THEGAYUK

Tag: Movie Genre Drama

All movie reviews for films in the Drama genre

  • FILM REVIEW | The Hundred Foot Journey

    ★ | The Hundred Foot Journey

    A more apt title for this preposterous and painfully unfunny comedy would be ‘Lost in Translation’. Based on a best-selling novel by Richard C. Morais this new movie from the Oscar-nominated king of syrupy schmaltz Lasse Hallstrom (Cider House Rules & Chocolat) and produced by Oprah Winfrey and Stephen Spielberg must have seemed like a fantastic idea on paper as they managed to persuade none other than Oscar Winner Helen Mirren to be their very uncomfortable looking star. After filming this very inane and somewhat patronising piece she could only have only ended up asking the same question as we do now i.e. whatever possessed her!

    The story is of an Indian family who has to leave Mumbai in a hurry when their restaurant is destroyed and the matriarch is killed after a political uprising. They seek asylum in London and settle in a cramped home next to Heathrow Airport right under the flight path. However it’s not the fact that they can almost touch the planes as they land that drives them out, but the cold and damp English climate and they set off in a dilapidated camper van to warmer climes of France.

    When their van breaks down outside Saint-Antonin-Noble-Vala small picturesque one-street village in the middle of nowhere, Father spies an empty restaurant for sale that he deems will be perfect for the family to establish their new Indian Restaurant. This village evidently only has one other eating establishment (other than the café where everyone has breakfast) and this is smack opposite their new venue. It is in fact just a hundred feet from their front door. This very popular fine dining establishment, which possesses a coveted Michelin star, and a fancy Chef, is run by a chauffeured driven Grand Dame who, for some inexplicable reason, is paranoid about the new competition from a fast-food Indian eatery run by a cook.

    The rivalry is petty and too silly for words and is as ridiculous as the silly French accent of the English speaking Madame Mallory. After a chance encounter, Hassan the Indian cook falls in love with Marguerite a sous chef who works for Madame and she encourages him to read a recipe book about fine French cuisine. Then after a few attempts at re-creating classic dishes and before you can say Nigella Lawson he is a cordon-bleu chef and immediately deserts his family to work for Madame herself. Next stop for him is Paris and an even fancier restaurant where as Chef de Cuisine he becomes an overnight sensation winning more Michelin stars with easy.

    However, fame and success isn’t everything for Hassan and as he misses his family he hurries back to Madame‘s country restaurant where he can get the taste of both Marguerite and fresh local produce once again.

    This rather innocuous tale is an excruciating 2 hours long and has no redeeming features other than the location of the small town, and the rather scrumptious food.

  • FILM REVIEW | Mr. Turner

    ★★★★★ | Mr. Turner

    Mike Leigh’s stunning biopic of J.M.W.Turner is the portrait of the leading English Romantic landscape artist who was evidently also quite a philanderer and misanthrope too. Set in the 1820’s (although Leigh never tells us that) the movie focuses on the last 20 years of the painter’s life when he was at the height of his success and his work was being exhibited at the Royal Academy and also commissioned by wealthy aristocrats.

    Leigh’s story starts when Turner returns from a painting trip in Belgium to his London home that he shares with his elderly father who dotes on him and acts as his studio assistant, and also the sad-looking maid who allows Turner to have his way with her whenever he gets the urge. The maid just seems to be the latest of several mistresses, as the previously estranged one who has two simpering grown up daughters by Turner often comes around to harangue him looking for support which he never ever gives them.

    When his precious father dies, Turner sinks into a deep depression and is even more bad-tempered with nearly everyone he comes into contact with. In one rather glorious scene when he is visiting the Summer Exhibition as it is being hung at the Royal Academy he is openly disparaging about the work of the other Academicians who constitute a veritable who’s who roll call of every major artist of the day (Constable, Stothard, Callcot etc).

    On a trip to the small seaside town of Margate, which would become the inspiration for many of his most famous paintings, Turner meets the twice-widowed Mrs. Booth who becomes his live-in mistress, and later the pair moves to a house in Chelsea where Turner lives out the rest of his days.

