Cocoon is a true depiction of the trials and triumphs of female adolescence, a coming-of-age tale that every woman can relate to.
In the heat of a shimmering Berlin summer, Nora (Lena Urzendowsky) spends her days as a third wheel to her older sister Jule (Lena Klenke) and her best friend Aylin (Elina Vildanova). They think and talk only of boys and how to keep thin, whilst wandering the vibrant city streets taking selfies and juvenile social media videos. Feeling the pressures to fit in, Nora goes along with her sister’s frolics – drinking, smoking and playing ‘smack the finger’ with the boys. But with their alcoholic mother largely absent, it is Jule who bears the brunt of Nora’s supervision. Nora looks up to Jule but still keeps and cares for caterpillars, an activity she and her mother once shared.
On a gym day at school, Nora gets her period for the first time in front of the class – one embarrassing step too far for Jule. When older student Romy rushes to Nora’s rescue, a friendship blossoms and Nora falls fast in love for the first time. But as the hottest summer on record comes to a close, things will never be the same for Nora – the butterfly has emerged from her cocoon.
Henry Blake, in his debut as director and writer, gives us an intimate and moving portrait of a young man groomed into the drug trade.
In County Lines, we meet Tyler (Conrad Khan), who lives at home with his single mother Toni (a very good Ashley Madekwe) and his little sister Briony (Shauna Sim). Tyler is a disaffected youth in east London, and at 14 is the man of the house. His mother has a hard time making ends meet, and also has a hard time getting Tyler to open up. Tyler is just going through the motions at school, couldn’t care either way about it, nor about the men his mom brings home. But one day he meets the good-looking and sharp-dressed Simon (Harris Dickinson).
Simon offers Tyler the opportunity to make money, money much needed in his cash strapped home to pay the bills. Soon enough, Tyler gets sucked into the world of drug-running – delivering drugs and collecting money – but it all comes at a risk, not just from the authorities but from other dealers in the business as well. But Tyler gets in way too deep, but will the new trainers and extra money be worth the risk?
Khan is just about perfect as the young man who wants to do right by his family and takes an opportunity he sees as too good to be true. Khan, a veteran of many films, including The Huntsman and The Passenger, has an amazingly expressive face. Madekwe also just about perfect as his struggling mom, while Dickinson (Beach Rats) is good as always. Director Blake pulls us into Tyler’s bleak world from the start – it’s an amazing debut from Blake – who originally created this film as a short – nominated for the Best British Short Film Award at the London Short Film Festival last year.
In the new documentary film Bare, these men are whittled down to eleven who rehearse and perform the premiere of Belgian choreographer Thierry Smit’s new dance piece ‘Anima Ardens.’ Director Aleksandr M. Vinogradov’s captures the auditions, and rehearsals, in this documentary that is both revealing, sexy and fun. Filmed in Brussels, the men, all presumably professional dancers, jump at the chance of working with Smits, a well-known choreographer who set up his own company in 1990, and who has created over 30 dance performances. His dance pieces are contemporary, with fusions of pop, queer and often provocative aesthetics included.
The eleven men have no problem getting naked. One, during the early stages of the audition, raises the question as to why the camera is in the room. The explanation is that a documentary will be made about this process answers the question, and the show goes on. However we really don’t get to know any of the dancers individually, and Smits, front and centre, also remains an enigma. But combining Smits with the dancers in their daily struggle to get the dance moves correct, with Smits not quite knowing exactly what he is looking for, brings mystery and drama into play.
All the dancers are very sexy, of course especially when naked, but after a bit, the nudity becomes almost invisible (but not quite) and it’s the performance piece they are rehearsing that takes centre stage because it’s unconventional. All the dancers appear to be very comfortable with each other, and near the end, they are all very playful in the showers as they clean up after a day of rehearsal. And Bare cleverly ends as the first performance of ‘Anima Ardens’ begins. Lucky for us, just a quick Google search will lead you to see the actual dance piece in its entirety.
Bare is indeed bare; it’s sexy, raw and in your face.
Bare held its world premiere at Hot Docs and has also been featured at Cinema Diverse, Doc NYC and DocEdge.
Look for it hopefully at UK film festivals in 2021.
