THEGAYUK

Tag: Movie Genre Comedy

  • FILM REVIEW | American Ultra

    Take a bit of a James Bond movie, another part from Cheech & Chong, and mix it up with elements of the recent film ‘Spy’ and out comes the new movie ‘American Ultra.’

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  • FILM REVIEW | Boys In Brazil

    ★ | Boys In Brazil

    This painfully unfunny dramedy starts and ends with a group of four closeted gay friends at São Paulo’s Gay Parade, one of the largest in the world. As the Parade ends one of them is gay-bashed and after they beat the thugs off, the four make a pact that by the time of next year’s Parade they will all finally come out of the closet.

    Outrageously camp teenager Mauro has aspirations to be a Drag queen, something his devout evangelical parents are quick to put a stop too once they catch him midstream trying out his lip-synching routine. Their reaction is to drag around their local priest to exorcise the devil out of their son. Mauro’s rather shy best friend Rodrigo just needs a push to hook up with another handsome classmate, and telling his parents that he now has a boyfriend is rather a non-event.

    Mauro’s gay uncle Vicente who was also part of the group is a high-flying businessman who panics when his boss is in town from Paris and insists on having dinner with Vicente and his wife. Vicente’s best girlfriend is dragged into be his beard, but he needn’t have bothered as the boss turns out to be gay too. Who Vicente would have preferred to be dining with is Roger the rather hunky man he helped rescue from the gay bashing incident. Roger, however, is married and about to be a father a second time, and just cannot find the time to reach his part of the pact and come out to his wife. It’s not helped by the fact that his mother-in-law (played by a real-life drag queen!) practically lives with them.

    Then there is the angry and rather annoying self-righteous lesbian blogger who sits in judgement of them all and wants to publicly ‘out’ both Roger and Mauro against their wishes.

    The cliché driven very lame plot is packed full of old-fashioned stereotypes that seem so out of place in contemporary gay cinema. Even the coming-out aspect of the stories are handled so clumsily, that they are difficult to empathise with.

    I saw this one so you wouldn’t have too!

  • FILM REVIEW | Magic Mike XXL

    The Kings of Tampa are back! The men, strippers from the 2012 film Magic Mike, return with a sequel – Magic Mike XXL – and they are back with a bang!

    Magic Mike XXL reunites Channing Tatum, Joe Manganiello, Matt Bomer and the rest of the cast from the hit film about male strippers and picks up the story three years later after Mike has left the world of stripping. He’s got his own furniture business but it’s not doing too well. So when the former Kings of Tampa look him up on the way to a stripper convention in Myrtle Beach, North Carolina, Mike (Tatum) can’t resist the pull to go back to stripping, and to reunite with his buddies. So what takes place is a male stripper road movie with scenes that allow all of the men to display their fine physical goods.

    And these scenes are hot. In one, reminiscent of Jennifer Beal’s dance scene in the film Flashdance, with sparks flying all around, Mike does the same in his garage, a freestyle solo that proves he’s still got it. Once on the road, we are treated to the men’s misadventures, to be voyeurs in their exhibitionism, with a front row seat. First stop, a gay bar in Jacksonville where the drag queen emcee asks members of the audience if they want to participate in an amateur strip contest. Of course our men enter and wow the crowd. After, they find themselves at a beach party, where Mike has an encounter with Zoe (Amber Heard), who takes his picture while he is urinating.

    Big Dick (Manganiello) get his big showy number when he performs, on the spot, for a shocked but very lucky female gas station attendant. You’ll never look at a bag of Cheetos the same way again.

    A stop at private club Domina, Mike’s pre-Tampa stomping ground, transforms the movie into a breathtaking and intensely sexual film. You see, Domina’s female customers are treated to in-your-face male strip shows, and these strip shows are like ones you’ve never ever seen before on film. It’s here that Mike re-encounters Rome (Jada Pinkett Smith) the proprietress, and a woman from his past.
    It you’re out of breath at this point (trust me, you will be) there’s lots more. The men wind up at the home of Nancy (Andie MacDowell), a recently divorced sexy and flirtatious woman in her early 50s, and the rapport between Nancy and her female friends and the men is very palpable, very real, you can cut the sexual tension between the men and the women with a knife.
    It’s at the Myrtle Beach stripper convention where the film comes to a climax. Each man gets to perform his own unique dance, for a room full of ladies, and perform they do. Tatum strips all the way down to a shiny jockstrap, while the other men do their own special routines, one which includes chocolate sauce and whipped cream, and another one involves a sling. Various ladies from the audience are lucky enough to be chosen as part of the act. And Tatum chooses Zoe to be in his act, performing on her on stage in every position imaginable.
    Directed by the same man who directed the campy Liberace film “Behind the Candelabra,” Gregory Jacobs brings a stylised nuance to Magic Mike XXL, where the long dance scenes take a life of their own. And the male stars of this film really put themselves out there, hell, they’ve all got the bodies, so why not? And for the female actresses who were chosen to be performed on in various scenes of this film, we can assume they were not just acting, but were also extremely enjoying themselves. So will you.

