderella, as was the ever-fabulous Christine Barenski as her Wicked Stepmother; a welcome return to the screen for Tracey Ullman as Jack’s mother; Chris Pine and Billy Magnussen played the handsome Princes; and in two scene-stealing roles wonderfully talented Lilla Crawford was Little Red Hood and young Daniel Huddlestone was Jack. Plus lest I forget a brief cameo from Johnny Depp as The Wolf.

    Using the line from one of the best songs (‘Children Will Listen’) the adverts for the movie warn ‘Be careful what you wish for’. If you are a Sondheim fan or just like musicals, then you’ll learn to that after you see this movie that wishes do come true though, and in many ways.

    P.S. Last month we reported in THEGAYUK of the buzz surrounding Meryl Streep’s performance would lead to another Oscar Nomination. Now we can tell you emphatically that we are convinced she is a dead shoo-in for one!

  • FILM REVIEW | Leviathan

    ★★★★★ | Leviathan
    Award-winning Russian director Andrey Zvagaintsev’s new epic movie opens to the dramatic tones of a Phillip Glass prelude as the camera scans over the desolate sight of a remote small fishing community that looks like it may have seen better times. It is on the Kola Peninsula in northern Russia and its almost deserted coastline is littered with discarded wrecks of boats and the carcases of whales. One of the last residents is Kolya an ex-fisherman now eking out a bare living as a motor mechanic with his pretty younger second wife and his teenage son in a riverside property that the crooked local mayor wants to seize from him in order to construct a new major development.

    Kolya is no easy pushover however and enlists the help of Dimitri his ex-army buddy who is now a lawyer in Moscow. The two of them put up a brave fight but they stand no real chance of winning when they find out that everyone in authority in the town is clearly on the mayor’s ‘payroll’, including the local police force and the repugnant Orthodox Christian clergy. Dimitri, however, has an ace up his sleeve as he possesses a detailed File of evidence about the Mayor’s corruption that could be his undoing, but playing this hand could also backfire as it is clear that the Mayor will stop at absolutely nothing to continue to fill his pockets and increase his power.

    Nothing quite pans out in this drama as one would expect, and what seems to start out as a political satire on the inbred Russian system of corruption turns into a murder mystery with more than the occasional masterly touches of some brilliant black humour. Zvagaintsev’s passionate portrait is of a culture where the benefits of a contemporary society are still restricted to a privileged few, whilst most of the local population’s lives are firmly stuck in the past which they have no way or means of escaping. The despair and hopelessness seem even more pronounced with such stunning dramatic cinematography that focuses on the cold steel blue of the oft-barren landscape.

    The ‘leviathan’ large sea monster that writer/director Zvyagintsev refers too here is metaphorical but the epic struggle that the likes of Kolya must deal with in this very loose retelling of the Book of Job, is not with his faith in God but with the unwieldy and unforgiving Russian state.

    It is an extraordinary near perfect masterpiece of storytelling that keeps one on the edge of the seat for the lengthy 142 minutes, and it is very clear to see why it is swooping up Best Picture Awards all over the place, and is on the shortlist for an Academy Award too.

  • FILM REVIEW | CitizenFour

    ★★★★★ | CitizenFour

    After you have watched Laura Poitras’s powerful documentary on the NSA Whistleblower Edward Snowden you will never want to use your bank debit card, mobile phone or even turn your computer on ever again. Whilst it’s not always easy to totally understand the intricate technical details of what Snowden reveals, it is, however, impossible not to avoid his very serious warning that Big Brother is most certainly spying on every single one of us.

    What’s remarkable about this extraordinary movie is that is that Poitras was part of the whole process of Snowden going public with his astonishing information, so what we see is a blow by blow account as she films this unprecedented event from the very beginning. Oscar-nominated Poitras (‘My Country My Country’) was in the middle of making another film about surveillance when Snowden contacted her anonymously, using the pseudonym ‘Citizenfour’, and asked for her help in exposing the government’s practice of indiscriminately wholesale spying on all its citizens. Unlike others with conspiracy theories Snowden, a computer intelligence expert who worked for one of the NSA’s main contractors, had hard proof to back up all his claims but as this was classified information he knew that revealing the details would be both difficult and dangerous.

    In May 2013 he flew from Hawaii from Hong Kong where he had arranged to meet up with Poitras and Washington Post journalist Glenn Greenwald. They had deliberately chosen this Chinese territory as it has no extradition treaty with the US and both Poitras and Snowden knew that the moment they started to go public with the story the US Government (and maybe the British one too) would want to skin them alive.