Fionn O’Shea and Lola Petticrew are just about perfect as a young couple who pretend to fall in love in1995 Ireland in the new film Dating Amber.
But they are not an actual couple. You see Eddie (O’Shea) is Gay (though he won’t admit it), and Amber (Petticrew) is a Lesbian, and both are on the cusp of finishing their last year of high school. Amber, who lives with her widowed mother in a trailer park, has dreams of moving to London after she graduates. Eddie, meanwhile, plans to go into the military to follow in his father’s footsteps. But to survive their final year at school, and to ward off name-calling and bullying from their fellow students, they decide to pretend to be a couple (this is after a failed attempt on Eddie’s part to woo a blond girl, though he fails to grab her boob during a groping session).
Eddie and Amber go through their charade and actually make a perfect couple; Eddie is shy, very cute and adorable, while Amber is aggressive, knows what she wants, and has all the best lines. However, after a night out to a gay bar in Dublin where Amber meets someone, and Eddie still not quite ready to accept that he’s gay, the pressure is on for him to take charge of his life, to appease his father (Barry Ward) and very understanding and knowing mother (Sharon Horgan), alongside his know-it-all younger brother (Evan O’Connor).
This coming-of-age comedy is a poignant, honest and funny look at the highs and lows of teenage life while growing up in a conservative environment where young people who are different don’t seem to fit in. Both leads are just absolutely perfect, the feel of mid-90s Ireland comes through the screen, and the funny script makes Dating Amber the one of best romantic comedy and growing up films of the year.
Eva Green is superb as a divorced single mother who is an astronaut chosen to go into space in the excellent Proxima.
Sarah (Green) is a French astronaut training at the European Space Agency in Cologne and lives alone with her seven-year-old daughter Stella (Zélie Boulant), and still friendly with her ex-husband Thomas (Lars Eidinger).
Being the only woman in the space program, Sarah is chosen to be part of the crew for a year-long space mission called ‘Proxima.’ While she is honoured and privileged to be chosen, she must weigh the fact that this will take her away from her delicate daughter for a year, and this also means putting Sarah in the middle of a male-only mission where there is very little sympathy for her being a woman and a mother. She has to put up with misogynistic banter, and fellow crew members who need to more time to get used to going up into space with a woman. Even the captain Mike (a very good Matt Dillon) doesn’t immediately take a liking to her. But Sarah slowly earns the respect of the crew and slowly prepares Stella for her departure. But second thoughts enter Sarah’s head, and right up to the last minute she has her doubts.
Proxima premiered at the 2019 Toronto International Film Festival and proceeded to run the festival circuit where it won the Special Jury Prize at San Sebastian Film Festival. Vertical Entertainment has released the film on digital and VOD platforms. Green (last seen in Dumbo) is absolutely fantastic and her performance puts her in awards contentions.
Dillon, who last made screen waves, and controversy, in the 2018 film The House That Jack Built, shines as the team leader, and he’s good-looking as ever. Proxima is a film that will bring tears to your eyes and will melt your heart.
The late Oliver Sacks was a very fascinating man. Learn more about him in the upcoming documentary Oliver Sacks: His Own Life.
Sacks was not just a scientist and neurologist, he also wrote dozens and dozens of books including best sellers, was a master in his field, greatly respected, became a celebrity later in life, and he was also gay.
Sacks grew up in an upper-middle-class family in Cricklewood, London. Both his parents were doctors – so it was almost a natural that he’d be a doctor. But it wasn’t until his older brother Michael was diagnosed schizophrenic, an illness that affected the whole family but Oliver more so, that Sacks future was sealed. Going to medical school in Oxford, then to America where he took up residency in San Francisco is when his true self came out – a man with a motorbike dressed in head to toe leather. But while he was taking care of patients with severe neurological issues (stunning footage shows him with patients with neurological diseases and oddities) – Sacks never really found love or romance. His mother vehemently objected to his homosexuality but she also turned into a champion of his while he spent a summer writing a book at his childhood home. But her death affected him greatly, and after he turned 40 he remained celibate for the next 35 years.