  • FILM REVIEW | A Funny Kind Of Love

    ★★★ | A Funny Kind Of Love

    You could be forgiven for thinking from the opening scenes of this new comedy from Australian actor turned director Josh Lawson that you are about to watch a movie that is like a Wikipedia of sexual practices, or even some soft-core pornography.

    Thankfully it is neither of those although Mr Lawson does want us to laugh at the absurdity of fulfilling sexual fantasies, which never ever turn out like you had dreamed and wished for.

    These then are the totally separate stories of five couples and the tenuous link to them is the fact that they all live in the same suburb neighbourhood, and they are all white and middle-class. The first concerns Maeve who confides to Paul her live-in boyfriend that she has a rape fantasy, which he is as reluctant to comply with as he is with proposing marriage. Evie and Dan’s marriage has hit a rocky patchy so the counsellor they consult suggest role-playing to spice things up a bit. The trouble is that Dan gets so into it he quickly forgets why the started doing this as he is now completely obsessed with becoming an actor so he can play dress-up every day.

    Richard and Rowena have been trying to have a baby for so long that sex has become a monotonous chore, for Rowena anyway. That is until her husband gets really bad news and bursts into tears and she suddenly discovers she has dacryphilia (that thankfully is explained on screen). It means that she gets sexually aroused at the sight of tears, which is harmless enough until she finds has to plot to constantly keep Richard sad enough to weep whenever she fancies getting laid. It is an odd condition, but not quite as potentially objectionable as the somnophilia that Paul has when he drugs his nagging wife Maureen so that when she is passed out, he can finally have sex with her.

    The fifth and final … and by far the best scenario, is of a couple of strangers who have not met in person. Monica works as a signing translator for deaf people wanting to make phone calls, and one night Sam calls into use the service. He wants to be connected to a sex line and poor Monica has to be the conduit for the funny and bawdy language that passes between the ‘working girl’ and Sam a cute young graphic novelist. Despite its set up it has the most tenderness of all of the scenarios because of the very real chemistry between both the caller and the operator, and it is such a genuine connection.

    There is one other tenuous link between this group of vignettes in the shape of a new neighbour who is going around introducing himself. Whilst handing over welcoming gifts he slips into the conversation that fact that he is a registered sex offender, but every household he calls on is so wrapped up in their own problems that the last part simply doesn’t sink in. Just when you think he may get back to his old ways, Lawson finishes him off. We had expected something fatal to happen because of the original title of the movie had been The Little Death and he is one of the ‘little deaths’.

    The movie ends up being more bizarre than bawdy although it does heavily on the basic assumption that many people who find sex funny will find this movie comical too. The troubles are that the laughs are rather intermittent and some regarding the whole concept of non-consensual intercourse are bordering on being offensive and in extremely bad taste.

    As well as giving himself a plum part (Paul) Lawson does pepper the piece with an extremely talented cast of well-known Australian actors. Particular mention to the pitch performances from TJ Power and newcomer Erin James as Sam and Monica. By placing their story last in the proceedings it did at least mean the movie ends on a much higher note than the one it started on.

  • FILM REVIEW | The King Of Escape

    ★★★★ | The King Of Escape

    Tubby French tractor salesman Armand is having some sort of mid-life crisis.

    Openly gay with a penchant for mature married men that he picks up in a cruising area outside of the country town where he lives, his life takes a dramatic turn when he jumps to the defence of a teenage girl who is being attacked by four thugs. 16-year-old Curly is the daughter of Daniel one of Armand’s work rivals who is less than grateful for Armand’s bravery (in which he had paid the thugs rather than physically beating them off). Curly, however, is thrilled, and sees in Armand a knight in shining armour who she persuades to rescue her from her controlling father and an oppressive home life.

