Yoav is one angry man – so angry that he sacrifices relationships with his partner and his best friend for a life of solitude – in the new heart searing film 15 Years.
An Israeli production and filmed in Tel Aviv, 15 Years focuses on sexy daddy Yoav (Oded Leopold) who appears to have everything a gay man would want: an extremely sexy partner of 15 years Dan (a very sexy and well-cast Udi Persi who brings comfort to the screen every time he is on), a good job as an architect, absolutely gorgeous best female friend Alma (Ruti Asarsai), and an amazing apartment overlooking Tel Aviv. What he didn’t have was a great relationship with his parents; his mother is long gone while his father lies comatose in a local nursing facility. Then one night, while he and Dan are hosting a dinner party with all their friends, Yoav loses it. Why? Because their gay friends now have children while Alma had previously announced that she is pregnant.
Yoav starts complaining that they are all turning into straight people – with families – something he’s just not into. But when Dan starts to reassess their relationship and feels he could possibly see a baby in their future Yoav doesn’t accept this and leaves and moves into a dilapidated apartment, and his life starts falling apart. His company loses a very lucrative contract, his father passes away thereby leaving wounds still open, his friends shun him, he doesn’t want to be at Alma’s side when she has her baby, and a one-night stand he has turns into a mess. Meanwhile, Dan has moved on and has met a much younger guy who’s he’s really smitten with. So is Yoav and Dan’s 15-year relationship really over? Will Yoav come to his senses and realize what he’s lost?
What’s really frustrating with this film is Yoav’s anger. Sure he can be mad at the world but enough so to lose everything he’s worked for? Anyone would kill to have people like Alma and Dan in their lives – what is Yaov’s anger and demons really all about? We are never convinced. But having said that writer and director Yuval Hadadi has made a very good film with perhaps the sexiest gay couple you’ll see in a film this year, a film that really left me thinking about past relationships and what-ifs.
Imagine being trapped, held against your will, in a house and a neighbourhood that is weird and creepy. Actually that’s our reality right now, but take it one step further and imagine that there is simply no escape – and what you have then is Vivarium.
Vivarium literally means an enclosure, container, or structure adapted or prepared for keeping animals under semi-natural conditions for observation or study or as pets; like an aquarium or a terrarium. In the new scary and disturbing science fiction movie Vivarium, Tom and Gemma (Jesse Eisenberg and Imogen Poots) are being observed, studied, but by whom they, nor we, don’t know.
Before this, they were just a young ordinary couple looking for a house to buy. Gemma was a teacher, while Tom was a DIY man. But one day they walk into a real estate agents office and meet an odd, clean-cut and crisp robotic salesman named Martin (Jonathan Aris) who is more than happy to show them a house at a development called Yonder.
Once they get there, everything looks and seems perfect; homes all alike in an environment with round clouds and blue skies, while the house Martin shows them is perfect, almost too perfect. But Martin disappears while Gemma and Tom are looking around the home, and they get into their car and realize there is no escaping the neighbourhood. It’s then that their young idyllic future turns into a nightmare as they are forced to live in the house in which they can’t escape from, where food, and a baby boy, are delivered right to their doorstep, to create one happy family.
‘Vivarium’ shows a young couple right at their most vulnerable, put in a situation they simply just can’t escape from. Director and writer (with Garret Shanley) Lorcan Finnegan has a keen eye for detail, and as the mystery builds, so does the nightmare of the whole situation. Without being bloody and violent, Vivarium, is just downright scary, but more chillingly as perhaps because it seems all too real.
Vivarium is available on the following digital platforms:
iTunes/Apple TV Amazon Sky Store Virgin Google Play Rakuten BT Playstation Microsoft Curzon Home Cinema BFI Player
Georgia, where the LGBT population still face challenges, is the setting of the gay love story And Then We Danced, which is very good thanks to a great script, and great directing and acting.
Swedish Director Levan Akin’s (he is of Georgian descent) film is about young men of the National Georgian Ensemble where the typical dance routines are more masculine in nature.
Levan Gelbakhiania plays Merab. He desperately wants to dance for the main ensemble but is still struggling at the junior level, and is given great support by his partner Mary (Ana Javakhishvili). Merab lives with his mother, grandmother and lazy brother, all in a flat where money is hard to come by and where the electricity gets turned off because the bill is not paid.
One day a new dancer, Irakli (Bachi Valishvili) joins the junior ensemble, and soon enough he and Merab are among the few who have been chosen to audition for the main ensemble – both of their dreams. But on a weekend away with other dancers, Mareb and Irakli finally get to act on the chemistry that they had when they first met. But with the audition days away, and bad news from back home which might impact Irakli’s chances, will their new found relationship survive?