Quite a bit of footage of Sacks is of him in his West Village apartment surrounded by staff, friends, etc. His personality comes through in these moments like a bright red sunset – with his charming laugh, unique British accent and sparkle in his eye that will win you over. He won Bill Hayes over – at age 75 Sacks and Hayes (20 years younger) remained together until Sacks death in 2015 at the age of 83. It’s a happy relationship to the end of an amazing life led by a man who changed medical science and at the same time opened our eyes to it. Director Ric Burns really captures the life and times of Sacks, especially of his final years of being with Hayes.
Dedalus is a fictional triptych portraying community, love, and loss.
It’s a film that deals with homosexuality and age, with three very different storylines. And while one of them is a bit confusing, it’s a very good piece of work by a first-time director.
A goodlooking young man (newcomer Alexander Horner, a natural) is a bit lost in life, always struggling to make ends meet, going from couch to couch. But he knows what he likes – he enjoys the ‘company’ of older men. He also needs food and shelter during a cold winter in New York City. He is also sexually attracted to older men. And even though a young woman takes him in, nothing satiates his quest for love then older gay client. He meets a succession of them, most of them wealthy, and lonely. They all, of course, take a fancy to him. But he falls for an anxious lawyer (Thomas Jay Ryan) and can foresee a relationship with him, but the lawyer has other things in mind. This second of the three stories in this film is the most hard-hitting and unforgettable.
Directed by Jonah Greenstein, an independent filmmaker, the other two stories deal with a fathers mortality which compels him to leave his home in Los Angeles and move in with his daughter, and the other story takes place in rural Iowa, a grocery cashier watches helplessly as classmates conceal their act of sexual violence against his teenaged step-sister.
All gorgeously directed by Jonah Greenstein, an independent filmmaker. He’s worked with some big names (Rami Malek, Michelle Wiiliams, documentary filmmaker Laura Poitras), but it’s this debut, which laces loneliness. beauty and mystery, to create a film that is both startling and memorable.
Now on on Streaming Platforms including Apple TV, Amazon Prime, OVID.tv & Kanopy
Remember your first romance? It probably took place during the summer. The new film Summer of ’85 beautifully tells the story of one young man who experiences his first romance – in the summer of 1985.
The opening song ‘In Between Days’ by The Cure sets the era for the film (yes, you know it if you were around then). Summer of 85 is set in a Normandy, France, seaside town where Alexis Robin (a memorable Félix Lefebvre) lives with his parents and is in the gap period between school and college.
Alexis enjoys being the near the water, so much so that one day he takes a small boat out to sea but gets caught in a storm. He is rescued by the all too dashing Benjamin Voisin (David Gorman). Benjamin makes sure Félix is fine and takes him to his home to take care of him, where his mom (a very good Valeria Bruni Tedeschi) undresses Félix for a hot bath and admires his manhood). This leads to a quick relationship where Alexis has his first real crush (and love) with Benjamin. But it’s all too fast and furious, and when Benjamin’s mom (who was recently widowed) asks Félix to work in their nautical shop full time, it’s might be too much too soon for the perfect pair. And when Brit Kate (Philippine Velge) enters the picture the boys’ relationship is put to the test. Will it pass or fail? And then an unseen tragedy, typical in French films, dramatically changes the tone of the film.
Directed and co-written by the masterFrançois Ozon – the creator of so many great and memorable films (recent films include By the Grace of God and L’Amant Double) scores another winner here with a superb choice of actors, location, and songs (’Sailing’ by Rod Steward and Bananarama’s ‘Cruel Summer’ tells the story in their titles). Though the film goes a bit off the charts by having Félix dress up as a young woman in one silly scene (reminiscent of The New Girlfriend), Summer of ’85 is a very memorable and charming film about young love. It’s a film that will take you back to your first summer love.
Summer of 85 is in cinemas and on Curzon Home Cinema
An Australian singer, with a young daughter in tow, arrives in 1996 New York to make it as a singer. The woman’s name was Helen Reddy.
Yes, Helen Reddy the legend who sang such hits as “I Don’t Know How to Love Him”, “Delta Dawn” and “Angie Baby” and the iconic “I am Woman” started her career in NYC as a singer in a bar lounge. Thus begins the story of one of music’s greatest superstars in the new film I Am Woman.