    Leigh and his cinematographer Dick Pope don’t just show Turner in action manically slathering paint over his canvasses but also capture evocative and powerful images of the landscapes often at dawn just as Turner would have viewed them. They are a real visual joy. As too are the sets of Victorian Britain that production designer Suzie Davies has lovingly recreated.

    Like all Leigh’s movies, Mr. Turner is created through an improvisational method from which the final script evolves. Enabling his actors to have more input than normal into creating their characters certainly plays off, as so brilliantly demonstrated by Timothy Spall who gives a career-best performance as Mr. Turner. With his expressive squashy face he so convincingly portrays the short-tempered genius that never lets anything distract him from his work. Even when he faces public ridicule after he experiments with his painting style, and also right to the very end when he is on his death bed he cannot but help himself seize one final perfect moment to sketch.

    The talented cast is mainly made up of many of Leigh’s regular actors that include Dorothy Atkinson pitch perfect as the put-upon maid, Marion Bailey as the loyal Mrs. Booth and veteran actor Paul Jesson as Mr. Turner Snr.

    Overly long with a running time of 150 minutes which makes the action seem too slow and stretched out at times, nevertheless this screen biography lovingly gives a wonderful portrait for the only artist to ever now have a whole permanent gallery dedicated to his work at The Tate Gallery in London. Mr Spall’s (potentially) award-winning performance also makes this an unmissable film.

    In Cinemas Now

  • FILM REVIEW | Eastern Boys

    ★★★★★ | Eastern Boys

    Filmmaker Robin Campilio’s disturbing new thriller sharply contrasts two different sides of society in contemporary France with a very chilling effect.

    The first chapter of his four-part story is a near cinéma vérité scene of the Gard de Nord where a gang of Eastern European youths is trailing the platforms and aimlessly but obviously set on something illegal. One of them is a skinny baby-faced hustler who catches the attention of a 50 year-old businessman with whom he plays cat and mouse game throughout the station environs. When the youth allows himself to be cornered, they strike up an arrangement to meet at the man’s apartment the next day.

    What wealthy Daniel thought would be a hot date with this young Ukrainian turns out to be a frightening home invasion when the entire gang arrive and strip his luxury apartment completely bare. Taunted by the cocky Russian ringleader Boss with some overtly sexual advances, Daniel seems both terrorized and aroused at the same time.

    The third chapter opens with the surprising return of Marek the hustler … the time on his own … who offers to have sex as they originally had arranged. Despite the boy’s total indifference as he lays naked and motionless on bed Daniel still penetrates him, but the moment that it is over Marek quickly dresses and leaves without uttering a word. What is assumed would just be a one-off visit, is in fact repeated. At first its infrequently and then quite regularly but just as the youth starts to experience real feelings for Daniel, the older man decides that he wants to develop what they have into a non-sexual friendship.

    It is obvious that both of them are still threatened by the hold that ‘Boss’ and the gang have over Marek, who still lives with them in a hotel full of other illegal immigrants in the suburbs. The only way for them to ever be free of the menace is to move away, but Boss has Marek’s only papers … his passport …. stored away in his safe. Their concern that trying to retrieve this will be nigh on impossible and extremely dangerous proves to be well-founded.

    The relationship between Daniel and Marek is powerfully erotic especially as this sharp-suited savvy business man who has been viciously robbed by the boy and his thuggish pals, is yet somehow still attracted and is prepared to expose himself to potential danger again. And the different relationships that both of these men have with the charismatic but completely scary and unhinged Boss is both mesmerizing and unnerving.

    The movie, which picked up the prestigious Horizons Award at the Venice Film Festival, was beautifully filmed, and had stunningly convincing performances from all three protagonists. (Olivier Rabourdin who looks like he could be Kevin Spacey’s twin played Daniel).

    The morality of portraying all the immigrant boys in such a stereotypical manner is questionable, but that aside, this excellent drama will definitely rank as one of the best gay themed movies of this year.