When And Then We Danced premiered in Georgia, it was met with protests and violence. But it’s an achievement, both in it’s telling of a gay love story in a country where gay love stories don’t exist (it’s also a story about forbidden love), and an achievement in film because the story is beautifully told (written by Akin), and the acting is realistic by two leads who had no acting experience prior to this film.
A must film to watch while you pass the time away at home.
An unseen stalker is wreaking havoc on the life of a San Francisco woman in the new version of ‘The Invisible Man.’
Elisabeth Moss plays Cecilia – who literally runs away from her very wealthy tech genius of a husband Adrian (Oliver Jackson-Cohen) because of his mental and emotional abuse. But Cecelia has not completely broken away from trouble – she feels like she is being watched, spied on, and stalked by someone, something. But her sister Alice (Harriet Dyer) informs her that Adrian has committed suicide, and shows Cecelia the news on her smartphone. So her sister reassures her that she is free from Adrian and all the torment that he had caused her. But her unease continues and racks up even more when strange things start to happen (a blanket pulled off from her bed, footsteps seen on the ground).
This invisible stalker becomes more bold and violent, enough so that an unseen force murders her sister in plain sight, framing Cecila for the murder. She is convinced that her ‘dead’ husband is still alive, even after being assured that he’s dead by Adrian’s lawyer brother Tom (Michael Dorman). Writer and Director Leigh Whannel (’Saw’) really ratchets up the scare factor, including in quiet moments in the film when Cecilia is tending to normal activities.
Moss is very good as the victim, and as the film creeps up to its 2 hour running time, the suspense builds, though there are a couple of moments of disbelief.
All in all ‘The Invisible Man’ is one scary film that successfully reimagines the very scary HG Wells original.
The new film ‘Emma’ – based on Jane Austen’s 1815 novel – is about a rich young woman who sees her friends all around her falling in love. But does Emma want love?
Starring Anya Taylor-Joy, who plays Emma with a spark, and lives a very comfortable life with her very rich father (Bill Nighy) – who always feels a draft in his house) much to the dismay of his butlers. But it’s Emma who rules the roost – and who plays matchmaker for her girlfriends – all hanging on her every word.
Her friends include the daughters of Miss Bates (a hilarious turn by Miranda Hart), and her friend Miss Harriet Smith (Mia Goth). But while others around her are falling in love right and left, love eludes Emma – and it’s been under her nose all along! Will her knight in shining armour be George (Johnny Flynn) or Mr Elton (Josh O’Connor) or Frank (Callum Turner)? ‘Emma’ – a story told many times in the past, is a fun film – perfect for Valentines Day. Directed by Autumn de Wilde, with sumptuous costumes and sets, and Anya Taylor-Joy is a joy!
Robert Pattinson in director Robert Eggers THE LIGHTHOUSE. Credit : A24 Pictures
⭐⭐⭐⭐
Rating: 4 out of 5.
Powerful acting by both Willem Dafoe and Robert Pattinson, and superb cinematography by Oscar nominee Jarin Blaschke, are the highlights of this film about two men sent to a remote location to take care of a lighthouse in the middle of nowhere.
As boredom, heavy and continuous rain, and monstrous waves take their toll on both men, they start grating on each other after too many meals and too much time together, and it all comes to a head as Pattinson’s Ephraim Winslow starts getting annoyed as Dafoe’s bossman character Tom Wake barks one order too many.
A bit on the homoerotic side, The Lighthouse is visually so unlike any film you’ll see this year, or even this decade.
89-year old Director Clint Eastwood shows he’s still got it.
In Richard Jewell, he tells the story of the man who was initially blamed for the bomb that exploded in Atlanta, Georgia during the 1996 Summer Olympics.
Paul Walter Hauser is fine as Jewell, an overweight security’s guard who still lives with his mother (Kathy Bates in overacting mode). A back story of a reporter (Olivia Wilde) who will do anything to get her story (including sleeping with FBI agent Jon Hamm) did not happen so take this film with a grain of salt.
Sam Rockwell is very good as usual as the man who never doubted Jewell’s innocence.
Step into the sexy world of male strippers in the new titillating documentary All Male, All Nude: Johnsons
Johnsons is not the name of one of the strippers – it’s the name of a male strip club in Fort Lauderdale. Well not actually Fort Lauderdale but a community within called Wilton Manors – Americas second gayest city per capita.
In a follow up to the popular 2017 feature documentary ‘All Male, All Nude,’ director Gerald McCullouch introduces us to the all too hot, sexy, and young male strippers of all nationalities at Johnson’s.
