THEGAYUK

Tag: Movie Genre Comedy

  • FILM REVIEW | Gerontophilia

    ★★★ | Gerontophilia

    Toronto based filmmaker Bruce LaBruce is no stranger to controversy, and so it is that, in his latest movie, Gerontophilia, he turns to the subject of age gap relationships, which, according to LaBruce transgress a very strong cultural taboo.

    Lake is an unusual young man with an unusual fetish. Though he has a girlfriend, he is attracted to old men, a fetish he gets the chance to pursue when he starts a job as an orderly in an old people’s home. Whilst in the home, he is appalled at the way the inmates are treated and strikes up a relationship with Mr Peabody, weaning him off the medication that keeps him easy to manage, and eventually helping him to escape so they can set-off on a road-trip together. So far, so good, but for me the problem at the heart of the movie was that the central relationship between Lake and Mr Peabody didn’t really ring true. Maybe Pierre-Gabriel Lajoie had been encouraged to play Lake with a sort of wide-eyed innocence throughout, but it made it hard to believe that there was a strong sexual bond between the two men.

    However, with the veteran Walter Borden putting in a wittily amusing performance as Mr Peabody, it is a very enjoyable film, as much about how modern society responds to old age as it is about age-gap relationships.

    Available to buy / view on: Amazon | iTunes

  • FILM REVIEW | Grand Budapest Hotel

    Wes Anderson’s latest extravagant cornucopia of cinematic delight is a visual overload that as it’s multi-layers are unpeeled, bombards one with such glorious minute detail at a frenetic pace one that there are times when you cannot fail to be dizzy with glee.

    Partly inspired by the works of Stefan Zelig a Austrian Jew who was one of the world’s most famous writers in the 1930s but is now mostly forgotten. The author who serves as narrator of the movie is based on Zelig, but Anderson also claims that the central character of the exuberantly fastidious concierge M. Gustavo is in fact modeled on him too.

    The setting is the fictional mid-European country with a Cinderella-esq pink palace precariously perched on top of the Alps is The Grand Budapest Hotel. The story told in flashbacks is of that glorious carefree pre war period when unseemly luxury was the order of the day. This temple of excess where the wealthy landed gentry were indulged in every whim was overseen by the purple coated M. Gustavo. Adored by both staff and guests alike nothing was ever too much trouble for this dandified perfectionist, from religiously handing out his mots of wisdom to his team, to sleeping with any of the elderly dowager guests. Preferably the ones who were very rich and blond.

    When one such lucky recipient of his sexual prowess upped and died and M Gustavo travelled to his late lover’s Schloss to pay his respects, he discovered much to the chagrin of her evil son, that she had left M. Gustavo with a priceless painting. By now M. Gustavo had taken a paternal shine to Zero his latest Lobby Boy, and the two contrived to snatch the painting and make off with it before the son could stop him.

    What follows is a joyous frenzied romp that includes M. Gustavo being jailed, Zero and his confectioner girlfriend aiding and abetting his escape, with the local militia in hot pursuit. Packed with incidents which really are all about marking the passing of this old World of a more leisured era before the War would end all of this and all that The Grand Budapest Hotel represented. Now as all the goings on are related to the author decades later by the new elderly owner, the Hotel is a sorry remnant of its glorious past. As is the owner, who was once the newbie Lobby boy Zero.

    Mr Anderson as usually sets out to prove that there is no such thing as a ‘small part’ in his movies by packing his cast with a roster of major Hollywood players that they ensure that no character is anything less than a star turn. They include Jeff Goldblum, Harvey Kietel, Edward Norton, Owen Wilson, Bill Murray, Jason Schwartzman, Saoirse Ronan, Willem Dafoe, Adrien Brody, Jude Law, Tom Wilkinson plus Tilda Swinton in her totally scene stealing cameo as an 84 year old Dowager. Ralph Fiennes is superbly sublime as the cologne-reeking reckless Gustavo M., and full credit too the unknown Tony Revelon who held his own in this star studded piece with his captivating performance as young Zero.

    For me like most of Mr Anderson’s previous movies he has to share the well deserved applause with his production designer Oscar nominated Adam Stockhausen and his cinematographer Robert Yeoman who made it look simply stunning. There were times I was so immersed with the impeccably choreographed shots on this candy-box covered set that I practically ignored the story line itself.

    Anderson’s wicked sense of humor and the outrageous characters and the sheer joy he imbues in these near masterpieces of movies unwittingly make them some of the sophisticated campest spectacles in our cinemas today that rightly attract a large gay following worldwide.

    Don’t miss one. It’s a real treat

    Available to buy / view on: Amazon | Amazon Prime | iTunes

  • FILM REVIEW | GBF

    ★★★ | GBF

    When Tanner is accidentally outed in school, whilst the other boys in his class may resort to taunting and bullying him, the girls start to seriously compete for his attention.

    Three of the most popular teen girls in particular believe that if Tanner would be their G (ay) B (est) F(riend), which their favorite fashion mags say is ‘the’ must-have accessory of the season, then this would seal their election to become the next Prom Queen. There is Fawcett a very pretty buxom blond, ‘Shley the slightly serious good-time Mormon girl, and Caprese the African/American drama queen.