    When the three meet Snowden makes it clear about his intentions to reveal how widespread these surveillance programs are, but he is unsure about exactly what information he should make public without compromising national security. Here the journalists take the lead, and they with British journalist Ewan MacAskill, make the decisions on what to release to the media and when. These few days in with the ‘team’ in Hong Kong holed up in Snowden’s undisclosed hotel room are tense and nerve racking to witness, and asides from worrying about future consequences, Snowden also wants to ensure that when the story breaks that it focuses on the revelations themselves and not about him personally.

    It turns out he was right to be concerned as when the world starts to reel with the news of the far-reaching relentless spying that government agencies have been doing aided and abetted by the likes of the major cellphone and broadband providers, the NSA and the US Government desperately try to move the focal point by accusing Snowden of traitorous acts rather than attempting to explain why all this surveillance is happening. His life is definitely in danger and the UN consulate in Hong Kong help spirit him away to a safer location whilst they can work out his next move.

    The one thing that one is sure of after seeing Snowden at close quarters and intently watching and listening to him as he shares the information he is about to reveal and explain exactly why he feels the need to take such actions, is that this very regular-type-joe simply thinks that the world has a right to now. He is devoid of any committed political convictions and he even takes great strides to ensure that his actions do not place even the smallest risk to national security. Whatever doubts one may have had about him previously thanks to the highly personal vitriolic backlash in the media that followed the disclosures, they are totally banished when one realises what a responsible and sincere individual Snowden is. He is, in fact, a true patriot and hero.

    Once he was publicly identified as being the Whistleblower, there is a very tense time when he is talking with his long-term girlfriend back home who had no inkling at all of his plans for her own good. Now he worries that the authorities will put pressure on her in retaliation, but one of the high points the movie finishes on is seeing the two of them reunited in their flat in Moscow after the Russians eventually gave him asylum.

    Credit is also due to the intrepid Greenwald who became both the moderator and the front-man who articulately dealt with the world’s media throughout the whole process. His ‘reward’ was British Immigration Authorities ‘detaining’ his partner at Heathrow airport for four hours to ‘question’ him. In fact less we should think that this is whole surveillance thing is a problem for just the American public, Snowden makes it very clear that the UK agency GCHQ have far less legal restraints placed upon them and their spying on all British citizens is probably even more intense and widespread.

    Although the movie ends with the concern of Snowden’s future (the Russians gave him a one year visa) there is naturally the much more vexing question of what will happen to all this wholesale spying once this current furore dies down. The sad thing is, we know the answer.

    P.S. This excellent movie has just won the IDA’s Best Documentary Award and has also been shortlisted for a Nomination for the Academy Award for Best Documentary.

  • FILM REVIEW | Mr. Turner

    ★★★★★ | Mr. Turner

    Mike Leigh’s stunning biopic of J.M.W.Turner is the portrait of the leading English Romantic landscape artist who was evidently also quite a philanderer and misanthrope too. Set in the 1820’s (although Leigh never tells us that) the movie focuses on the last 20 years of the painter’s life when he was at the height of his success and his work was being exhibited at the Royal Academy and also commissioned by wealthy aristocrats.

    Leigh’s story starts when Turner returns from a painting trip in Belgium to his London home that he shares with his elderly father who dotes on him and acts as his studio assistant, and also the sad-looking maid who allows Turner to have his way with her whenever he gets the urge. The maid just seems to be the latest of several mistresses, as the previously estranged one who has two simpering grown up daughters by Turner often comes around to harangue him looking for support which he never ever gives them.

    When his precious father dies, Turner sinks into a deep depression and is even more bad-tempered with nearly everyone he comes into contact with. In one rather glorious scene when he is visiting the Summer Exhibition as it is being hung at the Royal Academy he is openly disparaging about the work of the other Academicians who constitute a veritable who’s who roll call of every major artist of the day (Constable, Stothard, Callcot etc).

    On a trip to the small seaside town of Margate, which would become the inspiration for many of his most famous paintings, Turner meets the twice-widowed Mrs. Booth who becomes his live-in mistress, and later the pair moves to a house in Chelsea where Turner lives out the rest of his days.

    Leigh and his cinematographer Dick Pope don’t just show Turner in action manically slathering paint over his canvasses but also capture evocative and powerful images of the landscapes often at dawn just as Turner would have viewed them. They are a real visual joy. As too are the sets of Victorian Britain that production designer Suzie Davies has lovingly recreated.

    Like all Leigh’s movies, Mr. Turner is created through an improvisational method from which the final script evolves. Enabling his actors to have more input than normal into creating their characters certainly plays off, as so brilliantly demonstrated by Timothy Spall who gives a career-best performance as Mr. Turner. With his expressive squashy face he so convincingly portrays the short-tempered genius that never lets anything distract him from his work. Even when he faces public ridicule after he experiments with his painting style, and also right to the very end when he is on his death bed he cannot but help himself seize one final perfect moment to sketch.