Owned by Matt Colunga, an award-winning bodybuilder who has been in the male entertainment industry for 23 years, we see that Johnson’s is the perfect place to work if you want to be a male stripper. The strippers can make as much as $500 on a good night – and perhaps even more if they go to the ‘private’ rooms with a customer. But everything here is on the up-and-up, no risqué business takes place here, where Matt really cares for his strippers, even to a point to make them take a breath test before they leave the club after their shifts.
We meet the adorable hot and sexy Alexander, 26, who spends his days dressed as Spider-Man creating fun for children at kids parties and then spends his nights stripping down to his G-String for gay men, and others including one young man who decided to become a cosmetologist when he decided he did not want to strip anymore.
Also, there are single fathers and young men putting themselves through college with their stripping income, to entertainers in the adult film world – all sorts of men who are working hard for the money. While the focus in the documentary is not on the customers, it’s them who keep this place going, and packed most nights.
‘All Male, All Nude: Johnsons’ is exactly what it says on the tin – it’s sexy, nude and all-male!:)
Renee Zelwegger is electric as the late, great Judy Garland in the new film Judy.
Judy is a semi-biographical account of her time in London in winter 1968 where she performed a five-week sold-out show at the venue that was called ‘Talk of the Town.’ The film also traces her life when she became very famous for the film Wizard of Oz, and how it affected not only her career, but also her well-being, her relationships with men, and her overall sanity.
It’s 1968, and it appears Garland doesn’t have two pennies to rub together (hard to believe a woman of her calibre and celebrity would be in such a position), with two children in tow (the father of the children is Sydney Luft, while Liza Minnelli was a bit older and already on her own), and not a place to call home.
So Garland is asked to go to London to perform, and it’s an opportunity to make some real money so she can get a home for her and her children, which would put some stability in theirs, and her, lives. But Judy is, to put it mildly, a mess.
She’s drinks a lot, take pills a lot, and is practically frightened to get on that stage. But when she puts her mind to it, and leaves all the demons behind, she is a tour de force. But she is not consistent and it’s a mystery as to which Judy will appear each day.
Judy shows us a Judy who was struggling and still looking for a little bit of hope, love and sanity in her final year of life (she died in 1969 of an accidental drug overdose in London).
Zelwegger perfectly captures Garland’s look, body and voice (yes, it’s actually Zelwegger singing). Zelwegger lost weight for the role, and it’s her best performance to date which could net her an Oscar. The rest of the cast don’t fare as well. While Finn Wittrock is good as her 5th (and last) husband Mickey Deans, Rufus Sewell is a bit dry and boring as Sydney Luft, while Jessie Buckley has a thankless role, and task, as her London minder.
And while the performances of Zellweger singing are captivating, the scenes of her as a young girl on film sets just don’t seem to ring true (bullying by the studio head – Louis B. Mayer and her minders – are a bit exaggerated). Director Rupert Goold doesn’t quite capture the entire essence of Judy’s life, and time, in London and in her younger years. With this being his second directorial effort, I feel that he just wasn’t quite qualified to take on a film of a woman with so much stardom, of such legendary status, and unfortunately heartbreak.
A gay water polo team struggles to compete amidst personal dramas on their way to the Gay Games in the fun, camp and hilarious film The Shiny Shrimps.
In French with English subtitles, and directed by co-directors and co-authors Cédric Le Gallo (a real-life Shrimp) and Maxime Govare, ‘The Shiny Shrimps is a cross between Priscilla Queen of the Desert and Pride, with a road trip film interspersed with lots of melodrama!
When straight world champion swimmer Matthias Le Goff (Nicolas Gob) makes a homophobic remark on television, he tries to redeem himself, at the direction of the swimming federation, by being tasked to train The Shiny Shrimps – a Parisian gay water polo team (and purely not athletes) who are in the sport purely for the social aspect of it as well as to be able to perform dance routines and dress up in competitions. So Goff has a huge task ahead of him. all the meanwhile trying to impress his young daughter.
Other men on the team have their own issues; Cédric is married with two kids and his partner says the water polo team is taking him away from his family, while Jean has health issues he’s yet to divulge to the team, and another team member is newly out and is about to have the time of his life. We are too when the Shrimps travel, by bus, to the Gay Games in Croatia.
It’s a road trip like no other; they camp it up to the extreme while love, and sadly homophobia, comes into play. And once they get to the games they’ll attempt to make their mark in any way they can.
The Shiny Shrimps is so much fun to watch it’ll make you want to join some sort of sports team to experience what you’ve just seen in the film. And the cast are having lots of fun, with each actor perfectly suited for in roles. The Shiny Shrimps is une joie.