    Whilst Tanner glows in his new-found popularity as the girls fall over themselves to capture him for themselves, his best friend Brent who is still stuck in the closet, is so jealous of all the attention that so starts to plot Tanner’s downfall.

    This rather charming ‘boy-lit’ high school comedy is peppered with some very good performances by a very professional young cast who have cut their teeth on TV :Michael Willet as Tanner (The United States of Tara), Paul Iacono as Brent (The Hard Times of RJ Berger),Xosha Roquemore as Caprese (The Mindy Project),Sasha Pieterse as Fawcett (Pretty Little Liars) andAndrea Bowen as ‘Shley (Desperate Housewives).

    It is however the adults that inadvertently steal all their scenes particularly Jonathan Silverman and Rebecca Gayheart who play Tanner’s supportive parents. However even they are trumped by a wonderfully funny turn by the ever delightful Megan Mullally (‘Karen from Will & Grace’) who is hysterically funny trying to drag her son out of the closet. The two of them watching the ‘Brokeback Mountain’ movie on TV together is unquestionably the best scene in the entire film.

    It’s all very cute, has a few really good one-liner’s like the one on Mormon’s ‘they smile to your face, then Prop 8 you in the back,’ but it is a squeaky clean teen-movie that is meant to be for the young… or at least the young at heart.

    P.S. Don’t miss the ‘bloopers’ at the end!

    BUY FROM iTunes | Amazon

  • MOVIE REVIEW: Having You

    ★★★ | Having You

    The two DVDs that came through my letterbox just after Christmas could not be more different, though both come from our friends over at Matchbox Films.

    The first of the two I watched was Having You, written and directed by Sam Hoare.

    There are some great performances here, from Andrew Buchan as recovering alcoholic Jack, from Philip Davis as his thoroughly nasty and unlikeable father, from Romola Garai, as Jack’s beautiful girlfriend, from the gorgeous Steven Cree as Jack’s business partner and sponsor, and from the ever watchable Anna Friel as Anna, a blast from the past who drops a bombshell on Jack that he finds difficult to come to terms with. It’s a gentle, watchable movie, which draws you in, but I confess to finding it somewhat manipulative with an ending that is just a little too pat to be convincing. None the less, worth catching if you have a couple of hours to spare one evening.

    BUY FROM AMAZON

  • FILM REVIEW | House Of Boys

    ★★★★ | House Of Boys

    The blurb and the cover on this DVD doesn’t do it justice. It gives the impression of some sleazy b-movie, lots of gyrating hips, few (if any) articles of clothing and even less of a plot line. This isn’t true!

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  • FILM REVIEW | Leave It On The Floor

    If, like me, you’re a sucker for a musical about voguing set in LA, with a mainly unknown cast and containing some catchy tunes you’ve never heard of – this is the movie for you!

    The music is original, with the tittle track being one of the strongest – but wait till you hear the ode to JT, Justin’s Gonna Call… .made me smile! This film also wins the award for most original use of a bowling alley, and a fake pregnancy…. by a man…

    It has laughs, drama, dancing, tight vests, jaunty hats and fierce Gaga-esque outfits…

    Treat yourself – I defy you to not be tapping your toes at least to one or two of these little numbers. As with most musicals, its difficult to engage with the characters, they can seem quite superficial or two-dimensional, but that doesn’t stop this being a celebratory movie about being yourself and being, for want of a better line, born this way…

    The film is written by Glenn Gaylord, who also directed the movie “I Do“, which I’ll be reviewing nearer its DVD release date later this month.

    Available to buy / view on: Amazon | Amazon Prime | iTunes

  • FILM REVIEW | The Year Dolly Parton Was My Mum

    ★★★★★ | The Year Dolly Parton Was My Mum

    I rarely gush, especially when sober, but fasten your seat belts – I’m about to.

    I’ve just been fortunate enough to spend 1 and 1/2 hours in the company of some of the most wonderful talents around, including Dolly Parton.

    The Year Dolly Parton Was My Mum is one of those rare things, a film that manages to be both funny and serious, mixing the genres of road movie and coming of age – with Dolly Parton added into the mix (did I mention that already?)

    The story is simple:

    Eleven year old Elizabeth has a solid, simple life. That is until a run-of-the-mill school assignment alters her life, and the lives of the people around her forever. She’s struggling to cope with the usual pre-teen issues – boobs and periods, mean girls and then suddenly added to this, the fact she was adopted.

    She puts 2 and 2 together to get 3, and sets off to meet what she assumes to be her real mom, Dolly Parton, at a concert over the border in the US.

    What follows is a cross country chase (although with Elizabeth on her Chopper bike, this isn’t Fast or Furious!) when her adoptive mother overcomes her issues about her perfect life to re-ignite her relationship with her daughter – genetic or not.

    The film perfectly captures the feel and colour of 1976, the music of Dolly is used throughout and although she doesn’t actually appear in this indie flick, her presence is everywhere, including new versions of old classics by the likes of Nelly Fertado and Martha Wainwright.