    What happens next in this wonderfully bizarre oddball comedy is a fair stretch of the imagination but thanks to the collection of odd larger-than-life characters, you cannot fail to be charmed. Bored Armand is easily persuaded by an excitable and very sexy Curly that he should try batting for the other team. He does manage to lose his ‘straight cherry’ helped by some magical enhancing roots he digs up in the woods where most of the sex (and there is a lot of it) takes place. Before he does take off however despite the fact that Armand is really a lazy slob, he still manages to persuade his straight boss with a deadpan face to let him give him a blowjob.

    When Daniel persuades the local police chief to put a tracking bracelet on Armand he retaliates by running off with the horny teenager with half of the local community in hot pursuit. However, when both the novelty and the effects of the chewing the roots wear off, Armand is very keen to dump his young new girlfriend and go back to his world of tractors and old men. There is a hilarious end to the story with a lot of the latter and all naked.

    The movie made in 2009 by writer/director Alain Guiraudie has now been released on VOD/DVD following the phenomenal success last year of his award-winning very explicit and controversial Strangers By The Lake. The abundance of sex in this earlier movie, however, is played more for laughs and cannot be described even in slightest as being mildly erotic or sensual. What Guiraudie does succeed at so well is making his gay characters devoid of any of the usual clichés and has them simply blending in with all the other locals without anyone raising an eyebrow about their sexuality.

    Be prepared to laugh a lot and also be shocked by all the nudity.

  • FILM REVIEW | Three In A Bed, Where is the chemistry?

    ★★☆☆☆ | Three In A Bed
    three in a bed film review

    After his mother dies, twenty-something-year-old struggling musician Nate has taken on her mantle and the responsibility of looking after his two self-centered sisters.

    When both of his sibling’s lives take a turn for the worse: one finds out her live-in boyfriend is cheating on her and the other discovers that the married man she has been dating has got her pregnant, they move in with him in his small one-bedroom apartment. It doesn’t give him much privacy or independence at a crucial time in his life when he is slowly discovering his sexuality.

    The object of his affection is Jonny the boy-next-door who quickly falls in love with a confused Nate, but when the going soon gets rough, Jonny runs off to France to drown his sorrows by getting a job erecting tents! Nate discovers that not only does he miss Jonny, but also that he finally has something to write a song about.

    This micro-budget romantic comedy set in Manchester and funded mainly by actress Jody Latham who plays one of the sisters, is full of good intentions and a great deal of enthusiasm. Sadly that does not make up for the painfully weak script or some extremely lame acting that makes one wince instead of smiling much of the 81 minutes. What was particularly disappointing was the lack of any real chemistry not just between the two men but with the siblings too and all the other characters.

    The movie has a happy ending for Nate but not necessarily for us. When there are three in a bed, sometimes that can be at least two too many.

  • FILM REVIEW | Global Warming

    Do not be put off by this ominous title as this is not an environmental doomsday prediction about the state of our planet, but simply a selection of four boy-lit short movies where the action sometimes gets steamy.

    ★★★

    The first is You Can’t Curry Love which is the story of a young Asian gay man who cannot get a boyfriend back home in the UK, but when he flies to India on a business trip he falls in love with the very first man he meets and who happens to be Sunil the handsome front desk clerk at his hotel. This too-cute-for-words tale also serves as an infomercial with Sunil preaching on how far gay rights have/have not progressed in his country. They wrap up this happily-ever-after very slight story with one of those camp song and dance numbers that are the mainstay of every Bollywood movie.

    Daddy’s Big Girl is a less than satisfactory tale of a sad overweight girl desperately trying to reconcile with her self-centred man-hungry father who is only interested in being a ‘daddy’ to the stream of young gym trainers he beds.

    The third movie in this compilation, and probably the best, is Foreign Relations. Shy Tom is assigned to bunk up with handsome Greek Nikos on a group vacation trip. Unsurprisingly Tom totally falls for Nikos even though he has no idea if his new friend shares his preference for boys. By the time this sweet tale ends you are hoping for Tom’s sake that he does.

    The fourth and final movie is Performance Anxiety which is the most amusing one in the quartet. It is the tale of two straight actors who have been cast to play gay in a movie. Both are naturally cute to boot and unnecessarily are as worried as hell. They really needn’t be, as they both would fit in extremely well on our team any day. Or night.