Brad Pitt star in Columbia Pictures “Once Upon a Time in Hollywood”
Nutshell – Brad Pitt and Leonardo DiCaprio together for almost three hours and one of them goes shirtless… not enough? Well, this is Quentin Tarantino’s 9th and apparently, his penultimate movie a homage to the last Golden days of Hollywood, set in 1969 with the Manson murders of Sharon Tate & friends washing around in the background. Two hours of fantastically nostalgic beautiful cinematography & set dressing followed by some standard Tarantino blood lust at the denouement making it possibly the directors weirdest film to date. Leo is a fading movie star and Pitt is his stuntman. The former lives in the Hollywood Hills right next to a house just let to Mr Polanski and Ms Tate,
Running Time – 161 Minutes so bring a cushion – Cert – 18, and yes you get plenty of language and violence for your buck.
Tagline – ‘The 9th Film From Quentin Tarantino’ yes that is what they are going with to get you through the doors.
The Gay UK Factor – The two leading men are and have always been gay icons and eye candy ever since we saw the unknown Brad’s abs in Thelma & Louise where he was playing an escort (we should be so lucky) and DiCaprio ‘s hair was wafting in the wind of a certain sinking ship. In many ways, they have never looked fitter than they do in this film and the camera lingers on every part of their body with a gorgeous soft glow throughout especially their (and everyone’s else feet) which has always been a kink of QT’s so heaven for foot fetishists everywhere. Brad Pitt has an elongated shirtless scene which is a distinct highlight and later LDC jumps into the pool to compete for you masturbatory fantasies.
Cast – Leonardo DiCaprio, Brad Pitt, Margot Robbie (Hugely underused), Emile Hersh, Dakota Fanning plus cameos from Bruce Dern, Al Pacino & Damian Lewis and the very sexy hunks that are Luke Perry & Timothy Olyphant.
Key Player – This is the writer, director & co-producer show and if you like QT then you have been waiting for his new movie for a while, if not a fan then the weird structure here may not convert you. It is definitely his most beautiful but is it lazy, overlong or indulgent… probably a bit of both.
Budget – $90 Million and you often wonder how he produces such a fantastic 1969 look right throughout the film so cheaply, simply it looks a lot more expensive. QT films always make money (except the niche Jackie Brown) and at double the cost at the Box Office already then this is a hit but will it out gross Pulp Fiction and Django Unchained we think that running time and confusing word of mouth may halt it?
Best Bit 1.28 mins; A very tense and languid confrontation between Pitt’s stunt man character and some of the Manson families followers on their derelict ranch home. As this film is not factual you don’t really know where this or other scenes are going and it is all the better for that. Rewriting history could be not big and not clever but it sure works here.
Worst Bit – 0.40 mins; The Sharon Tate and Roman Polanski scenes are a bit undercooked and feel tacked on although they are of course vital to the film. Sharon has a long drawn out visit to a cinema to see a movie she is starring in which is certainly where the editor’s scissors should have started to maybe bring this marathon movie down under two hours.
Little Secret – This maybe QT’s ‘9th film’ according to publicity but in fact, he has 22 directing credits and even more writing credits at 30… he has acted in 37 movies but it is difficult to remember any of them as he is not gonna give Daniel Day-Lewis a run for his money. Most of his films are 18 Certificate including this one.
We checked the most successful 18 movies in History and found that there is only one ‘Horror’ film in the top 20 (Hannibal) the rest are made up of films there sometimes for violence but most commonly for swearing and the number one 18 Cert adult film of all time surprisingly is The Wolf Of Wall Street… no sex, no violence, no horror just Leo DiCaprio’s filthy mouth did his Mum not wash it out with soap enough when he was young.
Further Viewing –Pulp Fiction, Reservoir Dogs, The Hateful 8, Kill Bill 1 and 2, Inglorious Bastards, Django Unchained you get the idea plus anything by Robert Rodriguez or Chris Nolan, Helter Skelter, The Manson family, The Black Dahlia, Hollywoodland and in fact any film that glorifies Hollywood’s past from Sunset Boulevard right through to La La Land.
Any Good – Is it Tarantino’s best? No, but it is certainly way ahead of most other movies and a pleasant change to endless sequels and instantly recognisable blockbuster fare. In one word this is Art and it is not about making money although it will do that. Its structure is strange the longest build-up in cinema history slowly VERY SLOWLY introducing us to all its characters as they head into the last 30-minute typical Tarantinoesque showdown which is a major shot to the gut when the style change finally arrives.
This reviewer is not the biggest QT fan but we enjoyed it more than any of the other eight but it is not for everyone as we said at the top this film is weird. If he directs another film it will be a Star Trek of all things and we hope he does as we cannot wait to see what he makes of a sci-fi franchise but we bet Kirk calls Spock a fucking big-eared c..t at some point as they get beamed up.