    The talented cast is mainly made up of many of Leigh’s regular actors that include Dorothy Atkinson pitch perfect as the put-upon maid, Marion Bailey as the loyal Mrs. Booth and veteran actor Paul Jesson as Mr. Turner Snr.

    Overly long with a running time of 150 minutes which makes the action seem too slow and stretched out at times, nevertheless this screen biography lovingly gives a wonderful portrait for the only artist to ever now have a whole permanent gallery dedicated to his work at The Tate Gallery in London. Mr Spall’s (potentially) award-winning performance also makes this an unmissable film.

    In Cinemas Now

  • BOOK REVIEW | The Great Discovery, Jonathan Lemieux

    ★★★★★ | The Great Discovery, Jonathan Lemieux

    You know me and my love for erotic fiction – oh, you don’t? Ok, I love words, they are sensuous and arousing, they can make you conjure images that photographers and illustrators may not be able to.

    And as for erotica, I’m not talking heavy-handed Fifty Shades of Blagh either, I’m talking characters, plots and scenarios that you can relate to. This is where Jonathan Lemieux comes in.

    His first of a series of erotic stories centres on Victor, described as the love-child of an Otter, a Bear and a Pig and this sets the tone nicely for the rest of this story.

    Victor and his boyfriend Thomas have reached that point in their relationship where they either split or go down the “open relationship” route.

    Guess which they choose? And, thus opens the floodgates of the Daddy section of this story. Victor realises that this is where his particular fetish lies. Jonathan is very descriptive, and ensures his story has a good amount of sex sprinkled throughout to keep you flicking those pages.

    This leads Victor to online hook-ups and onwards to Bruce, his 50-ish year old bear conquest and his friend Matt. What follows is an interesting and descriptive threesome.

    Jonathan can write, boy can he write – his backgrounds make his characters real, give them depth – odd really for an erotic short story, but worth the investment.

    His background as a visual artist seems to have given him an ability to be very descriptive about the situations he puts his characters into, and these are very 18+ and ain’t for the kiddies! The whole scenario feels real and that adds a certain edge to the story.

    The story is available here as a download or an actual book – take your pick.

    http://www.blurb.ca/b/5413601-the-great-discovery?class=book-title

  • FILM REVIEW | Eastern Boys

    ★★★★★ | Eastern Boys

    Filmmaker Robin Campilio’s disturbing new thriller sharply contrasts two different sides of society in contemporary France with a very chilling effect.

    The first chapter of his four-part story is a near cinéma vérité scene of the Gard de Nord where a gang of Eastern European youths is trailing the platforms and aimlessly but obviously set on something illegal. One of them is a skinny baby-faced hustler who catches the attention of a 50 year-old businessman with whom he plays cat and mouse game throughout the station environs. When the youth allows himself to be cornered, they strike up an arrangement to meet at the man’s apartment the next day.

    What wealthy Daniel thought would be a hot date with this young Ukrainian turns out to be a frightening home invasion when the entire gang arrive and strip his luxury apartment completely bare. Taunted by the cocky Russian ringleader Boss with some overtly sexual advances, Daniel seems both terrorized and aroused at the same time.

    The third chapter opens with the surprising return of Marek the hustler … the time on his own … who offers to have sex as they originally had arranged. Despite the boy’s total indifference as he lays naked and motionless on bed Daniel still penetrates him, but the moment that it is over Marek quickly dresses and leaves without uttering a word. What is assumed would just be a one-off visit, is in fact repeated. At first its infrequently and then quite regularly but just as the youth starts to experience real feelings for Daniel, the older man decides that he wants to develop what they have into a non-sexual friendship.

    It is obvious that both of them are still threatened by the hold that ‘Boss’ and the gang have over Marek, who still lives with them in a hotel full of other illegal immigrants in the suburbs. The only way for them to ever be free of the menace is to move away, but Boss has Marek’s only papers … his passport …. stored away in his safe. Their concern that trying to retrieve this will be nigh on impossible and extremely dangerous proves to be well-founded.

    The relationship between Daniel and Marek is powerfully erotic especially as this sharp-suited savvy business man who has been viciously robbed by the boy and his thuggish pals, is yet somehow still attracted and is prepared to expose himself to potential danger again. And the different relationships that both of these men have with the charismatic but completely scary and unhinged Boss is both mesmerizing and unnerving.

    The movie, which picked up the prestigious Horizons Award at the Venice Film Festival, was beautifully filmed, and had stunningly convincing performances from all three protagonists. (Olivier Rabourdin who looks like he could be Kevin Spacey’s twin played Daniel).

    The morality of portraying all the immigrant boys in such a stereotypical manner is questionable, but that aside, this excellent drama will definitely rank as one of the best gay themed movies of this year.

    Available from Amazon | iTunes