    All written and directed by filmmaker Reid Watererand filmed with a cast of engaging young actors, this enjoyable new collection would make a perfect date movie. It may not warm the globe, but it will probably get you hot under the collar at times.

     

  • FILM REVIEW | Geography Club, Wonderfully fresh look at gay teens coming of age

    ★★★★★ | Geography Club, Wonderfully fresh look at gay teens coming of age

    In this wonderful fresh look at the world of gay teens, the one thing the members of this Club definitely don’t talk about is Geography.

    They are a group of closeted gay high school students who don’t want anyone to know the true purpose of their meetings. There are only three members to start but when Min, a rather bossy bi-sexual, inadvertently catches her friend Russell kissing football jock Kevin, she invites him to join them and that triggers a whole series of events that will eventually force them to ‘out’ themselves to the whole school.

    Oddly enough Kevin is the deepest into the closet even though his father is actually very proud of his out gay brother. Kevin encourages Russell to join the football team in order so they can at least hang out together, and although by accepting the offer it doesn’t mean that the boys actually get any closer, apart from the rare make out session, but it results in Russell getting roped into bullying another gay classmate just to keep his own cover.

    Russell’s plump best friend Gunnar pressures him to go on a double-date as that is the only way that Kimberly will go out with him. When Trish her friend makes the moves on a petrified Russell, his panicky reactions cause Kimberly to call him a ‘fag’; a fact that she ensures is common knowledge to the entire school the very next day. Now totally exposed there are only two ways that this can play out for Russell, and he chooses the bravest and most honest option with the support of his real friends.

    Based on Brent Hartinger’s very successful young adult novel, the movie is directed by 28-year-old actor Gary Entin from a script by his twin brother actor Edmund Entin (both known for The Seeker: The Dark is Rising). It is an extremely impressive and professional debut from these two and is a wonderfully fresh look at young teens coming to terms with their sexuality. They score high points for their enlightened approach to an emotive subject, especially for avoiding all the usual clichéd stereotypes. The fact that not all the main players redeemed themselves at the end, added another credible touch of realism.

    Great cast of young experienced actors; Cameron Deane Stewart (‘Pitch Perfect’) played Russell; Andrew Caldwell (Transformers) was Gunnar, Ally Maki (Step Up 3D) as Min, Justin Deeley (Couples Retreat) as Kevin, Nikki Blonsky (Hairspray) as Min’s girlfriend Theresa and Alex Newell (Glee) as Ike a club member. And the wonderful Ana Gustier (ex-Saturday Night Live) was hilarious as the hippy teacher ‘who cared’.

    Several publishers rejected the book itself before Harper Collins picked it up. To their delight they had three reprints within the first three months, proving that there is both a market and real need for books like this, I think there is also a demand for the movies that evolve from them, especially when they are of this high calibre.

  • FILM REVIEW | Appropriate Behaviour

    ★★★ | Appropriate Behaviour

    For Shirin, a twentysomethingyear old angst ridden fashionable Brooklynite, life is mess.

    We don’t need to feel sorry for her, as she does that so well herself. She is reluctantly breaking up with Maxine her girlfriend and leaving the home they shared with little more than a strap on dildo. She is moving into a shabby squalid apartment with a pair of pretentious ‘artists’. Her nice middle class Iranian parents, who have no idea about her sexual identity, would like her to marry a nice traditional Persian boy. Her over-achieving brother is a doctor, whilst Shirin wastes her journalism degree and just flits from one menial job to another. And if that is not enough, she is broke too.

    The trouble is Shirin doesn’t know what she wants. She starts dating men again, whilst at the same time tries all she can do to woo a reluctant Maxine back. Her attempts at ‘finding herself’ make for some of the funnier moments in this comic story that is based loosely on the life of Desiree Akhavan who not only directed and wrote it, but is playing Shirin herself too. It’s her performance that makes this piece come alive even with its gaping holes. When Shirin attempts a three-way with a neurotic couple, or has a hook-up from a website, or makes a disruptive visit to a gay rights discussion group it is outrageously funny.

    Ms. Akhavan has written herself some delicious one-liners.

    Her scenes with her parents are less successful as it’s hard to believe that such worldly educated people would never have a single inkling as to what their free-spirit bisexual daughter is all about.

    The story peters out with little conclusion other than the fact that Ms Akhavan is an immensely talented performer and is a powerful presence on the screen. I am sure that we will see a great deal more of this future star.