    I won’t spoil this any more for you, but treat yourself. Pour a Cinzano and lemonade, don your best flares and fly away collar shirt and treat yourself to some pure escapism.

    Director Tara Johns makes a brilliant first feature, having penned the film also. The film succeeds because it feels personal, it feels real, and, most of all, it engages you and makes you feel good.

    I’d give the film 6 out of 5 if it were possible.

    Buy On Amazon | Buy or Watch On iTunes

  • FILM REVIEW | I’m So Excited

    I am a huge fan of Pedro Almodovar, and have loved every one of his films that I’ve seen. That is, until now.

    The title of his latest movie might be I’m So Excited but it left me singularly unexcited and unenthusiastic. I’ve never been so disengaged from an Almodovar film in my life and I’m still trying to work out what went wrong and why I found it so dreary. Was it the stilted dialogue, the wooden acting (even from Antonio Banderas and Penelope Cruz, who put in a couple of cameos), or the implausible storyline? Well, to be honest, most Almodovar movies have somewhat implausible and surreal plots, and that’s never bothered me before. In fact, that’s part of their charm.

    The film is billed as a comedy, but, apart from a few isolated one liners, I found it distinctly unfunny. Maybe the humour was dissipated by my having to read the subtitles (I don’t speak Spanish), but I’ve never found language to be a bar in previous Almodovar movies. The fact that the majority of this movie takes place within the confines of the business section and cockpit of a plane certainly doesn’t help, and, because of this, nowhere is there the kind of visual richness normally experienced in one of his movies. In addition, I found the camp antics and stereotypical behaviour of the all gay air stewards rather insulting. Haven’t we moved on from this kind of camperie? Honestly they could have been played by Liberace, Larry Grayson and John Inman and you wouldn’t have noticed the difference.

    I’m guessing the film is an allegory, the plane being a metaphor for the disastrous Spanish economy, the somnolent economy class passengers being representative of the majority of the populace, who are kept in the dark about what’s going on, whilst the ruling classes, in business class, run around like headless chickens, but I could be wrong and, quite honestly, I don’t really care. It is just one big self-indulgent bore, naïve and badly executed. Unless you’re particularly partial to watching undragged up drag queens mime to the Pointer Sisters, then I’d say avoid.

    Available to buy / view on: Amazon | Amazon Prime | iTunes

     

  • FILM REVIEW | R/Evolve

    ★★ | R/Evolve

    Lucas and Lincoln tackle the pains and joys of proposed marriage, of which gay marriage is the defining cultural indifference of the age.

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  • FILM REVIEW | Gayby

    ★★★★ | Gayby

    I had some reservations about Gayby. A lot of these ‘gay films’ are usually clichéd drivel, almost always, an unlikely relationship sparks and then it’s just an hour of plot-holes and bad acting.

    Jenn, a yoga instructor, and Matt, a comic book store worker, are best friends from college who are now single and in their 30’s. In agreement with a pact they made in their youth, the two decide to have a baby (“Gayby”) together, even though Jenn is straight and Matt is gay. Jenn’s grandmother set her up with a trust fund for if she ever had a child, so Jenn is confident that she and Matt will have the finances to have one. However, Jenn states that she wants to have a baby through natural conception, so the two begin awkwardly having sex.

    Gayby was something very different indeed. I found it to be relentlessly charming in every way, with just the perfect amount of drama peppered in. Superbly written and directed by relative newcomer Jonathon Lisecki, It had something that all these other films are missing… A great script.

    The awkwardness of the “Attempted Conception” scenes was genius, with just the perfect combination of one liners, curious glances and the various montages of penetration were just divinely cringe worthy.Possibly the stand out performance of the film is that of Jenn Harris. Harris plays the quintessential fag hag (Jen) to the devastatingly handsome Matthew Wilkas (Matt). Harris brings a depressive vibe into a relatively overused character, which is surprisingly, a breath of fresh air.

    Although it’s the supporting characters that steal the show, both fag and hag have terrifically bitchy henchmen as it were, the ‘femme-bear’ “Nelson” and the incredibly bitchy “Jamie” (Jack Ferver)

    By far the highlight of the film is the fabulous wannabe bear, Nelson, played brilliantly by writer and director Lisecki. The character of Nelson wasn’t particularly appealing to me at the beginning, then suddenly; the character soon manifests as the star of the show. Clearly Lisecki gave himself some of the best lines, yet you don’t really mind, seeing as he pulls them off in the most gorgeously sarcastic manner.

    Gayby’s plot isn’t really anything special; it is essentially a romantic comedy in disguise.

    It’s the characters that make the film stand out. They are multidimensional and most importantly they’re ‘real’.

    Uncompromisingly jovial, I would certainly recommend Gayby to anyone; it has buckets of charm, something that I find to be a rarity in gay cinema.
    BUY IT NOW FROM AMAZON | BUY IT ON iTunes

  • DVD REVIEW: Sarah Millican, Throughly Modern Millican

    Well, where do I start with this one, pet? I’m no stranger to the comic genius that is Sarah Millican, I’ve seen her perform all over the North East, in various seedy back street comedy clubs that us Geordies love, and even in the City Hall. Our born and bred Sanddancer has now hit my DVD player.

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