    Available from Amazon | iTunes

  • FILM REVIEW | My Old Lady

    ★★★★ | My Old Lady

    Mathias Gold thinks his luck has finally changed when he inherits an imposing apartment in the centre of Paris from his late father who he was estranged from for decades. Approaching his 60’s, Mathias is a recovering alcoholic and after three failed marriages and three unpublished novels, he hasn’t a cent in the bank, and had to scrape around to find the airfare to fly in from New York to claim his property. What he finds in the Marais is a large two-floor apartment with a private garden that is worth several million euros, but it comes with an unexpected catch.

    There amongst the once grand salons is a 92 year old Englishwoman Madame Girard who had sold the apartment to his father 40 years prior but under an archaic French property law as he paid less than the going rate, she not only gets to live there for the rest of her life, but also gets a monthly stipend too. Horrified and pleading poverty Mathias persuades Mde Girard agrees to let him stay in exchange for paying rent whilst he tries to think what to do next. A plan that doesn’t meet with the approval of Chloe her daughter who also lives in this rambling dilapidated house.

    As the story unfolds we learn that Mde Girard’s relationship with Mr Gold Snr was not confined to the property transaction as they were lovers too for some decades. As the plot thickens we get to appreciate that this frail looking ancient widow is a wily old bird who has a very full and happy past, something which seems to have completely eluded the icy unmarried Chloe or the bitter and self-loathing Mathias.

    As Mathias tries against the odds to scheme to take control of the apartment he falls off the waggon and starts rapidly working his way through Mde Girad’s impressive wine cellar, and at the same time Chloe is plotting to try and keep the status quo. They are both such unlikable characters that it’s impossible to have empathy for either of them even when they clumsily fall into a too convenient happy ending.

    The playwright Israel Horovitz adapted his own play for this his movie directing debut and has left some of the very speechy monologues in which actors so love. Kevin Kline giving a beautiful performance playing the unhappy Maurice makes the most of the rants he gets to give, whilst the sublime Kristin Scott Thomas as Chloe does well with the little that she is given to work with. The movie, of course, belongs to the old lady, as it should, as played so beautifully by Maggie Smith, the grand dame herself a mere 80 years in real life. It is one of her quietest and most understated performances for years but it is still so powerful and compelling. Her character is the only one who enjoys life and Dame Maggie subtlety ensures that we definitely know this.

    It’s this ‘A’ list acting and the location of Paris exquisitely shot in a dim dusky light that makes this otherwise ‘thin’ story jump on to a ‘must see’ list. Dame Maggie alone is worth the price of the movie ticket.

  • FILM REVIEW | The Circle, Der Kreis

    The Circle (Der Kreis) is a Swiss docudrama written and directed by Stefan Haupt. The film depicts the social scene that revolved around Der Kreis, a gay publication in Zurich in the 1940s and 1950s, which was used as a scapegoat for the murders of several gay men in the city. Der Kreis (The Circle) was a Swiss gay magazine that was published from 1932 to 1967 and distributed internationally. ★★★★

    CREDIT: The Circle
    CREDIT: The Circle

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  • FILM REVIEW | Southern Baptist Sissies

    ★★★★ | Southern Baptist Sissies

    Fourteen years ago writer Del Shores followed his gay cult classic play ‘Sordid Lives’ with another dramedy that takes a hefty swipe at the conservative Baptists stance on homosexuality.

    Since its premiere, it has been very successfully performed extensively in regional theatres throughout the USA, but unlike its predecessor it has never found its way on to the silver screen, either big or small. Until now that is. Last year rectified Shores this omission when he directed a theatrical production in LA which he filmed in front of a live audience to make Southern Baptist Sissies the movie.