  • FILM REVIEW | Last Straight Man

    But will he remain one, if Lewis gets his own way?

    It may be every gay man’s dream to sleep with a straight man and it’s even hotter when he happens to be your best friend too. Closeted Lewis has always had a secret crush on his best friend Cooper but has never ever let on until the night before Cooper is about to marry his girlfriend and the two-man have just drunk a wee too much at the stag party and their conversation turns to sex. All the other guys have left and as Lewis and Cooper start to clear up the hotel room where the party had been held, the talk gets dirty and personal. Well-endowed Lewis is keen and Cooper is curious and so the two end up in bed together after discovering that they both love blowjobs.

    Next day Cooper gets up and goes and gets married and lives happily ever after with his wife. Until the same time next year that is, and the two men meet up back in the same hotel room and take up where they left off. This anniversary tryst becomes an annual date in their calendar and for one night a year Lewis, previously self-identified as bi-sexual, transitions into gay, and straight Cooper still refuses to accept that he is anything else even though he lets Lewis penetrate him as he insists that they never kiss.

    What is clear though is over the next 12 years that they are both very much in love. With each other that is. One year Cooper tries to fight his feelings and refuses to show up for their date, claiming he doesn’t want to put his marriage at risk, and then in a later year when he has not only overcome his resistance, is imploring Lewis to f**k him as hard as he can. It just so happens that he may have left it too late as perpetual bachelor Lewis finally has a boyfriend and is anxious not to do anything that may jeopardise his new relationship.

    In this very likeable boy-lit movie it is interesting that although this may have started out as Lewis’s crush, it is, in fact, Cooper who is living out his fantasy. As their relationship develops it makes both men question their feelings and emotions and they learn that they cannot be easily defined in a conventional way as they accept their love for each other. It’s helped with very convincing performances from the two handsome leads Scott Selland Mark Cirillo who look comfortable in and out of the clothes.

    Be warned though before you get to the scenes of these two hunks thrashing around naked, you have to sit through the scary opening moments of the movie when the stag party stripper insists on pushing her mammoth naked breasts way to close to the camera. And I won’t even tell you about her party trick where she can pick a coin up by her … well, you can imagine.

    This cute wee drama is entertaining and amusing, although trust me, Cooper really is anything but ‘the last straight man’.

     

    by Roger Walker-Dack

  • FILM REVIEW | The Rewrite

    ★★★★ | The Rewrite

    I have a confession to make – I’m a sucker for a good old-fashioned rom-com. Cary Grant? Yes please! Doris Day? Just my cup of tea! Tom Hanks/Meg Ryan? I’m in heaven!

    Give me star-crossed lovers and a little “will they, won’t they” and I’m a happy bunny.

    And this vehicle for Hugh Grant gives you just that. It’s not earth-shattering, it’s not life-changing, it doesn’t answer the meaning of life but it is funny, it is warm and it is actually a good story.

    Hugh Grant plays a once successful Hollywood screenwriter, one who seemingly had it all, wife, son, glittering career, wit and charm to boot, but then, as these things will, they fade.

    The career stalls, film work dries up, the wife moves on to someone more successful and takes the son with her, and the charm and wit only go so far when your fast approaching fifty and broke.

    This is where his wise-cracking agent comes in, offering work at a small college on a screenwriting course, and off Hugh goes.

    A little far fetched, but this is a Hollywood movie, not real life. Stick with it as we watch Hugh go through the ups and downs of campus life, and also through a student or two…

    He finds his mojo for writing amongst his students, but learns quickly that the film industry is still as fickle and maybe, just maybe his future lies elsewhere.

    Hugh Grant gives his usually good performance, where he basically plays himself, Marisa Tomei plays one of his older students and puts in a solid performance playing her elfin self, and Allison Janney gives a poker face performance as a gargoylesque Jane Austin fanatic faculty member.

    I liked this film a lot, I didn’t love it and here’s why. There was something slightly creepy about a 50-year-old sleeping with students, and at times, you look at Hugh and think, is this it? What else can you do? He is starting to look out of place in this type of film, too old to be running after 18-year-olds.

    But until something else comes along, I do still enjoy him in these roles, and can’t wait to see where he goes next as he has mentioned in interviews that he wants to direct – but none of this detracts from this film, I’d see it again, and give it 4 stars!