Yes, she was sure a woman. And Reddy, who just recently passed away in September in Los Angeles, had it rough when she moved to NYC after winning a singing competition in Australia where the prize was a ticket to NYC and a recording contract. But with a suitcase and only $230 in her pocket, and with no recording contract, she was determined, and desperate, to make it on her own.
Besides hanging out with rock journalist Lillian Roxon (Danielle Macdonald), she also meets Jeff Wald (a fantastic Evan Peters who steals the movie), a young aspiring talent manager who becomes her agent and eventually husband, and he helps her get to the top. After their move to Los Angeles, Reddy’s singing career began, and continued to hit new peaks, where she became the first Australian singer to top the US charts, and even winning a Grammy award in 1973. But Wald had a cocaine habit, which eventually got worse and worse, and with Reddy not home a lot due to a Las Vegas singing residency, and with a new son to take care of, their relationship started to crumble, and eventually ended when Reddy found out Wald had made bad investments with her money.
However, I am Woman is the story of a woman, against all adversity, who was determined to make her dream come true. Reddy not only became the most successful female recording artist of her time, but she also broke stereotypes and led the way during the most crucial period of the women’s liberation movement. And she became a role model for what all women could achieve.
It’s an incredible story, made all the more real by director Unjoo Moon, who has very little experience in the directing world, and by Tilda Cobham-Hervey, who effectively plays Reddy, but unfortunately, it’s not an award-winning performance. It’s Peters’ performance who steals the film as her husband. But it’s also Reddy’s life and legacy that will most stick with you. What she had to do and what she accomplished, in a time when women’s rights were just a passing hope, and how perhaps her message through song and her voice really did help propel the feminist movement in helping to pass the equal rights bills across America.
IN CINEMAS AND ON DIGITAL PLATFORMS FRIDAY 9TH OCTOBER
Susan Sarandon is amazing as Lily, a woman slowly losing her faculties and who has decided that at the end of a perfect weekend she will choose to die. The perfect weekend includes visits by her two daughters – Jennifer (an unrecognisable Kate Winslet) with husband Michael (Rainn Wilson) and their teenage son Jonathan (Anson Boon); dysfunctional Anna (Mia Wasikowska) and her female partner Chris (Bex Taylor Klaus). Also along for the ride is Lily’s best friend Elizabeth (Lindsey Duncan) as well as her loyal and handsome husband Paul (Sam Neill), who has always been by Lily’s side.
The family is not a perfect one – Jennifer has controlling issues while Anna has never been truthful and transparent about her life. Sure she’s in a same sex relationship but there’s been times where she’s fallen off everyone’s radar – but Lily is still proud of both of her strong daughters who she raised to be just like her. But as the clock ticks to the final moment we know is coming, there is some excellent family time around the house, including the emotional ‘Christmas Dinner’ they have which is Lilly’s last evening meal. There is also lots of tension when several unresolved issues are revealed. ‘Blackbird’ is hard to sit through – it’s very emotional and very real, but up until the end, when every truth has been told and every tear has been wept, Sarandon still holds the screen – and our attention. It’s one of her finest film performances.
In Monsoon a young man of Vietnamese descent, who now lives in Britain, returns to Saigon to return his mother (her ashes) to her home country, a country her and her husband fled during the Vietnamese war. But Vietnam is also a country that Kit (Henry Golding) also knows very little about – he was 5 when they left. So his return to the home country is a poignant one, his father has also died and Kit’s brother is bringing their father’s ashes so him and Kit can bury them together. While Kit returns and visits old friends of his and his mothers, he falls for American Lewis (Parker Sawyers) and establishes a semi-relationship with him. While the gay storyline is a bit irrelevant to the focus and mission of the plot, it’s played out against the backdrop of a city full of traffic, noise, people, motorcycles, and beautiful sunsets that linger in the horizon.
Monsoon also brings us lulled moments – quiet and contemplative – in a film that’s oh so short at 85 minutes.
Henry Golding (Crazy Rich Asians) is good in the role – but the film itself could’ve explored more of his background and his relationship with his family (perhaps flashbacks) to give more of a background into his homosexuality. In all, if you’re looking for a meditative and quiet film, this film is for you.