    The action is set in Shores’s beloved Texas and it follows four ‘good Baptist’ boys from childhood to their early twenties as they all struggle with their sexuality in varying ways. Mark is the most outspoken (and acts as the narrator) and questions how their Church can preach love and forgiveness whilst passionately decrying homosexuality; Andrew was the first to embrace Jesus as his saviour and men as his potential partners and is the one who wrestles most with the conflicting pressures that they bring. Benny is the most open of the group and has not only fully embraced his gayness but has welcomed it with open arms as he develops his career as a drag queen entertainer. On the other hand T.J. a real jock is in complete denial of his deep attraction to Mark and would rather marry a woman than accept who he really is.

    There is a great deal of melodrama with each of the young men all getting more than a couple of moments in the spotlight to say their heartfelt pieces, some of which come off as preachy as one of their Pastor’s sermons. Shores certainly knows how to get his cast to use the Bible like Google where there is an answer for everything.

    Then asides from this there are a couple of hardened and embittered bar flies, an older gay man and his new best lady friend, both hardened drinkers and chain smokers, who humorously dissect their lives with a constant flow of funny stories and comments on the proceedings as they sit in a gay bar.

    It’s an odd mix of highly emotional soul-bearing and chest beating on the one hand which is blended in with some really gloriously funny passages. It’s not always 100% successful but its very talented young cast that play alongside several veteran actors who are regulars in Shores productions deserve credit for their impressive performances which make the piece gel as well as it does. They include actor/producer Emerson Collins (‘Sordid Lives: The Prequel’), William Belli (‘Rupaul’s Drag Race’) doing all his own singing as Benny, Luke Stratte-McClure (‘All Together Now’) as T.J. and Matthew Scott Montgomery (‘So Random’) as Andrew. However, even the combination of cute appeal and talent still couldn’t stop them all being upstaged by Leslie Jordan and Dale Dickey with their scene-stealing outrageous bar gossip routines.

    It was definitely a bold decision to film it as a staged play, and for the most part, it works very well indeed. With simple interlocking sets the action flows quite naturally but whereas a running time of 140 minutes works well in a theatre, it drags on the screen and could have comfortably lost at least 30 minutes with ease.

    It is essentially a wonderful play about coming-of-age that shows little sign of becoming dated with time as the situations these young men face are universal and just as relevant today as when they were first written. This especially includes Andrew’s final resolution which sadly is the same decision many troubled souls still reach today.

  • FILM REVIEW | The Third One

    ★★ | The Third One

    Argentinian director’s Rodrigo Guerrero’s second feature is a very slight and charming tale about a one night stand that may change a young man’s outlook on life and love.

    We first see 22-year-old near-naked Fede at his laptop on a chatline talking to Franco. The conversation soon gets very intimate and graphic and in case we don’t get where this is leading too, Guerrero has inserted some very short clips of gay porn films. Franco is in his early 40s and partnered and when all three men agree they like the look of how this hook-up is progressing they invite the young man over for dinner and more.

    There is no ambiguity to the invitation and over the course of the meal, the three men chat at length about their backgrounds, their families and their lives so far. It is all very innocent and so completely friendly in such a way that it actually seems like the couple are looking to adopt the younger man rather take him to their bed and sexually ravish him. But this is what happens once desert has been served but as the action is photographed mainly from the waist up it is sweeter and somewhat wholesome than salacious.

    There is a lot of grunting and groaning and smiling and then some penetration.

    Next morning with still no genitalia on view the men leave for work and the boy leaves for college after they all say their fond farewells and promise to repeat the night very soon. The closing credits roll as we see young grinning Fede day-dreaming in Class his mind still on the events on last night as if he had just lost his virginity. (Not true).

    Sweet film, very good acting, but it really only had the makings of a short, and certainly not a full-length feature to promote this overly optimistic idea that sometimes (!) online hook-ups can be like a fairy tale after all.

    Released by TLA on 8th December

  • FILM REVIEW | St. Vincent: Grinning From Ear To Ear

    ★★★ | | St. Vincent: Grinning From Ear To Ear

    Vincent with no visible regular means of support and with a not a single friend in the world other than Felix his rather mangy Persian cat, is a cantankerous old drunk. When Maggie a newly single mother and Oliver her 12-year-old son move into the house next door, things get off to bad start between them and him, and it looks like they will be added to the long list of people who Vincent loathes. Then one day when Oliver gets inadvertently locked out of his house when his mother is trapped at work, and Vincent becomes a reluctant babysitter.

    Always desperately short of cash, mainly due to his very unsuccessful gambling habit, when Vincent realises that looking after Oliver every night after school will actually earn him some money, he signs up for the job albeit begrudgingly. However unbeknown to Maggie, Vincent sees no reason to change his normal routines and drags the boy around all his regular seedy and totally inappropriate haunts. When he discovers that the boy is being picked on at school he teaches Oliver how to break the bully’s nose, which to everyone’s surprise he successfully puts into practice the very next day.

    There are two people in Vincent’s life that he actually likes. One is a pregnant Russian stripper called Daka, and the second is Sandy an elderly woman suffering from Alzheimer’s who lives in a seniors centre. As the story unfolds it slowly becomes obvious why these women warrants special attention. Eventually, Vincent also starts to bond with his geeky charge and their relationship is really cemented when Oliver manages to change Vincent’s losing streak at the race track.

    Center strand to the story is that at the Catholic School Oliver attends each of the pupils is encouraged to nominate a person from their everyday lives to be a Saint. Despite his drinking, gambling and hanging out with hookers, Vincent is Oliver’s choice for canonization which seems an unrealistic fit with the Catholic Church, but this is the movies after all.

    This debut feature written and directed by newbie filmmaker Ted Melfi is purely a vehicle for the great comic actor Bill Murray who now specialises in playing old curmudgeons. He is unquestionably funnier than the movie itself, which although has some good comic moments, is just a little too sweet and syrupy which is not a good fit with Vincent’s grumpy personna.

    Melissa McCarthy has very little to do as Maggie, Naomi Watts as Daka seems as uncomfortable as we are listening to her silly Russian accent, and Chris O’Dowd is painfully unfunny as the school priest.

    However young Jaeden Lieberher playing Oliver puts in a fine performance and there was excellent chemistry between him and Mr Murray.

    It’s not the laugh-out loud comedy it sets out to be, but it will have you grinning from ear to ear some of the time.

  • FILM REVIEW | Big Gay Love

    ★ | Big Gay Love

    Ringo Le’s comic drama admirably tackles the concept that even in our physique obsessed culture, gay men who are socially inept and more than pleasantly plump can still get their chance at a big romance.

    The lonely soul in this instance is Bob, who is a chubby successful party caterer in LA who has made enough money to buy his first house but desperately sad as he has no-one to share it with. For some reason (insecurity?) his only friends are a couple of vapid vain gym rats who are as self-centered as his mother who was once a famous Pin Up Girl.

    When at one of his own parties, he meets Andy a handsome beefy accomplished chef & restaurant owner, and budding writer to boot, who actually fancies him, Bob’s low-self esteem kicks in big time. The trouble is for Bob… and for us too… that once Le sets up the scenario the initially promising story disintegrates through a series of convoluted and somewhat ridiculous plot twists and the whole mishmash becomes one annoying big pity party for Bob.

    The cast includes the talented Jonathan Lisecki (the writer/director/actor of ‘Gayby’) and handsome Nicholas Brendon (from ‘Buffy The Vampire Slayer’) but with zero chemistry between them and a very stilted script, both of them looked as uncomfortable as we felt by the time the final credits rolled. They would be lucky to find a small gay love at best!

    Big Gay Love = Big Gay Yawn.

  • FILM REVIEW | Human Capital, Morals May Be Loose But The Pace Is Fast

    On a snowy wintry night in a small town in the suburbs of Milan, after he has worked at an Awards Evening for the local school, a waiter jumps on his bike to make his way home. However before he can get there, he is run over by a hit-and-run driver who leaves him at the side of the road to die. This tragedy affects many more people than the ones involved in the accident, and this complicated multi-layered drama is the tale of a number of people from all walks of life who end up embroiled. ★★★★

    Director/screenwriter Paolo Virzì tells this story in three chapters through different sets of eyes, and each re-telling of the same events has its own particular focus.

    The first one is ‘Dino’ and it starts 6 months earlier when Dino is dropping off his teenage daughter Serana at her boyfriend’s family fancy villa. Massimiliano and she go to the same school together even though they come from totally opposite ends of the social scale.

    Massimiliano’s father Giovanni runs a major international hedge-fund, and Dino a small-time real estate broker is desperate to be allowed to invest in the fund. As it happens that particular day Giovanni is short of a tennis partner and so the anxious-to-please Dino wangles his way on the court and into the Fund. He mortgages his business and house to find the necessary minimum €500,000 investment without telling his new second wife who is expecting a child. You know its not going to end up well for him even then.

    The second chapter is named ‘Carla’ after Giovanni’s insecure socialite wife who is bored to tears as she is always left to her own devices by her neglectful wheeler-dealer husband. An ex-amateur actress, Carla persuades an indulgent Giovanni to save the local dilapidated theatre for the sake of the town’s culture, but he does it to make a quick buck on the property. She at least gets to have a one night stand with the theatre director as a way of compensation.

    The final chapter is the one on ‘Serena’ who has been keeping dumb to the police on who actually drove Massimilani’s car the night it hit the driver. This is where all the loose ends of the story get tied together and as the Fund fails both Dino and Giovanni’s wives act like they are both completely in shock at discovering their husband’s greed. Dino had believed the myth that easy money was just that, and it would bring him happiness too, whilst Giovanni used it as a tool simply to buy anything and anybody he wanted, including his son’s freedom.

    This very Italian tale was surprisingly adapted from an American best-selling novel in which the action had been set in Connecticut. Avarice is avarice wherever it is. Although the emphasis was on the menfolk, in this movie, it was the three women’s performances that were the attention grabbers: newbie Serena Ossola in her first screen role as Serena, Valeria Golino in the small but vital part of Roberta, Dino’s wife, and the stunning Valeria Bruni Tedeschi who picked up the Best Actress Award at Tribeca Film Festival for her excellent portrayal of the neurotic Carla.

    The morals may be loose but the pace is fast and consuming in this look at capitalism in crisis. It’s a sorry tale, but one that is told very well.

    Available From Amazon

  • FILM REVIEW | Boys, Tender and Touching Coming Of Age Film

    The two boys in question are 15-year-old Dutch schoolboys who get thrown together when their athletics coach selects them to be part of a 4 man relay team. They seem an unlikely pair of friends at first as Sieger is reserved and a little uptight mainly because of the fact since his mother died, he has to try to keep the peace between his wayward brother and strict father. Marc on the other hand is outgoing and adventurous and lives with his fun-loving family and a younger sister he adores.

    ★★★★

    The boys bond after practice one day and in an impulsive moment when they are are larking about swimming together in a lake Marc leans forward and kisses Sieger squarely on the mouth. He responses by returning the kiss, but once they are out of water and dressed, he nervously blurts out that he is not gay, before cycling off and leaving a bewildered Marc alone.

    Sieger’s old pal Theo, also part of the running team, persuades him to go on a double date with two local girls. When they are out at the fairground together the four of them run into a surprised Marc who is positively shocked and somewhat hurt when Jessica leans forward and gives Sieger a passionate kiss right in front of him.

    This very tender and touching coming of age story about this confused young boy who wants to fit in with the norm of what he thinks is expected of him has some very neat twists and turns and is not as predictable as it seemed at the outset. As he struggles with his sexuality, he is so aware of his father’s disillusionment with his brother that he believes he least should not disappoint him too. On top of this, they all live in a most idyllic corner of the lush Netherlands countryside which is not just a visual treat but somehow evokes memories of more innocent times.

    With great performances from the very young cast, this entertaining made-for-TV movie will hopefully get to the wider audience it deserves now it is being released worldwide.